33edo: Difference between revisions

Wikispaces>JosephRuhf
**Imported revision 600622330 - Original comment: **
Wikispaces>JosephRuhf
**Imported revision 600624892 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-11-28 11:46:08 UTC</tt>.<br>
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-11-28 11:57:26 UTC</tt>.<br>
: The original revision id was <tt>600622330</tt>.<br>
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While relatively uncommon, 33edo is actually quite an interesting system. As a multiple of [[11edo]], it approximates the 7th and 11th harmonics via Andrew Heathwaite's 4L+3s Orgone modes (see [[26edo]]). 33edo also tunes the 13th harmonic slightly flat, allowing it to approximate the 21st and 17th harmonics as well, having an [[3L 7s|3L+7s]] of L=4 s=3. It tunes the perfect fifth about 11 cents flat, leading to a near perfect 10/9. The &lt;33 52 76| or 33c val tempers out 81/80 and so leads to a very flat meantone tuning where the major tone is approximately 10/9 in size. Leaving the scale be would result in a flattone [[5L 2s|5L+2s]] of L=5 s=4
While relatively uncommon, 33edo is actually quite an interesting system. As a multiple of [[11edo]], it approximates the 7th and 11th harmonics via Andrew Heathwaite's 4L+3s Orgone modes (see [[26edo]]). 33edo also tunes the 13th harmonic slightly flat, allowing it to approximate the 21st and 17th harmonics as well, having an [[3L 7s|3L+7s]] of L=4 s=3. It tunes the perfect fifth about 11 cents flat, leading to a near perfect 10/9. The &lt;33 52 76| or 33c val tempers out 81/80 and so leads to a very flat meantone tuning where the major tone is approximately 10/9 in size. Leaving the scale be would result in a flattone [[5L 2s|5L+2s]] of L=5 s=4


Instead of the flat 19\33 fifth you may use the sharp fifth of 20\33, over 25 cents sharp. Two of these lead to a 9/8 of 7\33, which is about 22/19 in size and may be counted as a small third. Between the flat 5\33 version of 9/8 and the sharp 7\33 version there is, of course, a 6\33 = 2\11 [[11edo]] interval of 218 cents. Now 6\33 + 5\33 = 11\33 = 1\3 of an octave, or 400 cents, the same major third as 12edo. Also, we have both a 327 minor third from 9\33 = 3\11, the same as the [[22edo]] minor third, and a flatter 8\33 third of 290 cents, which if you like could also be called a flat 19th harmonic, but much more accurately a 13/11 sharp by 1.7 cents. Another talent it has is that 7/5 is tuned quite accurately by 16\33, and we may put two 8\33 versions of 13/11 together to produce the [[cuthbert triad]]. The 8\33 generator, with MOS of size 5, 9 and 13, gives plenty of scope for these, as well as the 11, 13 and 19 harmonics (taking the generator as a 19/16) which are relatively well in tune.
Instead of the flat 19\33 fifth you may use the sharp fifth of 20\33, over 25 cents sharp. Two of these lead to a 9/8 of 7\33, which is about 22/19 in size and may be counted as a small third. Between the flat 5\33 version of 9/8 and the sharp 7\33 version there is, of course, a 6\33 = 2\11 [[11edo]] interval of 218 cents. Now 6\33 + 5\33 = 11\33 = 1\3 of an octave, or 400 cents, the same major third as 12edo. Also, we have both a 327 minor third from 9\33 = 3\11, the same as the [[22edo]] minor third, and a flatter 8\33 third of 291 cents, which if you like could also be called a flat 19th harmonic, but much more accurately a 13/11 sharp by 1.7 cents (if you use the patent val it is an extremely inaccurate 6/5). Another talent it has is that 7/5 is tuned quite accurately by 16\33, and we may put two 8\33 versions of 13/11 together to produce the [[cuthbert triad]]. The 8\33 generator, with MOS of size 5, 9 and 13, gives plenty of scope for these, as well as the 11, 13 and 19 harmonics (taking the generator as a 19/16) which are relatively well in tune.


So while it might not be the most harmonically accurate temperament, it's structurally quite interesting, and it approximates the full 19-limit consort in it's way. You could even say it tunes the 23rd and 29th harmonics ten cents flat if you were so inclined; as well as getting within two cents of the 37th.
So while it might not be the most harmonically accurate temperament, it's structurally quite interesting, and it approximates the full 19-limit consort in it's way. You could even say it tunes the 23rd and 29th harmonics ten cents flat if you were so inclined; as well as getting within two cents of the 37th.
