5L 3s: Difference between revisions

Inthar (talk | contribs)
Inthar (talk | contribs)
m diamond mos letter names won't correspond to fixed pitches.
Line 903: Line 903:
| style="text-align:center;" | 0|7
| style="text-align:center;" | 0|7
| | Sarnathian (sar-NA(H)TH-iən), can be shortened to "Sarn"
| | Sarnathian (sar-NA(H)TH-iən), can be shortened to "Sarn"
|}
The modes on the white keys JKLMNOPQJ are:
* J Ultharian
* K Hlanithian
* L Illarnekian
* M Mnarian
* N Sarnathian
* O Celephaïsian
* P Kadathian
* Q Dylathian
{| class="wikitable"
|-
|+ Table of modes (based on J, from brightest to darkest)
|-
! Mode
! 1
! 2
! 3
! 4
! 5
! 6
! 7
! 8
! (9)
|-
| Dylathian
| J
| K
| L&
| M
| N
| O&
| P
| Q&
| (J)
|-
| Illarnekian
| J
| K
| L&
| M
| N
| O
| P
| Q&
| (J)
|-
| Celephaïsian
| J
| K
| L
| M
| N
| O
| P
| Q&
| (J)
|-
| Ultharian
| J
| K
| L
| M
| N
| O
| P
| Q
| (J)
|-
| Mnarian
| J
| K
| L
| M
| N@
| O
| P
| Q
| (J)
|-
| Kadathian
| J
| K@
| L
| M
| N@
| O
| P
| Q
| (J)
|-
| Hlanithian
| J
| K@
| L
| M
| N@
| O
| P@
| Q
| (J)
|-
| Sarnathian
| J
| K@
| L
| M@
| N@
| O
| P@
| Q
| (J)
|}
|}


Line 1,077: Line 963:
| style="text-align:center;" | 0|7 @6
| style="text-align:center;" | 0|7 @6
| | Sarlocrian (Sarnathian @6)
| | Sarlocrian (Sarnathian @6)
|}
{| class="wikitable"
|-
|+ Table of archeodim modes (based on J)
|-
! Mode
! 1
! 2
! 3
! 4
! 5
! 6
! 7
! 8
! (9)
|-
| Dylydian
| J
| K
| L&
| M&
| N
| O&
| P
| Q&
| (J)
|-
| Illarmixian
| J
| K
| L&
| M
| N
| O
| P
| Q
| (J)
|-
| Celdorian
| J
| K
| L
| M
| N
| O&
| P
| Q&
| (J)
|-
| Ulphrygian
| J
| K@
| L
| M
| N
| O
| P
| Q
| (J)
|-
| Mnionian
| J
| K
| L
| M
| N@
| O
| P
| Q&
| (J)
|-
| Sardorian
| J
| K@
| L
| M@
| N@
| O
| P
| Q
| (J)
|-
| Mnaeolian
| J
| K
| L
| M
| N@
| O
| P@
| Q
| (J)
|-
| Sarlocrian
| J
| K@
| L
| M@
| N@
| O@
| P@
| Q
| (J)
|}
|}


Line 1,197: Line 979:


==== Pentatonic subsets ====
==== Pentatonic subsets ====
The ''Oneiro Falling Suspended Pentatonic'', i.e. R-Mo2-Po4-Mo5-Mo7 (on J, J-K-M-N-P), is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' R-Mo2-Po4-Po6-Mo7 (J-K-M-O-P) can be used for similar effect.
The ''Oneiro Falling Suspended Pentatonic'', i.e. R-Mo2-Po4-Mo5-Mo7, is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' R-Mo2-Po4-Po6-Mo7 (J-K-M-O-P) can be used for similar effect.


Modes of the oneiro-pentatonic MOS:
Modes of the oneiro-pentatonic MOS: