Oneirotonic: Difference between revisions
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[[File:Oneirotonic.png|alt=Oneirotonic.png|Oneirotonic.png]] | [[File:Oneirotonic.png|alt=Oneirotonic.png|Oneirotonic.png]] | ||
=== Pseudo-diatonic/maqam modal theory === | === Pseudo-diatonic/maqam modal theory === | ||
Oneirotonic is often used as distorted diatonic. Because distorted diatonic functional harmony requires a recognizable classical major third, the following theory assumes an [[A-Team]] tuning, i.e. a generator with size between 5\13 and 7\18. | Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal and functional harmony requires a recognizable classical major third, the following theory assumes an [[A-Team]] tuning, i.e. a generator with size between 5\13 and 7\18. | ||
==== Modes with sharp tritone ==== | ==== Modes with sharp tritone ==== | ||
The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian). | The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian). |