Oneirotonic: Difference between revisions

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[[File:Oneirotonic.png|alt=Oneirotonic.png|Oneirotonic.png]]

=== Pseudo-diatonic modal theory ===

Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal and functional harmony requires a recognizable classical major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly a [[neji]] ~~approximation thereof, such as a 13neji~~).

Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal and functional harmony requires a recognizable classical major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation thereof, such as a [[neji]]).

==== Modes with sharp tritone ====

The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by perfect mosfourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian).

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 [[File:Oneirotonic.png|alt=Oneirotonic.png|Oneirotonic.png]]
 === Pseudo-diatonic modal theory ===
-Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal and functional harmony requires a recognizable classical major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly a [[neji]] approximation thereof, such as a 13neji).
+Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal and functional harmony requires a recognizable classical major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation thereof, such as a [[neji]]).
 ==== Modes with sharp tritone ====
 The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by perfect mosfourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian).