User:TallKite/Solfeges: Difference between revisions

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Line 10: Line 10:


maybe break up into 2 pages?
maybe break up into 2 pages?
*microtonal solfeges page discusses BC, uniform and numeric solfeges
 
*list of solfeges page has all edos and pergens, with all 3 types of solfeges
* microtonal solfeges page discusses BC, uniform and numeric solfeges
==Classification==
* list of solfeges page has all edos and pergens, with all 3 types of solfeges
 
== Classification ==
'''Numeric''' solfeges are for small edos that aren't heptatonic-friendly, like 5, 6, and 8-11. All other edos use the conventional consonants D R M F S L T.
'''Numeric''' solfeges are for small edos that aren't heptatonic-friendly, like 5, 6, and 8-11. All other edos use the conventional consonants D R M F S L T.


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'''Uniform''' solfeges are for larger edos like 41 and 53. They use a uniform vowel sequence for all degrees. They add 6 altered consonants: Fr- N- P- Sh- Fl- and Th-. '''Uniform diatonic''' solfeges don't add them.
'''Uniform''' solfeges are for larger edos like 41 and 53. They use a uniform vowel sequence for all degrees. They add 6 altered consonants: Fr- N- P- Sh- Fl- and Th-. '''Uniform diatonic''' solfeges don't add them.
==Uniform solfeges==
 
== Uniform solfeges ==
Uniform solfeges are a type of solfege developed by [[Kite Giedraitis]]. They are closely related to his [[ups and downs notation]]. A uniform solfege lets one perform basic interval arithmetic directly within the solfege, without having to translate to note names or interval names and back. They use a uniform vowel sequence for each degree, hence the name. They use the conventional consonants D R M F S L T. But all consonants except D have an alternate form that indicates flattening or sharpening:
Uniform solfeges are a type of solfege developed by [[Kite Giedraitis]]. They are closely related to his [[ups and downs notation]]. A uniform solfege lets one perform basic interval arithmetic directly within the solfege, without having to translate to note names or interval names and back. They use a uniform vowel sequence for each degree, hence the name. They use the conventional consonants D R M F S L T. But all consonants except D have an alternate form that indicates flattening or sharpening:
*Fr- = '''f'''lat Re = minor 2nd (mnemonic: F stands for flat)
 
*N- = flat Mi = minor 3rd
* Fr- = '''f'''lat Re = minor 2nd (mnemonic: F stands for flat)
*P- = sharp Fa = aug 4th (mnemonic: Sh- sharpens to S-, and Th- sharpens to T-, so if Fa were spelled Pha, it would sharpen to Pa)
* N- = flat Mi = minor 3rd
*Sh- = flat So = dim 5th
* P- = sharp Fa = aug 4th (mnemonic: Sh- sharpens to S-, and Th- sharpens to T-, so if Fa were spelled Pha, it would sharpen to Pa)
*Fl- = '''f'''lat La = minor 6th (mnemonic: F stands for flat)
* Sh- = flat So = dim 5th
*Th- = flat Ti = minor 7th
* Fl- = '''f'''lat La = minor 6th (mnemonic: F stands for flat)
* Th- = flat Ti = minor 7th
 
Sharpening and flattening refers to adding/subtracting the [[2187/2048|lawa unison]] Lw1. In edos 7, 14, 21, 28 and 35, there is no need for the altered consonants, since Lw1 is tempered out. Some other edos (12, ??) also omit them.
Sharpening and flattening refers to adding/subtracting the [[2187/2048|lawa unison]] Lw1. In edos 7, 14, 21, 28 and 35, there is no need for the altered consonants, since Lw1 is tempered out. Some other edos (12, ??) also omit them.


The vowel sequence varies depending on the edo or pergen. There is always -a for pl'''a'''in, and almost always -u for '''u'''p and -o for d'''o'''wn. Larger edos also have either -i for m'''i'''d, or -i for dup (double-up) and -e for dud (double-down).
The vowel sequence varies depending on the edo or pergen. There is always -a for pl'''a'''in, and almost always -u for '''u'''p and -o for d'''o'''wn. Larger edos also have either -i for m'''i'''d, or -i for dup (double-up) and -e for dud (double-down).
{| class="wikitable center-all"
{| class="wikitable"
|+the three vowel sequences
|+
|-
the three vowel sequences
!3 vowels
!3 vowels
!14-22, etc,
!14-22, etc,
|
|
| -o = down
|<nowiki>-o = down</nowiki>
| -a = plain
|<nowiki>-a = plain</nowiki>
| -u = up
|<nowiki>-u = up</nowiki>
|
|
|-
|-
!4 vowels
!4 vowels
!31, 41
!31, 41
| -i = mid
|<nowiki>-i = mid</nowiki>
| -o = down
|<nowiki>-o = down</nowiki>
| -a = plain
|<nowiki>-a = plain</nowiki>
| -u = up
|<nowiki>-u = up</nowiki>
| -i = mid
|<nowiki>-i = mid</nowiki>
|-
|-
!5 vowels
!5 vowels
!53, 60
!53, 60
| -e = dud
|<nowiki>-e = dud</nowiki>
| -o = down
|<nowiki>-o = down</nowiki>
| -a = plain
|<nowiki>-a = plain</nowiki>
| -u = up
|<nowiki>-u = up</nowiki>
| -i = dup
|<nowiki>-i = dup</nowiki>
|}These 5 vowels cover all the more popular edos up to 60. Which edos aren't covered? The number of vowels a uniform solfege needs equals the edo's [[sharpness]] or penta-sharpness, whichever is larger. Thus an edo with a (penta)sharpness of 6 or higher needs 6 or more vowels and isn't covered. Every edo above 60 is such an edo. The excluded edos are the less efficient ones, with a fairly inaccurate 5th for their size. Thus they tend to be the less popular edos.
|}
These 5 vowels cover all the more popular edos up to 60. Which edos aren't covered? The number of vowels a uniform solfege needs equals the edo's [[sharpness]] or penta-sharpness, whichever is larger. Thus an edo with a (penta)sharpness of 6 or higher needs 6 or more vowels and isn't covered. Every edo above 60 is such an edo. The excluded edos are the less efficient ones, with a fairly inaccurate 5th for their size. Thus they tend to be the less popular edos.


A 6th vowel could of course be added, which would cover most edos up to 72edo. Perhaps -uh for the mid/betweens ring  of 72edo?
A 6th vowel could of course be added, which would cover most edos up to 72edo. Perhaps -uh for the mid/betweens ring  of 72edo?
===Examples===
 
*12edo: Da Fra Ra Na Ma Fa Pa/Sha Sa Fla La Tha Ta Da
=== Examples ===
*21edo: Da Du Ro Ra Ru Mo Ma Mu Fo Fa Fu So Sa Su Lo La Lu To Ta Tu Do Da
 
*
* 12edo: Da Fra Ra Na Ma Fa Pa/Sha Sa Fla La Tha Ta Da
* 21edo: Da Du Ro Ra Ru Mo Ma Mu Fo Fa Fu So Sa Su Lo La Lu To Ta Tu Do Da
 
Edos 5, 7 and 12 have only -a. 10edo has -a and -o but no -u.
Edos 5, 7 and 12 have only -a. 10edo has -a and -o but no -u.


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In edos with an even [[Sharpness|penta-sharpness]], there are "in-between" notes with two names. For example, 4\19 (Ru/No) is named as both a 2nd and a 3rd, a "serd".
In edos with an even [[Sharpness|penta-sharpness]], there are "in-between" notes with two names. For example, 4\19 (Ru/No) is named as both a 2nd and a 3rd, a "serd".
*1sn/2nd = unisecond (secison)
 
*2nd/3rd = serd (thecond)
* 1sn/2nd = unisecond (secison)
*3rd/4th = ford (thorth)
* 2nd/3rd = serd (thecond)
*4th/5th = tritone
* 3rd/4th = ford (thorth)
*5th/6th = sifth (sexth)
* 4th/5th = tritone
*6th/7th =  sexth? siventh?
* 5th/6th = sifth (sexth)
*7th/8ve = setave? octenth?
* 6th/7th =  sexth? siventh?
===Example Scales===
* 7th/8ve = setave? octenth?
 
=== Example Scales ===
(The prime limits assumes a larger edo in which both 81/80 and 64/63 = 1 edostep)
(The prime limits assumes a larger edo in which both 81/80 and 64/63 = 1 edostep)
{| class="wikitable center-all"
{| class="wikitable"
|+
|+
! rowspan="2" |3-limit
! rowspan="2" |3-limit
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|Da
|Da
|}
|}
===Suggestion for learning===
 
=== Suggestion for learning ===
Even with many familiar consonants and a consistent vowel sequence, it can take a while to master a large solfege. One might want to divide-and-conquer. Start with using this simple solfege:
Even with many familiar consonants and a consistent vowel sequence, it can take a while to master a large solfege. One might want to divide-and-conquer. Start with using this simple solfege:


Da - Ra - Ma - Fa - Sa - La - Ta - Da
Da - Ra - Ma - Fa - Sa - La - Ta - Da


This helps with <u>un</u>learning the syllables Do, Mi, So and Ti, which are still present but have a changed meaning. (For those familiar with the full 17-name solfege, note that Ra, Ri, Fi, Si and Li are often present but changed.)
This helps with unlearning the syllables Do, Mi, So and Ti, which are still present but have a changed meaning. (For those familiar with the full 17-name solfege, note that Ra, Ri, Fi, Si and Li are often present but changed.)


Next add in the 6 altered consonants, making a 12-edo-like solfege:
Next add in the 6 altered consonants, making a 12-edo-like solfege:
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Once this is fully internalized, add in the other vowels, and learn how to respell the various tritones.
Once this is fully internalized, add in the other vowels, and learn how to respell the various tritones.
===Octave Complement===
 
=== Octave Complement ===
To find the [[octave complement]] of any interval:
To find the [[octave complement]] of any interval:
*change the '''degree''' as usual: 2nd <--> 7th, 3rd <--> 6th, and 4th <--> 5th
 
*change the '''quality''' as usual: major <--> minor and aug <--> dim, but perfect and mid are unchanged
* change the '''degree''' as usual: 2nd <--> 7th, 3rd <--> 6th, and 4th <--> 5th
*find the '''consonant''' via the quality and degree
* change the '''quality''' as usual: major <--> minor and aug <--> dim, but perfect and mid are unchanged
*change the '''vowel''' as expected: -u <--> -o, but -a is unchanged. If -e is used, -i <--> -e, otherwise -i is unchanged.
* find the '''consonant''' via the quality and degree
* change the '''vowel''' as expected: -u <--> -o, but -a is unchanged. If -e is used, -i <--> -e, otherwise -i is unchanged.
 
For example, Fru = minor-Re-up becomes major-Ti-down = To.
For example, Fru = minor-Re-up becomes major-Ti-down = To.
===The Circle of Fifths===
 
=== The Circle of Fifths ===
The 13 -a notes form a chain of 5ths running from the dim 5th to the aug 4th:
The 13 -a notes form a chain of 5ths running from the dim 5th to the aug 4th:


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Thus as long as one spells the tritone correctly, all 5ths rhyme. This makes interval arithmetic very easy.
Thus as long as one spells the tritone correctly, all 5ths rhyme. This makes interval arithmetic very easy.
===Adding/subtracting 4ths and 5ths===
 
=== Adding/subtracting 4ths and 5ths ===
The note a 4th or 5th above any note always rhymes, and the consonant is as would be expected from conventional interval arithmetic. Ra plus a 4th is Sa, Fro plus a 5th is Flo, etc. Thus in the example scales above, the 3rd, 6th and 7th always rhyme, as do the tonic, 2nd, 4th and 5th.
The note a 4th or 5th above any note always rhymes, and the consonant is as would be expected from conventional interval arithmetic. Ra plus a 4th is Sa, Fro plus a 5th is Flo, etc. Thus in the example scales above, the 3rd, 6th and 7th always rhyme, as do the tonic, 2nd, 4th and 5th.


However, consider the aug 4th, a P- note. The note a 5th above it would be an augmented 8ve, which doesn't exist in a uniform solfege. Therefore one must rename the tritone as a dim or mid 5th. Thus in 31edo Pa + 5th = Sho + 5th = Fro. Likewise, Sho and Sha need renaming when adding a 4th: Sha + 4th = Pu + 4th = Tu.
However, consider the aug 4th, a P- note. The note a 5th above it would be an augmented 8ve, which doesn't exist in a uniform solfege. Therefore one must rename the tritone as a dim or mid 5th. Thus in 31edo Pa + 5th = Sho + 5th = Fro. Likewise, Sho and Sha need renaming when adding a 4th: Sha + 4th = Pu + 4th = Tu.
===Adding/subtracting other intervals===
 
=== Adding/subtracting other intervals ===
The same rule for 4ths and 5ths mostly holds for plain major 2nds. Keep the vowel, and change the consonant as expected. Ra + M2 = Ma. But an aug 4th must be renamed as a 5th. Beware, this rule breaks down entirely for major and mid 7ths (the T- notes), due to the lack of aug and mid 8ves.
The same rule for 4ths and 5ths mostly holds for plain major 2nds. Keep the vowel, and change the consonant as expected. Ra + M2 = Ma. But an aug 4th must be renamed as a 5th. Beware, this rule breaks down entirely for major and mid 7ths (the T- notes), due to the lack of aug and mid 8ves.


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If 81/80 maps to 1 edostep, then gu/yo = up/down. Likewise with the other commas. The table below shows that almost every edo has at least one such correlation. Parentheses are used when the prime's relative error is high, e.g. 12edo's prime 11.
If 81/80 maps to 1 edostep, then gu/yo = up/down. Likewise with the other commas. The table below shows that almost every edo has at least one such correlation. Parentheses are used when the prime's relative error is high, e.g. 12edo's prime 11.
{| class="wikitable center-all"
{| class="wikitable"
|+
|+
colorspeak correlations for all 25 diatonic edos that have uniform solfeges with 5 vowels or less
colorspeak correlations for all 25 diatonic edos that have uniform solfeges with 5 vowels or less
Line 217: Line 234:
!34
!34
!36
!36
!38  
!38
!39
!39
!40
!40
Line 442: Line 459:
|
|
|}
|}
==About the edo list==
 
== About the edo list ==
This list only includes edos that have uniform solfeges, which are edos with both sharpness and penta-sharpness of 5 or less. Smaller edos are included with numeric solfeges. Excluded edos: 30, 37, 42, 44, 47, 49, 51-52, 54, 56-59, and everything under 5 or over 60. A total of 43 edos, and 41 uniform solfeges.
This list only includes edos that have uniform solfeges, which are edos with both sharpness and penta-sharpness of 5 or less. Smaller edos are included with numeric solfeges. Excluded edos: 30, 37, 42, 44, 47, 49, 51-52, 54, 56-59, and everything under 5 or over 60. A total of 43 edos, and 41 uniform solfeges.
{| class="wikitable center-all"
{| class="wikitable"
|+
|+
!
!
Line 459: Line 477:
| rowspan="4" |5 7 12
| rowspan="4" |5 7 12
| rowspan="4" |5 6
| rowspan="4" |5 6
8 9
8 9


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|
|
|10 15 16 17 19 22 24
|10 15 16 17 19 22 24
26 29 31 36
26 29 31 36
|-
|-
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|}
|}


==5edo==
== 5edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+various solfeges
|+
various solfeges
![[5edo]]
![[5edo]]
!0
!0
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|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform circle of fifths
|+
uniform circle of fifths
!
!
!0
!0
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|Da
|Da
|}
|}
==6edo==
 
{| class="wikitable center-all"
== 6edo ==
|+BC & numeric solfeges
{| class="wikitable"
|+
BC & numeric solfeges
![[6edo]]
![[6edo]]
!0
!0
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|Wa
|Wa
|}
|}
==7edo==
 
{| class="wikitable center-all"
== 7edo ==
{| class="wikitable"
|+
|+
BC & uniform solfeges
BC & uniform solfeges
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|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+circle of fifths
|+
circle of fifths
!
!
!0
!0
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|Da
|Da
|}
|}
==8edo==
 
{| class="wikitable center-all"
== 8edo ==
|+numeric solfege
{| class="wikitable"
|+
numeric solfege
![[8edo]]
![[8edo]]
!0
!0
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|Wa
|Wa
|}
|}
==9edo==
 
{| class="wikitable center-all"
== 9edo ==
|+numeric solfege
{| class="wikitable"
|+
numeric solfege
![[9edo]]
![[9edo]]
!0
!0
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|Wa
|Wa
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain)
|+
uniform solfege (-a = plain)
![[9edo]]
![[9edo]]
!0
!0
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Of qustionable merit. Circle of 5ths: Da Sa Ra La/Sha Ma/Fra Ta/Fla Pa/Na Tha Fa Da
Of qustionable merit. Circle of 5ths: Da Sa Ra La/Sha Ma/Fra Ta/Fla Pa/Na Tha Fa Da


==10edo==
== 10edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+numeric solfege
|+
numeric solfege
![[10edo]]
![[10edo]]
!0
!0
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|Wa
|Wa
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -o = down)
|+
uniform solfege (-a = plain, -o = down)
![[10edo]]
![[10edo]]
!0
!0
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|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! colspan="7" |plain circle
! colspan="7" |plain circle
| rowspan="4" |
| rowspan="4" |
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|Ro
|Ro
|}
|}
==11edo==
 
{| class="wikitable center-all"
== 11edo ==
|+numeric solfege, see also edos 8-10
{| class="wikitable"
|+
numeric solfege, see also edos 8-10
![[11edo]]
![[11edo]]
!0
!0
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|Wa
|Wa
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
![[11edo]]
![[11edo]]
!0
!0
Line 1,071: Line 1,108:
|}
|}
Of qustionable merit. Circle of 5ths: Da Sa/Fu Ra/Du La/Su Ma/Ri Ta/Li Mi/Fra Ti/Fla Na/Fo Tha/Do Fa/So Da
Of qustionable merit. Circle of 5ths: Da Sa/Fu Ra/Du La/Su Ma/Ri Ta/Li Mi/Fra Ti/Fla Na/Fo Tha/Do Fa/So Da
{| class="wikitable center-all"
{| class="wikitable"
|+someone's solfege from 11edo page, a subset of 22edo
|+
someone's solfege from 11edo page, a subset of 22edo
![[11edo]]
![[11edo]]
!0
!0
Line 1,101: Line 1,139:
|Do
|Do
|}
|}
==12edo==
 
{| class="wikitable center-all"
== 12edo ==
|+conventional solfege (-i = sharp, -e = flat, -a = flat Re)
{| class="wikitable"
|+
conventional solfege (-i = sharp, -e = flat, -a = flat Re)
![[12edo]]
![[12edo]]
!0
!0
Line 1,164: Line 1,204:
|Do
|Do
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circle of fifths (asymmetrical and major-centric)'''
|+
'''circle of fifths (asymmetrical and major-centric)'''
!0
!0
!7
!7
Line 1,213: Line 1,254:
! colspan="2" |perfect
! colspan="2" |perfect
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege #1 (-a = plain = perfect/major, -u = aug, -o = dim/minor) (7 consonants)
|+
uniform solfege #1 (-a = plain = perfect/major, -u = aug, -o = dim/minor) (7 consonants)
![[12edo]]
![[12edo]]
!0
!0
Line 1,290: Line 1,332:
|Tu
|Tu
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circle of fifths (asymmetrical and major-centric)'''
|+
'''circle of fifths (asymmetrical and major-centric)'''
!
!
!0
!0
Line 1,367: Line 1,410:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege #2 (-a = plain = perfect/major, -u = aug)
|+
uniform solfege #2 (-a = plain = perfect/major, -u = aug)
![[12edo]]
![[12edo]]
!0
!0
Line 1,444: Line 1,488:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circle of fifths (asymmetrical and major-centric)'''
|+
'''circle of fifths (asymmetrical and major-centric)'''
!
!
!0
!0
Line 1,506: Line 1,551:
|Da
|Da
|}
|}
==13b-edo==
 
{| class="wikitable center-all"
== 13b-edo ==
|+uniform solfege  (-a = plain, -u = up, -o = down) (no Pa or Sha)
{| class="wikitable"
|+
uniform solfege  (-a = plain, -u = up, -o = down) (no Pa or Sha)
![[13edo]]
![[13edo]]
!0
!0
Line 1,573: Line 1,620:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circle of fifths'''
|+
'''circle of fifths'''
!
!
!0
!0
Line 1,655: Line 1,703:
|Da
|Da
|}
|}
==14edo==
 
{| class="wikitable center-all"
== 14edo ==
|+uniform solfege (-a = plain, -u = up, -o = down), see also 21edo
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down), see also 21edo
![[14edo]]
![[14edo]]
!0
!0
Line 1,726: Line 1,776:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! colspan="9" |plain circle
! colspan="9" |plain circle
| rowspan="4" |
| rowspan="4" |
Line 1,781: Line 1,832:
|So
|So
|}
|}
==15edo==
 
{| class="wikitable center-all"
== 15edo ==
|+uniform solfege (-u = up, -o = down, -a = plain)
{| class="wikitable"
|+
uniform solfege (-u = up, -o = down, -a = plain)
![[15edo]]
![[15edo]]
!0
!0
Line 1,892: Line 1,945:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! colspan="6" |plain circle
! colspan="6" |plain circle
| rowspan="4" |
| rowspan="4" |
Line 1,957: Line 2,011:
|Ro
|Ro
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Kite's diatonic solfege (-i = m<u>i</u>nor, -u = <u>u</u>pminor, -o = d<u>o</u>wnmajor, -a = m<u>a</u>jor), see 20edo, 22edo
|+
Kite's diatonic solfege (-i = minor, -u = upminor, -o = downmajor, -a = major), see 20edo, 22edo
![[15edo]]
![[15edo]]
!0
!0
Line 2,048: Line 2,103:
|To
|To
|Da
|Da
|}circles of 5ths: Fu Ru Lu Mu Tu Fu --- Da Sa/Li Ra/Mi La/Ti Ma/Fa Da --- So Ro Lo Mo To So
|}
{| class="wikitable center-all"
circles of 5ths: Fu Ru Lu Mu Tu Fu --- Da Sa/Li Ra/Mi La/Ti Ma/Fa Da --- So Ro Lo Mo To So
|+someone's BC solfege from the 15edo page
{| class="wikitable"
|+
someone's BC solfege from the 15edo page
![[15edo]]
![[15edo]]
!0
!0
Line 2,123: Line 2,180:
|Do
|Do
|}
|}
==16edo==
 
{| class="wikitable center-all"
== 16edo ==
|+uniform solfege  (-a = major/minor/perfect, -u = up/dim, -o = down/aug)
{| class="wikitable"
|+
uniform solfege  (-a = major/minor/perfect, -u = up/dim, -o = down/aug)
![[16edo]]
![[16edo]]
!0
!0
Line 2,240: Line 2,299:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circle of fifths'''
|+
'''circle of fifths'''
!
!
!0
!0
Line 2,344: Line 2,404:
! colspan="2" |perfect
! colspan="2" |perfect
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Kite's BC solfege (-i = sharp, -e = flat, -a = sharp Mi and Ti, flat Re), see also 12edo
|+
Kite's BC solfege (-i = sharp, -e = flat, -a = sharp Mi and Ti, flat Re), see also 12edo
![[16edo]]
![[16edo]]
!0
!0
Line 2,422: Line 2,483:
|Do
|Do
|}
|}
==17edo==
 
{| class="wikitable center-all"
== 17edo ==
|+uniform solfege (-a = plain, -u = up, -o = down)
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down)
![[17edo]]
![[17edo]]
!0
!0
Line 2,525: Line 2,588:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+circle of fifths
|+
circle of fifths
!
!
!0
!0
Line 2,634: Line 2,698:
! colspan="2" |perfect
! colspan="2" |perfect
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Andrew's BC solfege (-u = mid)
|+
Andrew's BC solfege (-u = mid)
![[17edo]]
![[17edo]]
!0
!0
Line 2,716: Line 2,781:
|Do
|Do
|}
|}
==18b-edo==
 
{| class="wikitable center-all"
== 18b-edo ==
|+uniform solfege (-a = plain, -u = up, -o = down)
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down)
![[18edo]]
![[18edo]]
!0
!0
Line 2,743: Line 2,810:
|C
|C
|^C
|^C
vD
vD
|D
|D
|^D
|^D
vDb
vDb
|Db
|Db
E
E
|^E
|^E
vEb
vEb
|Eb
|Eb
|^Eb / ^F#
|^Eb / ^F#
vF
vF
|F
|F
|^F
|^F
vG
vG
|G
|G
|^G
|^G
^Gb / vA
^Gb / vA
|A
|A
|^A
|^A
vAb
vAb
|Ab
|Ab
B
B
|^B
|^B
vBb
vBb
|Bb
|Bb
|^Bb
|^Bb
vC
vC
|C
|C
Line 2,775: Line 2,853:
|P1
|P1
|^1
|^1
vM2
vM2
|M2
|M2
|~2
|~2
|m2
|m2
M3
M3
|~3
|~3
|m3
|m3
|^m3 / ^A4
|^m3 / ^A4
v4
v4
|P4
|P4
|^4
|^4
v5
v5
|P5
|P5
|^5
|^5
vd5 / vM6
vd5 / vM6
|M6
|M6
|~6
|~6
|m6
|m6
M7
M7
|~7
|~7
|m7
|m7
|^m7
|^m7
v8
v8
|P8
|P8
Line 2,803: Line 2,888:
|Da
|Da
|Du
|Du
Ro
Ro
|Ra
|Ra
|Ru
|Ru
Fro
Fro
|Fra
|Fra
Ma
Ma
|Mu
|Mu
No
No
|Na
|Na
|Nu / Pu
|Nu / Pu
Fo
Fo
|Fa
|Fa
|Fu
|Fu
So
So
|Sa
|Sa
|Su
|Su
Sho / Lo
Sho / Lo
|La
|La
|Lu
|Lu
Flo
Flo
|Fla
|Fla
Ta
Ta
|Tu
|Tu
Tho
Tho
|Tha
|Tha
|Thu
|Thu
Do
Do
|Da
|Da
Line 2,853: Line 2,949:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+circles of fifths
|+
circles of fifths
! colspan="11" |plain circle
! colspan="11" |plain circle
| rowspan="4" |
| rowspan="4" |
Line 2,928: Line 3,025:
|So
|So
|}
|}
==19edo==
 
{| class="wikitable center-all"
== 19edo ==
|+traditional solfege
{| class="wikitable"
|+
traditional solfege
![[19edo]]
![[19edo]]
!0
!0
Line 3,019: Line 3,118:
|Do
|Do
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down)
|+
uniform solfege (-a = plain, -u = up, -o = down)
![[19edo]]
![[19edo]]
!0
!0
Line 3,131: Line 3,231:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+circle of fifths
|+
circle of fifths
!
!
!0
!0
Line 3,250: Line 3,351:
! colspan="2" |perfect
! colspan="2" |perfect
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Kite's diatonic solfege (-a = plain = perfect/major/A4, -u = up = aug, -o = down = dim/minor)
|+
Kite's diatonic solfege (-a = plain = perfect/major/A4, -u = up = aug, -o = down = dim/minor)
![[19edo]]
![[19edo]]
!0
!0
Line 3,361: Line 3,463:
|
|
|
|
|}'''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu/'''Do''' So Ro Lo Mo To Po/Fa '''Da'''
|}
==20edo==
'''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu/'''Do''' So Ro Lo Mo To Po/Fa '''Da'''
{| class="wikitable center-all"
 
|+uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
== 20edo ==
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
![[20edo]]
![[20edo]]
!0
!0
Line 3,503: Line 3,608:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! colspan="6" |plain circle
! colspan="6" |plain circle
| rowspan="4" |
| rowspan="4" |
Line 3,588: Line 3,694:
|Ro
|Ro
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Kite's diatonic solfege (-i = m<u>i</u>nor, -u = <u>u</u>pminor, -e = mid, -o = d<u>o</u>wnmajor, -a = m<u>a</u>jor), see 15edo, 22edo
|+
Kite's diatonic solfege (-i = minor, -u = upminor, -e = mid, -o = downmajor, -a = major), see 15edo, 22edo
![[20edo]]
![[20edo]]
!0
!0
Line 3,682: Line 3,789:
|Ta/Da
|Ta/Da
|}
|}
==21edo==
 
{| class="wikitable center-all"
== 21edo ==
|+uniform solfege (-a = plain, -u = up, -o = down), see also 14edo
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down), see also 14edo
![[21edo]]
![[21edo]]
!0
!0
Line 3,781: Line 3,890:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! colspan="8" |plain circle
! colspan="8" |plain circle
| rowspan="3" |
| rowspan="3" |
Line 3,839: Line 3,949:
|Do
|Do
|}
|}
==22edo==
 
{| class="wikitable center-all"
== 22edo ==
|+uniform solfege  (-u = <u>u</u>p, -o = d<u>o</u>wn, -a = pl<u>a</u>in)
{| class="wikitable"
|+
uniform solfege  (-u = up, -o = down, -a = plain)
![[22edo]]
![[22edo]]
!0
!0
Line 3,920: Line 4,032:
|Da
|Da
|Du
|Du
Fra
Fra
|Fru
|Fru
Line 3,930: Line 4,043:
|Fa
|Fa
|Fu
|Fu
Sha
Sha
|Po
|Po
Shu
Shu
|Pa
|Pa
So
So
|Sa
|Sa
Line 3,944: Line 4,060:
|To
|To
|Ta
|Ta
Do
Do
|Da
|Da
Line 3,958: Line 4,075:
|Fo
|Fo
|Mu
|Mu
Sho
Sho
|
|
Line 3,963: Line 4,081:
|
|
|Pu
|Pu
Flo
Flo
|Su
|Su
Line 3,974: Line 4,093:
|Tu
|Tu
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circle of fifths'''
|+
'''circle of fifths'''
!
!
!0
!0
Line 4,112: Line 4,232:
! colspan="2" |perfect
! colspan="2" |perfect
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Kite's diatonic solfege  (-i = m<u>i</u>nor, -u = <u>u</u>pminor, -o = d<u>o</u>wnmajor, -a = m<u>a</u>jor), see 15edo
|+
Kite's diatonic solfege  (-i = minor, -u = upminor, -o = downmajor, -a = major), see 15edo
![[22edo]]
![[22edo]]
!0
!0
Line 4,214: Line 4,335:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+circle of 5ths (1 non-rhyming 5th, Ti-Fa)
|+
circle of 5ths (1 non-rhyming 5th, Ti-Fa)
!
!
!0
!0
Line 4,366: Line 4,488:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Andrew's BC solfege
|+
Andrew's BC solfege
![[22edo]]
![[22edo]]
!0
!0
Line 4,468: Line 4,591:
|Do
|Do
|}
|}
==23edo==
 
{| class="wikitable center-all"
== 23edo ==
|+uniform solfege  (-a = major/minor/perfect, -u = up/dim, -o = down/aug)
{| class="wikitable"
|+
uniform solfege  (-a = major/minor/perfect, -u = up/dim, -o = down/aug)
![[23edo]]
![[23edo]]
!0
!0
Line 4,504: Line 4,629:
|Db
|Db
|Dbb
|Dbb
E#
E#
|E
|E
Line 4,518: Line 4,644:
|Ab
|Ab
|Abb
|Abb
B#
B#
|B
|B
Line 4,532: Line 4,659:
|m2
|m2
|d2
|d2
A3
A3
|M3
|M3
Line 4,546: Line 4,674:
|m6
|m6
|d6
|d6
A7
A7
|M7
|M7
Line 4,560: Line 4,689:
|Fra
|Fra
|Fru
|Fru
Mo
Mo
|Ma
|Ma
Line 4,565: Line 4,695:
|Nu
|Nu
|Fo
|Fo
Pa
Pa
|Fa
|Fa
Line 4,571: Line 4,702:
|Sa
|Sa
|Su
|Su
Sha
Sha
|Lo
|Lo
Line 4,576: Line 4,708:
|Fla
|Fla
|Flu
|Flu
To
To
|Ta
|Ta
Line 4,609: Line 4,742:
|
|
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circle of fifths'''
|+
'''circle of fifths'''
!
!
!0
!0
Line 4,741: Line 4,875:
|Da
|Da
|}
|}
==24edo==
 
{| class="wikitable center-all"
== 24edo ==
|+uniform solfege (-u = up, -a = plain, -o = down), see also 29edo, 36edo
{| class="wikitable"
|+
uniform solfege (-u = up, -a = plain, -o = down), see also 29edo, 36edo
![[24edo]]
![[24edo]]
!0
!0
Line 4,774: Line 4,910:
|C
|C
|^C
|^C
vDb
vDb
|Db
|Db
|^Db
|^Db
vD
vD
|D
|D
|^D
|^D
vEb
vEb
|Eb
|Eb
|^Eb
|^Eb
vE
vE
|E
|E
|^E
|^E
vF
vF
|F
|F
|^F
|^F
vF# vGb
vF# vGb
|F#
|F#
Gb
Gb
|^F#
|^F#
^Gb vG
^Gb vG
|G
|G
|^G
|^G
vAb
vAb
|Ab
|Ab
|^Ab
|^Ab
vA
vA
|A
|A
|^A
|^A
vBb
vBb
|Bb
|Bb
|^Bb
|^Bb
vB
vB
|B
|B
|^B
|^B
vC
vC
|C
|C
Line 4,814: Line 4,963:
|P1
|P1
|^1
|^1
vm2
vm2
|m2
|m2
Line 4,819: Line 4,969:
|M2
|M2
|^M2
|^M2
vm3
vm3
|m3
|m3
Line 4,824: Line 4,975:
|M3
|M3
|^M3
|^M3
v4
v4
|P4
|P4
|~4
|~4
vd5
vd5
|A4
|A4
d5
d5
|~5
|~5
v5
v5
|P5
|P5
|^5
|^5
vm6
vm6
|m6
|m6
Line 4,839: Line 4,995:
|M6
|M6
|^M6
|^M6
vm7
vm7
|m7
|m7
Line 4,844: Line 5,001:
|M7
|M7
|^M7
|^M7
v8
v8
|P8
|P8
Line 4,850: Line 5,008:
|Da
|Da
|Du
|Du
Fro
Fro
|Fra
|Fra
|Fru
|Fru
Ro
Ro
|Ra
|Ra
|Ru
|Ru
No
No
|Na
|Na
|Nu
|Nu
Mo
Mo
|Ma
|Ma
|Mu
|Mu
Fo
Fo
|Fa
|Fa
|Fu
|Fu
Po
Po


Sho
Sho
|Pa
|Pa
Sha
Sha
|Pu
|Pu
Shu So
Shu So
|Sa
|Sa
|Su
|Su
Flo
Flo
|Fla
|Fla
|Flu
|Flu
Lo
Lo
|La
|La
|Lu
|Lu
Tho
Tho
|Tha
|Tha
|Thu
|Thu
To
To
|Ta
|Ta
|Tu
|Tu
Do
Do
|Da
|Da
|}
|}
Fru, Nu, Flu andThu are included to complete the -u circle, so you can do interval arithmetic within it.
Fru, Nu, Flu andThu are included to complete the -u circle, so you can do interval arithmetic within it.
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! rowspan="3" |plain
! rowspan="3" |plain
circle
circle
!
!
Line 4,958: Line 5,131:
|-
|-
! rowspan="2" |up
! rowspan="2" |up
circle
circle
!-u
!-u
Line 4,990: Line 5,164:
|-
|-
! rowspan="2" |down
! rowspan="2" |down
circle
circle
!-o
!-o
Line 5,021: Line 5,196:
|Fro
|Fro
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege #2 (-a = plain, -i = mid/down)
|+
uniform solfege #2 (-a = plain, -i = mid/down)
![[24edo]]
![[24edo]]
!0
!0
Line 5,130: Line 5,306:
|Di
|Di
|Da
|Da
|}plain/mid rings:
|}
plain/mid rings:


Da Sa Ra La Ma Ta Pa/Sha Fra Fla Na Tha Fa Da
Da Sa Ra La Ma Ta Pa/Sha Fra Fla Na Tha Fa Da
Line 5,137: Line 5,314:


''Simpler, but you can't name the in-between notes (50¢, 250¢, 450¢) as up notes, which is nice.''
''Simpler, but you can't name the in-between notes (50¢, 250¢, 450¢) as up notes, which is nice.''
{| class="wikitable center-all"
{| class="wikitable"
|+Kite's diatonic solfege (-i -e -a -o -u = ^M M ~ m vm), see 31edo
|+
Kite's diatonic solfege (-i -e -a -o -u = ^M M ~ m vm), see 31edo
![[24edo]]
![[24edo]]
!0
!0
Line 5,169: Line 5,347:
|C
|C
|^C
|^C
vDb
vDb
|Db
|Db
Line 5,174: Line 5,353:
|D
|D
|^D
|^D
vEb
vEb
|Eb
|Eb
Line 5,179: Line 5,359:
|E
|E
|^E
|^E
vF
vF
|F
|F
|^F
|^F
vGb
vGb
|F#
|F#
Gb
Gb
|^F#
|^F#
vG
vG
|G
|G
|^G
|^G
vAb
vAb
|Ab
|Ab
Line 5,194: Line 5,379:
|A
|A
|^A
|^A
vBb
vBb
|Bb
|Bb
Line 5,199: Line 5,385:
|B
|B
|^B
|^B
vC
vC
|C
|C
Line 5,205: Line 5,392:
|P1
|P1
|^1
|^1
vm2
vm2
|m2
|m2
Line 5,210: Line 5,398:
|M2
|M2
|^M2
|^M2
vm3
vm3
|m3
|m3
Line 5,215: Line 5,404:
|M3
|M3
|^M3
|^M3
v4
v4
|P4
|P4
|^4
|^4
vd5
vd5
|A4
|A4
d5
d5
|^A4
|^A4
v5
v5
|P5
|P5
|^5
|^5
vm6
vm6
|m6
|m6
Line 5,230: Line 5,424:
|M6
|M6
|^M6
|^M6
vm7
vm7
|m7
|m7
Line 5,235: Line 5,430:
|M7
|M7
|^M7
|^M7
v8
v8
|P8
|P8
Line 5,241: Line 5,437:
|Do
|Do
|Da
|Da
Ru
Ru
|Ro
|Ro
Line 5,246: Line 5,443:
|Re
|Re
|Ri
|Ri
Mu
Mu
|Mo
|Mo
Line 5,251: Line 5,449:
|Me
|Me
|Mi
|Mi
Fu
Fu
|Fo
|Fo
|Fa
|Fa
Su
Su
|Fe
|Fe
So
So
|Fi
|Fi
Sa
Sa
|Se
|Se
|Si
|Si
Lu
Lu
|Lo
|Lo
Line 5,266: Line 5,469:
|Le
|Le
|Li
|Li
Tu
Tu
|To
|To
Line 5,271: Line 5,475:
|Te
|Te
|Ti
|Ti
Du
Du
|Do
|Do
|}
|}
==25edo==
 
{| class="wikitable center-all"
== 25edo ==
|+uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
![[25edo]]
![[25edo]]
!edosteps
!edosteps
Line 5,348: Line 5,555:
| colspan="2" |vB/vC C (^C)
| colspan="2" |vB/vC C (^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+Uniform solfege (-a = plain, -u = up, -o = down, -i = mid)  (duplicate names are '''bolded)'''
|+
Uniform solfege (-a = plain, -u = up, -o = down, -i = mid)  (duplicate names are '''bolded)'''
![[25edo]]
![[25edo]]
!edosteps
!edosteps
Line 5,420: Line 5,628:
| colspan="2" |'''v8''' P8 (^8)
| colspan="2" |'''v8''' P8 (^8)
| colspan="2" |'''vC''' C (^C)
| colspan="2" |'''vC''' C (^C)
|}plain ring: Da Sa Ra/Na La/Tha Fa Da
|}
plain ring: Da Sa Ra/Na La/Tha Fa Da


up ring: Fu/Shu Du/Fru Flu Nu Thu Fu/Shu
up ring: Fu/Shu Du/Fru Flu Nu Thu Fu/Shu
Line 5,429: Line 5,638:


down ring: Po/So Ro Lo Mo To/Do Po/So
down ring: Po/So Ro Lo Mo To/Do Po/So
 
{| class="wikitable"
{| class="wikitable center-all"
|+
|+'''circles of fifths'''
'''circles of fifths'''
!
!
! colspan="6" |plain circle
! colspan="6" |plain circle
Line 5,462: Line 5,671:
|-
|-
! rowspan="3" |up
! rowspan="3" |up
circle
circle
!1
!1
Line 5,487: Line 5,697:
|-
|-
! rowspan="3" |downmid
! rowspan="3" |downmid
circle
circle
!2
!2
Line 5,512: Line 5,723:
|-
|-
! rowspan="3" |upmid
! rowspan="3" |upmid
circle
circle
!3
!3
Line 5,537: Line 5,749:
|-
|-
! rowspan="3" |down
! rowspan="3" |down
circle
circle
!4
!4
Line 5,559: Line 5,772:
|Ro
|Ro
|}
|}
==26edo==
 
{| class="wikitable center-all"
== 26edo ==
|+uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim)
{| class="wikitable"
|+
uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim)
![[26edo]]
![[26edo]]
!edosteps
!edosteps
Line 5,632: Line 5,847:
| colspan="2" |d8 P8 (A8)
| colspan="2" |d8 P8 (A8)
| colspan="2" |Cb C (C#)
| colspan="2" |Cb C (C#)
|}circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho Fro Flo No Tho Fo '''Do''' So/Sha Fra Fla Na Tha Fa '''Da'''
|}
{| class="wikitable center-all"
circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho Fro Flo No Tho Fo '''Do''' So/Sha Fra Fla Na Tha Fa '''Da'''
|+Kite's diatonic solfege (-o = downminor = dim, -i = minor, -a = major/perfect, -u = upmajor = aug)
{| class="wikitable"
|+
Kite's diatonic solfege (-o = downminor = dim, -i = minor, -a = major/perfect, -u = upmajor = aug)
![[26edo]]
![[26edo]]
!edosteps
!edosteps
Line 5,703: Line 5,920:
|d8 P8 (A8)
|d8 P8 (A8)
|Cb C (C#)
|Cb C (C#)
|}circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho Ro Lo Mo To Fo '''Do''' <u>So Ri</u> Li Mi <u>Ti Fa</u> '''Da'''
|}
circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho Ro Lo Mo To Fo '''Do''' So Ri Li Mi Ti Fa '''Da'''


== 27edo ==
== 27edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
![[27edo]]
![[27edo]]
!edosteps
!edosteps
Line 5,778: Line 5,997:
| colspan="2" |M7/v8 P8 (^8)
| colspan="2" |M7/v8 P8 (^8)
| colspan="2" |B/vC C (^C)
| colspan="2" |B/vC C (^C)
|}circle of 5ths: '''Da''' Sa Ra La Ma Ta/'''Do''' Pa/So Ro Lo Mo To Po/Si Ri Li Mi Ti Fi/Shu Fru Flu Nu Thu Fu/Sha '''Du'''/Fra Fla Na Tha Fa '''Da'''
|}
circle of 5ths: '''Da''' Sa Ra La Ma Ta/'''Do''' Pa/So Ro Lo Mo To Po/Si Ri Li Mi Ti Fi/Shu Fru Flu Nu Thu Fu/Sha '''Du'''/Fra Fla Na Tha Fa '''Da'''


Du and Do aren't necessary, but only one D- note seems too few since all the other degrees have 5 notes.
Du and Do aren't necessary, but only one D- note seems too few since all the other degrees have 5 notes.
==28edo==
 
{| class="wikitable center-all"
== 28edo ==
|+uniform solfege (-a = plain, -u = up, -o = down, -i = double-up, -e = double-down)
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = double-up, -e = double-down)
![[28edo]]
![[28edo]]
!edosteps
!edosteps
Line 5,837: Line 6,059:
|^^B/vvC vC C (^C ^^C)
|^^B/vvC vC C (^C ^^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
|-
'''circles of fifths'''
! rowspan="2" |plain circle
! rowspan="2" |plain circle
!0
!0
Line 5,931: Line 6,153:
|Re
|Re
|}
|}
==29edo==
 
{| class="wikitable center-all"
== 29edo ==
|+uniform solfege (-a = plain, -u = up, -o = down), see also 24edo, 36edo
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down), see also 24edo, 36edo
![[29edo]]
![[29edo]]
!edosteps
!edosteps
Line 6,004: Line 6,228:
| colspan="2" |^M7/v8 P8 (^8)
| colspan="2" |^M7/v8 P8 (^8)
| colspan="2" |^B/vC C (^C)
| colspan="2" |^B/vC C (^C)
|}circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu '''Du'''/Fro Su/Flo Ru/No Lu/Tho Mu/Fo Tu/'''Do''' So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa '''Da'''
|}
{| class="wikitable center-all"
circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu '''Du'''/Fro Su/Flo Ru/No Lu/Tho Mu/Fo Tu/'''Do''' So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa '''Da'''
|+Phylingual's solfege
{| class="wikitable"
|+
Phylingual's solfege
![[29edo]]
![[29edo]]
!edosteps
!edosteps
Line 6,060: Line 6,286:
|vC C (^C)
|vC C (^C)
|}
|}
==31edo==
 
{| class="wikitable center-all"
== 31edo ==
|+uniform solfege (-a = plain, -u = up, -o = down)
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down)
![[31edo]]
![[31edo]]
!edosteps
!edosteps
Line 6,133: Line 6,361:
| colspan="2" |v8 P8 (^8)
| colspan="2" |v8 P8 (^8)
| colspan="2" |vC C (^C)
| colspan="2" |vC C (^C)
|}circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa '''Da'''
|}
{| class="wikitable center-all"
circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa '''Da'''
|+Kite's bright-dim solfege (-i -e -a -o -u = ^M M ~ m vm), see 24edo
{| class="wikitable"
|+
Kite's bright-dim solfege (-i -e -a -o -u = ^M M ~ m vm), see 24edo
![[31edo]]
![[31edo]]
!solfege names
!solfege names
Line 6,194: Line 6,424:
|vC C (^C)
|vC C (^C)
|30-31 (32)
|30-31 (32)
|}As a circle of 5ths:
|}
As a circle of 5ths:


<u>'''Do''' Se</u> Re Le Me Te Fe/Su Ru Lu Mu Tu Fu <u>'''Du''' Sa</u> Ra La Ma Ta Fa <u>'''Da''' Si</u> Ri Li Mi Ti Fi/So Ro Lo Mo To Fo '''Do'''
'''Do''' Se Re Le Me Te Fe/Su Ru Lu Mu Tu Fu '''Du''' Sa Ra La Ma Ta Fa '''Da''' Si Ri Li Mi Ti Fi/So Ro Lo Mo To Fo '''Do'''
{| class="wikitable center-all"
{| class="wikitable"
|+Kite's solfege (-u -a -e -i -o = Upmajor mAjor nEutral mInor dOwnminor)
|+
Kite's solfege (-u -a -e -i -o = Upmajor mAjor nEutral mInor dOwnminor)
![[31edo]]
![[31edo]]
!solfege names
!solfege names
Line 6,257: Line 6,489:
|vC C (^C)
|vC C (^C)
|30-31 (32)
|30-31 (32)
|}circle of 5ths: '''Da''' Sa Ra La Ma Ta Fa/So Ro Lo Mo To <u>Fo '''De'''</u> Se Re Le Me Te <u>Fe '''Du'''</u> Su Ru Lu Mu Tu Fu/Si Ri Li Mi Ti <u>Fi '''Da'''</u>
|}
{| class="wikitable center-all"
circle of 5ths: '''Da''' Sa Ra La Ma Ta Fa/So Ro Lo Mo To Fo '''De''' Se Re Le Me Te Fe '''Du''' Su Ru Lu Mu Tu Fu/Si Ri Li Mi Ti Fi '''Da'''
|+Andrew's solfege
{| class="wikitable"
|+
Andrew's solfege
![[31edo]]
![[31edo]]
!edosteps
!edosteps
Line 6,315: Line 6,549:


== 32edo ==
== 32edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
![[32edo]]
![[32edo]]
!edosteps
!edosteps
Line 6,387: Line 6,622:
| colspan="2" |M7/v8 P8 (^8)
| colspan="2" |M7/v8 P8 (^8)
| colspan="2" |B/vC C (^C)
| colspan="2" |B/vC C (^C)
|}'''Da''' Sa Ra La Ma Ta/'''Do''' Pa/So Ro Lo Mo To Po/Si Ri Li Mi Ti Pi/ShiFri Fli Ni Thi Fi/Shu Fru Flu Nu Thu Fu/Sha '''Du'''/Fra Fla Na Tha Fa '''Da'''
|}
'''Da''' Sa Ra La Ma Ta/'''Do''' Pa/So Ro Lo Mo To Po/Si Ri Li Mi Ti Pi/ShiFri Fli Ni Thi Fi/Shu Fru Flu Nu Thu Fu/Sha '''Du'''/Fra Fla Na Tha Fa '''Da'''


Du and Do aren't necessary, but only one D- note seems too few since all the other degrees have 5 notes.
Du and Do aren't necessary, but only one D- note seems too few since all the other degrees have 5 notes.
==33edo==
 
{| class="wikitable center-all"
== 33edo ==
|+uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim, -i = double-aug, -e = double-dim)
{| class="wikitable"
|+
uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim, -i = double-aug, -e = double-dim)
![[33edo]]
![[33edo]]
!edosteps
!edosteps
Line 6,463: Line 6,701:
| colspan="2" |AA7/dd8 d8 P8 (A8 AA8)
| colspan="2" |AA7/dd8 d8 P8 (A8 AA8)
| colspan="2" |Bx/Cbb Cb C (C# Cx)
| colspan="2" |Bx/Cbb Cb C (C# Cx)
|}'''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Fi/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Se/Sho Fro Flo No Tho Fo '''Do''' So/Sha Fra Fla Na Tha Fa '''Da'''
|}
==34edo==
'''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Fi/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Se/Sho Fro Flo No Tho Fo '''Do''' So/Sha Fra Fla Na Tha Fa '''Da'''
{| class="wikitable center-all"
 
|+uniform solfege (-a = plain, -u = up, -o = down, -i = mid) in-between notes are bolded
== 34edo ==
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = mid) in-between notes are bolded
![[34edo]]
![[34edo]]
!edosteps
!edosteps
Line 6,538: Line 6,779:
| colspan="2" |'''vC''' C (^C)
| colspan="2" |'''vC''' C (^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+circles of fifths
|+
circles of fifths
! rowspan="5" |plain/mid
! rowspan="5" |plain/mid
circle
circle
!
!
Line 6,632: Line 6,875:
|-
|-
! rowspan="6" |up/down
! rowspan="6" |up/down
circle
circle
!
!
Line 6,742: Line 6,986:
|
|
|}
|}
==35edo==
 
{| class="wikitable center-all"
== 35edo ==
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
![[35edo]]
![[35edo]]
!edosteps
!edosteps
Line 6,798: Line 7,044:
|vvC vC C (^C ^^C)
|vvC vC C (^C ^^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
|-
'''circles of fifths'''
! rowspan="2" |plain circle
! rowspan="2" |plain circle
!0
!0
Line 6,904: Line 7,150:
|De
|De
|}
|}
==36edo==
 
{| class="wikitable center-all"
== 36edo ==
|+uniform solfege (-a = plain, -u = up, -o = down), see also 24edo, 29edo
{| class="wikitable"
|+
uniform solfege (-a = plain, -u = up, -o = down), see also 24edo, 29edo
![[36edo]]
![[36edo]]
!edosteps
!edosteps
Line 6,978: Line 7,226:
| colspan="2" |vC C (^C)
| colspan="2" |vC C (^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! rowspan="3" |plain
! rowspan="3" |plain
circle
circle
!0
!0
Line 7,027: Line 7,277:
|-
|-
! rowspan="3" |up
! rowspan="3" |up
circle
circle
!1
!1
Line 7,073: Line 7,324:
|-
|-
! rowspan="3" |down
! rowspan="3" |down
circle
circle
!35
!35
Line 7,118: Line 7,370:


== 38edo ==
== 38edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), contains 19edo's solfege, but with u --> i and o --> e
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), contains 19edo's solfege, but with u --> i and o --> e
![[38edo]]
![[38edo]]
!edosteps
!edosteps
Line 7,191: Line 7,444:
| colspan="2" |^^B/vvC vC C (^C ^^C)
| colspan="2" |^^B/vvC vC C (^C ^^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+circles of fifths
|+
circles of fifths
! rowspan="6" |plain/
! rowspan="6" |plain/
dup/
dup/


Line 7,319: Line 7,574:
|-
|-
! rowspan="5" |up/
! rowspan="5" |up/
down
down


Line 7,422: Line 7,678:
== 39edo ==
== 39edo ==
Could use only 4 vowels by replacing -e with -i.
Could use only 4 vowels by replacing -e with -i.
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup = downmid, -e = dud = upmid) in-between notes are bolded
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup = downmid, -e = dud = upmid) in-between notes are bolded
![[39edo]]
![[39edo]]
!edosteps
!edosteps
Line 7,497: Line 7,754:
'''Da''' Sa Ra La Ma Ta Pa/Se Re Le Me Te Pe/Shu Fru Flu Nu Thu Fu '''Du'''/Fro Su/Flo Ru/No Lu/Tho Mu/Fo Tu/'''Do''' So Ro Lo Mo To Po/Shi Fri Fli Ni Thi Fi/Sha Fra Fla Na Tha Fa '''Da'''
'''Da''' Sa Ra La Ma Ta Pa/Se Re Le Me Te Pe/Shu Fru Flu Nu Thu Fu '''Du'''/Fro Su/Flo Ru/No Lu/Tho Mu/Fo Tu/'''Do''' So Ro Lo Mo To Po/Shi Fri Fli Ni Thi Fi/Sha Fra Fla Na Tha Fa '''Da'''


==40edo==
== 40edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim, -i = double-aug, -e = double-dim)
|+
uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim, -i = double-aug, -e = double-dim)
![[40edo]]
![[40edo]]
!edosteps
!edosteps
Line 7,570: Line 7,828:
| colspan="2" |dd8 d8 P8 (A8 AA8)
| colspan="2" |dd8 d8 P8 (A8 AA8)
| colspan="2" |Cbb Cb C (C# Cx)
| colspan="2" |Cbb Cb C (C# Cx)
|}'''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Fi '''Di''' Si Ri Li Mi Ti Pi/She Fre Fle Ne The Fe '''De''' Se/Sho Fro Flo No Tho Fo '''Do''' So/Sha Fra Fla Na Tha Fa '''Da'''
|}
==41edo==
'''Da''' Sa Ra La Ma Ta Pa/Fu '''Du''' Su Ru Lu Mu Tu Pu/Fi '''Di''' Si Ri Li Mi Ti Pi/She Fre Fle Ne The Fe '''De''' Se/Sho Fro Flo No Tho Fo '''Do''' So/Sha Fra Fla Na Tha Fa '''Da'''
{| class="wikitable center-all"
 
|+Kite's solfege (-a = plain, -u = up, -o = down, -i = mid), see also 53edo
== 41edo ==
{| class="wikitable"
|+
Kite's solfege (-a = plain, -u = up, -o = down, -i = mid), see also 53edo
![[41edo]]
![[41edo]]
!edosteps
!edosteps
Line 7,644: Line 7,905:
| colspan="2" |v8 P8 (^8)
| colspan="2" |v8 P8 (^8)
| colspan="2" |vC C (^C)
| colspan="2" |vC C (^C)
|}'''Da''' Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Si Ri Li Mi Ti Fi/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa '''Da'''
|}
'''Da''' Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Si Ri Li Mi Ti Fi/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa '''Da'''


* <u>plain</u>: '''Da''' Sa Ra La Ma Ta Pa/Shu  
* plain: '''Da''' Sa Ra La Ma Ta Pa/Shu
* <u>up</u>: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Si  
* up: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Si
* <u>mid</u>: Si Ri Li Mi Ti Fi/Sho  
* mid: Si Ri Li Mi Ti Fi/Sho
* <u>down</u>: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha  
* down: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha
* <u>plain</u>: Sha Fra Fla Na Tha Fa '''Da'''
* plain: Sha Fra Fla Na Tha Fa '''Da'''
{| class="wikitable center-all"
 
|+Andrew's solfege
{| class="wikitable"
|+
Andrew's solfege
![[41edo]]
![[41edo]]
!edosteps
!edosteps
Line 7,708: Line 7,972:


== 43edo ==
== 43edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), in-betweener's duplicate names are bolded
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), in-betweener's duplicate names are bolded
![[43edo]]
![[43edo]]
!edosteps
!edosteps
Line 7,780: Line 8,045:
| colspan="2" |vv8 v8 P8 (^8 ^^8)
| colspan="2" |vv8 v8 P8 (^8 ^^8)
| colspan="2" |vvC vC C (^C ^^C)
| colspan="2" |vvC vC C (^C ^^C)
|}'''Da''' Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa '''Da'''
|}
'''Da''' Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa '''Da'''


* <u>plain</u>: '''Da''' Sa Ra La Ma Ta Pa/Sho  
* plain: '''Da''' Sa Ra La Ma Ta Pa/Sho
* <u>down</u>: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She
* down: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She
* <u>dup/dud/inbetween</u>: She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Shu  
* dup/dud/inbetween: She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Shu
* <u>up</u>: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha
* up: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha
* <u>plain</u>: Sha Fra Fla Na Tha Fa '''Da'''
* plain: Sha Fra Fla Na Tha Fa '''Da'''


== 45edo ==
== 45edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup = aug, -e = dud = dim)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup = aug, -e = dud = dim)
![[45edo]]
![[45edo]]
!edosteps
!edosteps
Line 7,864: Line 8,131:
'''Da''' Sa Ra La Ma Ta Pa/Fi '''Di''' Si Ri Li Mi Ti Pi/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fu '''Du''' Su Ru Lu Mu Tu Pu/She Fre Fle Ne The Fe '''De''' Se/Sha Fra Fla Na Tha Fa '''Da'''
'''Da''' Sa Ra La Ma Ta Pa/Fi '''Di''' Si Ri Li Mi Ti Pi/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fu '''Du''' Su Ru Lu Mu Tu Pu/She Fre Fle Ne The Fe '''De''' Se/Sha Fra Fla Na Tha Fa '''Da'''


* <u>plain</u>: '''Da''' Sa Ra La Ma Ta Pa/Fi
* plain: '''Da''' Sa Ra La Ma Ta Pa/Fi
* <u>dup/aug</u>: Fi '''Di''' Si Ri Li Mi Ti Pi/Sho
* dup/aug: Fi '''Di''' Si Ri Li Mi Ti Pi/Sho
* <u>down</u>: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fu
* down: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fu
* <u>up</u>: Fu '''Du''' Su Ru Lu Mu Tu Pu/She  
* up: Fu '''Du''' Su Ru Lu Mu Tu Pu/She
* <u>dud/dim</u>: She Fre Fle Ne The Fe '''De''' Se/Sha  
* dud/dim: She Fre Fle Ne The Fe '''De''' Se/Sha
* <u>plain</u>: Sha Fra Fla Na Tha Fa '''Da'''
* plain: Sha Fra Fla Na Tha Fa '''Da'''


== 46edo ==
== 46edo ==
Could use only 4 vowels by replacing -e with -i.
Could use only 4 vowels by replacing -e with -i.
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup = downmid, -e = dud = upmid)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup = downmid, -e = dud = upmid)
![[46edo]]
![[46edo]]
!edosteps
!edosteps
Line 7,948: Line 8,216:
'''Da''' Sa Ra La Ma Ta Pa/Shi Fri Fli Ni Thi Fi/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Se Re Le Me Te Pe/Sha Fra Fla Na Tha Fa '''Da'''
'''Da''' Sa Ra La Ma Ta Pa/Shi Fri Fli Ni Thi Fi/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Se Re Le Me Te Pe/Sha Fra Fla Na Tha Fa '''Da'''


* <u>plain</u>: '''Da''' Sa Ra La Ma Ta Pa/Shi  
* plain: '''Da''' Sa Ra La Ma Ta Pa/Shi
* <u>dup/downmid</u>: Shi Fri Fli Ni Thi Fi/Sho  
* dup/downmid: Shi Fri Fli Ni Thi Fi/Sho
* <u>down</u>: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Shu  
* down: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Shu
* <u>up</u>: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Se  
* up: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Se
* <u>dud/upmid</u>: Se Re Le Me Te Pe/Sha  
* dud/upmid: Se Re Le Me Te Pe/Sha
* <u>plain</u>: Sha Fra Fla Na Tha Fa '''Da'''
* plain: Sha Fra Fla Na Tha Fa '''Da'''


==48edo==
== 48edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
![[48edo]]
![[48edo]]
!edosteps
!edosteps
Line 8,041: Line 8,310:
| colspan="3" |^^B/vvC vC C (^C ^^C)
| colspan="3" |^^B/vvC vC C (^C ^^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), inbetween names are bolded
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), inbetween names are bolded
![[48edo]]
![[48edo]]
!edosteps
!edosteps
Line 8,125: Line 8,395:
| colspan="3" |vv8 v8 P8 (^8 ^^8)
| colspan="3" |vv8 v8 P8 (^8 ^^8)
| colspan="3" |vvC vC C (^C ^^C)
| colspan="3" |vvC vC C (^C ^^C)
|}Fri/Ni/Fli/Thi are included to make the -i circle complete, so that one can do interval arithmetic within it.
|}
{| class="wikitable center-all"
Fri/Ni/Fli/Thi are included to make the -i circle complete, so that one can do interval arithmetic within it.
|+'''circles of fifths'''
{| class="wikitable"
|+
'''circles of fifths'''
! rowspan="3" |plain
! rowspan="3" |plain
circle
circle
!0
!0
Line 8,175: Line 8,448:
|-
|-
! rowspan="3" |up
! rowspan="3" |up
circle
circle
!1
!1
Line 8,221: Line 8,495:
|-
|-
! rowspan="3" |down
! rowspan="3" |down
circle
circle
!47
!47
Line 8,267: Line 8,542:
|-
|-
! rowspan="5" |mid /
! rowspan="5" |mid /
inbetween
inbetween


Line 8,347: Line 8,623:


== 50edo ==
== 50edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
![[50edo]]
![[50edo]]
!edosteps
!edosteps
Line 8,420: Line 8,697:
| colspan="2" |vvC vC C (^C ^^C)
| colspan="2" |vvC vC C (^C ^^C)
|}
|}
'''Da''' Sa Ra La Ma Ta Pa/She Fre Fle Ne The Fe '''De''' Se/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fi Di Si Ri Li Mi Ti Pi/Sha Fra Fla Na Tha Fa '''Da'''  
'''Da''' Sa Ra La Ma Ta Pa/She Fre Fle Ne The Fe '''De''' Se/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fi Di Si Ri Li Mi Ti Pi/Sha Fra Fla Na Tha Fa '''Da'''


* <u>plain</u>: '''Da''' Sa Ra La Ma Ta Pa/She  
* plain: '''Da''' Sa Ra La Ma Ta Pa/She
* <u>dud</u>: She Fre Fle Ne The Fe '''De''' Se/Shu  
* dud: She Fre Fle Ne The Fe '''De''' Se/Shu
* <u>up</u>: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho  
* up: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sho
* <u>down</u>: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fi  
* down: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fi
* <u>dup</u>: Fi Di Si Ri Li Mi Ti Pi/Sha  
* dup: Fi Di Si Ri Li Mi Ti Pi/Sha
* <u>plain</u>: Sha Fra Fla Na Tha Fa '''Da'''
* plain: Sha Fra Fla Na Tha Fa '''Da'''


== 53edo ==
== 53edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
![[53edo]]
![[53edo]]
!edosteps
!edosteps
Line 8,490: Line 8,768:
| colspan="2" |^^M7/vv8 v8 P8 (^8 ^^8)
| colspan="2" |^^M7/vv8 v8 P8 (^8 ^^8)
|}
|}
'''Da''' Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Shi Fri Fli Ni Thi Fi/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Se Re Le Me Te Pe/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa '''Da'''  
'''Da''' Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Shi Fri Fli Ni Thi Fi/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Se Re Le Me Te Pe/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa '''Da'''


* <u>plain</u>: '''Da''' Sa Ra La Ma Ta Pa/Shu
* plain: '''Da''' Sa Ra La Ma Ta Pa/Shu
* <u>up</u>: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Shi  
* up: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Shi
* <u>dup/dud</u>: Shi Fri Fli Ni Thi Fi/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Se  
* dup/dud: Shi Fri Fli Ni Thi Fi/She '''Di'''/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/'''De''' Pi/Se
* <u>dud</u>: Se Re Le Me Te Pe/Sho  
* dud: Se Re Le Me Te Pe/Sho
* <u>down</u>: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha  
* down: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Sha
* <u>plain</u>: Sha Fra Fla Na Tha Fa '''Da'''  
* plain: Sha Fra Fla Na Tha Fa '''Da'''


{| class="wikitable center-all"
{| class="wikitable"
|+Phylingual's solfege
|+
Phylingual's solfege
![[53edo]]
![[53edo]]
!edosteps
!edosteps
Line 8,548: Line 8,827:


== 55edo ==
== 55edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
![[55edo]]
![[55edo]]
!edosteps
!edosteps
Line 8,621: Line 8,901:
| colspan="2" |vvC vC C (^C ^^C)
| colspan="2" |vvC vC C (^C ^^C)
|}
|}
'''Da''' Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She Fre Fle Ne The Fe '''De''' Se Re Le Me Te Pe/Fi '''Di''' Si Ri Li Mi Ti Pi/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa '''Da'''  
'''Da''' Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She Fre Fle Ne The Fe '''De''' Se Re Le Me Te Pe/Fi '''Di''' Si Ri Li Mi Ti Pi/Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa '''Da'''


* <u>plain</u>: '''Da''' Sa Ra La Ma Ta Pa/Sho  
* plain: '''Da''' Sa Ra La Ma Ta Pa/Sho
* <u>down</u>: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She  
* down: Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/She
* <u>dud</u>: She Fre Fle Ne The Fe '''De''' Se Re Le Me Te Pe/Fi
* dud: She Fre Fle Ne The Fe '''De''' Se Re Le Me Te Pe/Fi
* <u>dup</u>: Fi '''Di''' Si Ri Li Mi Ti Pi/Shu  
* dup: Fi '''Di''' Si Ri Li Mi Ti Pi/Shu
* <u>up</u>: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha  
* up: Shu Fru Flu Nu Thu Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha
* <u>plain</u>: Sha Fra Fla Na Tha Fa '''Da'''  
* plain: Sha Fra Fla Na Tha Fa '''Da'''


==60edo==
== 60edo ==
{| class="wikitable center-all"
{| class="wikitable"
|+uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
|+
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
![[60edo]]
![[60edo]]
!edosteps
!edosteps
Line 8,704: Line 8,985:
| colspan="2" |vvC vC C (^C ^^C)
| colspan="2" |vvC vC C (^C ^^C)
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''circles of fifths'''
|+
'''circles of fifths'''
! rowspan="3" |plain
! rowspan="3" |plain
circle
circle
!0
!0
Line 8,753: Line 9,036:
|-
|-
! rowspan="3" |up
! rowspan="3" |up
circle
circle
!1
!1
Line 8,799: Line 9,083:
|-
|-
! rowspan="3" |down
! rowspan="3" |down
circle
circle
!59
!59
Line 8,845: Line 9,130:
|-
|-
! rowspan="3" |dup
! rowspan="3" |dup
circle
circle
!2
!2
Line 8,935: Line 9,221:


== Rank-2 Uniform Solfeges by Pergen ==
== Rank-2 Uniform Solfeges by Pergen ==
Rank-2 temperaments have an infinite number of notes, so a solfege can only cover a fraction of them. But often one only uses enough to make a MOS scale. [[Pergen|Pergens]] tell us how to use ups and downs to notate them, and the same consonants and vowels can be used. Instead of circles of 5ths, there are fifthchains. Each fifthchain requires its own vowel, so there can only be 5 fifthchains. This covers 21 pergens.  
Rank-2 temperaments have an infinite number of notes, so a solfege can only cover a fraction of them. But often one only uses enough to make a MOS scale. [[Pergen|Pergens]] tell us how to use ups and downs to notate them, and the same consonants and vowels can be used. Instead of circles of 5ths, there are fifthchains. Each fifthchain requires its own vowel, so there can only be 5 fifthchains.


Genchains are distinct from fifthchains. Consider a pergen (P8/m, M/n), where M is some perfect multigen, e.g. P4, P5, or P11. This pergen has m genchains, each containing n fifthchains, and needs m*n vowels. If the multigen is imperfect, such as (P8/2, M2/4), let t = the 3-count of M's monzo, and the pergen needs n*m/t vowels. However if m is even, the half-octave requires two names, and the pergen needs an additional vowel.  
Genchains are distinct from fifthchains. Each pergen has one or more genchains, which contains one or more fifthchains. However if the octave is split in halves or quarters, the half-octave requires two names, and the pergen needs an additional vowel. The 13 consonants and 5 vowels cover 20 or 21 pergens.


The EI (enharmonic interval) can be added to or subtracted from any note or interval to get an equivalent note or interval.
The EI (enharmonic interval) can be added to or subtracted from any note or interval to get an equivalent note or interval.


A pergen's solfege can suggest an edo's solfege. For example, 22edo supports (P8, P4/3), and the pergen's solfege has 27 notes in it. Since the generator is 3\22, simply apply the genchain to every 3rd edostep of 22edo. The extra 5 names make duplicate names.
A pergen's solfege can suggest an edo's solfege. For example, 22edo supports (P8, P4/3), and the pergen's solfege has 27 notes in it. Since the generator is 3\22, simply apply the genchain to every 3rd edostep of 22edo. The extra 5 names make duplicate names.


To do: for each pergen, list the entire genchain in melodic order, if possible?
To do: for each pergen, list the entire genchain in melodic order, if possible?


 
=== List of MOS scales ===
Some combos of pergens and MOS scales require a very sharp or flat 5th. Just as with superflat edos, a uniform solfege can still be used, but the sound of the interval won't match what its name implies. Better to use a different pergen.
Some combos of pergens and MOS scales require a very sharp or flat 5th. Just as with superflat edos, a uniform solfege can still be used, but the sound of the interval won't match what its name implies. Better to use a different pergen.
{| class="wikitable"
{| class="wikitable"
|+MOS scales and good pergens for them (bolded = requires > 5 vowels)
|+
MOS scales and good pergens for them (bolded = requires more than 5 vowels)
!MOS scale
!MOS scale
! colspan="2" |primary example
! colspan="2" |primary example
Line 9,168: Line 9,453:
|(P8, P5/2) [10]
|(P8, P5/2) [10]
|half-5th decatonic
|half-5th decatonic
|ninth-cc5th
|'''ninth-coco-5th'''
|-
|-
|8L 2s
|8L 2s
|'''(P8/2, P4/4) [10]'''
|'''(P8/2, P4/4) [10]'''
|'''half-8ve quarter-4th decatonic'''
|'''half-8ve quarter-4th decatonic'''
|half-8ve quarter-12th
|'''half-8ve quarter-12th'''
|-
|-
|9L 1s
|9L 1s
Line 9,184: Line 9,469:


* P = P8, G = P5
* P = P8, G = P5
* EI = vA1
* EI = vA1 (extended solfege only)


MOS scales covered:  
MOS scales covered:


* 5 = 2L3s (for 3L2s, use P11/4 or P12/4, to avoid Sa > 3\5= 720¢)
* 5 = 2L3s (for 3L2s, use P11/4 or P12/4, to avoid Sa > 3\5= 720¢)
Line 9,192: Line 9,477:
* 12 = 7L5s or 5L7s (extended solfege only)
* 12 = 7L5s or 5L7s (extended solfege only)


{| class="wikitable center-all"
{| class="wikitable"
|+'''uniform solfege (-a = plain)'''
|+
'''uniform solfege (-a = plain)'''
| rowspan="2" |
| rowspan="2" |
! colspan="13" |genspan
! colspan="13" |genspan
Line 9,256: Line 9,542:
|F#
|F#
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+'''extended uniform solfege (-a = plain, -u = up = aug, -o = down = dim)'''
|+
'''extended uniform solfege (-a = plain, -u = up = aug, -o = down = dim)'''
| rowspan="2" |
| rowspan="2" |
! colspan="24" |genspan
! colspan="24" |genspan
Line 9,365: Line 9,652:
|E#
|E#
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+2L3s MOS scales (L = m3, s = M2)
|+
|-
2L3s MOS scales (L = m3, s = M2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
! colspan="2" |scale
! colspan="2" |scale
!0
!0
! 1
!1
!2
!2
!3
!3
Line 9,381: Line 9,668:
!Ionian
!Ionian
|Da
|Da
| Ra
|Ra
|'''Ma'''
|'''Ma'''
|Sa
|Sa
Line 9,391: Line 9,678:
!Mixolydian
!Mixolydian
|Da
|Da
| Ra
|Ra
|'''Fa'''
|'''Fa'''
|Sa
|Sa
Line 9,427: Line 9,714:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+5L2s MOS scales (L = M2, s = m2)
|+
|-
5L2s MOS scales (L = M2, s = m2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
! colspan="2" |scale
! colspan="2" |scale
!1sn
!1sn
! 2nd
!2nd
! 3rd
!3rd
!4th
!4th
!5th
!5th
Line 9,445: Line 9,732:
!Lydian
!Lydian
|Da
|Da
| Ra
|Ra
| Ma
|Ma
|'''Pa'''
|'''Pa'''
|Sa
|Sa
Line 9,457: Line 9,744:
!Ionian
!Ionian
|Da
|Da
| Ra
|Ra
| Ma
|Ma
|'''Fa'''
|'''Fa'''
|Sa
|Sa
Line 9,525: Line 9,812:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+5L7s MOS scales (L = A1/^1, s = m2/vM2)
|+
|-
5L7s MOS scales (L = A1/^1, s = m2/vM2) using the extended solfege
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!0
!0
!1
!1
! 2
!2
!3
!3
! 4
!4
!5
!5
!6
!6
Line 9,548: Line 9,835:
|Da
|Da
|Du
|Du
| Ra
|Ra
|Ru
|Ru
| Ma
|Ma
|'''Mu'''
|'''Mu'''
|Pa/Fu
|Pa/Fu
Line 9,564: Line 9,851:
|Da
|Da
|Du
|Du
| Ra
|Ra
|Ru
|Ru
| Ma
|Ma
|'''Fa'''
|'''Fa'''
|Pa/Fu
|Pa/Fu
Line 9,750: Line 10,037:
There are two solfeges, choose depending on the size of the 5th.
There are two solfeges, choose depending on the size of the 5th.


* P = vA4/^d5 (#1 solfege) '''<u>or</u>''' ^A4/vd5 (#2 solfege)
* P = vA4/^d5 (#1 solfege) '''or''' ^A4/vd5 (#2 solfege)
* G = P5
* G = P5
* EI = ^^d2 (#1 solfege) '''<u>or</u>''' vvd2 (#2 solfege)
* EI = ^^d2 (#1 solfege) '''or''' vvd2 (#2 solfege)


MOS scales covered:  
MOS scales covered:


* 8 = 2L6s or 6L2s (#1 solfege only, Sa > 5\8 = 750¢)
* 8 = 2L6s or 6L2s (#1 solfege only, Sa > 5\8 = 750¢)
Line 9,762: Line 10,049:
* scales of 6 or fewer notes are subsets of these
* scales of 6 or fewer notes are subsets of these


{| class="wikitable center-all"
{| class="wikitable"
|+'''uniform solfege #1 (P5 > 700¢) (-a = plain, -u = up, -o = down)'''
|+
'''uniform solfege #1 (P5 > 700¢) (-a = plain, -u = up, -o = down)'''
| colspan="2" rowspan="2" |
| colspan="2" rowspan="2" |
! colspan="13" |genspan
! colspan="13" |genspan
Line 9,782: Line 10,070:
|-
|-
! rowspan="3" |plain
! rowspan="3" |plain
genchain
genchain
!solfege
!solfege
Line 9,878: Line 10,167:
|^C
|^C
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+2L6s MOS scales using solfege #1 (L = m3/vvA3, s = vA1/^m2)
|+
|-
2L6s MOS scales using solfege #1 (L = m3/vvA3, s = vA1/^m2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!0
!0
!1
!1
! 2
!2
! 3
!3
! 4
!4
!5
!5
!6
!6
Line 9,896: Line 10,185:
!sssL-sssL
!sssL-sssL
|Da
|Da
| Fru
|Fru
| Ra
|Ra
| '''Nu'''
|'''Nu'''
| Shu
|Shu
| Sa
|Sa
|Flu
|Flu
|'''La'''
|'''La'''
Line 9,908: Line 10,197:
!ssLs-ssLs
!ssLs-ssLs
|Da
|Da
| Fru
|Fru
| '''Ra'''
|'''Ra'''
| '''Fa'''
|'''Fa'''
| Po/Shu
|Po/Shu
| Sa
|Sa
|'''Flu'''
|'''Flu'''
|'''To'''
|'''To'''
Line 9,940: Line 10,229:
|To
|To
|Da
|Da
|}The same solfege can be used for 6L2s, but Sa will be > 5\8 = 750¢.
|}
{| class="wikitable center-all"
The same solfege can be used for 6L2s, but Sa will be > 5\8 = 750¢.
|+2L8s MOS scales using solfege #1 (L = vM2/^d3, s = vA1/^m2)
{| class="wikitable"
|-
|+
2L8s MOS scales using solfege #1 (L = vM2/^d3, s = vA1/^m2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!1sn
!1sn
!2nd
!2nd
!  
!
! 3rd
!3rd
!  
!
!tritone
!tritone
!
!
Line 9,961: Line 10,251:
!ssssL-ssssL
!ssssL-ssssL
|Da
|Da
| Fru
|Fru
| Ra
|Ra
| Nu
|Nu
| '''Ma'''
|'''Ma'''
| Shu
|Shu
|Sa
|Sa
|Flu
|Flu
Line 9,975: Line 10,265:
!sssLs-sssLs
!sssLs-sssLs
|Da
|Da
| Fru
|Fru
| Ra
|Ra
| '''Nu'''
|'''Nu'''
| '''Fa'''
|'''Fa'''
| Po/Shu
|Po/Shu
|Sa
|Sa
|Flu
|Flu
Line 10,027: Line 10,317:
|To
|To
|Da
|Da
|}The same solfege can be used for 8L2s, but Sa will be > 3\5 = 720¢.
|}
{| class="wikitable center-all"
The same solfege can be used for 8L2s, but Sa will be > 3\5 = 720¢.
|+10L2s MOS scales using solfege #1 (L = vA1/^m2, s = vvA1/m2)
{| class="wikitable"
|-
|+
10L2s MOS scales using solfege #1 (L = vA1/^m2, s = vvA1/m2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!1sn
!1sn
! colspan="2" |2nd
! colspan="2" |2nd
! colspan="2" | 3rd
! colspan="2" |3rd
!4th
!4th
!tritone
!tritone
Line 10,046: Line 10,337:
!LLLLLs-LLLLLs
!LLLLLs-LLLLLs
|Da
|Da
| Fru
|Fru
| Ra
|Ra
| Nu
|Nu
| Ma
|Ma
|'''Fu'''
|'''Fu'''
|Shu
|Shu
| Sa
|Sa
|Flu
|Flu
|La
|La
Line 10,062: Line 10,353:
!LLLLsL-LLLLsL
!LLLLsL-LLLLsL
|Da
|Da
| Fru
|Fru
| Ra
|Ra
| Nu
|Nu
| '''Ma'''
|'''Ma'''
|'''Fa'''
|'''Fa'''
|Po/Shu
|Po/Shu
| Sa
|Sa
|Flu
|Flu
|La
|La
Line 10,139: Line 10,430:
|Da
|Da
|}
|}
 
↵____________________________________________________________________________________
 
{| class="wikitable"
____________________________________________________________________________________
|+
{| class="wikitable center-all"
'''uniform solfege #2 (P5 < 700¢) (-a = plain, -u = up, -o = down)'''
|+'''uniform solfege #2 (P5 < 700¢) (-a = plain, -u = up, -o = down)'''
| colspan="2" rowspan="2" |
| colspan="2" rowspan="2" |
! colspan="13" |genspan
! colspan="13" |genspan
Line 10,162: Line 10,452:
|-
|-
! rowspan="3" |plain
! rowspan="3" |plain
genchain
genchain
!solfege
!solfege
Line 10,258: Line 10,549:
|vC
|vC
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+2L6s MOS scales using solfege #2 (L = m3/vvA3, s = vA1/^m2)
|+
|-
2L6s MOS scales using solfege #2 (L = m3/vvA3, s = vA1/^m2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!0
!0
!1
!1
! 2
!2
! 3
!3
! 4
!4
!5
!5
!6
!6
Line 10,276: Line 10,567:
!sssL-sssL
!sssL-sssL
|Da
|Da
| Fro
|Fro
| Ra
|Ra
| '''No'''
|'''No'''
| Sho
|Sho
| Sa
|Sa
|Flo
|Flo
|'''La'''
|'''La'''
Line 10,288: Line 10,579:
!ssLs-ssLs
!ssLs-ssLs
|Da
|Da
| Fro
|Fro
| '''Ra'''
|'''Ra'''
| '''Fa'''
|'''Fa'''
| Pu/Sho
|Pu/Sho
| Sa
|Sa
|'''Flo'''
|'''Flo'''
|'''Tu'''
|'''Tu'''
Line 10,321: Line 10,612:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+2L8s MOS scales using solfege #2 (L = ^M2/vd3, s = ^A1/vm2)
|+
|-
2L8s MOS scales using solfege #2 (L = ^M2/vd3, s = ^A1/vm2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!1sn
!1sn
!2nd
!2nd
!  
!
! 3rd
!3rd
!  
!
!tritone
!tritone
!
!
Line 10,341: Line 10,632:
!ssssL-ssssL
!ssssL-ssssL
|Da
|Da
| Fro
|Fro
| Ra
|Ra
| No
|No
| '''Ma'''
|'''Ma'''
| Sho
|Sho
|Sa
|Sa
|Flo
|Flo
Line 10,355: Line 10,646:
!sssLs-sssLs
!sssLs-sssLs
|Da
|Da
| Fro
|Fro
| Ra
|Ra
| '''No'''
|'''No'''
| '''Fa'''
|'''Fa'''
| Pu/Sho
|Pu/Sho
|Sa
|Sa
|Flo
|Flo
Line 10,408: Line 10,699:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+2L10s MOS scales using solfege #2 (L = ^^A1/m2, s = ^A1/vm2)
|+
|-
2L10s MOS scales using solfege #2 (L = ^^A1/m2, s = ^A1/vm2)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!1sn
!1sn
! colspan="2" |2nd
! colspan="2" |2nd
! colspan="2" | 3rd
! colspan="2" |3rd
!4th
!4th
!tritone
!tritone
Line 10,426: Line 10,717:
!sssssL-sssssL
!sssssL-sssssL
|Da
|Da
| Fro
|Fro
| Ra
|Ra
| No
|No
| Ma
|Ma
|'''Fo'''
|'''Fo'''
|Pu/Sho
|Pu/Sho
| Sa
|Sa
|Flo
|Flo
|La
|La
Line 10,442: Line 10,733:
!ssssLs-ssssLs
!ssssLs-ssssLs
|Da
|Da
| Fro
|Fro
| Ra
|Ra
| No
|No
| '''Ma'''
|'''Ma'''
|'''Fa'''
|'''Fa'''
|Pu/Sho
|Pu/Sho
| Sa
|Sa
|Flo
|Flo
|La
|La
Line 10,519: Line 10,810:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+12L2s MOS scales using solfege #2 (L = ^A1/vm2, s = ^1) P5 must be < 700¢, or s will be < 0¢
|+
|-
12L2s MOS scales using solfege #2 (L = ^A1/vm2, s = ^1) P5 must be < 700¢, or s will be < 0¢
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!1sn
!1sn
!
!
! 2nd
!2nd
!  
!
! 3rd
!3rd
!
!
!4th
!4th
Line 10,543: Line 10,834:
!LLLLLLs-LLLLLLs
!LLLLLLs-LLLLLLs
|Da
|Da
| Fro
|Fro
| Ra
|Ra
| No
|No
| Ma
|Ma
|Fo
|Fo
|'''Pa'''
|'''Pa'''
| Pu/Sho
|Pu/Sho
|Sa
|Sa
|Flo
|Flo
Line 10,561: Line 10,852:
!LLLLLsL-LLLLLsL
!LLLLLsL-LLLLLsL
|Da
|Da
| Fro
|Fro
| Ra
|Ra
| No
|No
| Ma
|Ma
|'''Fo'''
|'''Fo'''
|'''Fa'''
|'''Fa'''
| Pu/Sho
|Pu/Sho
|Sa
|Sa
|Flo
|Flo
Line 10,672: Line 10,963:
* EI = vvm2
* EI = vvm2


MOS scales covered:  
MOS scales covered:


* 5 = 4L1s (for 1L4s use pergen #8, third-5th)  
* 5 = 4L1s (for 1L4s use pergen #8, third-5th)
* 9 = 5L4s or 4L5s (Sa < 5\9 = 667¢)
* 9 = 5L4s or 4L5s (Sa < 5\9 = 667¢)
* 14 = 9L5s or 5L9s (Sa < 4\7 = 686¢)
* 14 = 9L5s or 5L9s (Sa < 4\7 = 686¢)


{| class="wikitable center-all"
{| class="wikitable"
|+'''uniform solfege (-a = plain, -u = up, -o = down)'''
|+
'''uniform solfege (-a = plain, -u = up, -o = down)'''
| rowspan="2" |
| rowspan="2" |
! colspan="27" |genspan
! colspan="27" |genspan
Line 10,719: Line 11,011:
|Fla
|Fla
|Fu
|Fu
Sho
Sho
|Na
|Na
|Du
|Du
Fro
Fro
|Tha
|Tha
|Su
|Su
Flo
Flo
|Fa
|Fa
|Ru
|Ru
No
No
|'''Da'''
|'''Da'''
|Lu
|Lu
Tho
Tho
|Sa
|Sa
|Mu
|Mu
Fo
Fo
|Ra
|Ra
|Tu
|Tu
Do
Do
|La
|La
|Pu
|Pu
So
So
|Ma
|Ma
Line 10,756: Line 11,056:
|m6
|m6
|^4
|^4
vd5
vd5
|m3
|m3
|^1
|^1
vm2
vm2
|m7
|m7
|^5
|^5
vm6
vm6
|P4
|P4
|^M2
|^M2
vm3
vm3
|'''P1'''
|'''P1'''
|^M6
|^M6
vm7
vm7
|P5
|P5
|^M3
|^M3
v4
v4
|M2
|M2
|^M7
|^M7
v8
v8
|M6
|M6
|^A4
|^A4
v5
v5
|M3
|M3
Line 10,793: Line 11,101:
|Ab
|Ab
|^F
|^F
vGb
vGb
|Eb
|Eb
|^C
|^C
vDb
vDb
|Bb
|Bb
|^G
|^G
vAb
vAb
|F
|F
|^D
|^D
vEb
vEb
|'''C'''
|'''C'''
|^A
|^A
vBb
vBb
|G
|G
|^E
|^E
vF
vF
|D
|D
|^B
|^B
vC
vC
|A
|A
|^F#
|^F#
vG
vG
|E
|E
Line 10,822: Line 11,138:
|vE
|vE
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+4L1s MOS scales (L = ^M2/vm3 = no rhyme, s = M2 = rhymes)
|+
|-
4L1s MOS scales (L = ^M2/vm3 = no rhyme, s = M2 = rhymes)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!0
!0
!1
!1
! 2
!2
! 3
!3
! 4
!4
!5
!5
|-
|-
Line 10,837: Line 11,153:
!LLLLs
!LLLLs
|Da
|Da
| Ru/No
|Ru/No
| Fa
|Fa
| Su/Flo
|Su/Flo
| '''Tha'''
|'''Tha'''
|Da
|Da
|-
|-
Line 10,846: Line 11,162:
!LLLsL
!LLLsL
|Da
|Da
| Ru/No
|Ru/No
| Fa
|Fa
| '''Su/Flo'''
|'''Su/Flo'''
| '''Lu/Tho'''
|'''Lu/Tho'''
|Da
|Da
|-
|-
Line 10,879: Line 11,195:
|Da
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+5L4s MOS scales (L = M2 = rhymes, s = ^1/vm2 = no rhyme)
|+
|-
5L4s MOS scales (L = M2 = rhymes, s = ^1/vm2 = no rhyme)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!0
!0
!1
!1
! 2
!2
! 3
!3
! 4
!4
!5
!5
!6
!6
Line 10,898: Line 11,214:
!sLsLsLsLL
!sLsLsLsLL
|Da
|Da
| Du/Fro
|Du/Fro
| Ru/No
|Ru/No
| Na
|Na
| Fa
|Fa
|Fu/Sho
|Fu/Sho
|Su/Flo
|Su/Flo
Line 10,911: Line 11,227:
!sLsLsLLsL
!sLsLsLLsL
|Da
|Da
| Du/Fro
|Du/Fro
| Ru/No
|Ru/No
| Na
|Na
| Fa
|Fa
|'''Fu/Sho'''
|'''Fu/Sho'''
|Su/Flo
|Su/Flo
Line 11,021: Line 11,337:
* EI = vvA1
* EI = vvA1


MOS scales covered:  
MOS scales covered:


* 7 = 3L4s or 4L3s (Sa < 4\7 = 686¢)
* 7 = 3L4s or 4L3s (Sa < 4\7 = 686¢)
Line 11,027: Line 11,343:
* 13 = 10L3s (Sa > 3\5 = 720¢) or 3L10s (Sa > 8\13)
* 13 = 10L3s (Sa > 3\5 = 720¢) or 3L10s (Sa > 8\13)


{| class="wikitable center-all"
{| class="wikitable"
|+'''uniform solfege (-a = plain, -u = up, -o = down, -i = mid)'''
|+
'''uniform solfege (-a = plain, -u = up, -o = down, -i = mid)'''
| rowspan="2" |
| rowspan="2" |
! colspan="27" |genspan
! colspan="27" |genspan
Line 11,128: Line 11,445:
|Eb
|Eb
|^Gb
|^Gb
vG
vG
|Bb
|Bb
|^Db
|^Db
vD
vD
|F
|F
|^Ab
|^Ab
vA
vA
|'''C'''
|'''C'''
|^Eb
|^Eb
vE
vE
|G
|G
|^Bb
|^Bb
vB
vB
|D
|D
|^F
|^F
vF#
vF#
|A
|A
Line 11,153: Line 11,476:
|^A
|^A
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+3L4s MOS scales (L = M2 = rhymes, s = ~2 = no rhyme)
|+
|-
3L4s MOS scales (L = M2 = rhymes, s = ~2 = no rhyme)
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!1sn
!1sn
!2nd
!2nd
! 3rd
!3rd
! 4th
!4th
! 5th
!5th
!6th
!6th
!7th
!7th
Line 11,170: Line 11,493:
!LsLsLss
!LsLsLss
|Da
|Da
| Ra
|Ra
| Mi
|Mi
| Fi
|Fi
| Sa
|Sa
|'''La'''
|'''La'''
|Ti
|Ti
Line 11,181: Line 11,504:
!LsLssLs
!LsLssLs
|Da
|Da
| Ra
|Ra
| Mi
|Mi
| '''Fi'''
|'''Fi'''
| Sa
|Sa
|'''Li'''
|'''Li'''
|Ti
|Ti
Line 11,247: Line 11,570:


== #5 (P8/2, P4/2) ==
== #5 (P8/2, P4/2) ==
It has only 4 fifthchains, but it uses lifts and drops, must think about this...


== #6 (P8/3, P5) ==
== #6 (P8/3, P5) ==


== #7 (P8, P4/3) ==
* P = vM3 = ^^d4, G = P5
* EI = ^<sup>3</sup>d2


* G = vM2/^^m2 = ^~2
MOS scales covered:
* EI = v<sup>3</sup>A1


MOS scales covered:
* 6 = 3L3s
* 9 = 3L6s
* 12 = 3L9s or 9L3s (extended solfege only)
* 15 = 12L3s (extended solfege only)
* 18 = 15L3s (extended solfege only) Sa > 3\5 = 720¢
* 21= 12L9s (extended solfege only)


* 7 = 1L6s (for 6L1s use quarter-5th)
{| class="wikitable"
* 8 = 6L1s or 1L6s
|+
* 15 = 7L8s (all but 2 modes)
'''uniform solfege (-a = plain, -u = up, -o = down)'''
* scales of 6 or fewer notes are subsets of these
| colspan="2" rowspan="2" |
 
! colspan="5" |genspan
{| class="wikitable center-all"
|+'''uniform solfege (-a = plain, -u = up, -o = down)'''
| rowspan="2" |
! colspan="27" |genspan
|-
|-
!13
!-2
!12
!-1
!11
!0
!10
!1
!9
!8
!7
!6
!5
!4
!3
!2
!2
!1
!0
!-1
!-2
!-3
!-4
!-5
!-6
!-7
!-8
!-9
!-10
!-11
!-12
!-13
|-
|-
! rowspan="3" |down
genchain
!solfege
!solfege
|Tho
|Fla
|Shu
|Fo
|Na
|Fru
|Do
|Tha
|Flu
|So
|Fa
|Nu
|Ro
|Ro
|'''Da'''
|Thu
|Lo
|Lo
|Sa
|Fu
|Mo
|Mo
|Ra
|Du
|To
|To
|La
|Su
|Po
|Po
|Ma
|Ru
|-
|-
!intervals
!intervals
|vm7
|m6
|^d5
|v4
|m3
|^m2
|v8
|m7
|^m6
|v5
|P4
|^m3
|vM2
|vM2
|'''P1'''
|^m7
|vM6
|vM6
|P5
|^4
|vM3
|vM3
|M2
|^1
|vM7
|vM7
|M6
|^5
|vA4
|vA4
|M3
|^M2
|-
|-
!notes
!notes
|vBb
|Ab
|^Gb
|vF
|Eb
|^Db
|vC
|Bb
|^Ab
|vG
|F
|^Eb
|vD
|vD
|'''C'''
|^Bb
|vA
|vA
|G
|^F
|vE
|vE
|D
|^C
|vB
|vB
|A
|^G
|vF#
|vF#
|E
|^D
|}
{| class="wikitable center-all"
|+1L6s MOS scales (L = M2 = rhymes, s = vM2/^^m2 = no rhyme)
|-
|-
![[Genchain mode numbering|GMN]] name
| colspan="7" |
!scale
!1sn
!2nd
! 3rd
! 4th
! 5th
!6th
!7th
!8ve
|-
|-
!1st 1L6s
! rowspan="3" |plain
!ssssssL
 
|Da
genchain
| Ro
!solfege
| Nu
|Tha
| Fa
|Fa
| So
|'''Da'''
|Flu
|Sa
|'''Tha'''
|Ra
|Da
|-
|-
!2nd 1L6s
!intervals
!sssssLs
|m7
|Da
|P4
| Ro
|'''P1'''
| Nu
|P5
| Fa
|M2
| So
|-
|'''Flu'''
!notes
|'''Thu'''
|Bb
|Da
|F
|'''C'''
|G
|D
|-
|-
!3rd 1L6s
| colspan="7" |
!ssssLss
|Da
|Ro
|Nu
|Fa
|'''So'''
|'''Lo'''
|Thu
|Da
|-
|-
!4th 1L6s
! rowspan="3" |up
!sssLsss
 
|Da
genchain
|Ro
!solfege
|Shu
|Fru
|Flu
|Nu
|Nu
|'''Fa'''
|'''Sa'''
|Lo
|Thu
|Thu
|Da
|-
|-
!5th 1L6s
!intervals
!ssLssss
|^d5
|Da
|^m2
|Ro
|^m6
|'''Nu'''
|^m3
|'''Fu'''
|^m7
|Sa
|Lo
|Thu
|Da
|-
|-
!6th 1L6s
!notes
!sLsssss
|^Gb
|Da
|^Db
|'''Ro'''
|^Ab
|'''Mo'''
|^Eb
|Fu
|^Bb
|Sa
|Lo
|Thu
|Da
|-
!7th 1L6s
!Lssssss
|Da
|'''Ra'''
|Mo
|Fu
|Sa
|Lo
|Thu
|Da
|}
|}
{| class="wikitable center-all"
{| class="wikitable"
|+7L1s MOS scales (L = vM2/^^m2, s = ^1/vvA1 = same degree)
|+
'''extended uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)'''
| colspan="2" rowspan="2" |
! colspan="13" |genspan
|-
|-
![[Genchain mode numbering|GMN]] name
!-6
!scale
!-5
!-4
!-3
!-2
!-1
!0
!0
!1
!1
! 2
!2
! 3
!3
! 4
!4
!5
!5
!6
!6
!7
!8
|-
|-
!1st 7L1s
! rowspan="3" |down
!LLLLLLLs
 
|Da
genchain
| Ro
!solfege
| Nu
|Tho
| Fa
|Fo
| So
|Do
|Flu
|So
|Tha
|Ro
|'''Do'''
|Lo
|Da
|Mo
|To
|Po/Shi
|Fri
|Fli
|Ni
|Thi
|-
|-
!2nd 7L1s
!intervals
!LLLLLLsL
|vm7
|Da
|v4
| Ro
|v1
| Nu
|v5
| Fa
|vM2
| So
|vM6
|Flu
|vM3
|'''Tha'''
|vM7
|'''Thu'''
|vA4/^^d5
|Da
|^^m2
|^^m6
|^^m3
|^^m7
|-
!notes
|vBb
|vF
|vC
|vG
|vD
|vA
|vE
|vB
|vF#/^^Gb
|^^Db
|^^Ab
|^^Eb
|^^Bb
|-
|-
!3rd 7L1s
| colspan="15" |
!LLLLLsLL
|Da
|Ro
|Nu
|Fa
|So
|'''Flu'''
|'''Lo'''
|Thu
|Da
|-
|-
!4th 7L1s
! rowspan="3" |plain
!LLLLsLLL
 
|Da
genchain
|Ro
!solfege
|Nu
|Sha
|Fra
|Fla
|Na
|Tha
|Fa
|Fa
|'''So'''
|'''Da'''
|'''Sa'''
|Lo
|Thu
|Da
|-
!5th 7L1s
!LLLsLLLL
|Da
|Ro
|Nu
|'''Fa'''
|'''Fu'''
|Sa
|Sa
|Lo
|Ra
|Thu
|La
|Da
|Ma
|Ta
|Pa
|-
|-
!6th 7L1s
!intervals
!LLsLLLLL
|d5
|Da
|m2
|Ro
|m6
|'''Nu'''
|m3
|'''Mo'''
|m7
|Fu
|P4
|Sa
|'''P1'''
|Lo
|P5
|Thu
|M2
|Da
|M6
|M3
|M7
|A4
|-
!notes
|Gb
|Db
|Ab
|Eb
|Bb
|F
|'''C'''
|G
|D
|A
|E
|B
|F#
|-
|-
!7th 7L1s
| colspan="15" |
!LsLLLLLL
|Da
|'''Ro'''
|'''Ra'''
|Mo
|Fu
|Sa
|Lo
|Thu
|Da
|-
|-
!8th 7L1s
! rowspan="3" |up
!sLLLLLLL
|Da
|'''Du'''
|Ra
|Mo
|Fu
|Sa
|Lo
|Thu
|Da
|}
A similar table can be made for 7L8s, but it will lack the 1st and 15th modes.


== #8 (P8, P5/3) ==
genchain
 
!solfege
* G = ^M2/vvm3
|Re
* EI = v<sup>3</sup>m2
|Le
 
|Me
MOS scales covered:
|Te
 
|Pe/Shu
* 5 = 1L4s (for 4L1s use pergen #3, half-4th)
|Fru
* 6 = 5L1s
|Flu
* 11 = 5L6s
* 16 = 5L11s
 
{| class="wikitable center-all"
|+'''uniform solfege (-a = plain, -u = up, -o = down)'''
! colspan="31" |genspan
|-
!-15
!-14
!-13
!-12
!-11
!-10
!-9
!-8
!-7
!-6
!-5
!-4
!-3
!-2
!-1
!0
!1
!2
!3
!4
!5
!6
!7
!8
!9
!10
!11
!12
!13
!14
!15
|-
|Fra
|Nu
|Nu
|Sho
|Fla
|Thu
|Thu
|Fro
|Na
|Fu
|Fu
|Flo
|Tha
|Du
|Du
|No
|Fa
|Su
|Su
|Tho
|'''Da'''
|Ru
|Ru
|Fo
|-
|Sa
!intervals
|Lu
|vvM2
|Do
|vvM6
|Ra
|vvM3
|Mu
|vvM7
|So
|vvA4/^d5
|La
|^m2
|Tu
|^m6
|Ro
|Ma
|Pu
|Lo
|Ta
|-
|m2
|^m3
|^m3
|vd5
|m6
|^m7
|^m7
|vm2
|m3
|^4
|^4
|vm6
|m7
|^1
|^1
|vm3
|P4
|^5
|^5
|vm7
|'''P1'''
|^M2
|^M2
|v4
|P5
|^M6
|v8
|M2
|^M3
|v5
|M6
|^M7
|vM2
|M3
|^A4
|vM6
|M7
|-
|-
|Db
!notes
|vvD
|vvA
|vvE
|vvB
|vvF#/^Gb
|^Db
|^Ab
|^Eb
|^Eb
|vGb
|Ab
|^Bb
|^Bb
|vDb
|Eb
|^F
|^F
|vAb
|Bb
|^C
|^C
|vEb
|F
|^G
|^G
|vBb
|'''C'''
|^D
|^D
|vF
|}
|G
{| class="wikitable"
|^A
|+
|vC
3L3s MOS scales (L = ^m3/vvA2, s = ^m2/vvA1)
|D
![[Genchain mode numbering|GMN]] name
|^E
!scale
|vG
!1sn
|A
!
|^B
!3rd
|vD
!
|E
!6th
|^F#
!
|vA
!8ve
|B
|}
{| class="wikitable center-all"
|+1L4s MOS scales (L = ^^M2/vm3, s = ^M2/vvm3)
|-
![[Genchain mode numbering|GMN]] name
!scale
!0
!1
! 2
! 3
! 4
!5
|-
|-
!1st 1L4s
!1st 3L3s
!ssssL
!Ls-Ls-Ls
|Da
|Da
| Ru
|'''Nu'''
| Fo
|Mo
| Sa
|'''Sa'''
| '''Lu'''
|Flu
|'''To'''
|Da
|Da
|-
|-
!2nd 1L4s
!2nd 3L3s
!sssLs
!sL-sL-sL
|Da
|Da
| Ru
|'''Fru'''
| Fo
|Mo
| '''Sa'''
|'''Fa'''
| '''Tho'''
|Flu
|'''Lo'''
|Da
|Da
|}
{| class="wikitable"
|+
3L6s MOS scales (L = M2 = rhymes, s = ^m2/vvA1)
![[Genchain mode numbering|GMN]] name
!scale
!1sn
!2nd
!
!3rd
!4th
!5th
!6th
!
!7th
!8ve
|-
|-
!3rd 1L4s
!1st 3L6s
!ssLss
!Lss-Lss-Lss
|Da
|Da
|Ru
|'''Ra'''
|'''Fo'''
|Nu
|'''Su'''
|Mo
|Tho
|'''Po'''
|Sa
|Flu
|'''Thu'''
|To
|Da
|Da
|-
|-
!4th 1L4s
!2nd 3L6s
!sLsss
!sLs-sLs-sLs
|Da
|Da
|'''Ru'''
|'''Fru'''
|'''Nu'''
|Mo
|'''Fa'''
|'''Fa'''
|Su
|'''Sa'''
|Tho
|Flu
|'''Lo'''
|'''To'''
|Da
|Da
|-
|-
!5th 1L4s
!3rd 3L6s
!Lssss
!ssL-ssL-ssL
|Da
|Da
|'''No'''
|Fru
|'''Ro'''
|Mo
|Fa
|Fa
|Su
|'''Shu'''
|Tho
|Flu
|Lo
|'''Tha'''
|Da
|Da
|}
|}
{| class="wikitable center-all"
6L3s means Sa < 5\9 = 667¢
|+5L1s MOS scales (L = ^M2/vvm3, s = ^1/vvM2)
{| class="wikitable"
|-
|+
3L9s MOS scales (L = vA1/^^m2, s = ^m2/vvA1) Sa must be > 700¢
![[Genchain mode numbering|GMN]] name
![[Genchain mode numbering|GMN]] name
!scale
!scale
!0
!1sn
!1
! colspan="2" |2nds
! 2
! colspan="2" |3rds
! 3
!4th
! 4
!tritone
!5
!5th
!6
! colspan="2" |6ths
! colspan="2" |7ths
!8ve
|-
|-
!1st 5L1s
!1st 3L9s
!LLLLLs
!Lsss-Lsss-Lsss
|Da
|Da
| Ru
|'''Fri'''
| Fo
|Ra
| Sa
|Nu
| Lu
|Mo
|'''Do'''
|'''Fu'''
|Po/Shi
|Sa
|Flu
|'''La'''
|Thu
|To
|Da
|Da
|-
|-
!2nd 5L1s
!2nd 3L9s
!LLLLsL
!sLss-sLss-sLss
|Da
|Da
| Ru
|'''Fru'''
| Fo
|'''Ra'''
| Sa
|Nu
| '''Lu'''
|Mo
|'''Tho'''
|'''Fa'''
|'''Po'''
|Sa
|Flu
|'''Lo'''
|'''Thu'''
|To
|Da
|Da
|-
|-
!3rd 5L1s
!3rd 3L9s
!LLLsLL
!ssLs-ssLs-ssLs
|Da
|Da
|Ru
|Fru
|Fo
|'''Ro'''
|'''Nu'''
|Mo
|Fa
|'''Shu'''
|'''Sa'''
|'''Sa'''
|'''Su'''
|Flu
|Tho
|Lo
|'''Tha'''
|'''To'''
|Da
|Da
|-
|-
!4th 5L1s
!4th 3L9s
!LLsLLL
!sssL-sssL-sssL
|Da
|Da
|Ru
|Fru
|'''Fo'''
|Ro
|'''Fa'''
|'''Na'''
|Su
|Mo
|Tho
|Da
|-
!5th 5L1s
!LsLLLL
|Da
|'''Ru'''
|'''No'''
|Fa
|Fa
|Su
|Pe/Shu
|Tho
|'''So'''
|Flu
|Lo
|Tha
|'''Te'''
|Da
|Da
|-
|}
!6th 5L1s
If Sa is < 700¢, L and s switch and you get 9L3s. The 1st mode becomes sLLL-sLLL-sLLL. This solfege still works.
!sLLLLL
|Da
|'''Du'''
|No
|Fa
|Su
|Tho
|Da
|}Similar tables can be made for 5L6s and 5L11s.


== #9 (P8, P11/3) ==
Similar tables can be made for 15, 18 and 21-note scales.


== #7 (P8, P4/3) ==


<nowiki>#</nowiki>16 (P8/4, P5)
* G = vM2/^^m2 = ^~2
* EI = v<sup>3</sup>A1


MOS scales covered:


<nowiki>#</nowiki>17 (P8, P4/4)
* 7 = 1L6s (for 6L1s use quarter-5th)
* 8 = 6L1s or 1L6s
* 15 = 7L8s (all but 2 modes)
* scales of 6 or fewer notes are subsets of these


{| class="wikitable"
|+
'''uniform solfege (-a = plain, -u = up, -o = down)'''
| rowspan="2" |
! colspan="27" |genspan
|-
!13
!12
!11
!10
!9
!8
!7
!6
!5
!4
!3
!2
!1
!0
!-1
!-2
!-3
!-4
!-5
!-6
!-7
!-8
!-9
!-10
!-11
!-12
!-13
|-
!solfege
|Tho
|Fla
|Shu
|Fo
|Na
|Fru
|Do
|Tha
|Flu
|So
|Fa
|Nu
|Ro
|'''Da'''
|Thu
|Lo
|Sa
|Fu
|Mo
|Ra
|Du
|To
|La
|Su
|Po
|Ma
|Ru
|-
!intervals
|vm7
|m6
|^d5
|v4
|m3
|^m2
|v8
|m7
|^m6
|v5
|P4
|^m3
|vM2
|'''P1'''
|^m7
|vM6
|P5
|^4
|vM3
|M2
|^1
|vM7
|M6
|^5
|vA4
|M3
|^M2
|-
!notes
|vBb
|Ab
|^Gb
|vF
|Eb
|^Db
|vC
|Bb
|^Ab
|vG
|F
|^Eb
|vD
|'''C'''
|^Bb
|vA
|G
|^F
|vE
|D
|^C
|vB
|A
|^G
|vF#
|E
|^D
|}
{| class="wikitable"
|+
1L6s MOS scales (L = M2 = rhymes, s = vM2/^^m2 = no rhyme)
![[Genchain mode numbering|GMN]] name
!scale
!1sn
!2nd
!3rd
!4th
!5th
!6th
!7th
!8ve
|-
!1st 1L6s
!ssssssL
|Da
|Ro
|Nu
|Fa
|So
|Flu
|'''Tha'''
|Da
|-
!2nd 1L6s
!sssssLs
|Da
|Ro
|Nu
|Fa
|So
|'''Flu'''
|'''Thu'''
|Da
|-
!3rd 1L6s
!ssssLss
|Da
|Ro
|Nu
|Fa
|'''So'''
|'''Lo'''
|Thu
|Da
|-
!4th 1L6s
!sssLsss
|Da
|Ro
|Nu
|'''Fa'''
|'''Sa'''
|Lo
|Thu
|Da
|-
!5th 1L6s
!ssLssss
|Da
|Ro
|'''Nu'''
|'''Fu'''
|Sa
|Lo
|Thu
|Da
|-
!6th 1L6s
!sLsssss
|Da
|'''Ro'''
|'''Mo'''
|Fu
|Sa
|Lo
|Thu
|Da
|-
!7th 1L6s
!Lssssss
|Da
|'''Ra'''
|Mo
|Fu
|Sa
|Lo
|Thu
|Da
|}
{| class="wikitable"
|+
7L1s MOS scales (L = vM2/^^m2, s = ^1/vvA1 = same degree)
![[Genchain mode numbering|GMN]] name
!scale
!0
!1
!2
!3
!4
!5
!6
!7
!8
|-
!1st 7L1s
!LLLLLLLs
|Da
|Ro
|Nu
|Fa
|So
|Flu
|Tha
|'''Do'''
|Da
|-
!2nd 7L1s
!LLLLLLsL
|Da
|Ro
|Nu
|Fa
|So
|Flu
|'''Tha'''
|'''Thu'''
|Da
|-
!3rd 7L1s
!LLLLLsLL
|Da
|Ro
|Nu
|Fa
|So
|'''Flu'''
|'''Lo'''
|Thu
|Da
|-
!4th 7L1s
!LLLLsLLL
|Da
|Ro
|Nu
|Fa
|'''So'''
|'''Sa'''
|Lo
|Thu
|Da
|-
!5th 7L1s
!LLLsLLLL
|Da
|Ro
|Nu
|'''Fa'''
|'''Fu'''
|Sa
|Lo
|Thu
|Da
|-
!6th 7L1s
!LLsLLLLL
|Da
|Ro
|'''Nu'''
|'''Mo'''
|Fu
|Sa
|Lo
|Thu
|Da
|-
!7th 7L1s
!LsLLLLLL
|Da
|'''Ro'''
|'''Ra'''
|Mo
|Fu
|Sa
|Lo
|Thu
|Da
|-
!8th 7L1s
!sLLLLLLL
|Da
|'''Du'''
|Ra
|Mo
|Fu
|Sa
|Lo
|Thu
|Da
|}
A similar table can be made for 7L8s, but it will lack the 1st and 15th modes.
== #8 (P8, P5/3) ==


<nowiki>#</nowiki>18 (P8, P5/4)
* G = ^M2/vvm3
 
* EI = v<sup>3</sup>m2
 
 
<nowiki>#</nowiki>19 (P8, P11/4)
MOS scales covered:
 
 
 
* 5 = 1L4s (for 4L1s use pergen #3, half-4th)
<nowiki>#</nowiki>20 (P8, P12/4)
* 6 = 5L1s
 
* 11 = 5L6s
 
* 16 = 5L11s
<nowiki>#</nowiki>22 (P8/2, M2/4)
 
 
{| class="wikitable"
|+
'''uniform solfege (-a = plain, -u = up, -o = down)'''
! colspan="31" |genspan
|-
!-15
!-14
!-13
!-12
!-11
!-10
!-9
!-8
!-7
!-6
!-5
!-4
!-3
!-2
!-1
!0
!1
!2
!3
!4
!5
!6
!7
!8
!9
!10
!11
!12
!13
!14
!15
|-
|Fra
|Nu
|Sho
|Fla
|Thu
|Fro
|Na
|Fu
|Flo
|Tha
|Du
|No
|Fa
|Su
|Tho
|'''Da'''
|Ru
|Fo
|Sa
|Lu
|Do
|Ra
|Mu
|So
|La
|Tu
|Ro
|Ma
|Pu
|Lo
|Ta
|-
|m2
|^m3
|vd5
|m6
|^m7
|vm2
|m3
|^4
|vm6
|m7
|^1
|vm3
|P4
|^5
|vm7
|'''P1'''
|^M2
|v4
|P5
|^M6
|v8
|M2
|^M3
|v5
|M6
|^M7
|vM2
|M3
|^A4
|vM6
|M7
|-
|Db
|^Eb
|vGb
|Ab
|^Bb
|vDb
|Eb
|^F
|vAb
|Bb
|^C
|vEb
|F
|^G
|vBb
|'''C'''
|^D
|vF
|G
|^A
|vC
|D
|^E
|vG
|A
|^B
|vD
|E
|^F#
|vA
|B
|}
{| class="wikitable"
|+
1L4s MOS scales (L = ^^M2/vm3, s = ^M2/vvm3)
![[Genchain mode numbering|GMN]] name
!scale
!0
!1
!2
!3
!4
!5
|-
!1st 1L4s
!ssssL
|Da
|Ru
|Fo
|Sa
|'''Lu'''
|Da
|-
!2nd 1L4s
!sssLs
|Da
|Ru
|Fo
|'''Sa'''
|'''Tho'''
|Da
|-
!3rd 1L4s
!ssLss
|Da
|Ru
|'''Fo'''
|'''Su'''
|Tho
|Da
|-
!4th 1L4s
!sLsss
|Da
|'''Ru'''
|'''Fa'''
|Su
|Tho
|Da
|-
!5th 1L4s
!Lssss
|Da
|'''No'''
|Fa
|Su
|Tho
|Da
|}
{| class="wikitable"
|+
5L1s MOS scales (L = ^M2/vvm3, s = ^1/vvM2)
![[Genchain mode numbering|GMN]] name
!scale
!0
!1
!2
!3
!4
!5
!6
|-
!1st 5L1s
!LLLLLs
|Da
|Ru
|Fo
|Sa
|Lu
|'''Do'''
|Da
|-
!2nd 5L1s
!LLLLsL
|Da
|Ru
|Fo
|Sa
|'''Lu'''
|'''Tho'''
|Da
|-
!3rd 5L1s
!LLLsLL
|Da
|Ru
|Fo
|'''Sa'''
|'''Su'''
|Tho
|Da
|-
!4th 5L1s
!LLsLLL
|Da
|Ru
|'''Fo'''
|'''Fa'''
|Su
|Tho
|Da
|-
!5th 5L1s
!LsLLLL
|Da
|'''Ru'''
|'''No'''
|Fa
|Su
|Tho
|Da
|-
!6th 5L1s
!sLLLLL
|Da
|'''Du'''
|No
|Fa
|Su
|Tho
|Da
|}
Similar tables can be made for 5L6s and 5L11s.
 
== #9 (P8, P11/3) ==
 
* G = ^4/vv5
* EI = v<sup>3</sup>M2
 
MOS scales covered:
 
* 5 = 2L3s
* 7 = 2L5s
* 9 = 2L7s
* 11 = 2L9s
* etc. up to 19 = 17L2s
 
The up is quite large. ^1 = 67¢ + 0.67 * c, where Sa = 700¢ + c
{| class="wikitable"
|+
'''uniform solfege (-a = plain, -u = up, -o = down)'''
! colspan="37" |genspan
|-
!18
!17
!16
!15
!14
!13
!12
!11
!10
!9
!8
!7
!6
!5
!4
!3
!2
!1
!0
!-1
!-2
!-3
!-4
!-5
!-6
!-7
!-8
!-9
!-10
!-11
!-12
!-13
!-14
!-15
!-16
!-17
!-18
|-
|Sha
|Fro
|Shu
|Fra
|Flo
|Fru
|Fla
|No
|Flu
|Na
|Tho
|Nu
|Tha
|Fo
|Thu
|Fa
|Do
|Fu
|'''Da'''
|So
|Du
|Sa
|Ro
|Su
|Ra
|Lo
|Ru
|La
|Mo
|Lu
|Ma
|To
|Mu
|Ta
|Po
|Tu
|Pa
|-
|d5
|vm2
|^d5
|m2
|vm6
|^m2
|m6
|vm3
|^m6
|m3
|vm7
|^m3
|m7
|v4
|^m7
|P4
|v8
|^4
|'''P1'''
|v5
|^1
|P5
|vM2
|^5
|M2
|vM6
|^M2
|M6
|vM3
|^M6
|M3
|vM7
|^M3
|M7
|vA4
|^M7
|A4
|-
|Gb
|vDb
|^Gb
|Db
|vAb
|^Db
|Ab
|vEb
|^Ab
|Eb
|vBb
|^Eb
|Bb
|vF
|^Bb
|F
|vC
|^F
|'''C'''
|vG
|^C
|G
|vD
|^G
|D
|vA
|^D
|A
|vE
|^A
|E
|vB
|^E
|B
|vF#
|^B
|F#
|}
<nowiki>#</nowiki>16 (P8/4, P5)


<nowiki>#</nowiki>33 (P8/5, P5)
↵#17 (P8, P4/4)


↵#18 (P8, P5/4)


<nowiki>#</nowiki>34 (P8, P4/5)
↵#19 (P8, P11/4)


↵#20 (P8, P12/4)


<nowiki>#</nowiki>35 (P8, P5/5)
↵#22 (P8/2, M2/4)


↵#33 (P8/5, P5)


<nowiki>#</nowiki>36 (P8, P11/5)
↵#34 (P8, P4/5)


↵#35 (P8, P5/5)


<nowiki>#</nowiki>37 (P8, P12/5)
↵#36 (P8, P11/5)


↵#37 (P8, P12/5)


<nowiki>#</nowiki>38 (P8, ccP4/5)
↵#38 (P8, ccP4/5)

Revision as of 02:58, 14 September 2022

This page is a work in progress!

To do: check all edo pages for others' solfeges, done up to 19

include subset solfeges (8 of 24, 9/18 of 36, 16 of 48, 15/20 of 60, others? 11 of 22? 13 of 26?)

discuss advantages and disadvantages of lots of enharmonic equivalences (the "extra" notes)

discuss performerr vs composer solfeges? example: 12-edo numeric solfege, the ultimate performer solfege

maybe break up into 2 pages?

  • microtonal solfeges page discusses BC, uniform and numeric solfeges
  • list of solfeges page has all edos and pergens, with all 3 types of solfeges

Classification

Numeric solfeges are for small edos that aren't heptatonic-friendly, like 5, 6, and 8-11. All other edos use the conventional consonants D R M F S L T.

BC (backwards-compatible) solfeges are for mid-sized edos like 17 and 19. They expand on the conventional Do Re Mi (and Do Di/Ra Re RiMa Mi) and use traditional vowels plus new ones.

Uniform solfeges are for larger edos like 41 and 53. They use a uniform vowel sequence for all degrees. They add 6 altered consonants: Fr- N- P- Sh- Fl- and Th-. Uniform diatonic solfeges don't add them.

Uniform solfeges

Uniform solfeges are a type of solfege developed by Kite Giedraitis. They are closely related to his ups and downs notation. A uniform solfege lets one perform basic interval arithmetic directly within the solfege, without having to translate to note names or interval names and back. They use a uniform vowel sequence for each degree, hence the name. They use the conventional consonants D R M F S L T. But all consonants except D have an alternate form that indicates flattening or sharpening:

  • Fr- = flat Re = minor 2nd (mnemonic: F stands for flat)
  • N- = flat Mi = minor 3rd
  • P- = sharp Fa = aug 4th (mnemonic: Sh- sharpens to S-, and Th- sharpens to T-, so if Fa were spelled Pha, it would sharpen to Pa)
  • Sh- = flat So = dim 5th
  • Fl- = flat La = minor 6th (mnemonic: F stands for flat)
  • Th- = flat Ti = minor 7th

Sharpening and flattening refers to adding/subtracting the lawa unison Lw1. In edos 7, 14, 21, 28 and 35, there is no need for the altered consonants, since Lw1 is tempered out. Some other edos (12, ??) also omit them.

The vowel sequence varies depending on the edo or pergen. There is always -a for plain, and almost always -u for up and -o for down. Larger edos also have either -i for mid, or -i for dup (double-up) and -e for dud (double-down).

the three vowel sequences
3 vowels 14-22, etc, -o = down -a = plain -u = up
4 vowels 31, 41 -i = mid -o = down -a = plain -u = up -i = mid
5 vowels 53, 60 -e = dud -o = down -a = plain -u = up -i = dup

These 5 vowels cover all the more popular edos up to 60. Which edos aren't covered? The number of vowels a uniform solfege needs equals the edo's sharpness or penta-sharpness, whichever is larger. Thus an edo with a (penta)sharpness of 6 or higher needs 6 or more vowels and isn't covered. Every edo above 60 is such an edo. The excluded edos are the less efficient ones, with a fairly inaccurate 5th for their size. Thus they tend to be the less popular edos.

A 6th vowel could of course be added, which would cover most edos up to 72edo. Perhaps -uh for the mid/betweens ring of 72edo?

Examples

  • 12edo: Da Fra Ra Na Ma Fa Pa/Sha Sa Fla La Tha Ta Da
  • 21edo: Da Du Ro Ra Ru Mo Ma Mu Fo Fa Fu So Sa Su Lo La Lu To Ta Tu Do Da

Edos 5, 7 and 12 have only -a. 10edo has -a and -o but no -u.

Superflat edos have a very flat 5th. A uniform solfege can still be used, but the size of the interval won't match what its name implies very well.

In sharp-1 edos, to up an interval means to augment it. Thus Fu = Pa and So = Sha. Ra = Fru and Fra = Ro.

In flat-1 edos, to up an interval means to diminish it. Ra = Fro and Ru = Fra. Fo = Pa and Su = Sha

In sharp-2 and sharp-4 edos, mid is spelled as downmajor, downaug for the 4th, and downperfect for the 5th

In edos with an even penta-sharpness, there are "in-between" notes with two names. For example, 4\19 (Ru/No) is named as both a 2nd and a 3rd, a "serd".

  • 1sn/2nd = unisecond (secison)
  • 2nd/3rd = serd (thecond)
  • 3rd/4th = ford (thorth)
  • 4th/5th = tritone
  • 5th/6th = sifth (sexth)
  • 6th/7th = sexth? siventh?
  • 7th/8ve = setave? octenth?

Example Scales

(The prime limits assumes a larger edo in which both 81/80 and 64/63 = 1 edostep)

3-limit Plain major scale Da Ra Ma Fa Sa La Ta Da
Plain minor scale Da Ra Na Fa Sa Fla Tha Da
5-limit Downmajor scale Da Ra Mo Fa Sa Lo To Da
Upminor scale Da Ra Nu Fa Sa Flu Thu Da
7-limit Upmajor scale Da Ra Mu Fa Sa Lu Tu Da
Downminor scale Da Ra No Fa Sa Flo Tho Da

Suggestion for learning

Even with many familiar consonants and a consistent vowel sequence, it can take a while to master a large solfege. One might want to divide-and-conquer. Start with using this simple solfege:

Da - Ra - Ma - Fa - Sa - La - Ta - Da

This helps with unlearning the syllables Do, Mi, So and Ti, which are still present but have a changed meaning. (For those familiar with the full 17-name solfege, note that Ra, Ri, Fi, Si and Li are often present but changed.)

Next add in the 6 altered consonants, making a 12-edo-like solfege:

Da - Fra - Ra - Na - Ma - Fa - Pa/Sha - Sa - Fla - La - Tha - Ta - Da

Once this is fully internalized, add in the other vowels, and learn how to respell the various tritones.

Octave Complement

To find the octave complement of any interval:

  • change the degree as usual: 2nd <--> 7th, 3rd <--> 6th, and 4th <--> 5th
  • change the quality as usual: major <--> minor and aug <--> dim, but perfect and mid are unchanged
  • find the consonant via the quality and degree
  • change the vowel as expected: -u <--> -o, but -a is unchanged. If -e is used, -i <--> -e, otherwise -i is unchanged.

For example, Fru = minor-Re-up becomes major-Ti-down = To.

The Circle of Fifths

The 13 -a notes form a chain of 5ths running from the dim 5th to the aug 4th:

Sha - Fra - Fla - Na - Tha - Fa - Da - Sa - Ra - La - Ma - Ta - Pa

Each vowel creates a separate chains of 5ths, usually starting with Sh- and ending with P-. But each P- note is enharmonically equivalent to some Sh- note (or S- or F- note). In 12n edos, the vowel is the same, the chain becomes a circle, and there are multiple circles of 5ths. In other edos, the vowel changes, and the duplicate names connect these separate chains into one circle. (See 34edo for an exception.) This is one rationale for the 13th consonant P-, for it supplies the needed duplicate names.

For example, 31edo uses 3 vowels. Since Pa = Sho, the end of the -a chain connects to the start of the -o chain. Since Po = Fu, the -o chain connects to the -u chain. Since Pu = Sha, the -u chain connects back to the -a chain, making a circle of 31 5ths:

Da Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Fu Du Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa Da

Thus as long as one spells the tritone correctly, all 5ths rhyme. This makes interval arithmetic very easy.

Adding/subtracting 4ths and 5ths

The note a 4th or 5th above any note always rhymes, and the consonant is as would be expected from conventional interval arithmetic. Ra plus a 4th is Sa, Fro plus a 5th is Flo, etc. Thus in the example scales above, the 3rd, 6th and 7th always rhyme, as do the tonic, 2nd, 4th and 5th.

However, consider the aug 4th, a P- note. The note a 5th above it would be an augmented 8ve, which doesn't exist in a uniform solfege. Therefore one must rename the tritone as a dim or mid 5th. Thus in 31edo Pa + 5th = Sho + 5th = Fro. Likewise, Sho and Sha need renaming when adding a 4th: Sha + 4th = Pu + 4th = Tu.

Adding/subtracting other intervals

The same rule for 4ths and 5ths mostly holds for plain major 2nds. Keep the vowel, and change the consonant as expected. Ra + M2 = Ma. But an aug 4th must be renamed as a 5th. Beware, this rule breaks down entirely for major and mid 7ths (the T- notes), due to the lack of aug and mid 8ves.

In general, one can add or subtract any conventional (i.e. plain) interval from any note, and the result will be as expected. But only if the expected answer exists in the solfege. It must exist on the 13-note chain of 5ths from dim5 to aug4. In other words, the expected answer must not be augmented or diminished, unless it's an aug4 or a dim5. (Otherwise, one must use an enharmonic equivalent.) For example, one can easily add a M3 to any note other than a L-, M-, T- or P- note. Thus Ro + M3 = Po and Na + M3 = Sa, but La + M3 is a Fr- note. Beware, sometimes a chain is not 13 notes long, and when adding to or subtracting, the expected answer must exist on the shorter chain. For example, in 31edo, the -u chain runs from P4 to A4.

One can often easily add/subtract an unconventional (upped or downed) interval as well. The ups and downs add up and cancel out as expected. Thus Ra + vM2 = Mo and Ru + vM2 = Ma. Obviously the vowel will change. Again, the expected answer must exist in the solfege. 3-vowel solfeges lack double-ups and double-downs. 4-vowel solfeges lack double-upmajor and double-downminor. 5-vowel solfeges lack triple-ups and triple-downs.

Correlations with colorspeak

-u/-o can mean not only up/down, but also under/over, meaning in the ratio's denominator or numerator. A colorspeak review:

  • ya (5-limit): yo/gu = 5-over/5-under = subtract/add 81/80
  • za (2.3.7): zo/ru = 7-over/7-under = subtract/add 64/63
  • ila (2.3.11): ilo/lu = 11-over/11-under = subtract/add 729/704
  • tha (2.3.13): tho/thu = 13-over/13-under = subtract/add 27/26

In colorspeak, the last two commas could instead be 33/32 and 1053/1024, but these are over commas, and they must be under to keep the correlation.

If 81/80 maps to 1 edostep, then gu/yo = up/down. Likewise with the other commas. The table below shows that almost every edo has at least one such correlation. Parentheses are used when the prime's relative error is high, e.g. 12edo's prime 11.

colorspeak correlations for all 25 diatonic edos that have uniform solfeges with 5 vowels or less
12 17 19 22 24 26 27 29 31 32 33 34 36 38 39 40 41 43 45 46 48 50 53 55 60
ya (gu) gu gu gu gu (gu) gu gu (gu) gu gu
(yo) yo yo yo yo (yo) yo yo (yo) yo yo
za ru ru ru ru ru ru ru ru ru (ru) ru ru ru ru ru
zo zo zo zo zo zo zo zo zo (zo) zo zo zo zo zo
ila (ilo) ilo ilo ilo (ilo) (ilo) ilo ilo
(lu) lu lu lu (lu) (lu) lu lu
tha tho tho tho tho tho tho tho tho (tho)
thu thu thu thu thu thu thu thu (thu)

About the edo list

This list only includes edos that have uniform solfeges, which are edos with both sharpness and penta-sharpness of 5 or less. Smaller edos are included with numeric solfeges. Excluded edos: 30, 37, 42, 44, 47, 49, 51-52, 54, 56-59, and everything under 5 or over 60. A total of 43 edos, and 41 uniform solfeges.

7 consonants 7 consonants + P- 13 consonants BC numeric
-a 7 5 12 5 7 12 5 6

8 9

10 11

-o -a -u 12 14 21 10 15 16 17 19 22 24

26 29 31 36

-i -o -a -u 20 25 27 41
-e -o -a -u -i 28 35 40 48 53 60

5edo

various solfeges
5edo 0 1 2 3 4 5
notes C D / Eb E / F G / Ab A / Bb C
intervals P1 M2 / m3 M3 / P4 P5 / m6 M6 / m7 P8
numeric solfege Wa Tu Ti Fo Fa Wa
BC solfege Do Re / Me Fa So La / Te Do
uniform solfege Da Ra / Na Fa Sa La / Tha Da
uniform circle of fifths
0 3 1 4 2 5
-a Da Sa Ra La
-a Na Tha Fa Da

6edo

BC & numeric solfeges
6edo 0 1 2 3 4 5 6
notes C D E F# / Gb G# / Ab A# / Bb C
intervals P1 M2 M3 A4 / d5 A5 / m6 A6 / m7 P8
BC solfege (12edo subset) Do Re Mi Fi / Se Si / Le Li / Te Do
numeric solfege Wa Tu Ti Fo Fa Si Wa

7edo

BC & uniform solfeges
7edo 0 1 2 3 4 5 6 7
notes C D E F G A B C
intervals P1 P2 P3 P4 P5 P6 P7 P8
BC solfege Do Re Mi Fa So La Ti Do
uniform solfege Da Ra Ma Fa Sa La Ta Da
circle of fifths
0 4 1 5 2 6 3 7
BC Do So Re La Mi Ti Fa Do
uniform Da Sa Ra La Ma Ta Fa Da

8edo

numeric solfege
8edo 0 1 2 3 4 5 6 7 8
solfege Wa Tu Ti Fo Fa Si Se E Wa

9edo

numeric solfege
9edo 0 1 2 3 4 5 6 7 8 9
solfege Wa Tu Ti Fo Fa Si Se E Na Wa
uniform solfege (-a = plain)
9edo 0 1 2 3 4 5 6 7 8 9
cents 0 133 267 400 533 667 800 933 1067 1200
notes C D Db/E Eb/F# F G Gb/A Ab/B Bb C
intervals P1 M2 m2/M3 m3/A4 P4 P5 d5/M6 m6/M7 m7 P8
solfege Da Ra Fra/Ma Na/Pa Fa Sa Sha/La Fla/Ta Tha Da

Of qustionable merit. Circle of 5ths: Da Sa Ra La/Sha Ma/Fra Ta/Fla Pa/Na Tha Fa Da

10edo

numeric solfege
10edo 0 1 2 3 4 5 6 7 8 9 10
solfege Wa Tu Ti Fo Fa Si Se E Na Te Wa
uniform solfege (-a = plain, -o = down)
10edo 0 1 2 3 4 5 6 7 8 9 10
cents 0 120 240 360 480 600 720 840 960 1080 1200
notes C vD D / Eb vE F vF# / vG G vA A / Bb vB C
intervals P1 ~2 M2 / m3 ~3 P4 ~4 / ~5 P5 ~6 M6 / m7 ~7 P8
solfege Da Ro Ra / Na Mo Fa Po / So Sa Lo La / Tha To Da
extra names Du / Fru Nu Ma Fu / Shu Fla Flu Thu / Do
circles of fifths
plain circle down circle
0 6 2 8 4 10 1 7 3 9 5 1
-a Da Sa Ra La -o Ro Lo Mo To Po
-a Na Tha Fa Da -o So Ro

11edo

numeric solfege, see also edos 8-10
11edo 0 1 2 3 4 5 6 7 8 9 10 11
solfege Wa Tu Ti Fo Fa Si Se E Na Te Le Wa
uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
11edo 0 1 2 3 4 5 6 7 8 9 10 11
cents 0 109 218 327 436 545 655 764 873 982 1091 1200
notes C C
intervals P1 ^1/M2 ~2/M3 m2/~3 m3/v4 P4/v5 ^4/P5 ^5/M6 ~6/M7 m6/~7 m7/v8 P8
solfege Da Du/Ra Ri/Ma Fra/Mi Na/Fo Fa/So Fu/Sa Su/La Li/Ta Fla/Ti Tha/Do Da

Of qustionable merit. Circle of 5ths: Da Sa/Fu Ra/Du La/Su Ma/Ri Ta/Li Mi/Fra Ti/Fla Na/Fo Tha/Do Fa/So Da

someone's solfege from 11edo page, a subset of 22edo
11edo 0 1 2 3 4 5 6 7 8 9 10 11
solfege Do Ra Re Me Mo Fu Su Lo La Ta Ti Do

12edo

conventional solfege (-i = sharp, -e = flat, -a = flat Re)
12edo 0 1 2 3 4 5 6 7 8 9 10 11 12
notes C C# / Db D D# / Eb E F F# / Gb G G# / Ab A A# / Bb B C
intervals P1 A1 / m2 M2 A2 / m3 M3 P4 A4 / d5 P5 A5 / m6 M6 A6 / m7 M7 P8
solfege Do Di / Ra Re Ri / Me Mi Fa Fi / Se So Si / Le La Li / Te Ti Do
circle of fifths (asymmetrical and major-centric)
0 7 2 9 4 11 6 1 8 3 10 5 12
Do So Re La Mi Ti Fi Di Si Ri Li
Se Ra Le Me Te Fa Da
perfect major aug / minor perfect
uniform solfege #1 (-a = plain = perfect/major, -u = aug, -o = dim/minor) (7 consonants)
12edo 0 1 2 3 4 5 6 7 8 9 10 11 12
notes C C# / Db D D# / Eb E F F# / Gb G G# / Ab A A# / Bb B C
intervals P1 A1 / m2 M2 A2 / m3 M3 P4 A4 / d5 P5 A5 / m6 M6 A6 / m7 M7 P8
solfege Da Du / Ro Ra Ru / Mo Ma Fa Fu / So Sa Su / Lo La Lu / To Ta Da
extras Fo Mu Do Tu
circle of fifths (asymmetrical and major-centric)
0 7 2 9 4 11 6 1 8 3 10 5 12
-a Da Sa Ra La Ma Ta
-o So Ro Lo Mo To
-u Fu Du Su Ru Lu
-a Fa Da
uniform solfege #2 (-a = plain = perfect/major, -u = aug)
12edo 0 1 2 3 4 5 6 7 8 9 10 11 12
notes C C# / Db D D# / Eb E F F# / Gb G G# / Ab A A# / Bb B C
intervals P1 A1 / m2 M2 A2 / m3 M3 P4 A4 / d5 P5 A5 / m6 M6 A6 / m7 M7 P8
solfege Da Du / Fra Ra Ru / Na Ma Fa Pa / Sha Sa Su / Fla La Lu / Tha Ta Da
extras Fo Mu Do
circle of fifths (asymmetrical and major-centric)
0 7 2 9 4 11 6 1 8 3 10 5 12
-a Da Sa Ra La Ma Ta Pa
-u Du Su Ru Lu
-a Sha Fra Fla Na Tha Fa Da

13b-edo

uniform solfege (-a = plain, -u = up, -o = down) (no Pa or Sha)
13edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13
notes C ^C/D ^D/E vDb/^E Db/vEb Eb/vF F G ^G/A ^A/B vAb/^B Ab/vBb Bb/vC C
intervals P1 ^1/M2 ^M2/M3 vm2/^M3 m2/vm3 m3/v4 P4 P5 ^5/M6 ^M6/M7 vm6/^M7 m6/vm7 m7/v8 P8
solfege Da Du/Ra Ru/Ma Fro/Mu Fra/No Na/Fo Fa Sa Su/La Lu/Ta Flo/Tu Fla/Tho Tha/Do Da
circle of fifths
0 7 1 8 2 9 3 10 4 11 5 12 6 13
-a Da Sa Ra La Ma Ta
-u Du Su Ru Lu Mu Tu
-o Fro Flo No Tho Fo Do
-a Fra Fla Na Tha Fa Da

14edo

uniform solfege (-a = plain, -u = up, -o = down), see also 21edo
14edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
notes C ^C/vD D ^D/vE E ^E/vF F ^F/vG G ^G/vA A ^A/vB B ^B/vC C
intervals P1 ^1/v2 P2 ^2/v3 P3 ^3/v4 P4 ^4/v5 P5 ^5/v6 P6 ^6/v7 P7 ^7/v8 P8
uniform solfege Da Du/Ro Ra Ru/Mo Ma Mu/Fo Fa Fu/So Sa Su/Lo La Lu/To Ta Tu/Do Da
circles of fifths
plain circle up/down circle
0 8 2 10 4 12 6 14 7 1 9 3 11 5 13 7
-a Da Sa Ra La Ma Ta Fa Da -u Fu Du Su Ru Lu Mu Tu Fu
-o So Ro Lo Mo To Fo Do So

15edo

uniform solfege (-u = up, -o = down, -a = plain)
15edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
cents 0 80 160 240 320 400 480 560 640 720 800 880 960 1040 1120 1200
notes C ^Db vD D / Eb ^Eb vE E / F ^F / ^Gb vF# / vG G / Ab ^Ab vA A / Bb ^Bb vB C
intervals P1 ^m2 vM2 M2 / m3 ^m3 vM3 M3 / P4 ^4 / ^d5 vA4 / v5 P5 / m6 ^m6 vM6 M6 / m7 ^m7 vM7 P8
solfege Da Fru Ro Ra / Na Nu Mo Fa Fu / Shu Po / So Sa Flu Lo La / Tha Thu To Da
extras Du Do
circles of fifths
plain circle up circle down circle
0 9 3 12 6 15 1 10 4 13 7 1 2 11 5 14 8 2
Da Sa Ra La Fru Flu Nu Thu Fu Ro Lo Mo To Po
Na Tha Fa Da Shu Fru So Ro
Kite's diatonic solfege (-i = minor, -u = upminor, -o = downmajor, -a = major), see 20edo, 22edo
15edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
cents 0 80 160 240 320 400 480 560 640 720 800 880 960 1040 1120 1200
notes C ^Db vD D/Eb ^Eb vE E/F ^F vG G/Ab ^Ab vA A/Bb ^Bb vB C
intervals P1 ^m2 vM2 M2/m3 ^m3 vM3 M3/P4 ^4 v5 P5/m6 ^m6 vM6 M6/m7 ^m7 vM7 P8
solfege Da Ru Ro Ra/Mi Mu Mo Ma/Fa Fu So Sa/Li Lu Lo La/Ti Tu To Da

circles of 5ths: Fu Ru Lu Mu Tu Fu --- Da Sa/Li Ra/Mi La/Ti Ma/Fa Da --- So Ro Lo Mo To So

someone's BC solfege from the 15edo page
15edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
notes C ^C vD D ^Eb vE F ^F vG G ^Ab vA Bb ^Bb vB C
intervals P1 ^1 vM2 M2 ^m3 vM3 P4 ^4 v5 P5 ^m6 vM6 m7 ^m7 vM7 P8
solfege Do Di Ru Re Me Mi Fa Fu Su So Le La Ta Tu Ti Do

16edo

uniform solfege (-a = major/minor/perfect, -u = up/dim, -o = down/aug)
16edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
cents 0 75 150 225 300 375 450 525 600 675 750 825 900 975 1050 1125 1200
notes C Cb/D# D Db E Eb Ebb/F# F Fb/G# G Gb/A# A Ab B Bb Bbb/C# C
intervals P1 d1/A2 M2 m2 M3 m3 d3/A4 P4 d4/A5 P5 d5/A6 M6 m6 M7 m7 d7/A8 P8
solfege Da Du/Ro Ra Fra Ma Na Nu/Pa Fa Fu/So Sa Sha/Lo La Fla Ta Tha Thu/Do Da
extras Fro Ru No Mu Fo Su Flo Lu Tho Tu
circle of fifths
0 9 2 11 4 13 6 15 8 1 10 3 12 5 14 7 16
-a Da Sa Ra La Ma Ta Pa
-u Nu Thu Fu Du
-o Do So Ro Lo
-a Sha Fra Fla Na Tha Fa Da
perfect major in-between minor perfect
Kite's BC solfege (-i = sharp, -e = flat, -a = sharp Mi and Ti, flat Re), see also 12edo
16edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
notes C Cb/D# D Db/E# E Eb F# F Fb/G# G Gb/A# A Ab/B# B Bb C# C
intervals P1 d1/A2 M2 m2/A3 M3 m3 A4 P4 d4/A5 P5 d5/A6 M6 m6/A7 M7 m7 A8 P8
solfege Do De/Ri Re Ra/Ma Mi Me Fi Fa Fe/Si So Se/Li La Le/Ta Ti Te Di Do

17edo

uniform solfege (-a = plain, -u = up, -o = down)
17edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
notes C ^C / Db vD D ^D / Eb vE E F ^F / Gb F# / vG G Ab vA A ^A / Bb vB B / vC C
intervals P1 ^1 / m2 ~2 M2 ^M2 / m3 ~3 M3 P4 ~4 / d5 A4 / ~5 P5 m6 ~6 M6 ^M6 / m7 ~7 M7 / v8 P8
solfege Da Du / Fra Ro Ra Na Mo Ma Fa Fu / Sha Pa / So Sa Fla Lo La Tha To Ta / Do Da
extras Fru No Ru Nu Fo Su Flu Tho Lu Thu
circle of fifths
0 10 3 13 6 16 9 2 12 5 15 8 1 11 4 14 7 17
-a Da Sa Ra La Ma Ta Pa
-o Do So Ro Lo Mo To
-u (Fru) (Flu) (Nu) (Thu) Fu Du
-a Sha Fra Fla Na Tha Fa Da
perfect major mid minor perfect
Andrew's BC solfege (-u = mid)
17edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
notes C ^C / Db C# / vD D ^D / Eb D# / vE E F ^F / Gb F# / vG G ^G / Ab G# / vA A ^A / Bb A# / vB B C
intervals P1 ^1 / m2 A1 / ~2 M2 ^M2 / m3 A2 / ~3 M3 P4 ~4 / d5 A4 / ~5 P5 ^5 / m6 A5 / ~6 M6 ^M6 / m7 A6 / ~7 M7 P8
solfege Do Da / Ra Di / Ru Re Ro / Me Ri / Mu Mi Fa Fu / Se Fi / Su So Sa / Le Si / Lu La Lo / Te Li / Tu Ti Do

18b-edo

uniform solfege (-a = plain, -u = up, -o = down)
18edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
notes C ^C

vD

D ^D

vDb

Db

E

^E

vEb

Eb ^Eb / ^F#

vF

F ^F

vG

G ^G

^Gb / vA

A ^A

vAb

Ab

B

^B

vBb

Bb ^Bb

vC

C
intervals P1 ^1

vM2

M2 ~2 m2

M3

~3 m3 ^m3 / ^A4

v4

P4 ^4

v5

P5 ^5

vd5 / vM6

M6 ~6 m6

M7

~7 m7 ^m7

v8

P8
solfege Da Du

Ro

Ra Ru

Fro

Fra

Ma

Mu

No

Na Nu / Pu

Fo

Fa Fu

So

Sa Su

Sho / Lo

La Lu

Flo

Fla

Ta

Tu

Tho

Tha Thu

Do

Da
extras Pa Sha
circles of fifths
plain circle up/down circle
0 10 2 12 4 14 6 16 8 18 9 1 11 3 13 5 15 7 17 9
-a Da Sa Ra La Ma Ta -u Fu Du Su Ru Lu Mu Tu Pu/Nu Thu Fu
-a Fra Fla Na Tha Fa Da -o So Ro Lo/Sho Fro Flo No Tho Fo Do So

19edo

traditional solfege
19edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
notes C C#/Dbb Db D D#/Ebb Eb E E#/Fb F F# Gb G G#/Abb Ab A A#/Bbb Bb B B#/Cb C
intervals P1 A1/d2 m2 M2 A2/d3 m3 M3 A3/d4 P4 A4 d5 P5 A5/d6 m6 M6 A6/d7 m7 M7 A7/d8 P8
solfege Do Di/Ro Ra Re Ri/Ma Me Mi Mo/Fe Fa Fi Se So Si/Lo Le La Li/Ta Te Ti To/Da Do
uniform solfege (-a = plain, -u = up, -o = down)
19edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
notes C C#/Dbb Db D D#/Ebb Eb E E#/Fb F F#/Gbb Fx/Gb G G#/Abb Ab A A#/Bbb Bb B B#/Cb C
intervals P1 A1/d2 m2 M2 A2/d3 m3 M3 A3/d4 P4 A4/dd5 AA4/d5 P5 A5/d6 m6 M6 A6/d7 m7 M7 A7/d8 P8
solfege Da Du/Fro Fra Ra Ru/No Na Ma Mu/Fo Fa Pa/Sho Pu/Sha Sa Su/Flo Fla La Lu/Tho Tha Ta Tu/Do Da
extras Po Fu So Shu
circle of fifths
0 11 3 14 6 17 9 1 12 4 15 7 18 10 2 13 5 16 8 19
-a Da Sa Ra La Ma Ta Pa
-o Sho Fro Flo No Tho Fo Do
-u Du Su Ru Lu Mu Tu Pu
-a Sha Fra Fla Na Tha Fa Da
perfect major in-between minor perfect
Kite's diatonic solfege (-a = plain = perfect/major/A4, -u = up = aug, -o = down = dim/minor)
19edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
notes C C#/Dbb Db D D#/Ebb Eb E E#/Fb F F# Gb G G#/Abb Ab A A#/Bbb Bb B B#/Cb C
intervals P1 A1/d2 m2 M2 A2/d3 m3 M3 A3/d4 P4 A4 d5 P5 A5/d6 m6 M6 A6/d7 m7 M7 A7/d8 P8
solfege Da Du Ro Ra Ru Mo Ma Mu Fa/Po Fu/Pa So Sa Su Lo La Lu To Ta Tu/Do Da
extras Fo Sho Pu Shu

Da Sa Ra La Ma Ta Pa/Fu Du Su Ru Lu Mu Tu/Do So Ro Lo Mo To Po/Fa Da

20edo

uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
20edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
cents 0 60 120 180 240 300 360 420 480 540 600 660 720 780 840 900 960 1020 1080 1140 1200
notes C ^Db vvD vD D/Eb ^Eb vvE vE F ^F/^Gb ^^F/vvG vF#/vG G ^Ab vvA vA A/Bb ^Bb vvB vB C
intervals P1 ^m2 ~2 vM2 M2/m3 ^m3 ~3 vM3 P4 ^4/^d5 ~4/~5 vA4/v5 P5 ^m6 ~6 vM6 M6/m7 ^m7 ~7 vM7 P8
solfege Da Fru Ri Ro Ra/Na Nu Mi Mo Fa Fu/Shu Fi/Si Po/So Sa Flu Li Lo La/Tha Thu Ti To Da
extras Du Ma Fla Do
circles of fifths
plain circle up circle mid circle down circle
0 12 4 16 8 20 1 13 5 17 9 1 2 14 6 18 10 2 2 11 5 14 8 2
Da Sa Ra La Fru Flu Nu Thu Fu Ri Li Mi Ti Pi Ro Lo Mo To Po
Na Tha Fa Da Shu Fru Si Ri So Ro
Kite's diatonic solfege (-i = minor, -u = upminor, -e = mid, -o = downmajor, -a = major), see 15edo, 22edo
20edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
notes C/Db ^Db vvD vD D/Eb ^Eb vvE vE E/F ^F ^^F/vvG vG G/Ab ^Ab vvA vA A/Bb ^Bb vvB vB B/C
intervals P1/m2 ^m2 ~2 vM2 M2/m3 ^m3 ~3 vM3 M3/P4 ^4 ~4/~5 v5 P5/m6 ^m6 ~6 vM6 M6/m7 ^m7 ~7 vM7 M7/P8
solfege Da/Ri Ru Re Ro Ra/Mi Mu Me Mo Ma/Fa Fu Fe/Se So Sa/Li Lu Le Lo La/Ti Tu Te To Ta/Da

21edo

uniform solfege (-a = plain, -u = up, -o = down), see also 14edo
21edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21
notes C ^C vD D ^D vE E ^E vF F ^F vG G ^G vA A ^A vB B ^B vC C
intervals P1 ^1 v2 P2 ^2 v3 P3 ^3 v4 P4 ^4 v5 P5 ^5 v6 P6 ^6 v7 P7 ^7 v8 P8
solfege Da Du Ro Ra Ru Mo Ma Mu Fo Fa Fu So Sa Su Lo La Lu To Ta Tu Do Da
circles of fifths
plain circle up circle down circle
0 12 3 15 6 18 9 21 1 13 4 16 7 19 10 1 2 14 5 17 8 20 11 2
Da Sa Ra La Ma Ta Fa Da Du Su Ru Lu Mu Tu Fu Du Do So Ro Lo Mo To Fo Do

22edo

uniform solfege (-u = up, -o = down, -a = plain)
22edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22
notes C Db ^Db vD D Eb ^Eb vE E F ^F/Gb vF#/^Gb F#/vG G Ab ^Ab vA A Bb ^Bb vB B C
intervals P1 m2 ^m2 vM2 M2 m3 ^m3 vM3 M3 P4 ^4/d5 vA4/^d5 A4/v5 P5 m6 ^m6 vM6 M6 m7 ^m7 vM7 M7 P8
solfege Da Du

Fra

Fru Ro Ra Na Nu Mo Ma Fa Fu

Sha

Po

Shu

Pa

So

Sa Fla Flu Lo La Tha Thu To Ta

Do

Da
extras Fro No Ru Fo Mu

Sho

Pu

Flo

Su Tho Lu Tu
circle of fifths
0 13 4 17 8 21 12 3 16 7 20 11 2 15 6 19 10 1 14 5 18 9 22
-a Da Sa Ra La Ma Ta Pa
-o Do So Ro Lo Mo To Po
-u Shu Fru Flu Nu Thu Fu Du
-a Sha Fra Fla Na Tha Fa Da
perfect major downmajor upminor minor perfect
Kite's diatonic solfege (-i = minor, -u = upminor, -o = downmajor, -a = major), see 15edo
22edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22
notes C ^C/Db ^Db vD D Eb ^Eb vE E F ^F vF#/^Gb vG G Ab ^Ab vA A Bb ^Bb vB B/vC C
intervals P1 ^1/m2 ^m2 vM2 M2 m3 ^m3 vM3 M3 P4 ^4 vA4/^d5 v5 P5 m6 ^m6 vM6 M6 m7 ^m7 vM7 M7/v8 P8
solfege Da Du/Ri Ru Ro Ra Mi Mu Mo Ma Fa Fu Po/Shu So Sa Li Lu Lo La Ti Tu To Ta/Do Da
circle of 5ths (1 non-rhyming 5th, Ti-Fa)
0 13 4 17 8 21 12 3 16 7 20 11 2 15 6 19 10 1 14 5 18 9 22
-a Da Sa Ra La Ma Ta
-o Do So Ro Lo Mo To Po
-u Shu Ru Lu Mu Tu Fu Du
-i Ri Li Mi Ti
-a Fa Da
Andrew's BC solfege
22edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22
notes C Db ^Db vD D Eb ^Eb vE E F ^F/Gb vF#/^Gb F#/vG G Ab ^Ab vA A Bb ^Bb vB B C
intervals P1 m2 ^m2 vM2 M2 m3 ^m3 vM3 M3 P4 ^4/d5 vA4/^d5 A4/v5 P5 m6 ^m6 vM6 M6 m7 ^m7 vM7 M7 P8
solfege Do Di Ra Ru Re Ma Me Mi Mo Fa Fu Fi Su Sol Lo Le La Li Ta Tu Ti Da Do

23edo

uniform solfege (-a = major/minor/perfect, -u = up/dim, -o = down/aug)
23edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23
notes C Cb D# D Db Dbb

E#

E Eb Ebb F# F Fb G# G Gb A# A Ab Abb

B#

B Bb Bbb C# C
intervals P1 d1 A2 M2 m2 d2

A3

M3 m3 d3 A4 P4 d4 A5 P5 d5 A6 M6 m6 d6

A7

M7 m7 d7 A8 P8
solfege Da Du Ro Ra Fra Fru

Mo

Ma Na Nu Fo

Pa

Fa Fu So Sa Su

Sha

Lo La Fla Flu

To

Ta Tha Thu Do Da
extras Fro Ru No Mu Pu Sho Flo Lu Tho Tu
circle of fifths
0 13 3 16 6 19 9 22 12 2 15 5 18 8 21 11 1 14 4 17 7 20 10 23
-a Da Sa Ra La Ma Ta Pa
-o Fo Do So Ro Lo Mo To
-u Fru Flu Nu Thu Fu Du Su
-a Sha Fra Fla Na Tha Fa Da

24edo

uniform solfege (-u = up, -a = plain, -o = down), see also 29edo, 36edo
24edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
notes C ^C

vDb

Db ^Db

vD

D ^D

vEb

Eb ^Eb

vE

E ^E

vF

F ^F

vF# vGb

F#

Gb

^F#

^Gb vG

G ^G

vAb

Ab ^Ab

vA

A ^A

vBb

Bb ^Bb

vB

B ^B

vC

C
intervals P1 ^1

vm2

m2 ~2 M2 ^M2

vm3

m3 ~3 M3 ^M3

v4

P4 ~4

vd5

A4

d5

~5

v5

P5 ^5

vm6

m6 ~6 M6 ^M6

vm7

m7 ~7 M7 ^M7

v8

P8
solfege Da Du

Fro

Fra Fru

Ro

Ra Ru

No

Na Nu

Mo

Ma Mu

Fo

Fa Fu

Po

Sho

Pa

Sha

Pu

Shu So

Sa Su

Flo

Fla Flu

Lo

La Lu

Tho

Tha Thu

To

Ta Tu

Do

Da

Fru, Nu, Flu andThu are included to complete the -u circle, so you can do interval arithmetic within it.

circles of fifths
plain

circle

0 14 4 18 8 22 12 2 16 6 20 10 24
-a Da Sa Ra La Ma Ta Pa
-a Sha Fra Fla Na Tha Fa Da
1 15 5 19 9 23 13 3 17 7 21 11 1
up

circle

-u Du Su Ru Lu Mu Tu Pu
-u Shu Fru Flu Nu Thu Fu Du
down

circle

-o Fro Flo No Tho Fo Do So Ro Lo Mo To Po
-o Sho Fro
uniform solfege #2 (-a = plain, -i = mid/down)
24edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
notes C vDb Db vD D vEb Eb vE E vF F vF#/vGb F#/Gb vG G vAb Ab vA A vBb Bb vB B vC C
intervals P1 vm2 m2 ~2 M2 vm3 m3 ~3 M3 v4 P4 vA4/vd5 A4/d5 v5 P5 vm6 m6 ~6 M6 vm7 m7 ~7 M7 v8 P8
solfege Da Fri Fra Ri Ra Ni Na Mi Ma Fi Fa Pi/Shi Pa/Sha Si Sa Fli Fla Li La Thi Tha Ti Ta Di Da

plain/mid rings:

Da Sa Ra La Ma Ta Pa/Sha Fra Fla Na Tha Fa Da

Di Si Ri Li Mi Ti Pi/Shi Fri Fli Ni Thi Fi Di

Simpler, but you can't name the in-between notes (50¢, 250¢, 450¢) as up notes, which is nice.

Kite's diatonic solfege (-i -e -a -o -u = ^M M ~ m vm), see 31edo
24edo 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
notes C ^C

vDb

Db vD D ^D

vEb

Eb vE E ^E

vF

F ^F

vGb

F#

Gb

^F#

vG

G ^G

vAb

Ab vA A ^A

vBb

Bb vB B ^B

vC

C
intervals P1 ^1

vm2

m2 ~2 M2 ^M2

vm3

m3 ~3 M3 ^M3

v4

P4 ^4

vd5

A4

d5

^A4

v5

P5 ^5

vm6

m6 ~6 M6 ^M6

vm7

m7 ~7 M7 ^M7

v8

P8
solfege Do Da

Ru

Ro Ra Re Ri

Mu

Mo Ma Me Mi

Fu

Fo Fa

Su

Fe

So

Fi

Sa

Se Si

Lu

Lo La Le Li

Tu

To Ta Te Ti

Du

Do

25edo

uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
25edo edosteps solfege names ups and downs names
unisons 0-1 Da Du/Fru P1 ^1/^m2 C ^C/^Db
2nds 1-5 Du/Fru Fri Ri Ro Ra/Na ^1/^m2 v~2 ^~2 vM2 M2/m3 ^C/^Db ^^Db vvD vD D/Eb
3rds 5-9 Ra/Na Nu Ni Mi Mo M2/m3 ^m3 v~3 ^~3 vM3 D/Eb ^Eb ^^Eb vvE vE
4ths 10 Fa P4 F
tritones 11-14 Fu/Shu Fi/Shi Pi/Si Po/So ^4/^d5 v~4/v~5 ^~4/^~5 vA4/v5 ^F/^Gb ^^F/^^Gb vvF#/vvG vF#/vG
5ths 15 Sa P5 G
6ths 16-20 Flu Fli Li Lo La/Tha ^m6 v~6 ^~6 vM6 M6/m7 ^Ab ^^Ab vvA vA A/Bb
7ths 20-24 La/Tha Thu Thi Ti To/Do M6/m7 ^~7 vM7/v8 A/Bb ^Bb ^^Bb vvB vB/vC
8ves 24-25 (26) To/Do Da (Du) vM7/v8 P8 (^8) vB/vC C (^C)
Uniform solfege (-a = plain, -u = up, -o = down, -i = mid) (duplicate names are bolded)
25edo edosteps solfege names ups and downs names
unisons 0-1 Da Du P1 ^1 C ^C
2nds 1-5 Fru Fri Ri Ro Ra ^m2 v~2 ^~2 vM2 M2 ^Db ^^Db vvD vD D
3rds 5-9 Na Nu Ni Mi Mo m3 ^m3 v~3 ^~3 vM3 Eb ^Eb ^^Eb vvE vE
4ths 10 Fa P4 F
tritones 11-14 Fu/Shu Fi/Shi Pi/Si Po/So ^4/^d5 v~4/v~5 ^~4/^~5 vA4/v5 ^F/^Gb ^^F/^^Gb vvF#/vvG vF#/vG
5ths 15 Sa P5 G
6ths 16-20 Flu Fli Li Lo La ^m6 v~6 ^~6 vM6 M6 ^Ab ^^Ab vvA vA A
7ths 20-24 Tha Thu Thi Ti To m7 ^~7 vM7 Bb ^Bb ^^Bb vvB vB
8ves 24-25 (26) Do Da (Du) v8 P8 (^8) vC C (^C)

plain ring: Da Sa Ra/Na La/Tha Fa Da

up ring: Fu/Shu Du/Fru Flu Nu Thu Fu/Shu

downmid ring: Fi/Shi Fri Fli Ni Thi Fi/Shi

upmid ring: Pi/Si Ri Li Mi Ti Pi/Si

down ring: Po/So Ro Lo Mo To/Do Po/So

circles of fifths
plain circle
plain

circle

0 15 5 20 10 25
Da Sa Ra La
Na Tha Fa Da
up

circle

1 16 6 21 11 1
Fru Flu Nu Thu Fu Du
Du Shu Fru
downmid

circle

2 17 7 22 12 2
Fri Fli Ni Thi Fi
Shi Fri
upmid

circle

3 18 8 23 13 3
Ri Li Mi Ti Pi
Si Ri
down

circle

4 19 9 24 14 4
Ro Lo Mo To Po
So Ro

26edo

uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim)
26edo edosteps solfege ups and downs names
unisons 0-1 Da Du P1 A1 C C#
2nds 2-5 Fro Fra Ra Ru d2 m2 M2 A2 Dbb Db D D#
3rds 6-9 No Na Ma Mu d3 m3 M3 A3 Ebb Eb E E#
4ths 10-12 Fo Fa Fu/Pa d4 P4 A4 Fb F F#
tritone 13 Pu/Sho AA4/dd5 Fx/Gbb
5ths 14-16 Sha/So Sa Su d5 P5 A5 Gb G G#
6ths 17-20 Flo Fla La Lu d6 m6 M6 A6 Abb Ab A A#
7ths 21-24 Tho Tha Ta Tu d7 m7 M7 A7 Bbb Bb B B#
8ves 25-26 (27) Do Da (Du) d8 P8 (A8) Cb C (C#)

circle of 5ths: Da Sa Ra La Ma Ta Pa/Fu Du Su Ru Lu Mu Tu Pu/Sho Fro Flo No Tho Fo Do So/Sha Fra Fla Na Tha Fa Da

Kite's diatonic solfege (-o = downminor = dim, -i = minor, -a = major/perfect, -u = upmajor = aug)
26edo edosteps Kite's Phylingual's ups and downs names
unisons 0-1 Da Du Do Di P1 A1 C C#
2nds 2-5 Ro Ri Ra Ru Rih Ru Re Ri d2 m2 M2 A2 Dbb Db D D#
3rds 6-9 Mo Mi Ma Mu Ma Me Muh/Mi Maa d3 m3 M3 A3 Ebb Eb E E#
4ths 10-12 Fo Fa Fu/Pa Fe Fa Fu d4 P4 A4 Fb F F#
tritone 13 Pu/Sho Fi/Se AA4/dd5 Fx/Gbb
5ths 14-16 Sha/So Sa Su Su So Si d5 P5 A5 Gb G G#
6ths 17-20 Lo Li La Lu Leh Le/Lu La Li d6 m6 M6 A6 Abb Ab A A#
7ths 21-24 To Ti Ta Tu Ta Te Tu/Ti To d7 m7 M7 A7 Bbb Bb B B#
8ves 25-26 (27) Do Da (Du) Da Do (Di) d8 P8 (A8) Cb C (C#)

circle of 5ths: Da Sa Ra La Ma Ta Pa/Fu Du Su Ru Lu Mu Tu Pu/Sho Ro Lo Mo To Fo Do So Ri Li Mi Ti Fa Da

27edo

uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
27edo edosteps solfege names ups and downs names
unisons 0-1 Da Du/Fra P1 ^1/m2 C ^C/Db
2nds 1-5 Du/Fra Fru Ri Ro Ra ^1/m2 ^m2 ~2 vM2 M2 ^C/Db ^Db vvD vD D
3rds 6-10 Na Nu Mi Mo Ma m3 ^m3 ~3 vM3 M3 Eb ^Eb vvE vE E
4ths 11 Fa P4 F
tritones 12-15 Fu/Sha Fi/Shu Po/Si Pa/So ^4/b5 ~4/^d5 vA4/~5 A4/v5 ^F/Gb ^^F/^Gb vF#/vvG F#/vG
5ths 16 Sa P5 G
6ths 17-21 Fla Flu Li Lo La m6 ^m6 ~6 vM6 M6 Ab ^Ab vvA vA A
7ths 22-26 Tha Thu Ti To Ta/Do m7 ^m7 ~7 vM7 M7/v8 Bb ^Bb vvB vB B/vC
8ves 26-27 (28) Ta/Do Da (Du) M7/v8 P8 (^8) B/vC C (^C)

circle of 5ths: Da Sa Ra La Ma Ta/Do Pa/So Ro Lo Mo To Po/Si Ri Li Mi Ti Fi/Shu Fru Flu Nu Thu Fu/Sha Du/Fra Fla Na Tha Fa Da

Du and Do aren't necessary, but only one D- note seems too few since all the other degrees have 5 notes.

28edo

uniform solfege (-a = plain, -u = up, -o = down, -i = double-up, -e = double-down)
28edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di/Re P1 ^1 ^^1/vv2 C ^C ^^C/vvD
2nds 2-6 Di/Re Ro Ra Ru Ri/Me ^^1/vv2 v2 P2 ^2 ^^2/vv3 ^^C/vvD vD D ^D ^^D/vvE
3rds 6-10 Ri/Me Mo Ma Mu Mi/Fe ^^2/vv3 v3 P3 ^3 ^^3/vv4 ^^D/vvE vE E ^E ^^E/vvF
4ths 10-14 Mi/Fe Fo Fa Fu Fi/Se ^^3/vv4 v4 P4 ^4 ^^4/vv5 ^^E/vvF vF F ^F ^^F/vvG
5ths 14-18 Fi/Se So Sa Su Si/Le ^^4/vv5 v5 P5 ^5 ^^5/vv6 ^^F/vvG vG G ^G ^^G/vvA
6ths 18-22 Si/Le Lo La Lu Li/Te ^^5/vv6 v6 P6 ^6 ^^6/vv7 ^^G/vvA vA A ^A ^^A/vvB
7ths 22-26 Li/Te To Ta Tu Ti/De ^^6/vv7 v7 P7 ^7 ^^7/vv8 ^^A/vvB vB B ^B ^^B/vvC
8ves 26-28 (29 30) Ti/De Do Da (Du Di) ^^7/vv8 v8 P8 (^8 ^^8) ^^B/vvC vC C (^C ^^C)
circles of fifths
plain circle 0 16 4 20 8 24 12 28
Da Sa Ra La Ma Ta Fa Da
up circle 1 17 5 21 9 25 13 1
Du Su Ru Lu Mu Tu Fu Du
down circle 27 15 3 19 7 23 11 27
Do So Ro Lo Mo To Fo Do
in-between circle 2 18 6 22 10 26 14 2
Di Si Ri Li Mi Ti Fi Di
Re Le Me Te Fe De Se Re

29edo

uniform solfege (-a = plain, -u = up, -o = down), see also 24edo, 36edo
29edo edosteps solfege names ups and downs names
unisons 0-1 Da Du/Fro P1 ^1/vm2 C ^C/vDb
2nds 1-6 Du/Fro Fra Fru Ro Ra Ru/No ^1/vm2 m2 ^m2 vM2 M2 ^M2/vm3 ^C/vDb Db ^Db vD D ^D/vEb
3rds 6-11 Ru/No Na Nu Mo Ma Mu/Fo ^M2/vm3 m3 ^m3 vM3 M3 ^M3/v4 ^D/vEb Eb ^Eb vE E ^E/vF
4ths 11-13 Mu/Fo Fa Fu ^M3/v4 P4 ^4 ^E/vF F ^F
tritones 14-15 Po/Sha Pa/Shu vA4/d5 A4/^d5 vF#/Gb F#/^Gb
5ths 16-18 So Sa Su/Flo v5 P5 ^5/vm6 vG G ^G/vAb
6ths 18-23 Su/Flo Fla Flu Lo La Lu/Tho ^5/vm6 m6 ^m6 vM6 M6 ^M6/vm7 ^G/vAb Ab ^Ab vA A ^A/vBb
7ths 23-28 Lu/Tho Tha Thu To Ta Tu/Do ^M6/vm7 m7 ^m7 vM7 M7 ^M7/v8 ^A/vBb Bb ^Bb vB B ^B/vC
8ves 28-29 (30) Tu/Do Da (Du) ^M7/v8 P8 (^8) ^B/vC C (^C)

circle of 5ths: Da Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu Du/Fro Su/Flo Ru/No Lu/Tho Mu/Fo Tu/Do So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa Da

Phylingual's solfege
29edo edosteps solfege names ups and downs names
unisons 0-1 Do Di P1 ^1 C ^C
2nds 2-6 Rih Ra Ru Re Raw m2 ^m2 vM2 M2 ^M2 Db ^Db vD D ^D
3rds 7-11 Meh Me Mi Maa Maw m3 ^m3 vM3 M3 ^M3 Eb ^Eb vE E ^E
4ths 12-14 Fa Fu Fi P4 ^4 ^^4 F ^F ^^F
5ths 15-18 Se Su So Saw vv5 v5 P5 ^5 vvG vG G ^G
6ths 19-23 Leh Le La Laa Law m6 ^m6 vM6 M6 ^M6 Ab ^Ab vA A ^A
7ths 24-27 Teh Te Ti Taa m7 ^m7 vM7 M7 Bb ^Bb vB B
8ves 28-29 (30) Da Do (Di) v8 P8 (^8) vC C (^C)

31edo

uniform solfege (-a = plain, -u = up, -o = down)
31edo edosteps solfege names ups and downs names
unisons 0-1 Da Du P1 ^1 C ^C
2nds 2-6 Fro Fra Ro Ra Ru vm2 m2 ~2 M2 ^M2 vDb Db vD D ^D
3rds 7-11 No Na Mo Ma Mu vm3 m3 ~3 M3 ^M3 vEb Eb vE E ^E
4ths 12-14 Fo Fa Fu/Po v4 P4 ^4 vF F ^F/vF#
tritones 15-16 Pa/Sho Pu/Sha A4/vd5 ^A4/d5 F#/vGb ^F#/Gb
5ths 17-19 So Sa Su v5 P5 ^5 vG G ^G
6ths 20-24 Flo Fla Lo La Lu vm6 m6 ~6 M6 ^M6 vAb Ab vA A ^A
7ths 25-29 Tho Tha To Ta Tu vm7 m7 ~7 M7 ^M7 vBb Bb vB B ^B
8ves 30-31 (32) Do Da (Du) v8 P8 (^8) vC C (^C)

circle of 5ths: Da Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Fu Du Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa Da

Kite's bright-dim solfege (-i -e -a -o -u = ^M M ~ m vm), see 24edo
31edo solfege names ups and downs names edosteps
unisons Do Da P1 ^1 C ^C 0-1
2nds Ru Ro Ra Re Ri vm2 m2 ~2 M2 ^M2 vDb Db vD D ^D 2-6
3rds Mu Mo Ma Me Mi vm3 m3 ~3 M3 ^M3 vEb Eb vE E ^E 7-11
4ths Fu Fo Fa v4 P4 ^4 vF F ^F 12-14
tritones Fe/Su Fi/So A4/vd5 ^A4/d5 F#/vGb ^F#/Gb 15-16
5ths Sa Se Si v5 P5 ^5 vG G ^G 17-19
6ths Lu Lo La Le Li vm6 m6 ~6 M6 ^M6 vAb Ab vA A ^A 20-24
7ths Tu To Ta Te Ti vm7 m7 ~7 M7 ^M7 vBb Bb vB B ^B 25-29
8ves Du Do (Da) v8 P8 (^8) vC C (^C) 30-31 (32)

As a circle of 5ths:

Do Se Re Le Me Te Fe/Su Ru Lu Mu Tu Fu Du Sa Ra La Ma Ta Fa Da Si Ri Li Mi Ti Fi/So Ro Lo Mo To Fo Do

Kite's solfege (-u -a -e -i -o = Upmajor mAjor nEutral mInor dOwnminor)
31edo solfege names ups and downs names edosteps
unisons Da Du P1 ^1 C ^C 0-1
2nds Ro Ri Re Ra Ru vm2 m2 ~2 M2 ^M2 vDb Db vD D ^D 2-6
3rds Mo Mi Me Ma Mu vm3 m3 ~3 M3 ^M3 vEb Eb vE E ^E 7-11
4ths Fo Fi Fe v4 P4 ^4 vF F ^F 12-14
tritones Fa/So Fu/Si A4/vd5 ^A4/d5 F#/vGb ^F#/Gb 15-16
5ths Se Sa Su v5 P5 ^5 vG G ^G 17-19
6ths Lo Li Le La Lu vm6 m6 ~6 M6 ^M6 vAb Ab vA A ^A 20-24
7ths To Ti Te Ta Tu vm7 m7 ~7 M7 ^M7 vBb Bb vB B ^B 25-29
8ves De Da (Du) v8 P8 (^8) vC C (^C) 30-31 (32)

circle of 5ths: Da Sa Ra La Ma Ta Fa/So Ro Lo Mo To Fo De Se Re Le Me Te Fe Du Su Ru Lu Mu Tu Fu/Si Ri Li Mi Ti Fi Da

Andrew's solfege
31edo edosteps solfege names ups and downs names
unisons 0-1 Do Di P1 ^1 C ^C
2nds 2-6 Ro Ra Ru Re Ri vm2 m2 ~2 M2 ^M2 vDb Db vD D ^D
3rds 7-11 Ma Me Mu Mi Mo vm3 m3 ~3 M3 ^M3 vEb Eb vE E ^E
4ths 12-15 Fe Fa Fu Fi v4 P4 ^4 A4 vF F ^F F#
5ths 16-19 Se Su So (or Sol) Si d5 v5 P5 ^5 Gb vG G ^G
6ths 20-24 Lo Le Lu La Li vm6 m6 ~6 M6 ^M6 vAb Ab vA A ^A
7ths 25-29 Ta Te Tu Ti To vm7 m7 ~7 M7 ^M7 vBb Bb vB B ^B
8ves 30-31 (32) Da Do (Di) v8 P8 (^8) vC C (^C)

32edo

uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
32edo edosteps solfege names ups and downs names
unisons 0-1 Da Du/Fra P1 ^1/m2 C ^C/Db
2nds 1-6 Du/Fra Fru Fri Ri Ro Ra ^1/m2 ^m2 v~2 ^~2 vM2 M2 ^C/Db ^Db ^^Db vvD vD D
3rds 7-12 Na Nu Ni Mi Mo Ma m3 ^m3 v~2 ^~3 vM3 M3 Eb ^Eb ^^Eb vvE vE E
4ths 13 Fa P4 F
tritones 14-18 Fu/Sha Fi/Shu Pi/Shi Po/Si Pa/So ^4/d5 v~4/^d5 ^~4/v~5 vA4/^~5 A4/v5 ^F/Gb ^^F/^Gb vvF#/^^Gb vF#/vvG F#/vG
5ths 19 Sa P5 G
6ths 20-25 Fla Flu Fli Li Lo La m6 ^m6 v~6 ^~6 vM6 M6 Ab ^Ab ^^Ab vvA vA A
7ths 26-31 Tha Thu Thi Ti To Ta/Do m7 ^m7 v~7 ^~7 vM7 M7/v8 Bb ^Bb ^^Bb vvB vB B/vC
8ves 31-32 (33) Ta/Do Da (Du) M7/v8 P8 (^8) B/vC C (^C)

Da Sa Ra La Ma Ta/Do Pa/So Ro Lo Mo To Po/Si Ri Li Mi Ti Pi/ShiFri Fli Ni Thi Fi/Shu Fru Flu Nu Thu Fu/Sha Du/Fra Fla Na Tha Fa Da

Du and Do aren't necessary, but only one D- note seems too few since all the other degrees have 5 notes.

33edo

uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim, -i = double-aug, -e = double-dim)
33edo edosteps solfege ups and downs names
unisons 0-2 Da Du Di/Fre P1 A1 AA1/dd2 C C# Cx
2nds 2-7 Di/Fre Fro Fra Ra Ru Ri/Ne AA1/dd2 d2 m2 M2 A2 AA2/dd3 Dbbb Dbb Db D D# Dx/Ebbb
3rds 7-12 Ri/Ne No Na Ma Mu Mi/Fe AA2/dd3 d3 m3 M3 A3 AA3/dd4 Dx/Ebbb Ebb Eb E E# Ex/Fbb
4ths 12-15 Mi/Fe Fo Fa Fu/Pa AA3/dd4 d4 P4 A4 Ex/Fbb Fb F F#
tritone 16-17 Fi/Pu/She Pi/Sho/Se AA4/ddd5 AAA4/dd5 Fx/Gbbb Fx#/Gbb
5ths 18-21 Sha/So Sa Su Si/Fle d5 P5 A5 AA5/dd6 Gb G G# Gx/Abbb
6ths 21-26 Si/Fle Flo Fla La Lu Li/The AA5/dd6 d6 m6 M6 A6 AA6/dd7 Gx/Abbb Abb Ab A A# Ax/Bbbb
7ths 26-31 Li/The Tho Tha Ta Tu Ti/De AA6/dd7 d7 m7 M7 A7 AA7/dd8 Ax/Bbbb Bbb Bb B B# Bx/Cbb
8ves 31-33 (34-35) Ti/De Do Da (Du Di) AA7/dd8 d8 P8 (A8 AA8) Bx/Cbb Cb C (C# Cx)

Da Sa Ra La Ma Ta Pa/Fu Du Su Ru Lu Mu Tu Pu/Fi/She Di/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/De Pi/Se/Sho Fro Flo No Tho Fo Do So/Sha Fra Fla Na Tha Fa Da

34edo

uniform solfege (-a = plain, -u = up, -o = down, -i = mid) in-between notes are bolded
34edo edosteps solfege names ups and downs names
unisons 0-1 Da Du=Fro P1 ^1=vm2 C ^C=vDb
2nds 1-7 Fro Fra Fru Ri Ro Ra Ru=No vm2 m2 ^m2 ~2 vM2 M2 ^M2=vm3 vDb Db ^Db vvD vD D ^D=vEb
3rds 7-13 No Na Nu Mi Mo Ma Mu=Fo vm3 m3 ^m3 ~3 vM3 M3 ^M3=v4 vEb Eb ^Eb vvE vE E ^E=vF
4ths 13-15 Fo Fa Fu v4 P4 ^4 vF F ^F
tritones 16-18 Fi/Sha Po/Shu Pa/Si ~4/d5 vA4/^d5 A4/~5 ^^F/Gb vF#/^Gb F#/vvG
5ths 19-21 So Sa Su=Flo v5 P5 ^5=vm6 vG G ^G=vAb
6ths 21-27 Flo Fla Flu Li Lo La Lu=Tho vm6 m6 ^m6 ~6 vM6 M6 ^M6=vm7 vAb Ab ^Ab vvA vA A ^A=vBb
7ths 27-33 Tho Tha Thu Ti To Ta Tu=Do vm7 m7 ^m7 ~7 vM7 M7 ^M7=v8 vBb Bb ^Bb vvB vB B ^B=vC
8ves 33-34 (35) Do Da (Du) v8 P8 (^8) vC C (^C)
circles of fifths
plain/mid

circle

0 20 6 26 12 32 18 4 24 10 30 16 2 22 8 28 14 34
-a Da Sa Ra La Ma Ta Pa
-i Si Ri Li Mi Ti Fi
-a Sha Fra Fla Na Tha Fa Da
perfect major mid minor perfect
up/down

circle

17 3 23 9 29 15 1 21 7 27 13 33 19 5 25 11 31 17
-o Po
-u Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu
-o Fro Flo No Tho Fo Do So Ro Lo Mo To Po
-u Shu
upminor in-between downmajor

35edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
35edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di P1 ^1 ^^1 C ^C ^^C
2nds 3-7 Re Ro Ra Ru Ri vv2 v2 P2 ^2 ^^2 vvD vD D ^D ^^D
3rds 8-12 Me Mo Ma Mu Mi vv3 v3 P3 ^3 ^^3 vvE vE E ^E ^^E
4ths 13-17 Fe Fo Fa Fu Fi vv4 v4 P4 ^4 ^^4 vvF vF F ^F ^^F
5ths 18-22 Se So Sa Su Si vv5 v5 P5 ^5 ^^5 vvG vG G ^G ^^G
6ths 23-27 Le Lo La Lu Li vv6 v6 P6 ^6 ^^6 vvA vA A ^A ^^A
7ths 28-32 Te To Ta Tu Ti vv7 v7 P7 ^7 ^^7 vvB vB B ^B ^^B
8ves 33-35 (36 37) De Do Da (Du Di) vv8 v8 P8 (^8 ^^8) vvC vC C (^C ^^C)
circles of fifths
plain circle 0 20 5 25 10 30 15 35
Da Sa Ra La Ma Ta Fa Da
up circle 1 21 6 26 11 31 16 1
Du Su Ru Lu Mu Tu Fu Du
dup circle 2 22 7 27 12 32 17 2
Di Si Ri Li Mi Ti Fi Di
down circle 34 19 4 24 9 29 14 34
Do So Ro Lo Mo To Fo Do
dud circle 33 18 3 23 8 28 13 33
De Se Re Le Me Te Fe De

36edo

uniform solfege (-a = plain, -u = up, -o = down), see also 24edo, 29edo
36edo edosteps solfege names ups and downs names
unisons 0-1 Da Du P1 ^1 C ^C
2nds 2-7 Fro Fra Fru Ro Ra Ru vm2 m2 ^m2 vM2 M2 ^M2 vDb Db ^Db vD D ^D
3rds 8-13 No Na Nu Mo Ma Mu vm3 m3 ^m3 vM3 M3 ^M3 vEb Eb ^Eb vE E ^E
4ths 14-16 Fo Fa Fu v4 P4 ^4 vF F ^F
tritones 17-19 Po/Sho Pa/Sha Pu/Shu vA4/vd5 A4/d5 ^A4/^d5 vF#/vGb F#/Gb ^F#/^Gb
5ths 20-22 So Sa Su v5 P5 ^5 vG G ^G
6ths 23-28 Flo Fla Flu Lo La Lu vm6 m6 ^m6 vM6 M6 ^M6 vAb Ab ^Ab vA A ^A
7ths 29-34 Tho Tha Thu To Ta Tu vm7 m7 ^m7 vM7 M7 ^M7 vBb Bb ^Bb vB B ^B
8ves 35-36 (37) Do Da (Du) v8 P8 (^8) vC C (^C)
circles of fifths
plain

circle

0 21 6 27 12 33 18 3 24 9 30 15 36
Da Sa Ra La Ma Ta Pa
Sha Fra Fla Na Tha Fa Da
up

circle

1 22 7 28 13 34 19 4 25 10 31 16 1
Du Su Ru Lu Mu Tu Pu
Shu Fru Flu Nu Thu Fu Du
down

circle

35 20 5 26 11 32 17 2 23 8 29 14 35
Do So Ro Lo Mo To Po
Sho Fro Flo No Tho Fo Do

38edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), contains 19edo's solfege, but with u --> i and o --> e
38edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di/Fre P1 ^1 ^^1/vvm2 C ^C ^^C/vvDb
2nds 2-8 Di/Fre Fro Fra Ro Ra Ru Ri/Ne ^^1/vvm2 vm2 m2 ~2 M2 ^M2 ^^M2/vvm3 ^^C/vvDb vDb Db vD D ^D ^^D/vvEb
3rds 8-14 Ri/Ne No Na Mo Ma Mu Mi/Fe ^^M2/vvm3 vm3 m3 ~3 M3 ^M3 ^^M3/vv4 ^^D/vvEb vEb Eb vE E ^E ^^E/vvF
4ths 14-17 Mi/Fe Fo Fa Fu/Po ^^M3/vv4 v4 P4 ~4 ^^E/vvF vF F ^F
tritones 18-20 Pa/She Pu/Sho Pi/Sha A4/vvd5 ^A4/vd5 ^^A4/d5 F#/vvGb ^F#/vGb ^^F#/Gb
5ths 21-24 So Sa Su Si/Fle ~5 P5 ^5 ^^5/vvm6 vG G ^G ^^G/vvAb
6ths 24-30 Si/Fle Flo Fla Lo La Lu Li/The ^^5/vvm6 vm6 m6 ~6 M6 ^M6 ^^M6/vvm7 ^^G/vvAb vAb Ab vA A ^A ^^A/vvBb
7ths 30-36 Li/The Tho Tha To Ta Tu Ti/De ^^M6/vvm7 vm7 m7 ~7 M7 ^M7 ^^M7/vv8 ^^A/vvBb vBb Bb vB B ^B ^^B/vvC
8ves 36-38 Ti/De Do Da (Du Di) ^^M7/vv8 v8 P8 (^8 ^^8) ^^B/vvC vC C (^C ^^C)
circles of fifths
plain/

dup/

dud

circle

0 22 6 28 12 34 18 2 24 8 30 14 36 20 4 26 10 32 16 38
-a Da Sa Ra La Ma Ta Pa
-e She Fre Fle Ne The Fe De
-i Di Si Ri Li Mi Ti Pi
-a Sha Fra Fla Na Tha Fa Da
perfect major in-between minor perfect
up/

down

circle

1 23 7 29 13 35 19 3 25 9 31 15 37 21 5 27 11 33 17 1
-u Du Su Ru Lu Mu Tu Pu
-o Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po
-u Fu Du
upperfect upmajor downminor downperfect mid upperfect

39edo

Could use only 4 vowels by replacing -e with -i.

uniform solfege (-a = plain, -u = up, -o = down, -i = dup = downmid, -e = dud = upmid) in-between notes are bolded
39edo edosteps solfege names ups and downs names
unisons 0-1 Da Du=Fro P1 ^1=vm2 C ^C=vDb
2nds 1-8 Fro Fra Fru Fri Re Ro Ra Ru=No vm2 m2 ^m2 v~2 ^~2 vM2 M2 ^M2=vm3 vDb Db ^Db ^^Db vvD vD D ^D=vEb
3rds 8-15 No Na Nu Ni Me Mo Ma Mu=Fo vm3 m3 ^m3 v~3 ^~3 vM3 M3 ^M3=v4 vEb Eb ^Eb ^^Eb vvE vE E ^E=vF
4ths 15-17 Fo Fa Fu v4 P4 ^4 vF F ^F
tritones 18-21 Fi/Sha Pe/Shu Po/Shi Pa/Se v~4/d5 ^~4/^d5 vA4/v~5 A4/^~5 ^^F/Gb vvF#/^Gb vF#/^^Gb F#/vvG
5ths 22-24 So Sa Su=Flo v5 P5 ^5=vm6 vG G ^G=vAb
6ths 24-31 Flo Fla Flu Fli Le Lo La Lu=Tho vm6 m6 ^m6 v~6 ^~6 vM6 M6 ^M6=vm7 vAb Ab ^Ab ^^Ab vvA vA A ^A=vBb
7ths 31-38 Tho Tha Thu Thi Te To Ta Tu=Do vm7 m7 ^m7 v~7 ^~7 vM7 M7 ^M7=v8 vBb Bb ^Bb ^^Bb vvB vB B ^B=vC
8ves 38-39 (40) Do Da (Du) v8 P8 (^8) vC C (^C)

Da Sa Ra La Ma Ta Pa/Se Re Le Me Te Pe/Shu Fru Flu Nu Thu Fu Du/Fro Su/Flo Ru/No Lu/Tho Mu/Fo Tu/Do So Ro Lo Mo To Po/Shi Fri Fli Ni Thi Fi/Sha Fra Fla Na Tha Fa Da

40edo

uniform solfege (-a = major/minor/perfect, -u = aug, -o = dim, -i = double-aug, -e = double-dim)
40edo edosteps solfege ups and downs names
unisons 0-2 Da Du Di P1 A1 AA1 C C# Cx
2nds 3-8 Fre Fro Fra Ra Ru Ri dd2 d2 m2 M2 A2 AA2 Dbbb Dbb Db D D# Dx
3rds 9-14 Ne No Na Ma Mu Mi dd3 d3 m3 M3 A3 AA3 Ebbb Ebb Eb E E# Ex
4ths 15-18 Fe Fo Fa Fu/Pa dd4 d4 P4 A4 Fbb Fb F F#
tritone 19-21 Fi/Pu Pi/She Sho/Se AA4 AAA4/ddd5 dd5 Fx Fx#/Gbbb Gbb
5ths 22-25 Sha/So Sa Su Si d5 P5 A5 AA5 Gb G G# Gx
6ths 26-31 Fle Flo Fla La Lu Li dd6 d6 m6 M6 A6 AA6 Abbb Abb Ab A A# Ax
7ths 32-37 The Tho Tha Ta Tu Ti dd7 d7 m7 M7 A7 AA7 Bbbb Bbb Bb B B# Bx
8ves 38-40 (41-42) De Do Da (Du Di) dd8 d8 P8 (A8 AA8) Cbb Cb C (C# Cx)

Da Sa Ra La Ma Ta Pa/Fu Du Su Ru Lu Mu Tu Pu/Fi Di Si Ri Li Mi Ti Pi/She Fre Fle Ne The Fe De Se/Sho Fro Flo No Tho Fo Do So/Sha Fra Fla Na Tha Fa Da

41edo

Kite's solfege (-a = plain, -u = up, -o = down, -i = mid), see also 53edo
41edo edosteps Da Ra Mo names ups and downs names
unisons 0-1 Da Du P1 ^1 C ^C
2nds 2-8 Fro Fra Fru Ri Ro Ra Ru vm2 m2 ^m2 ~2 vM2 M2 ^M2 vDb Db ^Db vvD vD D ^D
3rds 9-15 No Na Nu Mi Mo Ma Mu vm3 m3 ^m3 ~3 vM3 M3 ^M3 vEb Eb ^Eb vvE vE E ^E
4ths 16-18 Fo Fa Fu v4 P4 ^4 vF F ^F
tritones 19-22 Fi/Sho Po/Sha Pa/Shu Pu/Si ~4/vd5 vA4/d5 A4/^d5 ^A4/~5 ^^F/vGb vF#/Gb F#/^Gb ^F#/vvG
5ths 23-25 So Sa Su v5 P5 ^5 vG G ^G
6ths 26-32 Flo Fla Flu Li Lo La Lu vm6 m6 ^m6 ~6 vM6 M6 ^M6 vAb Ab ^Ab vvA vA A ^A
7ths 33-39 Tho Tha Thu Ti To Ta Tu vm7 m7 ^m7 ~7 vM7 M7 ^M7 vBb Bb ^Bb vvB vB B ^B
8ves 40-41 (42) Do Da (Du) v8 P8 (^8) vC C (^C)

Da Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Si Ri Li Mi Ti Fi/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa Da

  • plain: Da Sa Ra La Ma Ta Pa/Shu
  • up: Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Si
  • mid: Si Ri Li Mi Ti Fi/Sho
  • down: Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Sha
  • plain: Sha Fra Fla Na Tha Fa Da
Andrew's solfege
41edo edosteps solfege names ups and downs names
unisons 0-1 Do Di P1 ^1 C ^C
2nds 2-8 Ro Rih Ra Ru Reh Re Ri vm2 m2 ^m2 ~2 vM2 M2 ^M2 vDb Db ^Db vvD vD D ^D
3rds 9-15 Ma Meh Me Mu Mi Maa Mo vm3 m3 ^m3 ~3 vM3 M3 ^M3 vEb Eb ^Eb vvE vE E ^E
4ths 16-20 Fe Fa Fih Fu Fi v4 P4 ^4 ~4 vA4 vF F ^F ^^F vF#
5ths 21-25 Se Su Sih So (or Sol) Si ^d5 ~5 v5 P5 ^5 ^Gb vvG vG G ^G
6ths 26-32 Lo Leh Le Lu La Laa Li vm6 m6 ^m6 ~6 vM6 M6 ^M6 vAb Ab ^Ab vvA vA A ^A
7ths 33-39 Ta Teh Te Tu Ti Taa To vm7 m7 ^m7 ~7 vM7 M7 ^M7 vBb Bb ^Bb vvB vB B ^B
8ves 40-41 (42) Da Do (Di) v8 P8 (^8) vC C (^C)

43edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), in-betweener's duplicate names are bolded
43edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di=Fre P1 ^1 ^^1 C ^C ^^C
2nds 2-9 Fre Fro Fra Fru Ro Ra Ru Ri=Ne vvm2 vm2 m2 ^m2 vM2 M2 ^M2 ^^M2 vvDb vDb Db ^Db vD D ^D ^^D
3rds 9-16 Ne No Na Nu Mo Ma Mu Mi=Fe vvm3 vm3 m3 ^m3 vM3 M3 ^M3 ^^M3 vvEb vEb Eb ^Eb vE E ^E ^^E
4ths 16-19 Fe Fo Fa Fu vv4 v4 P4 ^4 vvF vF F ^F
tritones 20-23 Po/She Pa/Sho Pu/Sha Pi/Shu vA4/vvd5 A4/vd5 ^A4/d5 ^^A4/^d5 vF#/vvGb F#/vGb ^F#/Gb ^^F#/^Gb
5ths 24-27 So Sa Su Si=Fle v5 P5 ^5 ^^5 vG G ^G ^^G
6ths 27-34 Fle Flo Fla Flu Lo La Lu Li=The vvm6 vm6 m6 ^m6 vM6 M6 ^M6 ^^M6 vvAb vAb Ab ^Ab vA A ^A ^^A
7ths 34-41 The Tho Tha Thu To Ta Tu Ti=De vvm7 vm7 m7 ^m7 vM7 M7 ^M7 ^^M7 vvBb vBb Bb ^Bb vB B ^B ^^B
8ves 41-43 De Do Da (Du Di) vv8 v8 P8 (^8 ^^8) vvC vC C (^C ^^C)

Da Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/She Di/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/De Pi/Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa Da

  • plain: Da Sa Ra La Ma Ta Pa/Sho
  • down: Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/She
  • dup/dud/inbetween: She Di/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/De Pi/Shu
  • up: Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Sha
  • plain: Sha Fra Fla Na Tha Fa Da

45edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup = aug, -e = dud = dim)
45edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di P1 ^1 A1 C ^C C#
2nds 3-9 Fre Fro Fra Ro Ra Ru Ri d2 vm2 m2 ~2 M2 ^M2 A2 Dbb vDb Db vD D ^D D#
3rds 10-16 Ne No Na Mo Ma Mu Mi d3 vm3 m3 ~3 M3 ^M3 A3 Ebb vEb Eb vE E ^E E#
4ths 17-20 Fe Fo Fa Fu/Po d4 v4 P4 ~4 Fb vF F ^F
tritones 21-24 Fi/Pa Pu/She Pi/Sho Sha/Se A4 ^A4/dd5 AA4/vd5 d5 F# ^F#/Gbb Fx/vGb Gb
5ths 25-28 So Sa Su Si ~5 P5 ^5 A5 vG G ^G G#
6ths 29-35 Fle Flo Fla Lo La Lu Li d6 vm6 m6 ~6 M6 ^M6 A6 Abb vAb Ab vA A ^A A#
7ths 36-42 The Tho Tha To Ta Tu Ti d7 vm7 m7 ^~7 M7 ^M7 A7 Bbb vBb Bb vB B ^B B#
8ves 43-45 (46 47) De Do Da (Du Di) d8 v8 P8 (^8 A8) Cb vC C (^C C#)

Da Sa Ra La Ma Ta Pa/Fi Di Si Ri Li Mi Ti Pi/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Fu Du Su Ru Lu Mu Tu Pu/She Fre Fle Ne The Fe De Se/Sha Fra Fla Na Tha Fa Da

  • plain: Da Sa Ra La Ma Ta Pa/Fi
  • dup/aug: Fi Di Si Ri Li Mi Ti Pi/Sho
  • down: Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Fu
  • up: Fu Du Su Ru Lu Mu Tu Pu/She
  • dud/dim: She Fre Fle Ne The Fe De Se/Sha
  • plain: Sha Fra Fla Na Tha Fa Da

46edo

Could use only 4 vowels by replacing -e with -i.

uniform solfege (-a = plain, -u = up, -o = down, -i = dup = downmid, -e = dud = upmid)
46edo edosteps solfege names ups and downs names
unisons 0-1 Da Du P1 ^1 C ^C
2nds 2-9 Fro Fra Fru Fri Re Ro Ra Ru vm2 m2 ^m2 v~2 ^~2 vM2 M2 ^M2 vDb Db ^Db ^^Db vvD vD D ^D
3rds 10-17 No Na Nu Ni Me Mo Ma Mu vm3 m3 ^m3 v~3 ^~3 vM3 M3 ^M3 vEb Eb ^Eb ^^Eb vvE vE E ^E
4ths 18-20 Fo Fa Fu v4 P4 ^4 vF F ^F
tritones 21-25 Fi/Sho Pe/Sha Po/Shu Pa/Shi Pu/Se v~4/vd5 ^~4/d5 vA4/^d5 A4/v~5 ^A4/^~5 ^^F/vGb vvF#/Gb vF#/^Gb F#/^^Gb ^F#/vvG
5ths 26-28 So Sa Su v5 P5 ^5 vG G ^G
6ths 29-36 Flo Fla Flu Fli Le Lo La Lu vm6 m6 ^m6 v~6 ^~6 vM6 M6 ^M6 vAb Ab ^Ab ^^Ab vvA vA A ^A
7ths 37-44 Tho Tha Thu Thi Te To Ta Tu vm7 m7 ^m7 v~7 ^~7 vM7 M7 ^M7 vBb Bb ^Bb ^^Bb vvB vB B ^B
8ves 45-46 (47) Do Da (Du) v8 P8 (^8) vC C (^C)

Da Sa Ra La Ma Ta Pa/Shi Fri Fli Ni Thi Fi/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Se Re Le Me Te Pe/Sha Fra Fla Na Tha Fa Da

  • plain: Da Sa Ra La Ma Ta Pa/Shi
  • dup/downmid: Shi Fri Fli Ni Thi Fi/Sho
  • down: Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Shu
  • up: Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Se
  • dud/upmid: Se Re Le Me Te Pe/Sha
  • plain: Sha Fra Fla Na Tha Fa Da

48edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
48edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di/Fre P1 ^1 ^^1/vvm2 C ^C ^^C/vvDb
2nds 2-10 Di/Fre Fro Fra Fru Fri/Re Ro Ra Ru Ri/Ne ^^1/vvm2 vm2 m2 ^m2 ~2 vM2 M2 ^M2 ^^M2/vvm3 ^^C/vvDb vDb Db ^Db ^^Db/vvD vD D ^D ^^D/vvEb
3rds 10-18 Ri/Ne No Na Nu Ni/Me Mo Ma Mu Mi/Fe ^^M2/vvm3 vm3 m3 ^m3 ~3 vM3 M3 ^M3 ^^M3/vv4 ^^D/vvEb vEb Eb ^Eb ^^Eb/vvE vE E ^E ^^E/vvF
4ths 18-21 Mi/Fe Fo Fa Fu ^^M3/vv4 v4 P4 ^4 ^^E/vvF vF F ^F
tritones 22-26 Fi/Pe/She Po/Sho Pa/Sha Pu/Shu Pi/Shi/Se ^^4/vvA4/vvd5 vA4/vd5 A4/d5 ^A4/^d5 ^^A4/^^d5/vv5 ^^F/vvF#/vvGb vF#/vGb F#/Gb ^F#/^Gb ^^F#/^^Gb/vvG
5ths 27-30 So Sa Su Si/Fle v5 P5 ^5 ^^5/vvm6 vG G ^G ^^G/vvAb
6ths 30-38 Si/Fle Flo Fla Flu Fli/Le Lo La Lu Li/The ^^5/vvm6 vm6 m6 ^m6 ~6 vM6 M6 ^M6 ^^M6/vvm7 ^^G/vvAb vAb Ab ^Ab ^^Ab/vvA vA A ^A ^^A/vvBb
7ths 38-46 Li/The Tho Tha Thu Thi/Te To Ta Tu Ti/De ^^M6/vvm7 vm7 m7 ^m7 ~7 vM7 M7 ^M7 ^^M7/vv8 ^^A/vvBb vBb Bb ^Bb ^^Bb/vvB vB B ^B ^^B/vvC
8ves 46-48 Ti/De Do Da (Du Di) ^^M7/vv8 v8 P8 (^8 ^^8) ^^B/vvC vC C (^C ^^C)
uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud), inbetween names are bolded
48edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di=Fre P1 ^1 ^^1 C ^C ^^C
2nds 2-10 Fre Fro Fra Fru Fri/Re Ro Ra Ru Ri=Ne vvm2 vm2 m2 ^m2 ~2 vM2 M2 ^M2 ^^M2 vvDb vDb Db ^Db ^^Db/vvD vD D ^D ^^D
3rds 10-18 Ne No Na Nu Ni/Me Mo Ma Mu Mi=Fe vvm3 vm3 m3 ^m3 ~3 vM3 M3 ^M3 ^^M3 vvEb vEb Eb ^Eb ^^Eb/vvE vE E ^E ^^E
4ths 18-22 Fe Fo Fa Fu Fi=Pe/She vv4 v4 P4 ^4 ~4 vvF vF F ^F ^^F
tritones 22-26 Pe/She Po/Sho Pa/Sha Pu/Shu Pi/Shi=Se ~4/vvd5 vA4/vd5 A4/d5 ^A4/^d5 ^^A4/~5 vvF#/vvGb vF#/vGb F#/Gb ^F#/^Gb ^^F#/^^Gb
5ths 26-30 Se So Sa Su Si=Fle ~5 v5 P5 ^5 ^^5 vvG vG G ^G ^^G
6ths 30-38 Fle Flo Fla Flu Fli/Le Lo La Lu Li=The vvm6 vm6 m6 ^m6 ~6 vM6 M6 ^M6 ^^M6 vvAb vAb Ab ^Ab ^^Ab/vvA vA A ^A ^^A
7ths 38-46 The Tho Tha Thu Thi/Te To Ta Tu Ti=De vvm7 vm7 m7 ^m7 ~7 vM7 M7 ^M7 ^^M7 vvBb vBb Bb ^Bb ^^Bb/vvB vB B ^B ^^B
8ves 46-48 De Do Da (Du Di) vv8 v8 P8 (^8 ^^8) vvC vC C (^C ^^C)

Fri/Ni/Fli/Thi are included to make the -i circle complete, so that one can do interval arithmetic within it.

circles of fifths
plain

circle

0 28 8 36 16 44 24 4 32 12 40 20 48
Da Sa Ra La Ma Ta Pa
Sha Fra Fla Na Tha Fa Da
up

circle

1 29 9 37 17 45 25 5 33 13 41 21 1
Du Su Ru Lu Mu Tu Pu
Shu Fru Flu Nu Thu Fu Du
down

circle

47 27 7 35 15 43 23 3 31 11 39 19 47
Do So Ro Lo Mo To Po
Sho Fro Flo No Tho Fo Do
mid /

inbetween

circle

2 30 10 38 18 46 26 6 34 14 42 22 2
Di Si Ri Li Mi Ti Pi
Shi Fri Fli Ni Thi Fi Di
Fre Fle Ne The Fe De Se Re Le Me Te Pe
She Fre
in-between mid

50edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
50edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di P1 ^1 ^^1 C ^C ^^C
2nds 3-10 Fre Fro Fra Fru Ro Ra Ru Ri vvm2 vm2 m2 ^m2 vM2 M2 ^M2 ^^M2 vvDb vDb Db ^Db vD D ^D ^^D
3rds 11-18 Ne No Na Nu Mo Ma Mu Mi vvm3 vm3 m3 ^m3 vM3 M3 ^M3 ^^M3 vvEb vEb Eb ^Eb vE E ^E ^^E
4ths 19-22 Fe Fo Fa Fu vv4 v4 P4 ^4 vvF vF F ^F
tritones 23-27 Fi/Po Pa/She Pu/Sho Pi/Sha Shu/Se ^^4/vA4 A4/vvd5 ^A4/vd5 ^^A4/d5 ^d5/vv5 ^^F/vF# F#/vvGb ^F#/vGb ^^F#/Gb ^Gb/vvG
5ths 28-31 So Sa Su Si v5 P5 ^5 ^^5 vG G ^G ^^G
6ths 32-39 Fle Flo Fla Flu Lo La Lu Li vvm6 vm6 m6 ^m6 vM6 M6 ^M6 ^^M6 vvAb vAb Ab ^Ab vA A ^A ^^A
7ths 40-47 The Tho Tha Thu To Ta Tu Ti vvm7 vm7 m7 ^m7 vM7 M7 ^M7 ^^M7 vvBb vBb Bb ^Bb vB B ^B ^^B
8ves 48-50 De Do Da (Du Di) vv8 v8 P8 (^8 ^^8) vvC vC C (^C ^^C)

Da Sa Ra La Ma Ta Pa/She Fre Fle Ne The Fe De Se/Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Fi Di Si Ri Li Mi Ti Pi/Sha Fra Fla Na Tha Fa Da

  • plain: Da Sa Ra La Ma Ta Pa/She
  • dud: She Fre Fle Ne The Fe De Se/Shu
  • up: Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Sho
  • down: Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Fi
  • dup: Fi Di Si Ri Li Mi Ti Pi/Sha
  • plain: Sha Fra Fla Na Tha Fa Da

53edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
53edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di/Fre P1 ^1 ^^1/vvm2
2nds 2-11 Di/Fre Fro Fra Fru Fri Re Ro Ra Ru Ri/Ne ^^1/vvm2 vm2 m2 ^m2 v~2 ^~2 vM2 M2 ^M2 ^^M2/vvm3
3rds 11-20 Ri/Ne No Na Nu Ni Me Mo Ma Mu Mi/Fe ^^M2/vvm3 vm3 m3 ^m3 v~3 ^~3 vM3 M3 ^M3 ^^M3/vv4
4ths 20-23 Mi/Fe Fo Fa Fu ^^M3/vv4 v4 P4 ^4
tritones 24-29 Fi/She Pe/Sho Po/Sha Pa/Shu Pu/Shi Pi/Se v~4/vvd5 ^~4/vd5 vA4/d5 A4/^d5 ^A4/v~5 ^^A4/^~5
5ths 30-33 So Sa Su Si/Fle v5 P5 ^5 ^^5/vvm6
6ths 33-42 Si/Fle Flo Fla Flu Fli Le Lo La Lu Li/The ^^5/vvm6 vm6 m6 ^m6 v~6 ^~6 vM6 M6 ^M6 ^^M6/vvm7
7ths 42-51 Li/The Tho Tha Thu Thi Te To Ta Tu Ti/De ^^M6/vvm7 vm7 m7 ^m7 v~7 ^~7 vM7 M7 ^M7 ^^M7/vv8
8ves 51-53 (54 55) Ti/De Do Da (Du Di) ^^M7/vv8 v8 P8 (^8 ^^8)

Da Sa Ra La Ma Ta Pa/Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Shi Fri Fli Ni Thi Fi/She Di/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/De Pi/Se Re Le Me Te Pe/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Sha Fra Fla Na Tha Fa Da

  • plain: Da Sa Ra La Ma Ta Pa/Shu
  • up: Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Shi
  • dup/dud: Shi Fri Fli Ni Thi Fi/She Di/Fre Si/Fle Ri/Ne Li/The Mi/Fe Ti/De Pi/Se
  • dud: Se Re Le Me Te Pe/Sho
  • down: Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/Sha
  • plain: Sha Fra Fla Na Tha Fa Da
Phylingual's solfege
53edo edosteps solfege names ups and downs names
unisons 0-2 Do Di Daw P1 ^1 ^^1
2nds 3-11 Ro Rih Ra Ru Ruh Reh Re Ri Raw vm2 m2 ^m2 v~2 ^~2 vM2 M2 ^M2 ^^M2
3rds 12-20 Ma Meh Me Mu Muh Mi Maa Mo Maw vm3 m3 ^m3 v~3 ^~3 vM3 M3 ^M3 ^^M3
4ths 21-26 Fe Fa Fih Fu Fuh Fi v4 P4 ^4 v~4 ^~4 vA4
5ths 27-33 Se Suh Su Sih So (or Sol) Si Saw ^d5 v~5 ^~5 v5 P5 ^5 ^^5
6ths 34-42 Lo Leh Le Lu Luh La Laa Li Law vm6 m6 ^m6 v~6 ^~6 vM6 M6 ^M6 ^^M6
7ths 43-51 Ta Teh Te Tu Tuh Ti Tih To Taw vm7 m7 ^m7 v~7 ^~7 vM7 M7 ^M7 ^^M7
8ves 52-(55) Da Do (Di Daw) v8 P8 (^8 ^^8)

55edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
55edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di P1 ^1 ^^1 C ^C ^^C
2nds 3-11 Fre Fro Fra Fru Re Ro Ra Ru Ri vvm2 vm2 m2 ^m2 ~2 vM2 M2 ^M2 ^^M2 vvDb vDb Db ^Db vvD vD D ^D ^^D
3rds 12-20 Ne No Na Nu Me Mo Ma Mu Mi vvm3 vm3 m3 ^m3 ~3 vM3 M3 ^M3 ^^M3 vvEb vEb Eb ^Eb vvE vE E ^E ^^E
4ths 21-25 Fe Fo Fa Fu Fi/Pe vv4 v4 P4 ^4 ~4 vvF vF F ^F ^^F
tritones 26-29 Po/She Pa/Sho Pu/Sha Pi/Shu vA4/vvd5 A4/vd5 ^A4/d5 ^^A4/^d5 vF#/vvGb F#/vGb ^F#/Gb ^^F#/^Gb
5ths 30-34 Se So Sa Su Si ~5 v5 P5 ^5 ^^5 vvG vG G ^G ^^G
6ths 35-43 Fle Flo Fla Flu Le Lo La Lu Li vvm6 vm6 m6 ^m6 ~6 vM6 M6 ^M6 ^^M6 vvAb vAb Ab ^Ab vvA vA A ^A ^^A
7ths 44-52 The Tho Tha Thu Te To Ta Tu Ti vvm7 vm7 m7 ^m7 ~7 vM7 M7 ^M7 ^^M7 vvBb vBb Bb ^Bb vvB vB B ^B ^^B
8ves 53-55 De Do Da (Du Di) vv8 v8 P8 (^8 ^^8) vvC vC C (^C ^^C)

Da Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/She Fre Fle Ne The Fe De Se Re Le Me Te Pe/Fi Di Si Ri Li Mi Ti Pi/Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa Da

  • plain: Da Sa Ra La Ma Ta Pa/Sho
  • down: Sho Fro Flo No Tho Fo Do So Ro Lo Mo To Po/She
  • dud: She Fre Fle Ne The Fe De Se Re Le Me Te Pe/Fi
  • dup: Fi Di Si Ri Li Mi Ti Pi/Shu
  • up: Shu Fru Flu Nu Thu Fu Du Su Ru Lu Mu Tu Pu/Sha
  • plain: Sha Fra Fla Na Tha Fa Da

60edo

uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
60edo edosteps solfege names ups and downs names
unisons 0-2 Da Du Di P1 ^1 ^^1 C ^C ^^C
2nds 3-12 Fre Fro Fra Fru Fri Re Ro Ra Ru Ri vvm2 vm2 m2 ^m2 v~2 ^~2 vM2 M2 ^M2 ^^M2 vvDb vDb Db ^Db ^^Db vvD vD D ^D ^^D
3rds 13-22 Ne No Na Nu Ni Me Mo Ma Mu Mi vvm3 vm3 m3 ^m3 v~3 ^~3 vM3 M3 ^M3 ^^M3 vvEb vEb Eb ^Eb ^^Eb vvE vE E ^E ^^E
4ths 23-27 Fe Fo Fa Fu Fi vv4 v4 P4 ^4 v~4 vvF vF F ^F ^^F
tritones 28-32 Pe/She Po/Sho Pa/Sha Pu/Shu Pi/Shi ^~4/vvd5 vA4/vd5 A4/d5 ^A4/^d5 ^^A4/v~5 vvF#/vvGb vF#/vGb F#/Gb ^F#/^Gb ^^F#/^^Gb
5ths 33-37 Se So Sa Su Si ^~5 v5 P5 ^5 ^^5 vvG vG G ^G ^^G
6ths 38-47 Fle Flo Fla Flu Fli Le Lo La Lu Li vvm6 vm6 m6 ^m6 v~6 ^~6 vM6 M6 ^M6 ^^M6 vvAb vAb Ab ^Ab ^^Ab vvA vA A ^A ^^A
7ths 48-57 The Tho Tha Thu Thi Te To Ta Tu Ti vvm7 vm7 m7 ^m7 v~7 ^~7 vM7 M7 ^M7 ^^M7 vvBb vBb Bb ^Bb ^^Bb vvB vB B ^B ^^B
8ves 58-60 De Do Da (Du Di) vv8 v8 P8 (^8 ^^8) vvC vC C (^C ^^C)
circles of fifths
plain

circle

0 35 10 45 20 55 30 5 40 15 50 25 60
Da Sa Ra La Ma Ta Pa
Sha Fra Fla Na Tha Fa Da
up

circle

1 36 11 46 21 56 31 6 41 16 51 26 1
Du Su Ru Lu Mu Tu Pu
Shu Fru Flu Nu Thu Fu Du
down

circle

59 34 9 44 19 54 29 64 39 74 49 84 59
Do So Ro Lo Mo To Po
Sho Fro Flo No Tho Fo Do
dup

circle

2 37 12 47 22 57 32 7 42 17 52 27 2
Di Si Ri Li Mi Ti Pi
Shi Fri Fli Ni Thi Fi Di
dud circle 58 33 8 43 18 53 28 3 38 13 48 23 58
De Se Re Le Me Te Pe
She Fre Fle Ne The Fe De

Rank-2 Uniform Solfeges by Pergen

Rank-2 temperaments have an infinite number of notes, so a solfege can only cover a fraction of them. But often one only uses enough to make a MOS scale. Pergens tell us how to use ups and downs to notate them, and the same consonants and vowels can be used. Instead of circles of 5ths, there are fifthchains. Each fifthchain requires its own vowel, so there can only be 5 fifthchains.

Genchains are distinct from fifthchains. Each pergen has one or more genchains, which contains one or more fifthchains. However if the octave is split in halves or quarters, the half-octave requires two names, and the pergen needs an additional vowel. The 13 consonants and 5 vowels cover 20 or 21 pergens.

The EI (enharmonic interval) can be added to or subtracted from any note or interval to get an equivalent note or interval.

A pergen's solfege can suggest an edo's solfege. For example, 22edo supports (P8, P4/3), and the pergen's solfege has 27 notes in it. Since the generator is 3\22, simply apply the genchain to every 3rd edostep of 22edo. The extra 5 names make duplicate names.

To do: for each pergen, list the entire genchain in melodic order, if possible?

List of MOS scales

Some combos of pergens and MOS scales require a very sharp or flat 5th. Just as with superflat edos, a uniform solfege can still be used, but the sound of the interval won't match what its name implies. Better to use a different pergen.

