Highly composite EDO: Difference between revisions

← Older edit Newer edit →

VisualWikitext

Revision as of 12:20, 5 January 2022 view source Eliora (talk \| contribs) autopatrolled, emailconfirmed 3,351 edits No edit summary Tag: Visual edit ← Older edit		Revision as of 23:38, 29 January 2022 view source Eliora (talk \| contribs) autopatrolled, emailconfirmed 3,351 edits No edit summary Tag: Visual edit Newer edit →
Line 1:		Line 1:
	Highly melodic EDOs are a set of superabundant EDOs and highly composite EDOs banded together. They are the equal division scales with a [[Wikipedia:Superabundant number\|superabundant]] or a [[Wikipedia:Highly composite number\|highly composite number]] of pitches in an octave. They can be seen as the opposite of [[Prime EDO]]<nowiki/>s~~, and the melodic equivalent to [[The Riemann zeta function and tuning\|zeta EDOs]]~~.		Highly melodic EDOs are a set of superabundant EDOs and highly composite EDOs banded together. They are the equal division scales with a [[Wikipedia:Superabundant number\|superabundant]] or a [[Wikipedia:Highly composite number\|highly composite number]] of pitches in an octave. They can be seen as the opposite of [[Prime EDO]]<nowiki/>s.

	The difference between SA and HC is the following: the highly composite numbers count the amount of divisors, that is sub-EDOs, going to a record., while superabundant edos count the amount of note in those divisors if they were stretched end-to-end.		The difference between SA and HC is the following: the highly composite numbers count the amount of divisors, that is sub-EDOs, going to a record., while superabundant edos count the amount of note in those divisors if they were stretched end-to-end.