|
|
Line 903: |
Line 903: |
| | style="text-align:center;" | 0|7 | | | style="text-align:center;" | 0|7 |
| | | Sarnathian (sar-NA(H)TH-iən), can be shortened to "Sarn" | | | | Sarnathian (sar-NA(H)TH-iən), can be shortened to "Sarn" |
| |}
| |
|
| |
| The modes on the white keys JKLMNOPQJ are:
| |
| * J Ultharian
| |
| * K Hlanithian
| |
| * L Illarnekian
| |
| * M Mnarian
| |
| * N Sarnathian
| |
| * O Celephaïsian
| |
| * P Kadathian
| |
| * Q Dylathian
| |
|
| |
| {| class="wikitable"
| |
| |-
| |
| |+ Table of modes (based on J, from brightest to darkest)
| |
| |-
| |
| ! Mode
| |
| ! 1
| |
| ! 2
| |
| ! 3
| |
| ! 4
| |
| ! 5
| |
| ! 6
| |
| ! 7
| |
| ! 8
| |
| ! (9)
| |
| |-
| |
| | Dylathian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M
| |
| | N
| |
| | O&
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Illarnekian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Celephaïsian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Ultharian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Mnarian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Kadathian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Hlanithian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Sarnathian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M@
| |
| | N@
| |
| | O
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |} | | |} |
|
| |
|
Line 1,077: |
Line 963: |
| | style="text-align:center;" | 0|7 @6 | | | style="text-align:center;" | 0|7 @6 |
| | | Sarlocrian (Sarnathian @6) | | | | Sarlocrian (Sarnathian @6) |
| |}
| |
|
| |
| {| class="wikitable"
| |
| |-
| |
| |+ Table of archeodim modes (based on J)
| |
| |-
| |
| ! Mode
| |
| ! 1
| |
| ! 2
| |
| ! 3
| |
| ! 4
| |
| ! 5
| |
| ! 6
| |
| ! 7
| |
| ! 8
| |
| ! (9)
| |
| |-
| |
| | Dylydian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M&
| |
| | N
| |
| | O&
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Illarmixian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Celdorian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N
| |
| | O&
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Ulphrygian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Mnionian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Sardorian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M@
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Mnaeolian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Sarlocrian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M@
| |
| | N@
| |
| | O@
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |} | | |} |
|
| |
|
Line 1,197: |
Line 979: |
|
| |
|
| ==== Pentatonic subsets ==== | | ==== Pentatonic subsets ==== |
| The ''Oneiro Falling Suspended Pentatonic'', i.e. R-Mo2-Po4-Mo5-Mo7 (on J, J-K-M-N-P), is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' R-Mo2-Po4-Po6-Mo7 (J-K-M-O-P) can be used for similar effect. | | The ''Oneiro Falling Suspended Pentatonic'', i.e. R-Mo2-Po4-Mo5-Mo7, is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' R-Mo2-Po4-Po6-Mo7 (J-K-M-O-P) can be used for similar effect. |
|
| |
|
| Modes of the oneiro-pentatonic MOS: | | Modes of the oneiro-pentatonic MOS: |