Line 18: Line 18:
1: 36.364 48/47
1: 36.364 48/47
2: 72.727 24/23
2: 72.727 24/23
3: 109.091 [[tel:16/15 17/16|16/15 17/16]]
3: 109.091 16/15 17/16
4: 145.455 12/11
4: 145.455 12/11
5: 181.818 10/9
5: 181.818 10/9
6: 218.182 8/7 9/8 17/15
6: 218.182 8/7 9/8 17/15
7: 254.545 7/6 [[tel:22/19 37/32|22/19 37/32]]
7: 254.545 7/6 22/19 37/32
8: 290.909 [[tel:13/11 19/16|13/11 19/16]]
8: 290.909 13/11 19/16
9: 327.273 6/5
9: 327.273 6/5
10: 363.636 [[tel:16/13 21/17|16/13 21/17]]
10: 363.636 16/13 21/17
11: 400.000 5/4
11: 400.000 5/4
12: 436.364 9/7
12: 436.364 9/7
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15: 545.455 11/8
15: 545.455 11/8
16: 581.818 7/5
16: 581.818 7/5
17: 618.182 [[tel:10/7 23/16|10/7 23/16]]
17: 618.182 10/7 23/16
18: 654.545 [[tel:19/13 16/11|19/13 16/11]]
18: 654.545 19/13 16/11
19: 690.909 3/2
19: 690.909 3/2
20: 727.273 32/21
20: 727.273 32/21
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24: 872.727 5/3
24: 872.727 5/3
25: 909.091 22/13
25: 909.091 22/13
26: 945.455 [[tel:19/11 12/7|19/11 12/7]]
26: 945.455 19/11 12/7
27: 981.818 7/4
27: 981.818 7/4
28: 1018.182 9/5
28: 1018.182 9/5
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While relatively uncommon, 33edo is actually quite an interesting system. As a multiple of &lt;a class="wiki_link" href="/11edo"&gt;11edo&lt;/a&gt;, it approximates the 7th and 11th harmonics via Andrew Heathwaite's 4L+3s Orgone modes (see &lt;a class="wiki_link" href="/26edo"&gt;26edo&lt;/a&gt;). 33edo also tunes the 13th harmonic slightly flat, allowing it to approximate the 21st and 17th harmonics as well, having an &lt;a class="wiki_link" href="/3L%207s"&gt;3L+7s&lt;/a&gt; of L=4 s=3. It tunes the perfect fifth about 11 cents flat, leading to a near perfect 10/9. The &amp;lt;33 52 76| or 33c val tempers out 81/80 and so leads to a very flat meantone tuning where the major tone is approximately 10/9 in size. Leaving the scale be would result in a flattone &lt;a class="wiki_link" href="/5L%202s"&gt;5L+2s&lt;/a&gt; of L=5 s=4&lt;br /&gt;
While relatively uncommon, 33edo is actually quite an interesting system. As a multiple of &lt;a class="wiki_link" href="/11edo"&gt;11edo&lt;/a&gt;, it approximates the 7th and 11th harmonics via Andrew Heathwaite's 4L+3s Orgone modes (see &lt;a class="wiki_link" href="/26edo"&gt;26edo&lt;/a&gt;). 33edo also tunes the 13th harmonic slightly flat, allowing it to approximate the 21st and 17th harmonics as well, having an &lt;a class="wiki_link" href="/3L%207s"&gt;3L+7s&lt;/a&gt; of L=4 s=3. It tunes the perfect fifth about 11 cents flat, leading to a near perfect 10/9. The &amp;lt;33 52 76| or 33c val tempers out 81/80 and so leads to a very flat meantone tuning where the major tone is approximately 10/9 in size. Leaving the scale be would result in a flattone &lt;a class="wiki_link" href="/5L%202s"&gt;5L+2s&lt;/a&gt; of L=5 s=4&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Instead of the flat 19\33 fifth you may use the sharp fifth of 20\33, over 25 cents sharp. Two of these lead to a 9/8 of 7\33, which is about 22/19 in size and may be counted as a small third. Between the flat 5\33 version of 9/8 and the sharp 7\33 version there is, of course, a 6\33 = 2\11 &lt;a class="wiki_link" href="/11edo"&gt;11edo&lt;/a&gt; interval of 218 cents. Now 6\33 + 5\33 = 11\33 = 1\3 of an octave, or 400 cents, the same major third as 12edo. Also, we have both a 327 minor third from 9\33 = 3\11, the same as the &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; minor third, and a flatter 8\33 third of 290 cents, which if you like could also be called a flat 19th harmonic, but much more accurately a 13/11 sharp by 1.7 cents. Another talent it has is that 7/5 is tuned quite accurately by 16\33, and we may put two 8\33 versions of 13/11 together to produce the &lt;a class="wiki_link" href="/cuthbert%20triad"&gt;cuthbert triad&lt;/a&gt;. The 8\33 generator, with MOS of size 5, 9 and 13, gives plenty of scope for these, as well as the 11, 13 and 19 harmonics (taking the generator as a 19/16) which are relatively well in tune.&lt;br /&gt;
