5L 3s: Difference between revisions

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For classical-inspired functional harmony, we propose the terms Oneiromajor and Oneirominor: Oneiromajor for Illarnekian where the 6th degree (the rising fifth) can be sharpened, and Oneirominor for Ultharian where the 8th degree (the leading tone) can be sharpened. In key signatures, Oneirominor should be treated as Ultharian and Oneiromajor should be treated as Illarnekian. Note that Oneiromajor and Oneirominor still have the relative major-minor relationship; they are related by a major mosthird, just like diatonic major/minor.

=== Alterations ===

==== Archeodim ====

We call the LSLLLSLS pattern (independently of modal rotation) '''archeodim''', because the "LLL" resembles the [[archeotonic]] mode in 13edo and the "LSLSLS" resembles the diminished scale. Archeodim is the most important oneirotonic [[MODMOS]] pattern (a MODMOS is a MOS with one or more alterations), because it allows one to evoke certain ana or kata diatonic modes where three whole steps in a row are important (Dorian, Phrygian, Lydian or Mixo) in an octatonic context. The MOS would not always be able to do this because it has at most two consecutive large steps. As with the MOS, archeodim has four ana and four kata rotations:

* LLLSLSLS: Dylathian &4, Archeodim Ana-Lydian

* LLSLSLSL: Illarnekian @8: Archeodim Ana-Mixolydian

* LSLLLSLS: Celephaïsian &6: Archeodim Ana-Dorian

* LSLSLLLS: Mnarian &8: Archeodim Kata-Ionian

* LSLSLSLL: Hlanithian &2: Archeodim Kata-Aeolian

* SLLLSLSL: Ultharian @2: Archeodim Ana-Phrygian

* SLSLLLSL: Sarnathian &7: Archeodim Kata-Dorian

* SLSLSLLL: Sarnathian @6: Archeodim Kata-Locrian

==== Other MODMOSes ====

Other potentially interesting oneirotonic MODMOSes (that do not use half-sharps or half-flats) are:

* the distorted harmonic minor LSLLSALS (A = aug 2nd = L + chroma)

* the distorted Freygish SASLSLLS

* Celephaïsian &4 &6 LsAsLsLs

== Pseudo-diatonic theory ==

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 For classical-inspired functional harmony, we propose the terms Oneiromajor and Oneirominor: Oneiromajor for Illarnekian where the 6th degree (the rising fifth) can be sharpened, and Oneirominor for Ultharian where the 8th degree (the leading tone) can be sharpened. In key signatures, Oneirominor should be treated as Ultharian and Oneiromajor should be treated as Illarnekian. Note that Oneiromajor and Oneirominor still have the relative major-minor relationship; they are related by a major mosthird, just like diatonic major/minor.
+=== Alterations ===
+==== Archeodim ====
+We call the LSLLLSLS pattern (independently of modal rotation) '''archeodim''', because the "LLL" resembles the [[archeotonic]] mode in 13edo and the "LSLSLS" resembles the diminished scale. Archeodim is the most important oneirotonic [[MODMOS]] pattern (a MODMOS is a MOS with one or more alterations), because it allows one to evoke certain ana or kata diatonic modes where three whole steps in a row are important (Dorian, Phrygian, Lydian or Mixo) in an octatonic context. The MOS would not always be able to do this because it has at most two consecutive large steps. As with the MOS, archeodim has four ana and four kata rotations:
+* LLLSLSLS: Dylathian &4, Archeodim Ana-Lydian
+* LLSLSLSL: Illarnekian @8: Archeodim Ana-Mixolydian
+* LSLLLSLS: Celephaïsian &6: Archeodim Ana-Dorian
+* LSLSLLLS: Mnarian &8: Archeodim Kata-Ionian
+* LSLSLSLL: Hlanithian &2: Archeodim Kata-Aeolian
+* SLLLSLSL: Ultharian @2: Archeodim Ana-Phrygian
+* SLSLLLSL: Sarnathian &7: Archeodim Kata-Dorian
+* SLSLSLLL: Sarnathian @6: Archeodim Kata-Locrian
+==== Other MODMOSes ====
+Other potentially interesting oneirotonic MODMOSes (that do not use half-sharps or half-flats) are:
+* the distorted harmonic minor LSLLSALS (A = aug 2nd = L + chroma)
+* the distorted Freygish SASLSLLS
+* Celephaïsian &4 &6 LsAsLsLs
 == Pseudo-diatonic theory ==