Oneirotonic: Difference between revisions
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[[File:Oneirotonic.png|alt=Oneirotonic.png|Oneirotonic.png]] | [[File:Oneirotonic.png|alt=Oneirotonic.png|Oneirotonic.png]] | ||
=== Pseudo-diatonic modal theory === | === Pseudo-diatonic modal theory === | ||
The following modal theory assumes an [[A-Team]] tuning i.e. a generator with size between 5\13 and 7\18. | The following modal theory assumes an [[A-Team]] tuning, i.e. a generator with size between 5\13 and 7\18, because distorted diatonic requires a recognizable classical major third. | ||
==== Modes with sharp tritone ==== | ==== Modes with sharp tritone ==== | ||
The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian). | The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian). | ||
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* the distorted harmonic minor LSLSLLSAS (A = aug 2nd = L + chroma) | * the distorted harmonic minor LSLSLLSAS (A = aug 2nd = L + chroma) | ||
* the distorted Freygish SASLSLLS | * the distorted Freygish SASLSLLS | ||
=== "Oneirotonic maqam" === | === "Oneirotonic maqam" === | ||