19edo: Difference between revisions

Wikispaces>genewardsmith
**Imported revision 234784084 - Original comment: **
Wikispaces>xenwolf
**Imported revision 234969822 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-07 03:47:49 UTC</tt>.<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2011-06-07 17:15:53 UTC</tt>.<br>
: The original revision id was <tt>234784084</tt>.<br>
: The original revision id was <tt>234969822</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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* [[http://tonalsoft.com/enc/number/19edo.aspx|19-tone equal-temperament and 1/3-comma meantone - Encyclopedia of Microtonal Music Theory]] [[http://tonalsoft.com/enc/number/19edo.aspx|Permalink]]
* [[http://tonalsoft.com/enc/number/19edo.aspx|19-tone equal-temperament and 1/3-comma meantone - Encyclopedia of Microtonal Music Theory]] [[http://tonalsoft.com/enc/number/19edo.aspx|Permalink]]
* [[http://mtg.redkeylabs.com/index.php?topic=6.0|Forum Discussion with some 19-EDO xenharmonic scales Hanson (Keemun), Liese, Negri, Magic, Semaphore, Sensi played on guitar]].
* [[http://mtg.redkeylabs.com/index.php?topic=6.0|Forum Discussion with some 19-EDO xenharmonic scales Hanson (Keemun), Liese, Negri, Magic, Semaphore, Sensi played on guitar]].
* [[http://www.ronsword.com/books.html|Enneadecaphonic Scales for Guitar]] by Ron Sword
* [[http://www.ronsword.com/books.html|Enneadecaphonic Scales for Guitar]] by [[Ron Sword]]


==References==  
==References==  
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=Compositions=  
=Compositions=  


&lt;span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"&gt;[[http://www.akjmusic.com/audio/juggler.mp3|The Juggler]] &lt;/span&gt; by Aaron Krister Johnson
&lt;span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"&gt;[[http://www.akjmusic.com/audio/juggler.mp3|The Juggler]] &lt;/span&gt; by [[Aaron Krister Johnson]]
[[http://music.columbia.edu/%7Echris/sand.html|Sand]] by Christopher Bailey
[[http://music.columbia.edu/%7Echris/sand.html|Sand]] by [[Christopher Bailey]]
&lt;span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"&gt;[[http://works.music.columbia.edu/%7Echris/19mix1.mp3|Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me]] &lt;/span&gt; by Christopher Bailey
&lt;span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"&gt;[[http://works.music.columbia.edu/%7Echris/19mix1.mp3|Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me]] &lt;/span&gt; by Christopher Bailey
&lt;span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"&gt;[[http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3|Ditty]] &lt;/span&gt; by Christopher Bailey
&lt;span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"&gt;[[http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3|Ditty]] &lt;/span&gt; by Christopher Bailey
[[http://sethares.engr.wisc.edu/mp3s/sympathetic.html|Sympathetic Metaphor]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3|play]] by William Sethares [[http://www.webcitation.org/5zFdC6u4V|Permalink]]
[[http://sethares.engr.wisc.edu/mp3s/sympathetic.html|Sympathetic Metaphor]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3|play]] by [[William Sethares]] [[http://www.webcitation.org/5zFdC6u4V|Permalink]]
[[http://sethares.engr.wisc.edu/mp3s/truthonabus.html|Truth on a bus]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3|play]] by William Sethares [[http://www.webcitation.org/5zFdSw1g4|Permalink]]
[[http://sethares.engr.wisc.edu/mp3s/truthonabus.html|Truth on a bus]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3|play]] by William Sethares [[http://www.webcitation.org/5zFdSw1g4|Permalink]]
&lt;span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"&gt;[[http://www.h-pi.com/mp3/Rondo19ET.mp3|Rondo in 19ET]] &lt;/span&gt; by Aaron Andrew Hunt
&lt;span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"&gt;[[http://www.h-pi.com/mp3/Rondo19ET.mp3|Rondo in 19ET]] &lt;/span&gt; by [[Aaron Andrew Hunt]]
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3|Citified Notions]] by John Starrett.
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3|Citified Notions]] by [[John Starrett]].
[[http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=104038|The Light Of My Betelgeuse]] by Mykhaylo Khramov
[[http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=104038|The Light Of My Betelgeuse]] by [[Mykhaylo Khramov]]
A number of compositions that were perfomed at the [[http://midwestmicrofest.org/concerts.html|midwestmicrofest concert in 2007]]
A number of compositions that were perfomed at the [[http://midwestmicrofest.org/concerts.html|midwestmicrofest concert in 2007]]
Fanfare in 19-note Equal Tuning by Easley Blackwood
Fanfare in 19-note Equal Tuning by Easley Blackwood
[[http://www.uvnitr.cz/flaoyg/flao_yg/zvire.html|Zvíře]] by Milan Guštar
[[http://www.uvnitr.cz/flaoyg/flao_yg/zvire.html|Zvíře]] by [[Milan Guštar]]
[[http://www.ziaspace.com/ZIA/sections/music.html|19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.]]
