5L 3s: Difference between revisions
mNo edit summary Tags: Mobile edit Mobile web edit |
mNo edit summary Tags: Mobile edit Mobile web edit |
||
Line 470: | Line 470: | ||
|} | |} | ||
== Basic info about tunings == | |||
=== A-Team (13&18) === | |||
A-Team tunings (with generator between 5\13 and 7\18) have L/s ratios between 2/1 and 3/1. | |||
EDOs that support A-Team include [[13edo]], [[18edo]], and [[31edo]]. | |||
* 18edo can be used for a large L/s ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic), or for nearly pure 9/8 and 7/6. | |||
* 31edo can be used to make the major mos3rd a near-just 5/4. | |||
A-Team can be tuned by ear, by tuning a chain of pure harmonic sevenths and taking every other note. This corresponds to using a generator of 64/49 = 462.34819 cents. A chain of fourteen 7/4's are needed to tune the 8-note oneirotonic MOS. This produces a tuning close to 13edo. | |||
The sizes of the generator, large step and small step of oneirotonic are as follows in various A-Team tunings. | |||
{| class="wikitable right-2 right-3 right-4 right-5 right-6" | |||
|- | |||
! | |||
! [[13edo]] | |||
! [[18edo]] | |||
! [[31edo]] | |||
! 64/49 generator | |||
! [[POTE tuning]] | |||
! JI intervals represented (2.9.5.21 subgroup) | |||
|- | |||
| generator (g) | |||
| 5\13, 461.54 | |||
| 7\18, 466.67 | |||
| 12\31, 464.52 | |||
| 462.35 | |||
| 464.14 | |||
| 21/16 | |||
|- | |||
| L (3g - octave) | |||
| 2\13, 184.62 | |||
| 3\18, 200.00 | |||
| 5\31, 193.55 | |||
| 187.04 | |||
| 192.42 | |||
| 9/8, 10/9 | |||
|- | |||
| s (-5g + 2 octaves) | |||
| 1\13, 92.31 | |||
| 1\18, 66.66 | |||
| 2\31, 77.42 | |||
| 88.26 | |||
| 79.30 | |||
| 21/20 | |||
|} | |||
=== Petrtri (13&21) === | |||
Petrtri tunings (with generator between 8\21 and 5\13) have less extreme L-to-s ratios than A-Team tunings, between 3/2 and 2/1. The 8\21-to-5\13 range of oneirotonic tunings remains relatively unexplored. | |||
The three major edos in this range, [[13edo]], [[21edo]] and [[34edo]], all nominally support petrtri, but [[34edo]] is close to optimal for the temperament, with a generator only .33c flat of the optimal ([[POTE]]) petrtri generator of 459.1502c. Close-to-optimal petrtri tunings such as 34edo may be particularly useful for the Sarnathian mode, as Sarnathian in these tunings uniquely approximates four over-2 harmonics plausibly, namely 17/16, 5/4, 11/8, and 13/8. | |||
The sizes of the generator, large step and small step of oneirotonic are as follows in various petrtri tunings. | |||
{| class="wikitable right-2 right-3 right-4 right-5" | |||
|- | |||
! | |||
! [[13edo]] | |||
! [[21edo]] | |||
! [[34edo]] | |||
! [[POTE tuning]] | |||
! JI intervals represented (2.5.9.11.13.17 subgroup) | |||
|- | |||
| generator (g) | |||
| 5\13, 461.54 | |||
| 8\21, 457.14 | |||
| 13\34, 458.82 | |||
| 459.15 | |||
| 13/10, 17/13, 22/17 | |||
|- | |||
| L (3g - octave) | |||
| 2\13, 184.62 | |||
| 3\21, 171.43 | |||
| 5\34, 176.47 | |||
| 177.45 | |||
| 10/9, 11/10 | |||
|- | |||
| s (-5g + 2 octaves) | |||
| 1\13, 92.31 | |||
| 2\21, 114.29 | |||
| 3\34, 105.88 | |||
| 104.25 | |||
| 18/17, 17/16 | |||
|} | |||
Trivia: One petrtri tuning is golden oneirotonic, which uses (2-φ)*1200 cents = 458.3592135¢ as generator and has L/s = φ; it is the limit of taking generators in Fibonacci number edos 5\13, 8\21, 13\34, 21\55, 34\89,.... | |||
== Oneirotonic rank-2 temperaments == | == Oneirotonic rank-2 temperaments == | ||
The only notable harmonic entropy minimum is Vulture/[[Hemifamity_temperaments|Buzzard]], in which four generators make a 3/1 (and three generators approximate an octave plus 8/7). The rest of this region does not approximate low-complexity JI harmony well, but can be melodically interesting due to the distorted diatonic scale structure (see also [[oneirotonic]]). | The only notable harmonic entropy minimum is Vulture/[[Hemifamity_temperaments|Buzzard]], in which four generators make a 3/1 (and three generators approximate an octave plus 8/7). The rest of this region does not approximate low-complexity JI harmony well, but can be melodically interesting due to the distorted diatonic scale structure (see also [[oneirotonic]]). |