List of approaches to musical tuning: Difference between revisions
No edit summary |
No edit summary |
||
| Line 19: | Line 19: | ||
**[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..) | **[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..) | ||
**[[Indonesian|Indonesian]] (Java, Bali) | **[[Indonesian|Indonesian]] (Java, Bali) | ||
**Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine] | **[[wikipedia:Musical_system_of_ancient_Greece|Ancient Greek]], [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine] | ||
**[[Georgian|Georgian]] | **[[Georgian|Georgian]] | ||
*[[Regular_Temperaments|Regular Temperaments]]: (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires | *[[Regular_Temperaments|Regular Temperaments]]: (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires | ||