Oneirotonic: Difference between revisions
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==== MODMOSes ==== | ==== MODMOSes ==== | ||
The most important oneirotonic MODMOS is LSLLLSLS (and its rotations), because it allows one to evoke abovetonic diatonic modes where three whole steps in a row are important (Dorian, Phrygian, Lydian or Mixo) in an octatonic context. A similar logic holds for belowtonic versions of other modes. | The most important oneirotonic MODMOS is LSLLLSLS (and its rotations), because it allows one to evoke abovetonic diatonic modes where three whole steps in a row are important (Dorian, Phrygian, Lydian or Mixo) in an octatonic context. A similar logic holds for belowtonic versions of other modes. | ||
* LLLSLSLS: | * LLLSLSLS: Dylathian &4: Ana-Lydian | ||
* | * LLSLSLSL: Ilarnekian @8: (Ana-Mixolydian) | ||
* | * LSLLLSLS: Celephaisian &6: (Ana-Dorian) | ||
* | * SLLLSLSL: Kadathian #5 (Ana-Phrygian) | ||
* SLSLSLLL: | * SLSLSLLL: Sarnathian @6 (Kata-Locrian) | ||
* SLSLLLSL: | * SLSLLLSL: Sarnathian &6 (Kata-Dorian) | ||
* LSLSLLLS: | * LSLSLLLS: Mnarian &8 (Kata-Ionian) | ||
* LSLSLSLL: | * LSLSLSLL: Mnarian @6 (Kata-Aeolian) | ||
Other potentially interesting oneirotonic MODMOSes (that do not use half-sharps or half-flats) are: | Other potentially interesting oneirotonic MODMOSes (that do not use half-sharps or half-flats) are: | ||