20edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~OmegaNine~~|~~OmegaNine~~]] and made on <tt>2017-05-16 19:39:34 UTC</tt>.<br>

: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2017-07-22 19:10:21 UTC</tt>.<br>

: The original revision id was <tt>~~613006001~~</tt>.<br>

: The original revision id was <tt>615831787</tt>.<br>

: The revision comment was: <tt></tt><br>

: The revision comment was: <tt>added link (deorphaning)</tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">20-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 [[cent]]s each. It contains smaller [[edo]]s [[2edo|2]], [[4edo|4]], [[5edo|5]], and [[10edo|10]] and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 & 15 (from 10 edo), 19 & 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="display: block; text-align: right;">[[20平均律|日本語]]

</span>

20-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 [[cent]]s each. It contains smaller [[edo]]s [[2edo|2]], [[4edo|4]], [[5edo|5]], and [[10edo|10]] and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 & 15 (from 10 edo), 19 & 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.

[[toc|flat]]

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[[@http://www.ronsword.com/|"Icosaphonic Scales for Guitar" - Theory / Scale book with above modes and more]] by [[Ron Sword]]</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>20edo</title></head><body>20-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 <a class="wiki_link" href="/cent">cent</a>s each. It contains smaller <a class="wiki_link" href="/edo">edo</a>s <a class="wiki_link" href="/2edo">2</a>, <a class="wiki_link" href="/4edo">4</a>, <a class="wiki_link" href="/5edo">5</a>, and <a class="wiki_link" href="/10edo">10</a> and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 &amp; 15 (from 10 edo), 19 &amp; 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.<br />

</span><br />

20-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 <a class="wiki_link" href="/cent">cent</a>s each. It contains smaller <a class="wiki_link" href="/edo">edo</a>s <a class="wiki_link" href="/2edo">2</a>, <a class="wiki_link" href="/4edo">4</a>, <a class="wiki_link" href="/5edo">5</a>, and <a class="wiki_link" href="/10edo">10</a> and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 &amp; 15 (from 10 edo), 19 &amp; 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.<br />

<br />

<a href="#Compositions">Compositions</a> | <a href="#Properties">Properties</a> | <a href="#Chord Names">Chord Names</a>

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 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:OmegaNine|OmegaNine]] and made on <tt>2017-05-16 19:39:34 UTC</tt>.<br>
+: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2017-07-22 19:10:21 UTC</tt>.<br>
-: The original revision id was <tt>613006001</tt>.<br>
+: The original revision id was <tt>615831787</tt>.<br>
-: The revision comment was: <tt></tt><br>
+: The revision comment was: <tt>added link (deorphaning)</tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">20-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 [[cent]]s each. It contains smaller [[edo]]s [[2edo|2]], [[4edo|4]], [[5edo|5]], and [[10edo|10]] and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 &amp; 15 (from 10 edo), 19 &amp; 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="display: block; text-align: right;"&gt;[[20平均律|日本語]]
+&lt;/span&gt;
+-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 [[cent]]s each. It contains smaller [[edo]]s [[2edo|2]], [[4edo|4]], [[5edo|5]], and [[10edo|10]] and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 &amp; 15 (from 10 edo), 19 &amp; 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.
 [[toc|flat]]
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 [[@http://www.ronsword.com/|"Icosaphonic Scales for Guitar" - Theory / Scale book with above modes and more]] by [[Ron Sword]]</pre></div>
 <h4>Original HTML content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;20edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;20-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s each. It contains smaller &lt;a class="wiki_link" href="/edo"&gt;edo&lt;/a&gt;s &lt;a class="wiki_link" href="/2edo"&gt;2&lt;/a&gt;, &lt;a class="wiki_link" href="/4edo"&gt;4&lt;/a&gt;, &lt;a class="wiki_link" href="/5edo"&gt;5&lt;/a&gt;, and &lt;a class="wiki_link" href="/10edo"&gt;10&lt;/a&gt; and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 &amp;amp; 15 (from 10 edo), 19 &amp;amp; 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.&lt;br /&gt;
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;20edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="/20%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
+&lt;/span&gt;&lt;br /&gt;
+-tone equal temperament, or 20edo, divides the octave into exactly 20 equal steps of 60 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s each. It contains smaller &lt;a class="wiki_link" href="/edo"&gt;edo&lt;/a&gt;s &lt;a class="wiki_link" href="/2edo"&gt;2&lt;/a&gt;, &lt;a class="wiki_link" href="/4edo"&gt;4&lt;/a&gt;, &lt;a class="wiki_link" href="/5edo"&gt;5&lt;/a&gt;, and &lt;a class="wiki_link" href="/10edo"&gt;10&lt;/a&gt; and is part of the 5n Family of equal divisions of the octave. 20 edo fairly approximates the harmonics 7 (from 5 edo), 11, 13 &amp;amp; 15 (from 10 edo), 19 &amp;amp; 27 (from 4 edo), 29 and 31; as well as the other harmonics more loosely (though to some people, still functionally) approximated. Thus, 20-EDO does a reasonably convincing approximation of harmonics 4:7:11:13:15.&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextTocRule:16:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextTocRule:17: --&gt;&lt;a href="#Compositions"&gt;Compositions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt; | &lt;a href="#Properties"&gt;Properties&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt; | &lt;a href="#Chord Names"&gt;Chord Names&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;&lt;!-- ws:end:WikiTextTocRule:23 --&gt;&lt;!-- ws:start:WikiTextTocRule:24: --&gt;&lt;!-- ws:end:WikiTextTocRule:24 --&gt;&lt;!-- ws:start:WikiTextTocRule:25: --&gt;