24edo chord names: Difference between revisions
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A comma (the actual punctuation mark ",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a 24edo guitar by bending the mid 3rd up slightly. | A comma (the actual punctuation mark ",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a 24edo guitar by bending the mid 3rd up slightly. | ||
See also: | |||
* [[19edo Chord Names]] | |||
* [[22edo Chord Names]] | |||
* [[31edo Chord Names]] | |||
* [[41edo Chord Names]] | |||
* [[Kite Guitar Chord Shapes (downmajor tuning)]] | |||
[[Category:24edo]] | [[Category:24edo]] | ||
Revision as of 00:00, 19 November 2021
Various 24edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
| vm3 | m3 | ~3 | M3 | ^M3 | P4 | ~4 | |
|---|---|---|---|---|---|---|---|
| triad | Cvm | Cm | C~ | C | C^ | C4 | C~4 |
| ~6 | Cvm~6 | Cm~6 | C~6 | C,~6 | C^,~6 | C4~6 | C~4~6 |
| M6 | Cvm,6 | Cm6 | C~,6 | C6 | C^,6 | C4,6 | C~4,6 |
| ^M6
vm7 |
(Cvm^6)
Cvm7 |
Cm^6
Cmv7 |
C~^6
C~v7 |
C,^6
C,v7 |
C^6
(C^v7) |
C4^6
C4v7 |
C~4^6
C~4v7 |
| m7 | Cvm,7 | Cm7 | C~,7 | C7 | C^,7 | C4,7 | C~4,7 |
| ~7 | Cvm~7 | Cm~7 | C~7 | C,~7 | C^,~7 | C4~7 | C~4~7 |
| M7 | CvmM7 | CmM7 | C~M7 | CM7 | C^,M7 | C4M7 | C~4M7 |
| ^M7 | Cvm^M7 | Cm^M7 | C~^M7 | C,^M7 | C^M7 | C4^M7 | C~4^M7 |
A comma (the actual punctuation mark ",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a 24edo guitar by bending the mid 3rd up slightly.
See also: