5L 3s: Difference between revisions

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==== Pentatonic subsets ====

The ''Oneiro Falling Suspended Pentatonic'', i.e. P1-M2-P4-M5-M7 (on J, J-K-M-N-P), is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' P1-M2-P4-P6-M7 (J-K-M-O-P) can be used for similar effect.

The ''Oneiro Falling Suspended Pentatonic'', i.e. R-Mo2-Po4-Mo5-Mo7 (on J, J-K-M-N-P), is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' R-Mo2-Po4-Po6-Mo7 (J-K-M-O-P) can be used for similar effect.

Modes of the oneiro-pentatonic MOS:

# P1-M2-P4-M5-M7 Oneiro Falling Suspended Pentatonic

# R-Mo2-Po4-Mo5-Mo7 Oneiro Falling Suspended Pentatonic

# P1-M2-P4-P6-M7 Oneiro Rising Suspended Pentatonic

# R-Mo2-Po4-Po6-Mo7 Oneiro Rising Suspended Pentatonic

# P1-m3-P4-P6-M7 Oneiro Symmetrical Pentatonic

# R-mo3-Po4-Po6-Mo7 Oneiro Symmetrical Pentatonic

# P1-m3-P4-P6-m8 Oneiro Expanding Quartal Pentatonic

# R-mo3-Po4-Po6-mo8 Oneiro Expanding Quartal Pentatonic

# P1-m3-m5-P6-m8 Oneiro Diminished Pentatonic

# R-mo3-mo5-Po6-mo8 Oneiro Diminished Pentatonic

==== Functional harmony ====

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 ==== Pentatonic subsets ====
-The ''Oneiro Falling Suspended Pentatonic'', i.e. P1-M2-P4-M5-M7 (on J, J-K-M-N-P), is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' P1-M2-P4-P6-M7 (J-K-M-O-P) can be used for similar effect.
+The ''Oneiro Falling Suspended Pentatonic'', i.e. R-Mo2-Po4-Mo5-Mo7 (on J, J-K-M-N-P), is also an important subset in ana modes: it roughly implies the "least" tonality (In particular, it only implies ana-ness, not major or minor tonality), and it sounds floaty, and suspended, much like suspended and quartal chords do in diatonic contexts. The ''Oneiro Rising Suspended Pentatonic'' R-Mo2-Po4-Po6-Mo7 (J-K-M-O-P) can be used for similar effect.
 Modes of the oneiro-pentatonic MOS:
-# P1-M2-P4-M5-M7 Oneiro Falling Suspended Pentatonic
+# R-Mo2-Po4-Mo5-Mo7 Oneiro Falling Suspended Pentatonic
-# P1-M2-P4-P6-M7 Oneiro Rising Suspended Pentatonic
+# R-Mo2-Po4-Po6-Mo7 Oneiro Rising Suspended Pentatonic
-# P1-m3-P4-P6-M7 Oneiro Symmetrical Pentatonic
+# R-mo3-Po4-Po6-Mo7 Oneiro Symmetrical Pentatonic
-# P1-m3-P4-P6-m8 Oneiro Expanding Quartal Pentatonic
+# R-mo3-Po4-Po6-mo8 Oneiro Expanding Quartal Pentatonic
-# P1-m3-m5-P6-m8 Oneiro Diminished Pentatonic
+# R-mo3-mo5-Po6-mo8 Oneiro Diminished Pentatonic
 ==== Functional harmony ====