User:Inthar/5L 4s: Difference between revisions
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One can think of 5L 4s modes as being built from two pentachords (division of the perfect fourth into four intervals) plus a whole tone. The possible pentachords are LsLs, sLLs, and sLsL. (In this fictional culture, these pentachords are called ''Lannin'', ''Zierokin'', and ''Vašmin'', respectively, and is part of a larger system of pentachords based around the semifourth.) | One can think of 5L 4s modes as being built from two pentachords (division of the perfect fourth into four intervals) plus a whole tone. The possible pentachords are LsLs, sLLs, and sLsL. (In this fictional culture, these pentachords are called ''Lannin'', ''Zierokin'', and ''Vašmin'', respectively, and is part of a larger system of pentachords based around the semifourth.) | ||
TODO: Does having native mode names make sense? | |||
== Melodic approaches == | == Melodic approaches == | ||
Revision as of 15:49, 23 July 2021
Inthar's mode names
The following names are taken from a fictional semiquartal-based musical culture.
- LLsLsLsLs Tsimmaïan (tsim-ə-EE-ən)
- LsLLsLsLs Tavulian
- LsLsLLsLs Lannian
- LsLsLsLLs Bonzhian
- LsLsLsLsL Tjatupian (chə-TOO-piən)
- sLLsLsLsL Zierokian
- sLsLLsLsL Vashmian
- sLsLsLLsL Pahnachian
- sLsLsLsLL Iporian
One can think of 5L 4s modes as being built from two pentachords (division of the perfect fourth into four intervals) plus a whole tone. The possible pentachords are LsLs, sLLs, and sLsL. (In this fictional culture, these pentachords are called Lannin, Zierokin, and Vašmin, respectively, and is part of a larger system of pentachords based around the semifourth.)
TODO: Does having native mode names make sense?