Syntonic–chromatic equivalence continuum: Difference between revisions
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Note that if you let k=n-2 (meaning n=k+2) so that k=0 means n=2, k=-1 means n=1, etc. then the continuum corresponds to (81/80)^k = 25/24, which might be a preferred way of conceptualising it because: | Note that if you let k=n-2 (meaning n=k+2) so that k=0 means n=2, k=-1 means n=1, etc. then the continuum corresponds to (81/80)^k = 25/24, which might be a preferred way of conceptualising it because: | ||
* 25/24 is the chromatic semitone, highly notable in the 5-limit as the difference between 5/4 and 6/5, so this shifted continuum could ''also'' be termed the "syntonic-chromatic equivalence continuum". | * 25/24 is the chromatic semitone, highly notable in the 5-limit as the difference between 5/4 and 6/5, so this shifted continuum could ''also'' be termed the "syntonic-chromatic equivalence continuum". | ||
* k=1 and upwards (up to a point) represent temperaments of reasonably good accuracy as equating at least one 81/80 with 25/24 seems like a good lower bound for a temperament intended to model JI. A good upper bound might be Gravity (k=4) or at most Absurdity (k=5), with the only exception being Meantone (n = k = (unsigned) infinity) which is in a sense a simplicity that is the reverse of Dicot's as in Meantone, 81/80 is tempered and 25/24 is no longer dependent on 81/80. | * k=1 and upwards (up to a point) represent temperaments of reasonably good accuracy as equating at least one 81/80 with 25/24 seems like a good lower bound for a temperament intended to model JI. A good upper bound might be Gravity (k=4) or at most Absurdity (k=5), with the only exception being Meantone (n = k = (unsigned) infinity) which is in a sense a simplicity that is the reverse of Dicot's as in Meantone, 81/80 is tempered and 25/24 is no longer dependent on 81/80. | ||
* 25/24 is the simplest ratio to be tempered in the continuum. | * 25/24 is the simplest ratio to be tempered in the continuum. | ||