Instead of the flat 19\33 fifth you may use the sharp fifth of 20\33, over 25 cents sharp. Two of these lead to a 9/8 of 7\33, which is about 22/19 in size and may be counted as a small third. Between the flat 5\33 version of 9/8 and the sharp 7\33 version there is, of course, a 6\33 = 2\11 &lt;a class="wiki_link" href="/11edo"&gt;11edo&lt;/a&gt; interval of 218 cents. Now 6\33 + 5\33 = 11\33 = 1\3 of an octave, or 400 cents, the same major third as 12edo. Also, we have both a 327 minor third from 9\33 = 3\11, the same as the &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; minor third, and a flatter 8\33 third of 291 cents, which if you like could also be called a flat 19th harmonic, but much more accurately a 13/11 sharp by 1.7 cents (if you use the patent val it is an extremely inaccurate 6/5). Another talent it has is that 7/5 is tuned quite accurately by 16\33, and we may put two 8\33 versions of 13/11 together to produce the &lt;a class="wiki_link" href="/cuthbert%20triad"&gt;cuthbert triad&lt;/a&gt;. The 8\33 generator, with MOS of size 5, 9 and 13, gives plenty of scope for these, as well as the 11, 13 and 19 harmonics (taking the generator as a 19/16) which are relatively well in tune.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
So while it might not be the most harmonically accurate temperament, it's structurally quite interesting, and it approximates the full 19-limit consort in it's way. You could even say it tunes the 23rd and 29th harmonics ten cents flat if you were so inclined; as well as getting within two cents of the 37th.&lt;br /&gt;
So while it might not be the most harmonically accurate temperament, it's structurally quite interesting, and it approximates the full 19-limit consort in it's way. You could even say it tunes the 23rd and 29th harmonics ten cents flat if you were so inclined; as well as getting within two cents of the 37th.&lt;br /&gt;
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1: 36.364 48/47&lt;br /&gt;
1: 36.364 48/47&lt;br /&gt;
2: 72.727 24/23&lt;br /&gt;
2: 72.727 24/23&lt;br /&gt;
3: 109.091 [[tel:16/15 17/16|16/15 17/16]]&lt;br /&gt;
3: 109.091 16/15 17/16&lt;br /&gt;
4: 145.455 12/11&lt;br /&gt;
4: 145.455 12/11&lt;br /&gt;
5: 181.818 10/9&lt;br /&gt;
5: 181.818 10/9&lt;br /&gt;
6: 218.182 8/7 9/8 17/15&lt;br /&gt;
6: 218.182 8/7 9/8 17/15&lt;br /&gt;
7: 254.545 7/6 [[tel:22/19 37/32|22/19 37/32]]&lt;br /&gt;
7: 254.545 7/6 22/19 37/32&lt;br /&gt;
8: 290.909 [[tel:13/11 19/16|13/11 19/16]]&lt;br /&gt;
8: 290.909 13/11 19/16&lt;br /&gt;
9: 327.273 6/5&lt;br /&gt;
9: 327.273 6/5&lt;br /&gt;
10: 363.636 [[tel:16/13 21/17|16/13 21/17]]&lt;br /&gt;
10: 363.636 16/13 21/17&lt;br /&gt;
11: 400.000 5/4&lt;br /&gt;
11: 400.000 5/4&lt;br /&gt;
12: 436.364 9/7&lt;br /&gt;
12: 436.364 9/7&lt;br /&gt;
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15: 545.455 11/8&lt;br /&gt;
15: 545.455 11/8&lt;br /&gt;
16: 581.818 7/5&lt;br /&gt;
16: 581.818 7/5&lt;br /&gt;
17: 618.182 [[tel:10/7 23/16|10/7 23/16]]&lt;br /&gt;
17: 618.182 10/7 23/16&lt;br /&gt;
18: 654.545 [[tel:19/13 16/11|19/13 16/11]]&lt;br /&gt;
18: 654.545 19/13 16/11&lt;br /&gt;
19: 690.909 3/2&lt;br /&gt;
19: 690.909 3/2&lt;br /&gt;
20: 727.273 32/21&lt;br /&gt;
20: 727.273 32/21&lt;br /&gt;
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24: 872.727 5/3&lt;br /&gt;
24: 872.727 5/3&lt;br /&gt;
25: 909.091 22/13&lt;br /&gt;
25: 909.091 22/13&lt;br /&gt;
26: 945.455 [[tel:19/11 12/7|19/11 12/7]]&lt;br /&gt;
26: 945.455 19/11 12/7&lt;br /&gt;
27: 981.818 7/4&lt;br /&gt;
27: 981.818 7/4&lt;br /&gt;
28: 1018.182 9/5&lt;br /&gt;
28: 1018.182 9/5&lt;br /&gt;