[[http://www.ziaspace.com/ZIA/sections/music.html|19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.]]
[[@http://chrisvaisvil.com/?p=865|Forgetting Even Her Beauty blog]] &lt;span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"&gt;[[http://micro.soonlabel.com/19-ET/daily20110516-19-forgetting_even_her_beauty.mp3|play Forgetting Even Her Beauty]] &lt;/span&gt; by Chris Vaisvil
[[@http://chrisvaisvil.com/?p=865|Forgetting Even Her Beauty blog]] &lt;span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"&gt;[[http://micro.soonlabel.com/19-ET/daily20110516-19-forgetting_even_her_beauty.mp3|play Forgetting Even Her Beauty]] &lt;/span&gt; by [[Chris Vaisvil]]
[[@http://chrisvaisvil.com/?p=855|19 Black Hawks for Osama blog]] &lt;span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"&gt;[[http://www.youtube.com/watch?v=gGO0R381HQs|play video for 19 Black Hawks for Osama]] &lt;/span&gt; by Chris Vaisvil
[[@http://chrisvaisvil.com/?p=855|19 Black Hawks for Osama blog]] &lt;span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"&gt;[[http://www.youtube.com/watch?v=gGO0R381HQs|play video for 19 Black Hawks for Osama]] &lt;/span&gt; by Chris Vaisvil
[[@http://chrisvaisvil.com/?p=823|Summer Song blog]] &lt;span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"&gt;[[http://micro.soonlabel.com/19-ET/daily20110501-19-summer_song_mix3.mp3|play Summer Song]] &lt;/span&gt; by Trevor (The TwoRegs) and Norm Harris and Chris Vaisvil
[[@http://chrisvaisvil.com/?p=823|Summer Song blog]] &lt;span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"&gt;[[http://micro.soonlabel.com/19-ET/daily20110501-19-summer_song_mix3.mp3|play Summer Song]] &lt;/span&gt; by Trevor (The TwoRegs) and Norm Harris and Chris Vaisvil
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For both of these there are more optimal tunings, however. The generating interval for meantone is a fifth, and the fifth of 19-et is flatter than the usual for meantone; a more accurate approximation is &lt;a class="wiki_link" href="/31edo"&gt;31 equal temperament&lt;/a&gt;. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; &lt;a class="wiki_link" href="/41edo"&gt;41 equal temperament&lt;/a&gt; more closely matches it.&lt;br /&gt;
For both of these there are more optimal tunings, however. The generating interval for meantone is a fifth, and the fifth of 19-et is flatter than the usual for meantone; a more accurate approximation is &lt;a class="wiki_link" href="/31edo"&gt;31 equal temperament&lt;/a&gt;. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; &lt;a class="wiki_link" href="/41edo"&gt;41 equal temperament&lt;/a&gt; more closely matches it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with &lt;a class="wiki_link" href="/Harmonic%20Limit"&gt;5-limit&lt;/a&gt; music in a tolerable manner, and is the fifth (after 12) Zeta function integral tuning, &lt;!-- ws:start:WikiTextUrlRule:949:http://www.research.att.com/~njas/sequences/A117538 --&gt;&lt;a class="wiki_link_ext" href="http://www.research.att.com/~njas/sequences/A117538" rel="nofollow"&gt;http://www.research.att.com/~njas/sequences/A117538&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:949 --&gt;. It is less successful with &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; (but still better than 12-et), as it eliminates the distinction between a septimal minor third (&lt;a class="wiki_link" href="/7_6"&gt;7/6&lt;/a&gt;), and a septimal whole tone (&lt;a class="wiki_link" href="/8_7"&gt;8/7&lt;/a&gt;).&lt;br /&gt;
However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with &lt;a class="wiki_link" href="/Harmonic%20Limit"&gt;5-limit&lt;/a&gt; music in a tolerable manner, and is the fifth (after 12) Zeta function integral tuning, &lt;!-- ws:start:WikiTextUrlRule:958:http://www.research.att.com/~njas/sequences/A117538 --&gt;&lt;a class="wiki_link_ext" href="http://www.research.att.com/~njas/sequences/A117538" rel="nofollow"&gt;http://www.research.att.com/~njas/sequences/A117538&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:958 --&gt;. It is less successful with &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; (but still better than 12-et), as it eliminates the distinction between a septimal minor third (&lt;a class="wiki_link" href="/7_6"&gt;7/6&lt;/a&gt;), and a septimal whole tone (&lt;a class="wiki_link" href="/8_7"&gt;8/7&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="Theory-Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Intervals&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="Theory-Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Intervals&lt;/h2&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Theory-Articles"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;Articles&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Theory-Articles"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;Articles&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/case.htm" rel="nofollow"&gt;A Case For