List of approaches to musical tuning: Difference between revisions
HTML → Wiki |
No edit summary |
||
| Line 11: | Line 11: | ||
*[[Generalized_overtone_tuning|Generalized overtone tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series. | *[[Generalized_overtone_tuning|Generalized overtone tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series. | ||
*[[Equal_Temperaments|Equal tuning]]: Tunings that use a single interval (and combinations thereof) to form a subtle monoculture of intervals. | *[[Equal_Temperaments|Equal tuning]]: Tunings that use a single interval (and combinations thereof) to form a subtle monoculture of intervals. | ||
*[[Historical_Western_Temperaments|Historical Western Temperaments]]: The (somewhat forgotten) use of [[Meantone|meantone tunings]] and [[Circulating_Temperaments|circulating temperaments]] in Western common practice music. | *[[Historical_Western_Temperaments|Historical Western Temperaments]]: The (somewhat forgotten) use of [[Pythagorean]] and [[Meantone|meantone tunings]] and [[Circulating_Temperaments|circulating temperaments]] in Western common practice music. | ||
*Musical traditions of indigenous, ancient, and/or non-Western cultures | *Musical traditions of indigenous, ancient, and/or non-Western cultures | ||
**[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]] | **[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]] | ||