5L 3s: Difference between revisions
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The notation used in this article is J Ultharian (LsLLsLsL) = JKLMNOPQJ, unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".) | The notation used in this article is J Ultharian (LsLLsLsL) = JKLMNOPQJ, unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".) | ||
The chain of perfect | The chain of perfect 3-mossteps becomes: ... P@ K@ N@ Q L O J M P K N Q& L& O& ... | ||
Thus the [[13edo]] gamut is as follows: | Thus the [[13edo]] gamut is as follows: | ||
Line 43: | Line 43: | ||
== Intervals == | == Intervals == | ||
The table of oneirotonic intervals below takes the flat fourth as the generator. Given the size of the subfourth generator ''g'', any oneirotonic interval can easily be found by noting what multiple of ''g'' it is, and multiplying the size by the number ''k'' of generators it takes to reach the interval and reducing mod 1200 if necessary (so you can use "''k''*''g'' % 1200" for search engines, for plugged-in values of ''k'' and ''g''). For example, since the major | The table of oneirotonic intervals below takes the flat fourth as the generator. Given the size of the subfourth generator ''g'', any oneirotonic interval can easily be found by noting what multiple of ''g'' it is, and multiplying the size by the number ''k'' of generators it takes to reach the interval and reducing mod 1200 if necessary (so you can use "''k''*''g'' % 1200" for search engines, for plugged-in values of ''k'' and ''g''). For example, since the major 2-stepis reached by six subfourth generators, [[18edo]]'s major 2-step is 6*466.67 mod 1200 = 2800 mod 1200 = 400¢, same as the [[12edo]] major third. | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
|- | |- | ||
Line 68: | Line 68: | ||
| 1 | | 1 | ||
| M | | M | ||
| perfect | | perfect 3-step | ||
| 2L + 1s | | 2L + 1s | ||
| -1 | | -1 | ||
| O | | O | ||
| perfect | | perfect 5-step | ||
| 3L + 2s | | 3L + 2s | ||
|- | |- | ||
| 2 | | 2 | ||
| P | | P | ||
| major | | major 6-step | ||
| 4L + 2s | | 4L + 2s | ||
| -2 | | -2 | ||
| L | | L | ||
| minor | | minor 2-step | ||
| 1L + 1s | | 1L + 1s | ||
|- | |- | ||
| 3 | | 3 | ||
| K | | K | ||
| major | | major 1-step | ||
| 1L + 0s | | 1L + 0s | ||
| -3 | | -3 | ||
| Q | | Q | ||
| minor | | minor 7-step | ||
| 4L + 3s | | 4L + 3s | ||
|- | |- | ||
| 4 | | 4 | ||
| N | | N | ||
| major | | major 4-step | ||
| 3L + 1s | | 3L + 1s | ||
| -4 | | -4 | ||
| N@ | | N@ | ||
| minor | | minor 4-step | ||
| 2L + 2s | | 2L + 2s | ||
|- | |- | ||
| 5 | | 5 | ||
| Q& | | Q& | ||
| major | | major 7-step | ||
| 5L + 2s | | 5L + 2s | ||
| -5 | | -5 | ||
| K@ | | K@ | ||
| minor | | minor 1-step | ||
| 0L + 1s | | 0L + 1s | ||
|- | |- | ||
| 6 | | 6 | ||
| L& | | L& | ||
| major | | major 2-step | ||
| 2L + 0s | | 2L + 0s | ||
| -6 | | -6 | ||
| P@ | | P@ | ||
| minor | | minor 6-step | ||
| 3L + 3s | | 3L + 3s | ||
|- | |- | ||
| 7 | | 7 | ||
| O& | | O& | ||
| augmented | | augmented 5-step | ||
| 4L + 1s | | 4L + 1s | ||
| -7 | | -7 | ||
| M@ | | M@ | ||
| diminished | | diminished 3-step | ||
| 1L + 2s | | 1L + 2s | ||
|- | |- | ||
Line 133: | Line 133: | ||
| 8 | | 8 | ||
| J& | | J& | ||
| augmented | | augmented 0-step (aka moschroma) | ||
| 1L - 1s | | 1L - 1s | ||
| -8 | | -8 | ||
| J@ | | J@ | ||
| diminished | | diminished 8-step (aka diminished mosninth) | ||
| 4L + 4s | | 4L + 4s | ||
|- | |- | ||
| 9 | | 9 | ||
| M& | | M& | ||
| augmented | | augmented 3-step | ||
| 3L + 0s | | 3L + 0s | ||
| -9 | | -9 | ||
| O@ | | O@ | ||
| diminished | | diminished 5-step | ||
| 2L + 3s | | 2L + 3s | ||
|- | |- | ||
| 10 | | 10 | ||
| P& | | P& | ||
| augmented | | augmented 6-step | ||
| 5L + 1s | | 5L + 1s | ||
| -10 | | -10 | ||
| L@ | | L@ | ||
| diminished | | diminished 2-step | ||
| 0L + 2s | | 0L + 2s | ||
|- | |- | ||
| 11 | | 11 | ||
| K& | | K& | ||
| augmented | | augmented 1-step | ||
| 2L - 1s | | 2L - 1s | ||
| -11 | | -11 | ||
| Q@ | | Q@ | ||
| diminished | | diminished 7-step | ||
| 3L + 4s | | 3L + 4s | ||
|- | |- | ||
| 12 | | 12 | ||
| N& | | N& | ||
| augmented | | augmented 4-step | ||
| 4L + 0s | | 4L + 0s | ||
| -12 | | -12 | ||
| N@@ | | N@@ | ||
| diminished | | diminished 4-step | ||
| 1L + 3s | | 1L + 3s | ||
|} | |} | ||
Line 183: | Line 183: | ||
Hypohard oneirotonic can be considered "meantone oneirotonic". This is because these tunings share the following features with [[meantone]] diatonic tunings: | Hypohard oneirotonic can be considered "meantone oneirotonic". This is because these tunings share the following features with [[meantone]] diatonic tunings: | ||
* The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). | * The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). | ||
* The major | * The major 2-mosstep (made of two large steps) is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third. | ||
Also, in [[18edo]] and [[31edo]], the minor | Also, in [[18edo]] and [[31edo]], the minor 2-mosstep is close to [[7/6]]. | ||
The set of identifications above is associated with [[5L 3s/Temperaments#A-Team|A-Team]] temperament. | The set of identifications above is associated with [[5L 3s/Temperaments#A-Team|A-Team]] temperament. | ||
EDOs that are in the hypohard range include [[13edo]], [[18edo]], and [[31edo]]. | EDOs that are in the hypohard range include [[13edo]], [[18edo]], and [[31edo]]. | ||
* 13edo has characteristically small | * 13edo has characteristically small 1-mossteps of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all hypohard tunings. | ||
* 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect | * 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect 5-mosstep) and falling fifths (666.7c, a major 4-mosstep) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. | ||
* 31edo can be used to make the major | * 31edo can be used to make the major 2-mosstep a near-just 5/4. | ||
* [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8. | * [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8. | ||
Line 240: | Line 240: | ||
| 0 | | 0 | ||
|- | |- | ||
| minor | | minor 1-step | ||
| 1\13, 92.31 | | 1\13, 92.31 | ||
| 1\18, 66.67 | | 1\18, 66.67 | ||
Line 248: | Line 248: | ||
| -5 | | -5 | ||
|- | |- | ||
| major | | major 1-step | ||
| 2\13, 184.62 | | 2\13, 184.62 | ||
| 3\18, 200.00 | | 3\18, 200.00 | ||
Line 256: | Line 256: | ||
| +3 | | +3 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 2-step | ||
| 3\13, 276.92 | | 3\13, 276.92 | ||
| 4\18, 266.67 | | 4\18, 266.67 | ||
Line 264: | Line 264: | ||
| -2 | | -2 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 2-step | ||
