User talk:Rperlner: Difference between revisions

Line 503:

I was just doing some research on counterpoint, and it seems we need to talk to [[Wikipedia:Guerino Mazzola|Guerino Mazzola]] to try and find out what he knows about counterpoint in the microtonal realm. We should also bring up our findings on the wolf fifth to him and see what he thinks- especially the bit about the functions of the wolf fifth that we've found. I'm particularly curious to hear what he has to say about the idea that the wolf fifth with its distinct function and subtle tension as well as the options for follow up that we've found. For example, the idea of a 1/1-32/27-40/27 minor chord on the sixth scale degree of C major (root related to the Tonic by 27/26) being followed up by either G-Dominant-7 (1/1-5/4-3/2-16/9) or B-Diminished (1/1-6/5-32/27) for an increase in tension, or alternatively, F-Major (1/1-81/64-3/2) or D-Minor (1/1-32/27-3/2) for a decrease in tension. While we're at it, we should talk about Treble-Down Tonality and the effects that has on things like counterpoint. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 03:06, 6 January 2021 (UTC)

Personally I think Mazzola might be surprised to know that someone is interested not only in the [[40/27]] wolf fifth and the potential that interval offers but also in the possibilities of [[11/8]] and [[16/11]]. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 03:13, 6 January 2021 (UTC)

Personally I think Mazzola might be surprised to know that someone is interested not only in the [[40/27]] wolf fifth as a distinct musical interval and the potential that interval offers as a dissonance requiring resolution, but also in the possibilities of [[11/8]] and [[16/11]]. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 03:13, 6 January 2021 (UTC)

Revision as of 03:14, 6 January 2021 view source Aura (talk \| contribs) autopatrolled 5,920 edits No edit summary ← Older edit		Revision as of 03:14, 6 January 2021 view source Aura (talk \| contribs) autopatrolled 5,920 edits No edit summary Newer edit →
Line 503:		Line 503:
	I was just doing some research on counterpoint, and it seems we need to talk to [[Wikipedia:Guerino Mazzola\|Guerino Mazzola]] to try and find out what he knows about counterpoint in the microtonal realm. We should also bring up our findings on the wolf fifth to him and see what he thinks- especially the bit about the functions of the wolf fifth that we've found. I'm particularly curious to hear what he has to say about the idea that the wolf fifth with its distinct function and subtle tension as well as the options for follow up that we've found. For example, the idea of a 1/1-32/27-40/27 minor chord on the sixth scale degree of C major (root related to the Tonic by 27/26) being followed up by either G-Dominant-7 (1/1-5/4-3/2-16/9) or B-Diminished (1/1-6/5-32/27) for an increase in tension, or alternatively, F-Major (1/1-81/64-3/2) or D-Minor (1/1-32/27-3/2) for a decrease in tension. While we're at it, we should talk about Treble-Down Tonality and the effects that has on things like counterpoint. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 03:06, 6 January 2021 (UTC)		I was just doing some research on counterpoint, and it seems we need to talk to [[Wikipedia:Guerino Mazzola\|Guerino Mazzola]] to try and find out what he knows about counterpoint in the microtonal realm. We should also bring up our findings on the wolf fifth to him and see what he thinks- especially the bit about the functions of the wolf fifth that we've found. I'm particularly curious to hear what he has to say about the idea that the wolf fifth with its distinct function and subtle tension as well as the options for follow up that we've found. For example, the idea of a 1/1-32/27-40/27 minor chord on the sixth scale degree of C major (root related to the Tonic by 27/26) being followed up by either G-Dominant-7 (1/1-5/4-3/2-16/9) or B-Diminished (1/1-6/5-32/27) for an increase in tension, or alternatively, F-Major (1/1-81/64-3/2) or D-Minor (1/1-32/27-3/2) for a decrease in tension. While we're at it, we should talk about Treble-Down Tonality and the effects that has on things like counterpoint. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 03:06, 6 January 2021 (UTC)

	Personally I think Mazzola might be surprised to know that someone is interested not only in the [[40/27]] wolf fifth and the potential that interval offers but also in the possibilities of [[11/8]] and [[16/11]]. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 03:13, 6 January 2021 (UTC)		Personally I think Mazzola might be surprised to know that someone is interested not only in the [[40/27]] wolf fifth as a distinct musical interval and the potential that interval offers as a dissonance requiring resolution, but also in the possibilities of [[11/8]] and [[16/11]]. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 03:13, 6 January 2021 (UTC)