Nineteen&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZzBtDGF" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microstick.net/nineteenarticle.htm" rel="nofollow"&gt;Nineteen for the Nineties&lt;/a&gt; by Ivor Darreg&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://qcpages.qc.edu/%7Ehowe/articles/19-Tone%20Theory.html" rel="nofollow"&gt;19-Tone Theory and Applications&lt;/a&gt; by Hubert S. Howe Jr. &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xbMKVaqa" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/tet19/guitarchords19.html" rel="nofollow"&gt;Tunings for 19 Tone Equal Tempered Guitar&lt;/a&gt; by William A. Sethares &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeCbEPZ0" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.n-ism.org/Projects/microtonalism.php" rel="nofollow"&gt;Microtonalism&lt;/a&gt; by Bailey, Morrison, Pearson and Parncutt &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeDFQDvn" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://tonalsoft.com/enc/number/19edo.aspx" rel="nofollow"&gt;19-tone equal-temperament and 1/3-comma meantone - Encyclopedia of Microtonal Music Theory&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://tonalsoft.com/enc/number/19edo.aspx" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://mtg.redkeylabs.com/index.php?topic=6.0" rel="nofollow"&gt;Forum Discussion with some 19-EDO xenharmonic scales Hanson (Keemun), Liese, Negri, Magic, Semaphore, Sensi played on guitar&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.ronsword.com/books.html" rel="nofollow"&gt;Enneadecaphonic Scales for Guitar&lt;/a&gt; by Ron Sword&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/case.htm" rel="nofollow"&gt;A Case For Nineteen&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZzBtDGF" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microstick.net/nineteenarticle.htm" rel="nofollow"&gt;Nineteen for the Nineties&lt;/a&gt; by Ivor Darreg&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://qcpages.qc.edu/%7Ehowe/articles/19-Tone%20Theory.html" rel="nofollow"&gt;19-Tone Theory and Applications&lt;/a&gt; by Hubert S. Howe Jr. &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xbMKVaqa" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/tet19/guitarchords19.html" rel="nofollow"&gt;Tunings for 19 Tone Equal Tempered Guitar&lt;/a&gt; by William A. Sethares &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeCbEPZ0" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.n-ism.org/Projects/microtonalism.php" rel="nofollow"&gt;Microtonalism&lt;/a&gt; by Bailey, Morrison, Pearson and Parncutt &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeDFQDvn" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://tonalsoft.com/enc/number/19edo.aspx" rel="nofollow"&gt;19-tone equal-temperament and 1/3-comma meantone - Encyclopedia of Microtonal Music Theory&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://tonalsoft.com/enc/number/19edo.aspx" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://mtg.redkeylabs.com/index.php?topic=6.0" rel="nofollow"&gt;Forum Discussion with some 19-EDO xenharmonic scales Hanson (Keemun), Liese, Negri, Magic, Semaphore, Sensi played on guitar&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.ronsword.com/books.html" rel="nofollow"&gt;Enneadecaphonic Scales for Guitar&lt;/a&gt; by &lt;a class="wiki_link" href="/Ron%20Sword"&gt;Ron Sword&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Theory-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;References&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Theory-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;References&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
Line 720: Line 720:
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Compositions&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Compositions&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/juggler.mp3" rel="nofollow"&gt;The Juggler&lt;/a&gt; &lt;/span&gt; by Aaron Krister Johnson&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/juggler.mp3" rel="nofollow"&gt;The Juggler&lt;/a&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Aaron%20Krister%20Johnson"&gt;Aaron Krister Johnson&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sand.html" rel="nofollow"&gt;Sand&lt;/a&gt; by Christopher Bailey&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sand.html" rel="nofollow"&gt;Sand&lt;/a&gt; by &lt;a class="wiki_link" href="/Christopher%20Bailey"&gt;Christopher Bailey&lt;/a&gt;&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"&gt;&lt;a class="wiki_link_ext" href="http://works.music.columbia.edu/%7Echris/19mix1.mp3" rel="nofollow"&gt;Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"&gt;&lt;a class="wiki_link_ext" href="http://works.music.columbia.edu/%7Echris/19mix1.mp3" rel="nofollow"&gt;Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3" rel="nofollow"&gt;Ditty&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3" rel="nofollow"&gt;Ditty&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/sympathetic.html" rel="nofollow"&gt;Sympathetic