| 4\13, 369.23 | | 4\13, 369.23 | ||
| 6\18, 400.00 | | 6\18, 400.00 | ||
Line 272: | Line 272: | ||
| +6 | | +6 | ||
|- | |- | ||
| dim. | | dim. 3-step | ||
| 4\13, 369.23 | | 4\13, 369.23 | ||
| 5\18, 333.33 | | 5\18, 333.33 | ||
Line 280: | Line 280: | ||
| -7 | | -7 | ||
|- | |- | ||
| perf. | | perf. 3-step | ||
| 5\13, 461.54 | | 5\13, 461.54 | ||
| 7\18, 466.67 | | 7\18, 466.67 | ||
Line 288: | Line 288: | ||
| +1 | | +1 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 4-step | ||
| 6\13, 553.85 | | 6\13, 553.85 | ||
| 8\18, 533.33 | | 8\18, 533.33 | ||
Line 296: | Line 296: | ||
| -4 | | -4 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 4-step | ||
| 7\13, 646.15 | | 7\13, 646.15 | ||
| 10\18, 666.66 | | 10\18, 666.66 | ||
Line 304: | Line 304: | ||
| +4 | | +4 | ||
|- | |- | ||
| perf. | | perf. 5-step | ||
| 8\13, 738.46 | | 8\13, 738.46 | ||
| 11\18, 733.33 | | 11\18, 733.33 | ||
Line 312: | Line 312: | ||
| -1 | | -1 | ||
|- | |- | ||
| aug. | | aug. 5-step | ||
| 9\13, 830.77 | | 9\13, 830.77 | ||
| 13\18, 866.66 | | 13\18, 866.66 | ||
Line 320: | Line 320: | ||
| +7 | | +7 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 6-step | ||
| 9\13, 830.77 | | 9\13, 830.77 | ||
| 12\18, 800.00 | | 12\18, 800.00 | ||
Line 328: | Line 328: | ||
| -6 | | -6 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 6-step | ||
| 10\13, 923.08 | | 10\13, 923.08 | ||
| 14\18, 933.33 | | 14\18, 933.33 | ||
Line 336: | Line 336: | ||
| +2 | | +2 | ||
|- | |- | ||
| minor | | minor 7-step | ||
| 11\13, 1015.39 | | 11\13, 1015.39 | ||
| 15\18, 1000.00 | | 15\18, 1000.00 | ||
Line 344: | Line 344: | ||
| -3 | | -3 | ||
|- | |- | ||
| major | | major 7-step | ||
| 12\13, 1107.69 | | 12\13, 1107.69 | ||
| 17\18, 1133.33 | | 17\18, 1133.33 | ||
Line 357: | Line 357: | ||
[[Hyposoft]] oneirotonic tunings (with generator between 8\21 and 5\13) have step ratios between 3/2 and 2/1. The 8\21-to-5\13 range of oneirotonic tunings remains relatively unexplored. In these tunings, | [[Hyposoft]] oneirotonic tunings (with generator between 8\21 and 5\13) have step ratios between 3/2 and 2/1. The 8\21-to-5\13 range of oneirotonic tunings remains relatively unexplored. In these tunings, | ||
* the large step of oneirotonic tends to be intermediate in size between [[10/9]] and [[11/10]]; the small step size is a semitone close to [[17/16]], about 92¢ to 114¢. | * the large step of oneirotonic tends to be intermediate in size between [[10/9]] and [[11/10]]; the small step size is a semitone close to [[17/16]], about 92¢ to 114¢. | ||
* The major | * The major 2-mosstep (made of two large steps) in these tunings tends to be more of a neutral third, ranging from 6\21 (342¢) to 4\13 (369¢). | ||
* [[21edo]]'s P1-Lmos2-Lmos3-Lmos5 approximates 9:10:11:13 better than the corresponding 13edo chord does. 21edo will serve those who like the combination of neogothic minor thirds (285.71¢) and Baroque diatonic semitones (114.29¢, close to quarter-comma meantone's 117.11¢). | * [[21edo]]'s P1-Lmos2-Lmos3-Lmos5 approximates 9:10:11:13 better than the corresponding 13edo chord does. 21edo will serve those who like the combination of neogothic minor thirds (285.71¢) and Baroque diatonic semitones (114.29¢, close to quarter-comma meantone's 117.11¢). | ||
Line 403: | Line 403: | ||
| 0 | | 0 | ||
|- | |- | ||
| minor | | minor 1-step | ||
| 2\21, 114.29 | | 2\21, 114.29 | ||
| 3\34, 105.88 | | 3\34, 105.88 | ||
Line 410: | Line 410: | ||
| -5 | | -5 | ||
|- | |- | ||
| major | | major 1-step | ||
| 3\21, 171.43 | | 3\21, 171.43 | ||
| 5\34, 176.47 | | 5\34, 176.47 | ||
Line 417: | Line 417: | ||
| +3 | | +3 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 2-step | ||
| 5\21, 285.71 | | 5\21, 285.71 | ||
| 8\34, 282.35 | | 8\34, 282.35 | ||
Line 424: | Line 424: | ||
| -2 | | -2 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 2-step | ||
| 6\21, 342.86 | | 6\21, 342.86 | ||
| 10\34, 352.94 | | 10\34, 352.94 | ||
Line 431: | Line 431: | ||
| +6 | | +6 | ||
|- | |- | ||
| dim. | | dim. 3-step | ||
| 7\21, 400.00 | | 7\21, 400.00 | ||
| 11\34, 388.24 | | 11\34, 388.24 | ||
Line 438: | Line 438: | ||
| -7 | | -7 | ||
|- | |- | ||
| perf. | | perf. 3-step | ||
| 7\18, 457.14 | | 7\18, 457.14 | ||
| 12\31, 458.82 | | 12\31, 458.82 | ||
Line 445: | Line 445: | ||
| +1 | | +1 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 4-step | ||
| 10\21, 571.43 | | 10\21, 571.43 | ||
| 16\34, 564.72 | | 16\34, 564.72 | ||
Line 452: | Line 452: | ||
| -4 | | -4 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 4-step | ||
| 11\21, 628.57 | | 11\21, 628.57 | ||
| 18\34, 635.29 | | 18\34, 635.29 | ||
Line 459: | Line 459: | ||
| +4 | | +4 | ||
|- | |- | ||
| perf. | | perf. 5-step | ||
| 13\21, 742.86 | | 13\21, 742.86 | ||
| 21\34, 741.18 | | 21\34, 741.18 | ||
Line 466: | Line 466: | ||
| -1 | | -1 | ||
|- | |- | ||
| aug. | | aug. 5-step | ||
| 14\21, 800.00 | | 14\21, 800.00 | ||
| 23\34, 811.77 | | 23\34, 811.77 | ||
Line 473: | Line 473: | ||
| +7 | | +7 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 6-step | ||
| 15\21, 857.14 | | 15\21, 857.14 | ||
| 24\34, 847.06 | | 24\34, 847.06 | ||
Line 480: | Line 480: | ||
| -6 | | -6 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 6-step | ||
| 16\21, 914.29 | | 16\21, 914.29 | ||
| 26\34, 917.65 | | 26\34, 917.65 | ||
Line 487: | Line 487: | ||
| +2 | | +2 | ||
|- | |- | ||
| minor | | minor 7-step | ||
| 18\21, 1028.57 | | 18\21, 1028.57 | ||
| 29\34, 1023.53 | | 29\34, 1023.53 | ||
Line 494: | Line 494: | ||
| -3 | | -3 | ||
|- | |- | ||
| major | | major 7-step | ||
| 19\21, 1085.71 | | 19\21, 1085.71 | ||
| 31\34, 1094.12 | | 31\34, 1094.12 | ||
Line 546: | Line 546: | ||
| +8 | | +8 | ||
|- | |- | ||
| dim. | | dim. 1-step | ||
| 2\29, 82.8 | | 2\29, 82.8 | ||
| K@@ | | K@@ | ||
Line 552: | Line 552: | ||
| -13 | | -13 | ||
|- | |- | ||
| minor | | minor 1-step | ||
| 3\29, 124.1 | | 3\29, 124.1 | ||
| K@ | | K@ | ||
Line 558: | Line 558: | ||
| -5 | | -5 | ||
|- | |- | ||
| major | | major 1-step | ||
| 4\29, 165.5 | | 4\29, 165.5 | ||
| K | | K | ||
Line 564: | Line 564: | ||
| +3 | | +3 | ||
|- | |- | ||
| aug. | | aug. 1-step | ||
| 5\29, 206.9 | | 5\29, 206.9 | ||
| K& | | K& | ||
Line 570: | Line 570: | ||
| +11 | | +11 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| dim. | | dim. 2-step | ||
| 6\29, 248.3 | | 6\29, 248.3 | ||
| L@ | | L@ | ||
Line 576: | Line 576: | ||
| -10 | | -10 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 2-step | ||
| 7\29, 289.7 | | 7\29, 289.7 | ||
| L | | L | ||
Line 582: | Line 582: | ||