MOS scales and good pergens for them (bolded = requires more than 5 vowels)
MOS scale primary example secondary examples
Pentatonic
1L 4s (P8, P5/3) [5] third-5th pentatonic third-4th, quarter-4th, quarter-5th
2L 3s (P8, P5) [5] unsplit pentatonic third-11th
3L 2s (P8, P12/4) [5] quarter-12th pentatonic quarter-11th
4L 1s (P8, P4/2) [5] half-4th pentatonic
Hexatonic
1L 5s (P8, P4/3) [6] third-4th hexatonic quarter-4th, quarter-5th, fifth-4th, fifth-5th
2L 4s (P8/2, P5) [6] half-8ve hexatonic
3L 3s (P8/3, P5) [6] third-8ve hexatonic
4L 2s (P8/2, P4/2) [6] half-everything hexatonic
5L 1s (P8, P5/3) [6] third-5th hexatonic
Heptatonic
1L 6s (P8, P4/3) [7] third-4th heptatonic quarter-4th, fifth-4th, fifth-5th, sixth-4th, sixth-5th
2L 5s (P8, P11/3) [7] third-11th heptatonic fifth-coco-4th, sixth-coco-5th
3L 4s (P8, P5/2) [7] half-5th heptatonic fifth-12th
4L 3s (P8, P11/5) [7] fifth-11th heptatonic sixth-12th
5L 2s (P8, P5) [7] unsplit heptatonic sixth-coco-4th
6L 1s (P8, P5/4) [7] quarter-5th heptatonic
Octotonic
1L 7s (P8, P4/4) [8] quarter-4th octotonic fifth-4th, fifth-5th, sixth-4th, sixth-5th, seventh-4th, seventh-5th
2L 6s (P8/2, P5) [8] half-8ve octotonic
3L 5s (P8, P11/4) [8] quarter-11th octotonic seventh-cc4th, seventh-cc5th
4L 4s (P8/4, P5) [8] quarter-8ve octotonic
5L 3s (P8, P12/4) [8] quarter-12th octotonic (very lopsided, unless 5th is quite flat)
6L 2s (P8/2, P4/3) [8] half-8ve third-4th octotonic
7L 1s (P8, P4/3) [8] third-4th octotonic
Nonatonic
1L 8s (P8, P4/4) [9] quarter-4th nonatonic fifth-4th, sixth-4th, sixth-5th, seventh-4th/5th, eighth-4th/5th
2L 7s (P8, c3P5/8) [9] eighth-trico-5th nonatonic third-11th, fifth-coco-4th
3L 6s (P8/3, P5) [9] third-8ve nonatonic third-8ve half-5th
4L 5s (P8, P12/7) [9] seventh-12th nonatonic sixth-11th
5L 4s (P8, P4/2) [9] half-4th nonatonic (lopsided unless 4th is sharp), seventh-11th
6L 3s (P8/3, P4/2) [9] third-8ve half-4th nonatonic
7L 2s (P8, ccP5/6)[9] sixth-coco-5th nonatonic (lopsided unless 5th is sharp)
8L 1s (P8, P5/5) [9] fifth-5th nonatonic
Decatonic
1L 9s (P8, P5/6) [10] sixth-5th decatonic fifth-4th, sixth-4th, seventh-4th/5th, eighth-4th/5th, ninth-4th/5th
2L 8s (P8/2, P5) [10] half-8ve decatonic half-8ve quartertone, half-8ve third-11th
3L 7s (P8, P12/5) [10] fifth-12th decatonic eighth-cc4th, eighth-cc5th
4L 6s (P8/2, P4/2) [10] half-everything decatonic
5L 5s (P8/2, P5) [10] half-8ve decatonic (lopsided unless 5th is quite flat)
6L 4s (P8/2, P5/3) [10] half-8ve third-5th decatonic
7L 3s (P8, P5/2) [10] half-5th decatonic ninth-coco-5th
8L 2s (P8/2, P4/4) [10] half-8ve quarter-4th decatonic half-8ve quarter-12th
9L 1s (P8, P4/2) [10] quarter-4th decatonic

#1 (P8, P5)

  • P = P8, G = P5
  • EI = vA1 (extended solfege only)

MOS scales covered:

  • 5 = 2L3s (for 3L2s, use P11/4 or P12/4, to avoid Sa > 3\5= 720¢)
  • 7 = 5L2s (for 2L5s, perhaps use P11/3 or ccP4/5, to avoid Sa < 4\7 = 686¢)
  • 12 = 7L5s or 5L7s (extended solfege only)
uniform solfege (-a = plain)
genspan
-6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6
solfege Sha Fra Fla Na Tha Fa Da Sa Ra La Ma Ta Pa
intervals d5 m2 m6 m3 m7 P4 P1 P5 M2 M6 M3 M7 A4
notes Gb Db Ab Eb Bb F C G D A E B F#
extended uniform solfege (-a = plain, -u = up = aug, -o = down = dim)
genspan
... -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 ...
solfege ... Flo No Tho Fo Do So/Sha Fra Fla Na Tha Fa Da Sa Ra La Ma Ta Pa/Fu Du Su Ru Lu Mu ...
intervals d6 d3 d7 d4 d8 d5 m2 m6 m3 m7 P4 P1 P5 M2 M6 M3 M7 A4 A1 A5 A2 A6 A3
notes Abb Ebb Bbb Fb Cb Gb Db Ab Eb Bb F C G D A E B F# C# G# D# A# E#
2L3s MOS scales (L = m3, s = M2)
GMN name scale 0 1 2 3 4 5
1st 2L3s ssLsL Ionian Da Ra Ma Sa La Da
2nd 2L3s sLssL Mixolydian Da Ra Fa Sa La Da
3rd 2L3s sLsLs Dorian Da Ra Fa Sa Tha Da
4th 2L3s LssLs Aolian Da Na Fa Sa Tha Da
5th 2L3s LsLss Phrygian Da Na Fa Fla Tha Da
5L2s MOS scales (L = M2, s = m2)
GMN name scale 1sn 2nd 3rd 4th 5th 6th 7th 8ve
1st 5L2s LLLsLLs Lydian Da Ra Ma Pa Sa La Ta Da
2nd 5L2s LLsLLLs Ionian Da Ra Ma Fa Sa La Ta Da
3rd 5L2s LLsLLsL Mixolydian Da Ra Ma Fa Sa La Tha Da
4th 5L2s LsLLLsL Dorian Da Ra Na Fa Sa La Tha Da
5th 5L2s LsLLsLL Aolian Da Ra Na Fa Sa Fla Tha Da
6th 5L2s sLLLsLL Phrygian Da Fra Na Fa Sa Fla Tha Da
7th 5L2s sLLsLLL Locrian Da Fra Na Fa Sha Fla Tha Da
5L7s MOS scales (L = A1/^1, s = m2/vM2) using the extended solfege
GMN name scale 0 1 2 3 4 5 6 7 8 9 10 11 12
1st 5L7s LsLsLssLsLss Da Du Ra Ru Ma Mu Pa/Fu Sa Su La Lu Ta Da
2nd 5L7s LsLssLsLsLss Da Du Ra Ru Ma Fa Pa/Fu Sa Su La Lu Ta Da
3rd 5L7s LsLssLsLssLs Da Du Ra Ru Ma Fa Pa/Fu Sa Su La Tha Ta Da
4th 5L7s LssLsLsLssLs Da Du Ra Na Ma Fa Pa/Fu Sa Su La Tha Ta Da
5th 5L7s LssLsLssLsLs Da Du Ra Na Ma Fa Pa/Fu Sa Fla La Tha Ta Da
6th 5L7s sLsLsLssLsLs Da Fra Ra Na Ma Fa Pa Sa Fla La Tha Ta Da
7th 5L7s sLsLssLsLsLs Da Fra Ra Na Ma Fa Sha Sa Fla La Tha Ta Da
8th 5L7s sLsLssLsLssL Da Fra Ra Na Ma Fa Sha/So Sa Fla La Tha Do Da
9th 5L7s sLssLsLsLssL Da Fra Ra Na Fo Fa Sha/So Sa Fla La Tha Do Da
10th 5L7s sLssLsLssLsL Da Fra Ra Na Fo Fa Sha/So Sa Fla Tho Tha Do Da
11th 5L7s ssLsLsLssLsL Da Fra No Na Fo Fa Sha/So Sa Fla Tho Tha Do Da
12th 5L7s ssLsLssLsLsL Da Fra No Na Fo Fa Sha/So Flo Fla Tho Tha Do Da

The sequence of scales starts off with 6 sharps and ends with 7 flats and 3 double-flats:

  • C C# D D# E E# F# G G# A A# B C
  • C C# D D# E F F# G G# A A# B C
  • C C# D D# E F F# G G# A Bb B C
  • etc.

12edo's uniform solfege #2 is a merging of the 2nd through 7th modes.

If the solfege is further extended with -i = dup and -e = dud, it can cover the 19-note MOS scales 12L7s and 7L12s.

#2 (P8/2, P5)

There are two solfeges, choose depending on the size of the 5th.

  • P = vA4/^d5 (#1 solfege) or ^A4/vd5 (#2 solfege)
  • G = P5
  • EI = ^^d2 (#1 solfege) or vvd2 (#2 solfege)

MOS scales covered:

  • 8 = 2L6s or 6L2s (#1 solfege only, Sa > 5\8 = 750¢)
  • 10 = 2L8s or 8L2s (#1 solfege only, Sa > 3\5 = 720¢)
  • 12 = 10L2s (#1 solfege only) or 2L10s (#2 solfege only)
  • 14 = 12L2s (#2 solfege only)
  • scales of 6 or fewer notes are subsets of these
uniform solfege #1 (P5 > 700¢) (-a = plain, -u = up, -o = down)
genspan
-6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6
plain

genchain

solfege Sha Fra Fla Na Tha Fa Da Sa Ra La Ma Ta Pa
intervals d5 m2 m6 m3 m7 P4 P1 P5 M2 M6 M3 M7 A4
notes Gb Db Ab Eb Bb F C G D A E B F#
up/down

genchain

solfege Do So Ro Lo Mo To Po/Shu Fru Flu Nu Thu Fu Du
intervals v8 v5 vM2 vM6 vM3 vM7 vA4/^d5 ^m2 ^m6 ^m3 ^m7 ^4 ^1
notes vC vG vD vA vE vB vF#/^Gb ^Db ^Ab ^Eb ^Bb ^F ^C
2L6s MOS scales using solfege #1 (L = m3/vvA3, s = vA1/^m2)
GMN name scale 0 1 2 3 4 5 6 7 8
1st 2L6s sssL-sssL Da Fru Ra Nu Shu Sa Flu La Da
2nd 2L6s ssLs-ssLs Da Fru Ra Fa Po/Shu Sa Flu To Da
3rd 2L6s sLss-sLss Da Fru Mo Fa Po/Shu Sa Tha To Da
4th 2L6s Lsss-Lsss Da Na Mo Fa Po Lo Tha To Da

The same solfege can be used for 6L2s, but Sa will be > 5\8 = 750¢.

2L8s MOS scales using solfege #1 (L = vM2/^d3, s = vA1/^m2)
GMN name scale 1sn 2nd 3rd tritone 6th 7th 8ve
1st 2L8s ssssL-ssssL Da Fru Ra Nu Ma Shu Sa Flu La Thu Da
2nd 2L8s sssLs-sssLs Da Fru Ra Nu Fa Po/Shu Sa Flu La To Da
3rd 2L8s ssLss-ssLss Da Fru Ra Mo Fa Po/Shu Sa Flu Tha To Da
4th 2L8s sLsss-sLsss Da Fru Na Mo Fa Po/Shu Sa Lo Tha To Da
5th 2L8s Lssss-Lssss Da Ro Na Mo Fa Po Fla Lo Tha To Da

The same solfege can be used for 8L2s, but Sa will be > 3\5 = 720¢.

10L2s MOS scales using solfege #1 (L = vA1/^m2, s = vvA1/m2)
GMN name scale 1sn 2nd 3rd 4th tritone 5th 6th 7th 8ve
1st 10L2s LLLLLs-LLLLLs Da Fru Ra Nu Ma Fu Shu Sa Flu La Thu Ta Da
2nd 10L2s LLLLsL-LLLLsL Da Fru Ra Nu Ma Fa Po/Shu Sa Flu La Thu To Da
3rd 10L2s LLLsLL-LLLsLL Da Fru Ra Nu Mo Fa Po/Shu Sa Flu La Tha To Da
4th 10L2s LLsLLL-LLsLLL Da Fru Ra Na Mo Fa Po/Shu Sa Flu Lo Tha To Da
5th 10L2s LsLLLL-LsLLLL Da Fru Ro Na Mo Fa Po/Shu Sa Fla Lo Tha To Da
6th 10L2s sLLLLL-sLLLLL Da Fra Ro Na Mo Fa Po So Fla Lo Tha To Da

↵____________________________________________________________________________________

uniform solfege #2 (P5 < 700¢) (-a = plain, -u = up, -o = down)
genspan
-6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6
plain

genchain

solfege Sha Fra Fla Na Tha Fa Da Sa Ra La Ma Ta Pa
intervals d5 m2 m6 m3 m7 P4 P1 P5 M2 M6 M3 M7 A4
notes Gb Db Ab Eb Bb F C G D A E B F#
up/down

genchain

solfege Du Su Ru Lu Mu Tu Pu/Sho Fro Flo No Tho Fo Do
intervals ^1 ^5 ^M2 ^M6 ^M3 ^M7 ^A4/vd5 vm2 vm6 vm3 vm7 v4 v8
notes ^C ^G ^D ^A ^E ^B ^F#/vGb vDb vAb vEb vBb vF vC
2L6s MOS scales using solfege #2 (L = m3/vvA3, s = vA1/^m2)
GMN name scale 0 1 2 3 4 5 6 7 8
1st 2L6s sssL-sssL Da Fro Ra No Sho Sa Flo La Da
2nd 2L6s ssLs-ssLs Da Fro Ra Fa Pu/Sho Sa Flo Tu Da
3rd 2L6s sLss-sLss Da Fro Mu Fa Pu/Sho Sa Tha Tu Da
4th 2L6s Lsss-Lsss Da Na Mu Fa Pu Lu Tha Tu Da
2L8s MOS scales using solfege #2 (L = ^M2/vd3, s = ^A1/vm2)
GMN name scale 1sn 2nd 3rd tritone 6th 7th 8ve
1st 2L8s ssssL-ssssL Da Fro Ra No Ma Sho Sa Flo La Tho Da
2nd 2L8s sssLs-sssLs Da Fro Ra No Fa Pu/Sho Sa Flo La Tu Da
3rd 2L8s ssLss-ssLss Da Fro Ra Mu Fa Pu/Sho Sa Flo Tha Tu Da
4th 2L8s sLsss-sLsss Da Fro Na Mu Fa Pu/Sho Sa Lu Tha Tu Da
5th 2L8s Lssss-Lssss Da Ru Na Mu Fa Pu Fla Lu Tha Tu Da
2L10s MOS scales using solfege #2 (L = ^^A1/m2, s = ^A1/vm2)
GMN name scale 1sn 2nd 3rd 4th tritone 5th 6th 7th 8ve
1st 2L10s sssssL-sssssL Da Fro Ra No Ma Fo Pu/Sho Sa Flo La Tho Ta Da
2nd 2L10s ssssLs-ssssLs Da Fro Ra No Ma Fa Pu/Sho Sa Flo La Tho Tu Da
3rd 2L10s sssLss-sssLss Da Fro Ra No Mu Fa Pu/Sho Sa Flo La Tha Tu Da
4th 2L10s ssLsss-ssLsss Da Fro Ra Na Mu Fa Pu/Sho Sa Flo Lu Tha Tu Da
5th 2L10s sLssss-sLssss Da Fro Ru Na Mu Fa Pu/Sho Sa Fla Lu Tha Tu Da
6th 2L10s Lsssss-Lsssss Da Fra Ru Na Mu Fa Pu/Sho Su Fla Lu Tha Tu Da
12L2s MOS scales using solfege #2 (L = ^A1/vm2, s = ^1) P5 must be < 700¢, or s will be < 0¢
GMN name scale 1sn 2nd 3rd 4th 5th 6th 7th 8ve
1st 12L2s LLLLLLs-LLLLLLs Da Fro Ra No Ma Fo Pa Pu/Sho Sa Flo La Tho Ta Do Da
2nd 12L2s LLLLLsL-LLLLLsL Da Fro Ra No Ma Fo Fa Pu/Sho Sa Flo La Tho Ta Tu Da
3rd 12L2s LLLLsLL-LLLLsLL Da Fro Ra No Ma Mu Fa Pu/Sho Sa Flo La Tho Tha Tu Da
4th 12L2s LLLsLLL-LLLsLLL Da Fro Ra No Na Mu Fa Pu/Sho Sa Flo La Lu Tha Tu Da
5th 12L2s LLsLLLL-LLsLLLL Da Fro Ra Ru Na Mu Fa Pu/Sho Sa Flo Fla Lu Tha Tu Da
6th 12L2s LsLLLLL-LsLLLLL Da Fro Fra Ru Na Mu Fa Pu/Sho Sa Su Fla Lu Tha Tu Da
7th 12L2s sLLLLLL-sLLLLLL Da Du Fra Ru Na Mu Fa Pu/Sho Sha Su Fla Lu Tha Tu Da

#3 (P8, P4/2)

  • G = ^M2/vm3
  • EI = vvm2

MOS scales covered:

  • 5 = 4L1s (for 1L4s use pergen #8, third-5th)
  • 9 = 5L4s or 4L5s (Sa < 5\9 = 667¢)
  • 14 = 9L5s or 5L9s (Sa < 4\7 = 686¢)
uniform solfege (-a = plain, -u = up, -o = down)
genspan
13 12 11 10 9 8 7 6 5 4 3 2 1 0 -1 -2 -3 -4 -5 -6 -7 -8 -9 -10 -11 -12 -13
solfege Flu Sha Nu Fra Thu Fla Fu

Sho

Na Du

Fro

Tha Su

Flo

Fa Ru

No

Da Lu

Tho

Sa Mu

Fo

Ra Tu

Do

La Pu

So

Ma Ro Ta Lo Pa Mo
intervals ^m6 d5 ^m3 m2 ^m7 m6 ^4

vd5

m3 ^1

vm2

m7 ^5

vm6

P4 ^M2

vm3

P1 ^M6

vm7

P5 ^M3

v4

M2 ^M7

v8

M6 ^A4

v5

M3 vM2 M7 vM6 A4 vM3
notes ^Ab Gb ^Eb Db ^Bb Ab ^F

vGb

Eb ^C

vDb

Bb ^G

vAb

F ^D

vEb

C ^A

vBb

G ^E

vF

D ^B

vC

A ^F#

vG

E vD B vA F# vE
4L1s MOS scales (L = ^M2/vm3 = no rhyme, s = M2 = rhymes)
GMN name scale 0 1 2 3 4 5
1st 4L1s LLLLs Da Ru/No Fa Su/Flo Tha Da
2nd 4L1s LLLsL Da Ru/No Fa Su/Flo Lu/Tho Da
3rd 4L1s LLsLL Da Ru/No Fa Sa Lu/Tho Da
4th 4L1s LsLLL Da Ru/No Mu/Fo Sa Lu/Tho Da
5th 4L1s sLLLL Da Ra Mu/Fo Sa Lu/Tho Da
5L4s MOS scales (L = M2 = rhymes, s = ^1/vm2 = no rhyme)
GMN name scale 0 1 2 3 4 5 6 7 8 9
1st 5L4s sLsLsLsLL Da Du/Fro Ru/No Na Fa Fu/Sho Su/Flo Fla Tha Da
2nd 5L4s sLsLsLLsL Da Du/Fro Ru/No Na Fa Fu/Sho Su/Flo Lu/Tho Tha Da
3rd 5L4s sLsLLsLsL Da Du/Fro Ru/No Na Fa Sa Su/Flo Lu/Tho Tha Da
4th 5L4s sLLsLsLsL Da Du/Fro Ru/No Mu/Fo Fa Sa Su/Flo Lu/Tho Tha Da
5th 5L4s LsLsLsLsL Da Ra Ru/No Mu/Fo Fa Sa Su/Flo Lu/Tho Tha Da
6th 5L4s LsLsLsLLs Da Ra Ru/No Mu/Fo Fa Sa Su/Flo Lu/Tho Tu/Do Da
7th 5L4s LsLsLLsLs Da Ra Ru/No Mu/Fo Fa Sa La Lu/Tho Tu/Do Da
8th 5L4s LsLLsLsLs Da Ra Ru/No Mu/Fo Pu/So Sa La Lu/Tho Tu/Do Da
9th 5L4s LLsLsLsLs Da Ra Ma Mu/Fo Pu/So Sa La Lu/Tho Tu/Do Da

The same solfege can be used for 4L5s, but Sa will be < 5\9 = 667¢.

A similar table can be made for 5L9s. The same solfege can be used for 9L5s, but Sa will be < 4\7 = 686¢.

#4 (P8, P5/2)

  • G = ^m3/vM3 = ~3
  • EI = vvA1

MOS scales covered:

  • 7 = 3L4s or 4L3s (Sa < 4\7 = 686¢)
  • 10 = 7L3s or 3L7s (Sa > 3\5 = 720¢)
  • 13 = 10L3s (Sa > 3\5 = 720¢) or 3L10s (Sa > 8\13)
uniform solfege (-a = plain, -u = up, -o = down, -i = mid)
genspan
-13 -12 -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13
solfege No Sha Tho Fra Fo Fla Do Na Si Tha Ri Fa Li Da Mi Sa Ti Ra Fi La Du Ma Su Ta Ru Pa Lu
intervals vm3 d5 vm7 m2 v4 m6 v8 m3 ~5 m7 ~2 P4 ~6 P1 ~3 P5 ~7 M2 ~4 M6 ^1 M3 ^5 M7 ^M2 A4 ^M6
notes vEb Gb vBb Db vF Ab vC Eb ^Gb

vG

Bb ^Db

vD

F ^Ab

vA

C ^Eb

vE

G ^Bb

vB

D ^F

vF#

A ^C E ^G B ^D F# ^A
3L4s MOS scales (L = M2 = rhymes, s = ~2 = no rhyme)
GMN name scale 1sn 2nd 3rd 4th 5th 6th 7th 8ve
1st 3L4s LsLsLss Da Ra Mi Fi Sa La Ti Da
2nd 3L4s LsLssLs Da Ra Mi Fi Sa Li Ti Da
3rd 3L4s LssLsLs Da Ra Mi Fa Sa Li Ti Da
4th 3L4s sLsLsLs Da Ri Mi Fa Sa Li Ti Da
5th 3L4s sLsLssL Da Ri Mi Fa Sa Li Tha Da
6th 3L4s sLssLsL Da Ri Mi Fa Si Li Tha Da
7th 3L4s ssLsLsL Da Ri Na Fa Si Li Tha Da

Similar tables can be made for every mode of 7L3s, 10L3s or 3L10s

#5 (P8/2, P4/2)

It has only 4 fifthchains, but it uses lifts and drops, must think about this...

#6 (P8/3, P5)

  • P = vM3 = ^^d4, G = P5
  • EI = ^3d2

MOS scales covered:

  • 6 = 3L3s
  • 9 = 3L6s
  • 12 = 3L9s or 9L3s (extended solfege only)
  • 15 = 12L3s (extended solfege only)
  • 18 = 15L3s (extended solfege only) Sa > 3\5 = 720¢
  • 21= 12L9s (extended solfege only)
uniform solfege (-a = plain, -u = up, -o = down)
genspan
-2 -1 0 1 2
down

genchain

solfege Ro Lo Mo To Po
intervals vM2 vM6 vM3 vM7 vA4
notes vD vA vE vB vF#
plain

genchain

solfege Tha Fa Da Sa Ra
intervals m7 P4 P1 P5 M2
notes Bb F C G D
up

genchain

solfege Shu Fru Flu Nu Thu
intervals ^d5 ^m2 ^m6 ^m3 ^m7
notes ^Gb ^Db ^Ab ^Eb ^Bb
extended uniform solfege (-a = plain, -u = up, -o = down, -i = dup, -e = dud)
genspan
-6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6
down

genchain

solfege Tho Fo Do So Ro Lo Mo To Po/Shi Fri Fli Ni Thi
intervals vm7 v4 v1 v5 vM2 vM6 vM3 vM7 vA4/^^d5 ^^m2 ^^m6 ^^m3 ^^m7
notes vBb vF vC vG vD vA vE vB vF#/^^Gb ^^Db ^^Ab ^^Eb ^^Bb
plain

genchain

solfege Sha Fra Fla Na Tha Fa Da Sa Ra La Ma Ta Pa
intervals d5 m2 m6 m3 m7 P4 P1 P5 M2 M6 M3 M7 A4
notes Gb Db Ab Eb Bb F C G D A E B F#
up

genchain

solfege Re Le Me Te Pe/Shu Fru Flu Nu Thu Fu Du Su Ru
intervals vvM2 vvM6 vvM3 vvM7 vvA4/^d5 ^m2 ^m6 ^m3 ^m7 ^4 ^1 ^5 ^M2
notes vvD vvA vvE vvB vvF#/^Gb ^Db ^Ab ^Eb ^Bb ^F ^C ^G ^D
3L3s MOS scales (L = ^m3/vvA2, s = ^m2/vvA1)
GMN name scale 1sn 3rd 6th 8ve
1st 3L3s Ls-Ls-Ls Da Nu Mo Sa Flu To Da
2nd 3L3s sL-sL-sL Da Fru Mo Fa Flu Lo Da
3L6s MOS scales (L = M2 = rhymes, s = ^m2/vvA1)
GMN name scale 1sn 2nd 3rd 4th 5th 6th 7th 8ve
1st 3L6s Lss-Lss-Lss Da Ra Nu Mo Po Sa Flu Thu To Da
2nd 3L6s sLs-sLs-sLs Da Fru Nu Mo Fa Sa Flu Lo To Da
3rd 3L6s ssL-ssL-ssL Da Fru Ro Mo Fa Shu Flu Lo Tha Da

6L3s means Sa < 5\9 = 667¢

3L9s MOS scales (L = vA1/^^m2, s = ^m2/vvA1) Sa must be > 700¢
GMN name scale 1sn 2nds 3rds 4th tritone 5th 6ths 7ths 8ve
1st 3L9s Lsss-Lsss-Lsss Da Fri Ra Nu Mo Fu Po/Shi Sa Flu La Thu To Da
2nd 3L9s sLss-sLss-sLss Da Fru Ra Nu Mo Fa Po Sa Flu Lo Thu To Da
3rd 3L9s ssLs-ssLs-ssLs Da Fru Ro Nu Mo Fa Shu Sa Flu Lo Tha To Da
4th 3L9s sssL-sssL-sssL Da Fru Ro Na Mo Fa Pe/Shu So Flu Lo Tha Te Da

If Sa is < 700¢, L and s switch and you get 9L3s. The 1st mode becomes sLLL-sLLL-sLLL. This solfege still works.

Similar tables can be made for 15, 18 and 21-note scales.

#7 (P8, P4/3)

  • G = vM2/^^m2 = ^~2
  • EI = v3A1

MOS scales covered:

  • 7 = 1L6s (for 6L1s use quarter-5th)
  • 8 = 6L1s or 1L6s
  • 15 = 7L8s (all but 2 modes)
  • scales of 6 or fewer notes are subsets of these
uniform solfege (-a = plain, -u = up, -o = down)
genspan
13 12 11 10 9 8 7 6 5 4 3 2 1 0 -1 -2 -3 -4 -5 -6 -7 -8 -9 -10 -11 -12 -13
solfege Tho Fla Shu Fo Na Fru Do Tha Flu So Fa Nu Ro Da Thu Lo Sa Fu Mo Ra Du To La Su Po Ma Ru
intervals vm7 m6 ^d5 v4 m3 ^m2 v8 m7 ^m6 v5 P4 ^m3 vM2 P1 ^m7 vM6 P5 ^4 vM3 M2 ^1 vM7 M6 ^5 vA4 M3 ^M2
notes vBb Ab ^Gb vF Eb ^Db vC Bb ^Ab vG F ^Eb vD C ^Bb vA G ^F vE D ^C vB A ^G vF# E ^D
1L6s MOS scales (L = M2 = rhymes, s = vM2/^^m2 = no rhyme)
GMN name scale 1sn 2nd 3rd 4th 5th 6th 7th 8ve
1st 1L6s ssssssL Da Ro Nu Fa So Flu Tha Da
2nd 1L6s sssssLs Da Ro Nu Fa So Flu Thu Da
3rd 1L6s ssssLss Da Ro Nu Fa So Lo Thu Da
4th 1L6s sssLsss Da Ro Nu Fa Sa Lo Thu Da
5th 1L6s ssLssss Da Ro Nu Fu Sa Lo Thu Da
6th 1L6s sLsssss Da Ro Mo Fu Sa Lo Thu Da
7th 1L6s Lssssss Da Ra Mo Fu Sa Lo Thu Da
7L1s MOS scales (L = vM2/^^m2, s = ^1/vvA1 = same degree)
GMN name scale 0 1 2 3 4 5 6 7 8
1st 7L1s LLLLLLLs Da Ro Nu Fa So Flu Tha Do Da
2nd 7L1s LLLLLLsL Da Ro Nu Fa So Flu Tha Thu Da
3rd 7L1s LLLLLsLL Da Ro Nu Fa So Flu Lo Thu Da
4th 7L1s LLLLsLLL Da Ro Nu Fa So Sa Lo Thu Da
5th 7L1s LLLsLLLL Da Ro Nu Fa Fu Sa Lo Thu Da
6th 7L1s LLsLLLLL Da Ro Nu Mo Fu Sa Lo Thu Da
7th 7L1s LsLLLLLL Da Ro Ra Mo Fu Sa Lo Thu Da
8th 7L1s sLLLLLLL Da Du Ra Mo Fu Sa Lo Thu Da

A similar table can be made for 7L8s, but it will lack the 1st and 15th modes.

#8 (P8, P5/3)

  • G = ^M2/vvm3
  • EI = v3m2

MOS scales covered:

  • 5 = 1L4s (for 4L1s use pergen #3, half-4th)
  • 6 = 5L1s
  • 11 = 5L6s
  • 16 = 5L11s
uniform solfege (-a = plain, -u = up, -o = down)
genspan
-15 -14 -13 -12 -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
Fra Nu Sho Fla Thu Fro Na Fu Flo Tha Du No Fa Su Tho Da Ru Fo Sa Lu Do Ra Mu So La Tu Ro Ma Pu Lo Ta
m2 ^m3 vd5 m6 ^m7 vm2 m3 ^4 vm6 m7 ^1 vm3 P4 ^5 vm7 P1 ^M2 v4 P5 ^M6 v8 M2 ^M3 v5 M6 ^M7 vM2 M3 ^A4 vM6 M7
Db ^Eb vGb Ab ^Bb vDb Eb ^F vAb Bb ^C vEb F ^G vBb C ^D vF G ^A vC D ^E vG A ^B vD E ^F# vA B
1L4s MOS scales (L = ^^M2/vm3, s = ^M2/vvm3)
GMN name scale 0 1 2 3 4 5
1st 1L4s ssssL Da Ru Fo Sa Lu Da
2nd 1L4s sssLs Da Ru Fo Sa Tho Da
3rd 1L4s ssLss Da Ru Fo Su Tho Da
4th 1L4s sLsss Da Ru Fa Su Tho Da
5th 1L4s Lssss Da No Fa Su Tho Da
5L1s MOS scales (L = ^M2/vvm3, s = ^1/vvM2)
GMN name scale 0 1 2 3 4 5 6
1st 5L1s LLLLLs Da Ru Fo Sa Lu Do Da
2nd 5L1s LLLLsL Da Ru Fo Sa Lu Tho Da
3rd 5L1s LLLsLL Da Ru Fo Sa Su Tho Da
4th 5L1s LLsLLL Da Ru Fo Fa Su Tho Da
5th 5L1s LsLLLL Da Ru No Fa Su Tho Da
6th 5L1s sLLLLL Da Du No Fa Su Tho Da

Similar tables can be made for 5L6s and 5L11s.

#9 (P8, P11/3)

  • G = ^4/vv5
  • EI = v3M2

MOS scales covered:

  • 5 = 2L3s
  • 7 = 2L5s
  • 9 = 2L7s
  • 11 = 2L9s
  • etc. up to 19 = 17L2s

The up is quite large. ^1 = 67¢ + 0.67 * c, where Sa = 700¢ + c

uniform solfege (-a = plain, -u = up, -o = down)
genspan
18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0 -1 -2 -3 -4 -5 -6 -7 -8 -9 -10 -11 -12 -13 -14 -15 -16 -17 -18
Sha Fro Shu Fra Flo Fru Fla No Flu Na Tho Nu Tha Fo Thu Fa Do Fu Da So Du Sa Ro Su Ra Lo Ru La Mo Lu Ma To Mu Ta Po Tu Pa
d5 vm2 ^d5 m2 vm6 ^m2 m6 vm3 ^m6 m3 vm7 ^m3 m7 v4 ^m7 P4 v8 ^4 P1 v5 ^1 P5 vM2 ^5 M2 vM6 ^M2 M6 vM3 ^M6 M3 vM7 ^M3 M7 vA4 ^M7 A4
Gb vDb ^Gb Db vAb ^Db Ab vEb ^Ab Eb vBb ^Eb Bb vF ^Bb F vC ^F C vG ^C G vD ^G D vA ^D A vE ^A E vB ^E B vF# ^B F#

#16 (P8/4, P5)

↵#17 (P8, P4/4)

↵#18 (P8, P5/4)

↵#19 (P8, P11/4)

↵#20 (P8, P12/4)

↵#22 (P8/2, M2/4)

↵#33 (P8/5, P5)

↵#34 (P8, P4/5)

↵#35 (P8, P5/5)

↵#36 (P8, P11/5)

↵#37 (P8, P12/5)

↵#38 (P8, ccP4/5)

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