Metaphor&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3" rel="nofollow"&gt;play&lt;/a&gt; by William Sethares &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5zFdC6u4V" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/sympathetic.html" rel="nofollow"&gt;Sympathetic Metaphor&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3" rel="nofollow"&gt;play&lt;/a&gt; by &lt;a class="wiki_link" href="/William%20Sethares"&gt;William Sethares&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5zFdC6u4V" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/truthonabus.html" rel="nofollow"&gt;Truth on a bus&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3" rel="nofollow"&gt;play&lt;/a&gt; by William Sethares &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5zFdSw1g4" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/truthonabus.html" rel="nofollow"&gt;Truth on a bus&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3" rel="nofollow"&gt;play&lt;/a&gt; by William Sethares &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5zFdSw1g4" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Rondo19ET.mp3" rel="nofollow"&gt;Rondo in 19ET&lt;/a&gt; &lt;/span&gt; by Aaron Andrew Hunt&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Rondo19ET.mp3" rel="nofollow"&gt;Rondo in 19ET&lt;/a&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Aaron%20Andrew%20Hunt"&gt;Aaron Andrew Hunt&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3" rel="nofollow"&gt;Citified Notions&lt;/a&gt; by John Starrett.&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3" rel="nofollow"&gt;Citified Notions&lt;/a&gt; by &lt;a class="wiki_link" href="/John%20Starrett"&gt;John Starrett&lt;/a&gt;.&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=104038" rel="nofollow"&gt;The Light Of My Betelgeuse&lt;/a&gt; by Mykhaylo Khramov&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=104038" rel="nofollow"&gt;The Light Of My Betelgeuse&lt;/a&gt; by &lt;a class="wiki_link" href="/Mykhaylo%20Khramov"&gt;Mykhaylo Khramov&lt;/a&gt;&lt;br /&gt;
A number of compositions that were perfomed at the &lt;a class="wiki_link_ext" href="http://midwestmicrofest.org/concerts.html" rel="nofollow"&gt;midwestmicrofest concert in 2007&lt;/a&gt;&lt;br /&gt;
A number of compositions that were perfomed at the &lt;a class="wiki_link_ext" href="http://midwestmicrofest.org/concerts.html" rel="nofollow"&gt;midwestmicrofest concert in 2007&lt;/a&gt;&lt;br /&gt;
Fanfare in 19-note Equal Tuning by Easley Blackwood&lt;br /&gt;
Fanfare in 19-note Equal Tuning by Easley Blackwood&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/zvire.html" rel="nofollow"&gt;Zvíře&lt;/a&gt; by Milan Guštar&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/zvire.html" rel="nofollow"&gt;Zvíře&lt;/a&gt; by &lt;a class="wiki_link" href="/Milan%20Gu%C5%A1tar"&gt;Milan Guštar&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.ziaspace.com/ZIA/sections/music.html" rel="nofollow"&gt;19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.ziaspace.com/ZIA/sections/music.html" rel="nofollow"&gt;19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=865" rel="nofollow" target="_blank"&gt;Forgetting Even Her Beauty blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110516-19-forgetting_even_her_beauty.mp3" rel="nofollow"&gt;play Forgetting Even Her Beauty&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=865" rel="nofollow" target="_blank"&gt;Forgetting Even Her Beauty blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110516-19-forgetting_even_her_beauty.mp3" rel="nofollow"&gt;play Forgetting Even Her Beauty&lt;/a&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=855" rel="nofollow" target="_blank"&gt;19 Black Hawks for Osama blog&lt;/a&gt; &lt;span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=gGO0R381HQs" rel="nofollow"&gt;play video for 19 Black Hawks for Osama&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=855" rel="nofollow" target="_blank"&gt;19 Black Hawks for Osama blog&lt;/a&gt; &lt;span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=gGO0R381HQs" rel="nofollow"&gt;play video for 19 Black Hawks for Osama&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=823" rel="nofollow" target="_blank"&gt;Summer Song blog&lt;/a&gt; &lt;span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110501-19-summer_song_mix3.mp3" rel="nofollow"&gt;play Summer Song&lt;/a&gt; &lt;/span&gt; by Trevor (The TwoRegs) and Norm Harris and Chris Vaisvil&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=823" rel="nofollow" target="_blank"&gt;Summer Song blog&lt;/a&gt; &lt;span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110501-19-summer_song_mix3.mp3" rel="nofollow"&gt;play Summer Song&lt;/a&gt; &lt;/span&gt; by Trevor (The TwoRegs) and Norm Harris and Chris Vaisvil&lt;br /&gt;