| -2 | | -2 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 2-step | ||
| 8\29, 331.0 | | 8\29, 331.0 | ||
| L& | | L& | ||
Line 588: | Line 588: | ||
| +6 | | +6 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| aug. | | aug. 2-step | ||
| 9\29, 372.4 | | 9\29, 372.4 | ||
| L&& | | L&& | ||
Line 594: | Line 594: | ||
| +14 | | +14 | ||
|- | |- | ||
| doubly dim. | | doubly dim. 3-step | ||
| 9\29, 372.4 | | 9\29, 372.4 | ||
| M@@ | | M@@ | ||
Line 600: | Line 600: | ||
| -15 | | -15 | ||
|- | |- | ||
| dim. | | dim. 3-step | ||
| 10\29, 413.8 | | 10\29, 413.8 | ||
| M@ | | M@ | ||
Line 606: | Line 606: | ||
| -7 | | -7 | ||
|- | |- | ||
| perf. | | perf. 3-step | ||
| 11\29, 455.2 | | 11\29, 455.2 | ||
| M | | M | ||
Line 612: | Line 612: | ||
| +1 | | +1 | ||
|- | |- | ||
| aug. | | aug. 3-step | ||
| 12\29, 496.6 | | 12\29, 496.6 | ||
| M& | | M& | ||
Line 618: | Line 618: | ||
| +9 | | +9 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| dim. | | dim. 4-step | ||
| 13\29, 537.9 | | 13\29, 537.9 | ||
| N@@ | | N@@ | ||
Line 624: | Line 624: | ||
| -12 | | -12 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 4-step | ||
| 14\29, 579.3 | | 14\29, 579.3 | ||
| N@ | | N@ | ||
Line 630: | Line 630: | ||
| -4 | | -4 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 4-step | ||
| 15\29 620.7 | | 15\29 620.7 | ||
| N | | N | ||
Line 636: | Line 636: | ||
| +4 | | +4 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| aug. | | aug. 4-step | ||
| 16\29 662.1 | | 16\29 662.1 | ||
| N& | | N& | ||
Line 642: | Line 642: | ||
| +12 | | +12 | ||
|- | |- | ||
| dim. | | dim. 5-step | ||
| 17\29, 703.4 | | 17\29, 703.4 | ||
| O@ | | O@ | ||
Line 648: | Line 648: | ||
| -9 | | -9 | ||
|- | |- | ||
| perf. | | perf. 5-step | ||
| 18\29, 755.2 | | 18\29, 755.2 | ||
| O | | O | ||
Line 654: | Line 654: | ||
| -1 | | -1 | ||
|- | |- | ||
| aug. | | aug. 5-step | ||
| 19\29, 786.2 | | 19\29, 786.2 | ||
| O& | | O& | ||
Line 660: | Line 660: | ||
| +7 | | +7 | ||
|- | |- | ||
| doubly aug. | | doubly aug. 5-step | ||
| 20\29 827.6 | | 20\29 827.6 | ||
| O&& | | O&& | ||
Line 666: | Line 666: | ||
| +15 | | +15 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| dim. | | dim. 6-step | ||
| 20\29 827.6 | | 20\29 827.6 | ||
| P@@ | | P@@ | ||
Line 672: | Line 672: | ||
| -14 | | -14 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 6-step | ||
| 21\29 869.0 | | 21\29 869.0 | ||
| P@ | | P@ | ||
Line 678: | Line 678: | ||
| -6 | | -6 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 6-step | ||
| 22\29, 910.3 | | 22\29, 910.3 | ||
| P | | P | ||
Line 684: | Line 684: | ||
| +2 | | +2 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| aug. | | aug. 6-step | ||
| 23\29, 951.7 | | 23\29, 951.7 | ||
| P& | | P& | ||
Line 690: | Line 690: | ||
| +10 | | +10 | ||
|- | |- | ||
| dim. | | dim. 7-step | ||
| 24\29, 993.1 | | 24\29, 993.1 | ||
| Q@ | | Q@ | ||
Line 696: | Line 696: | ||
| -11 | | -11 | ||
|- | |- | ||
| minor | | minor 7-step | ||
| 25\29, 1034.5 | | 25\29, 1034.5 | ||
| Q | | Q | ||
Line 702: | Line 702: | ||
| -3 | | -3 | ||
|- | |- | ||
| major | | major 7-step | ||
| 26\29, 1075.9 | | 26\29, 1075.9 | ||
| Q& | | Q& | ||
Line 708: | Line 708: | ||
| +5 | | +5 | ||
|- | |- | ||
| aug. | | aug. 7-step | ||
| 27\29, 1117.2 | | 27\29, 1117.2 | ||
| Q&& | | Q&& | ||
Line 745: | Line 745: | ||
| +8 | | +8 | ||
|- | |- | ||
| minor | | minor 1-step | ||
| 1\23, 52.2 | | 1\23, 52.2 | ||
| K@ | | K@ | ||
Line 751: | Line 751: | ||
| -5 | | -5 | ||
|- | |- | ||
| major | | major 1-step | ||
| 4\23, 208.7 | | 4\23, 208.7 | ||
| K | | K | ||
Line 757: | Line 757: | ||
| +3 | | +3 | ||
|- | |- | ||
| aug. | | aug. 1-step | ||
| 7\23, 365.2 | | 7\23, 365.2 | ||
| K& | | K& | ||
Line 763: | Line 763: | ||
| +11 | | +11 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| dim. | | dim. 2-step | ||
| 2\23, 104.3 | | 2\23, 104.3 | ||
| L@ | | L@ | ||
Line 769: | Line 769: | ||
| -10 | | -10 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 2-step | ||
| 5\23, 260.9 | | 5\23, 260.9 | ||
| L | | L | ||
Line 775: | Line 775: | ||
| -2 | | -2 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 2-step | ||
| 8\23, 417.4 | | 8\23, 417.4 | ||
| L& | | L& | ||
Line 781: | Line 781: | ||
| +6 | | +6 | ||
|- | |- | ||
| dim. | | dim. 3-step | ||
| 6\23, 313.0 | | 6\23, 313.0 | ||
| M@ | | M@ | ||
Line 787: | Line 787: | ||
| -7 | | -7 | ||
|- | |- | ||
| perf. | | perf. 3-step | ||
| 9\23, 469.6 | | 9\23, 469.6 | ||
| M | | M | ||
Line 793: | Line 793: | ||
| +1 | | +1 | ||
|- | |- | ||
| aug. | | aug. 3-step | ||
| 12\23, 626.1 | | 12\23, 626.1 | ||
| M& | | M& | ||
Line 799: | Line 799: | ||
| +9 | | +9 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| dim. | | dim. 4-step | ||
| 7\23, 365.2 | | 7\23, 365.2 | ||
| N@@ | | N@@ | ||
Line 805: | Line 805: | ||
| -12 | | -12 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 4-step | ||
| 10\23, 521.7 | | 10\23, 521.7 | ||
| N@ | | N@ | ||
Line 811: | Line 811: | ||
| -4 | | -4 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 4-step | ||
| 13\23, 678.3 | | 13\23, 678.3 | ||
| N | | N | ||
Line 817: | Line 817: | ||
| +4 | | +4 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| aug. | | aug. 4-step | ||
| 16\23, 834.8 | | 16\23, 834.8 | ||
| N& | | N& | ||
Line 823: | Line 823: | ||
| +12 | | +12 | ||
|- | |- | ||
| dim. | | dim. 5-step | ||
| 11\23, 573.9 | | 11\23, 573.9 | ||
| O@ | | O@ | ||
Line 829: | Line 829: | ||
| -9 | | -9 | ||
|- | |- | ||
| perf. | | perf. 5-step | ||
| 14\23, 730.4 | | 14\23, 730.4 | ||
| O | | O | ||
Line 835: | Line 835: | ||
| -1 | | -1 | ||
|- | |- | ||
| aug. | | aug. 5-step | ||
| 17\23, 887.0 | | 17\23, 887.0 | ||
| O& | | O& | ||
Line 842: | Line 842: | ||
|- | |- | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| minor | | minor 6-step | ||
| 15\23 782.6 | | 15\23 782.6 | ||
| P@ | | P@ | ||
Line 848: | Line 848: | ||
| -6 | | -6 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| major | | major 6-step | ||
| 18\23, 939.1 | | 18\23, 939.1 | ||
| P | | P | ||
Line 854: | Line 854: | ||
| +2 | | +2 | ||
|-bgcolor="#eaeaff" | |-bgcolor="#eaeaff" | ||
| aug. | | aug. 6-step | ||
| 21\23, 1095.7 | | 21\23, 1095.7 | ||
| P& | | P& | ||
Line 860: | Line 860: | ||
| +10 | | +10 | ||
|- | |- | ||
| dim. | | dim. 7-step | ||
| 16\23, 834.8 | | 16\23, 834.8 | ||
| Q@ | | Q@ | ||
Line 866: | Line 866: | ||
| -11 | | -11 | ||
|- | |- | ||
| minor | | minor 7-step | ||
| 19\23, 991.3 | | 19\23, 991.3 | ||
| Q | | Q | ||
Line 872: | Line 872: | ||
| -3 | | -3 | ||
|- | |- | ||
| major | | major 7-step | ||
| 22\23, 1147.8 | | 22\23, 1147.8 | ||
| Q& | | Q& |