5L 3s: Difference between revisions
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* Celephaïsian &4 &6 LsAsLsLs | * Celephaïsian &4 &6 LsAsLsLs | ||
== | == Hypohard oneiro theory == | ||
Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal harmony and functional harmony both benefit from a recognizable major third, the following theory essentially assumes a hypohard tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation of such a tuning, such as a [[neji]]). The reader is encouraged to experiment and see what ideas work for other oneirotonic tunings. | Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal harmony and functional harmony both benefit from a recognizable major third, the following theory essentially assumes a hypohard tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation of such a tuning, such as a [[neji]]). The reader is encouraged to experiment and see what ideas work for other oneirotonic tunings. | ||
=== Ana modes === | === Ana modes === | ||
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* R-m5-m7-m8: Contracting Quartal Triad Addm7 | * R-m5-m7-m8: Contracting Quartal Triad Addm7 | ||
* R-M3-M5-m8: Falling Major Triad addm7 | * R-M3-M5-m8: Falling Major Triad addm7 | ||
== Hyposoft oneiro theory == | |||
== Primodal theory == | == Primodal theory == | ||