User:Inthar/5L 3s: Difference between revisions

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Using triadic harmony is possible in Kata modes, but it requires the use of Rising triads (Rising Minor, Rising Major and Rising Naiadic) more, instead of Falling Triads (flat fifths). This is to make use of the sharp fifth and sharp fourth (flat fifth down from the tonic).

When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and ~~quasi-~~13/8 respectively, so they may sound more like stable scale functions~~. Hlanithian, in particular, may be like a more stable version of the Locrian mode in diatonic~~.

When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and 21/13 respectively, so they may sound more like stable scale functions.

~~The~~ kata modes such as Mnarian shine ~~in 18edo~~, because they contain the versatile 533c [[superfourth]].

In [[18edo]] the kata modes such as Mnarian shine, because they contain the versatile 533c [[superfourth]]. On the other hand, Falling Major triads 0-400-667 are more discordant than in [[13edo]]; the Rising Major triads 0-400-733 are more concordant.

== Chords ==

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 Using triadic harmony is possible in Kata modes, but it requires the use of Rising triads (Rising Minor, Rising Major and Rising Naiadic) more, instead of Falling Triads (flat fifths). This is to make use of the sharp fifth and sharp fourth (flat fifth down from the tonic).
-When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and quasi-13/8 respectively, so they may sound more like stable scale functions. Hlanithian, in particular, may be like a more stable version of the Locrian mode in diatonic.
+When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and 21/13 respectively, so they may sound more like stable scale functions.
-The kata modes such as Mnarian shine in 18edo, because they contain the versatile 533c [[superfourth]].
+In [[18edo]] the kata modes such as Mnarian shine, because they contain the versatile 533c [[superfourth]]. On the other hand, Falling Major triads 0-400-667 are more discordant than in [[13edo]]; the Rising Major triads 0-400-733 are more concordant.
 == Chords ==