43edo: Difference between revisions
Wikispaces>MasonGreen1 **Imported revision 578787405 - Original comment: ** |
Wikispaces>MasonGreen1 **Imported revision 578787503 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-03-31 14: | : This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-03-31 14:47:41 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>578787503</tt>.<br> | ||
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A# and Bb are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A# and Bb are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | ||
Alternatively, a red-note/blue-note system (similar to that proposed for sixth-tones/[[36edo]]) can be used. Now we have the following sequence of notes, each separated by one meride: A, red A, blue A#, A#, Bb, red Bb, blue B, B. (Note that there are red flats and blue sharps, but no red sharps or blue flats). | Alternatively, a red-note/blue-note system (similar to that proposed for sixth-tones/[[36edo]]) can be used. Now we have the following sequence of notes, each separated by one meride: A, red A, blue A#, A#, Bb, red Bb, blue B, B. (Note that there are red flats and blue sharps, but no red sharps or blue flats, because the latter are enharmonically equivalent to simpler notes: blue Bb is actually just A#, for instance). | ||
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Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A# and Bb are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use &quot;third-sharps&quot;, &quot;two-thirds-sharps&quot;, &quot;third-flats&quot;, and &quot;two-thirds-flats&quot; to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly.<br /> | Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A# and Bb are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use &quot;third-sharps&quot;, &quot;two-thirds-sharps&quot;, &quot;third-flats&quot;, and &quot;two-thirds-flats&quot; to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly.<br /> | ||
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Alternatively, a red-note/blue-note system (similar to that proposed for sixth-tones/<a class="wiki_link" href="/36edo">36edo</a>) can be used. Now we have the following sequence of notes, each separated by one meride: A, red A, blue A#, A#, Bb, red Bb, blue B, B. (Note that there are red flats and blue sharps, but no red sharps or blue flats).<br /> | Alternatively, a red-note/blue-note system (similar to that proposed for sixth-tones/<a class="wiki_link" href="/36edo">36edo</a>) can be used. Now we have the following sequence of notes, each separated by one meride: A, red A, blue A#, A#, Bb, red Bb, blue B, B. (Note that there are red flats and blue sharps, but no red sharps or blue flats, because the latter are enharmonically equivalent to simpler notes: blue Bb is actually just A#, for instance).<br /> | ||
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<a href="http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid');">43 edo counterpoint.mid</a> <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3" rel="nofollow">mp3</a></em> Peter Kosmorsky (late 2011) (in meantone)</body></html></pre></div> | <a href="http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/43%20edo%20counterpoint.mid/311991536/43%20edo%20counterpoint.mid');">43 edo counterpoint.mid</a> <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3" rel="nofollow">mp3</a></em> Peter Kosmorsky (late 2011) (in meantone)</body></html></pre></div> | ||