User:Aura/Aura's Ideas on Functional Harmony (Part 1): Difference between revisions
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'''Parallelism''' - Notes located in the same primary [[tetrachord]] as either the Tonic, the Dominant, or the Serviant take on similar functions to said notes, with the caveat that functions derived from the Tonic in this fashion are still technically nontonic functions. This process creates what in traditional music theory are referred to as [[Wikipedia:Parallel and counter parallel|"''parallels''" and "''counter parallels''"]]. | '''Parallelism''' - Notes located in the same primary [[tetrachord]] as either the Tonic, the Dominant, or the Serviant take on similar functions to said notes, with the caveat that functions derived from the Tonic in this fashion are still technically nontonic functions. This process creates what in traditional music theory are referred to as [[Wikipedia:Parallel and counter parallel|"''parallels''" and "''counter parallels''"]]. | ||
'''Stacking''' - The notes that are arrived at through stacking multiple instances of either 3/2 or 4/3 (or their tempered counterparts) are dubbed according to the number of instances stacked, and the nature of the notes separated by the interval being stacked. Thus, stacking two instances of the Dominant or the Serviant results in the creation of the "Double Dominant" or "Double Serviant" respectively. This idea comes from German's way of referring to the chord built on the second scale degree of the Diatonic scale as the "Doppeldominante", which literally means "Double Dominant". | '''Stacking''' - The notes that are arrived at through stacking multiple instances of either 3/2 or 4/3 (or their tempered counterparts) are dubbed according to the number of instances stacked, and the nature of the notes separated by the interval being stacked. Thus, stacking two instances of the Dominant or the Serviant results in the creation of the "Double Dominant" or "Double Serviant" respectively. This idea comes from the German language's way of referring to the chord built on the second scale degree of the Diatonic scale as the "Doppeldominante", which literally means "Double Dominant". | ||
== Facets Derived from Viennese Theory == | == Facets Derived from Viennese Theory == | ||