43edo: Difference between revisions

Wikispaces>xenwolf
**Imported revision 435473380 - Original comment: some basic links added**
Wikispaces>Osmiorisbendi
**Imported revision 437652784 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2013-05-31 03:13:27 UTC</tt>.<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-06-11 17:52:59 UTC</tt>.<br>
: The original revision id was <tt>435473380</tt>.<br>
: The original revision id was <tt>437652784</tt>.<br>
: The revision comment was: <tt>some basic links added</tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=&lt;span style="color: #027bac; font-size: 103%;"&gt;43 tone equal temperament&lt;/span&gt;=  
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=&lt;span style="color: #027bac; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;43 tone equal temperament&lt;/span&gt;=  
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= =  
**43edo** divides the [[octave]] into 43 [[equal]] parts of 27.907 [[cent]]s each. It is strongly associated with meantone temperament, particularly 1/5 comma meantone, being a good tuning system in the 5, 7, 11, and 13-limit. The version of 11-limit meantone is the one tempering out 99/98, 176/175 and 441/440 sometimes called Huygens. 43-equal has the first good 13-limit meantone available as an equal division of the octave. The baroque, french, ironically hearing and speech impaired acoustician [[@http://en.wikipedia.org/wiki/Joseph_Sauveur|Joseph Saveur]] based his system on 43 equal tones to the octave, calling them "merides". Further information: [[http://tonalsoft.com/enc/m/meride.aspx]]
**43edo** divides the [[octave]] into 43 [[equal]] parts of 27.907 [[cent]]s each. It is strongly associated with meantone temperament, particularly 1/5 comma meantone, being a good tuning system in the 5, 7, 11, and 13-limit. The version of 11-limit meantone is the one tempering out 99/98, 176/175 and 441/440 sometimes called Huygens. 43-equal has the first good 13-limit meantone available as an equal division of the octave. The baroque, french, ironically hearing and speech impaired acoustician [[@http://en.wikipedia.org/wiki/Joseph_Sauveur|Joseph Saveur]] based his system on 43 equal tones to the octave, calling them "merides". Further information: [[http://tonalsoft.com/enc/m/meride.aspx]]
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[[file:xenharmonic/43 edo counterpoint.mid|43 edo counterpoint.mid]] ////[[http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3|mp3]]//// Peter Kosmorsky (late 2011) (in meantone)</pre></div>
[[file:xenharmonic/43 edo counterpoint.mid|43 edo counterpoint.mid]] //[[http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3|mp3]]// Peter Kosmorsky (late 2011) (in meantone)</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;43edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x43 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;&lt;span style="color: #027bac; font-size: 103%;"&gt;43 tone equal temperament&lt;/span&gt;&lt;/h1&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;43edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x43 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;&lt;span style="color: #027bac; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;43 tone equal temperament&lt;/span&gt;&lt;/h1&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt; &lt;/h1&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt; &lt;/h1&gt;
  &lt;strong&gt;43edo&lt;/strong&gt; divides the &lt;a class="wiki_link" href="/octave"&gt;octave&lt;/a&gt; into 43 &lt;a class="wiki_link" href="/equal"&gt;equal&lt;/a&gt; parts of 27.907 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s each. It is strongly associated with meantone temperament, particularly 1/5 comma meantone, being a good tuning system in the 5, 7, 11, and 13-limit. The version of 11-limit meantone is the one tempering out 99/98, 176/175 and 441/440 sometimes called Huygens. 43-equal has the first good 13-limit meantone available as an equal division of the octave. The baroque, french, ironically hearing and speech impaired acoustician &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Joseph_Sauveur" rel="nofollow" target="_blank"&gt;Joseph Saveur&lt;/a&gt; based his system on 43 equal tones to the octave, calling them &amp;quot;merides&amp;quot;. Further information: &lt;a class="wiki_link_ext" href="http://tonalsoft.com/enc/m/meride.aspx" rel="nofollow"&gt;http://tonalsoft.com/enc/m/meride.aspx&lt;/a&gt;&lt;br /&gt;
  &lt;strong&gt;43edo&lt;/strong&gt; divides the &lt;a class="wiki_link" href="/octave"&gt;octave&lt;/a&gt; into 43 &lt;a class="wiki_link" href="/equal"&gt;equal&lt;/a&gt; parts of 27.907 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s each. It is strongly associated with meantone temperament, particularly 1/5 comma meantone, being a good tuning system in the 5, 7, 11, and 13-limit. The version of 11-limit meantone is the one tempering out 99/98, 176/175 and 441/440 sometimes called Huygens. 43-equal has the first good 13-limit meantone available as an equal division of the octave. The baroque, french, ironically hearing and speech impaired acoustician &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Joseph_Sauveur" rel="nofollow" target="_blank"&gt;Joseph Saveur&lt;/a&gt; based his system on 43 equal tones to the octave, calling them &amp;quot;merides&amp;quot;. Further information: &lt;a class="wiki_link_ext" href="http://tonalsoft.com/enc/m/meride.aspx" rel="nofollow"&gt;http://tonalsoft.com/enc/m/meride.aspx&lt;/a&gt;&lt;br /&gt;
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&lt;a href="http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid');"&gt;43 edo counterpoint.mid&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3" rel="nofollow"&gt;mp3&lt;/a&gt; Peter Kosmorsky (late 2011) (in meantone)&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;a href="http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid');"&gt;43 edo counterpoint.mid&lt;/a&gt; &lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3" rel="nofollow"&gt;mp3&lt;/a&gt;&lt;/em&gt; Peter Kosmorsky (late 2011) (in meantone)&lt;/body&gt;&lt;/html&gt;</pre></div>