5L 3s: Difference between revisions
m →Intervals: clarify that there are two possible chromatic moses |
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When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and quasi-13/8 respectively, so they may sound more like stable scale functions. Hlanithian, in particular, may be like a more stable version of the Locrian mode in diatonic. | When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and quasi-13/8 respectively, so they may sound more like stable scale functions. Hlanithian, in particular, may be like a more stable version of the Locrian mode in diatonic. | ||
=== Chords === | === Chords and extended harmony === | ||
Chords are given in oneirotonic MOS interval notation. For example, M5 means major mosfifth (squashed fifth). | Chords are given in oneirotonic MOS interval notation. For example, M5 means major mosfifth (squashed fifth). | ||