Syntonic–rastmic subchroma notation: Difference between revisions

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The '''syntonic-rastmic subchroma notation''' is a notation scheme developed by [[Aura]] et al.<ref>Other contributors include [[Flora Canou]] and [[User:SupahstarSaga|HEHEHE I AM A SUPAHSTAR SAGA]].</ref> that is an expansion to the [[neutral circle-of-fifths notation]].

While the neutral circle-of-fifths notation models the 2.3 [[subgroup]] of [[just intonation]], with the neutral intervals capable of roughly modeling the harmonic 11, the syntonic-rastmic subchroma notation accurately captures the characteristics of the 2.3.5.11 subgroup, and is fit for a wider variety of equal temperaments and multirank temperaments. As it tries to strike a balance between the number and semantic consistency of the accidentals, it has the following three basic building blocks of accidentals: the conventional accidentals, the syntonic accidentals, and the rastmic and demirastmic accidentals, detailed below.

== Accidentals ==

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=== Natural accidental ===

The natural accidental cancels all pitch alterations.

== Connections to interval naming ==

Syntonic-rastmic subchroma notation also has connections to [[SKULO interval names]] courtesy of collaboration between Aura and [[Lillian Hearne]], in which raising by the rastma is represented by "R" and lowering by the rastma is represented by "r".

== Notes ==

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 The '''syntonic-rastmic subchroma notation''' is a notation scheme developed by [[Aura]] et al.<ref>Other contributors include [[Flora Canou]] and [[User:SupahstarSaga|HEHEHE I AM A SUPAHSTAR SAGA]].</ref> that is an expansion to the [[neutral circle-of-fifths notation]].
-While the neutral circle-of-fifths notation models the 2.3 [[subgroup]] of [[just intonation]], with the neutral intervals capable of roughly modeling the harmonic 11, the syntonic-rastmic subchroma notation accurately captures the characteristics of the 2.3.5.11 subgroup, and is fit for a wider variety of equal temperaments and multirank temperaments. As it tries to strike a balance between the number and semantic consistency of the accidentals, it has the following three basic building blocks of accidentals: the conventional accidentals, the syntonic accidentals, and the rastmic and demirastmic accidentals, detailed below.
+While the neutral circle-of-fifths notation models the 2.3 [[subgroup]] of [[just intonation]], with the neutral intervals capable of roughly modeling the harmonic 11, the syntonic-rastmic subchroma notation accurately captures the characteristics of the 2.3.5.11 subgroup, and is fit for a wider variety of equal temperaments and multirank temperaments.  As it tries to strike a balance between the number and semantic consistency of the accidentals, it has the following three basic building blocks of accidentals: the conventional accidentals, the syntonic accidentals, and the rastmic and demirastmic accidentals, detailed below.
 == Accidentals ==
@@ Line 111: / Line 111: @@
 === Natural accidental ===
 The natural accidental cancels all pitch alterations.
+== Connections to interval naming ==
+Syntonic-rastmic subchroma notation also has connections to [[SKULO interval names]] courtesy of collaboration between Aura and [[Lillian Hearne]], in which raising by the rastma is represented by "R" and lowering by the rastma is represented by "r".
 == Notes ==