17edo: Difference between revisions

Wikispaces>vaisvil
**Imported revision 441269204 - Original comment: **
Wikispaces>spt3125
**Imported revision 480991088 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2013-07-13 23:12:02 UTC</tt>.<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-01-06 21:51:18 UTC</tt>.<br>
: The original revision id was <tt>441269204</tt>.<br>
: The original revision id was <tt>480991088</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=&lt;span style="color: #1300ff; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;17 tone equal temperament&lt;/span&gt;=  
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=&lt;span style="color: #1300ff; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;17 tone equal temperament&lt;/span&gt;=  
**17-EDO** divides the octave in 17 equal steps, each 70.588 [[cent|cents]] in size. It is the seventh [[prime numbers|prime]] edo, following [[13edo]] and coming before [[19edo]].
**17-EDO** divides the octave in 17 equal steps, each 70.588 [[cent|cents]] in size. It is the seventh [[prime numbers|prime]] edo, following [[13edo]] and coming before [[19edo]].
==Theory==  
==Theory==  
An introduction to 17-EDO theory, through the eyes of the [[SeventeenTonePianoProject]]: [[SeventeenTheory]].
An introduction to 17-EDO theory, through the eyes of the [[SeventeenTonePianoProject]]: [[SeventeenTheory]].
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[[17edo Solfege]]. [[17edo tetrachords]]. [[http://microtonalismo.com/proyecto-xvii|Proyect 17-Perú]]
[[17edo Solfege]]. [[17edo tetrachords]]. [[http://microtonalismo.com/proyecto-xvii|Proyect 17-Perú]]


==Rank two temperaments==
17-EDO can plausibly be treated as a 2.3.25.7.11.13 subgroup temperament, for which it is quite accurate (though the 7-limit ratios are generally not as well-represented as those of the other integers).
17-EDO can plausibly be treated as a 2.3.25.7.11.13 subgroup temperament, for which it is quite accurate (though the 7-limit ratios are generally not as well-represented as those of the other integers).


[[List of 17edo rank two temperaments by badness]]
[[List of edo-distinct 17c rank two temperaments]]
||~ Degree ||~ Cents ||~ Approximate
||~ Degree ||~ Cents ||~ Approximate
Ratios* ||~ Temperament(s)
Ratios* ||~ Temperament(s)
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|| 16 || 1129.41 ||= 25/13, 48/25, 64/33 ||  ||
|| 16 || 1129.41 ||= 25/13, 48/25, 64/33 ||  ||
|| 17 || 1200 ||= [[2_1|2/1]] ||  ||
|| 17 || 1200 ||= [[2_1|2/1]] ||  ||
[[media type="custom" key="24810186"]]
[[file:17ed2-001.svg]]


[[List of 17edo rank two temperaments by badness]]
[[List of edo-distinct 17c rank two temperaments]]


==Commas==  
==Commas==  
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* [[http://www.georghajdu.de/heptadecatonic_drops.html|Heptadecatonic Drops]] by Georg Hajdu
* [[http://www.georghajdu.de/heptadecatonic_drops.html|Heptadecatonic Drops]] by Georg Hajdu
* [[http://www.georghajdu.de/63.html?&amp;L=1%20|Klangmoraste]] by Georg Hajdu
* [[http://www.georghajdu.de/63.html?&amp;L=1%20|Klangmoraste]] by Georg Hajdu
* [[http://www.microtonalismo.com/proyecto-xvii|Charles Loli 17edo]] music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993) -
* [[http://www.microtonalismo.com/proyecto-xvii|Charles Loli 17edo]] music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993)
* [[http://microtonalismo.com/|microtonalismo]] Heptadecatonic Peruvian
* [[http://microtonalismo.com/|microtonalismo]] Heptadecatonic Peruvian


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[[image:17P1050829r.JPG]][[media type="custom" key="23473418"]]</pre></div>
[[image:17P1050829r.JPG]][[media type="custom" key="23473418"]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;17edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x17 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;&lt;span style="color: #1300ff; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;17 tone equal temperament&lt;/span&gt;&lt;/h1&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;17edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x17 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;&lt;span style="color: #1300ff; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;17 tone equal temperament&lt;/span&gt;&lt;/h1&gt;
  &lt;strong&gt;17-EDO&lt;/strong&gt; divides the octave in 17 equal steps, each 70.588 &lt;a class="wiki_link" href="/cent"&gt;cents&lt;/a&gt; in size. It is the seventh &lt;a class="wiki_link" href="/prime%20numbers"&gt;prime&lt;/a&gt; edo, following &lt;a class="wiki_link" href="/13edo"&gt;13edo&lt;/a&gt; and coming before &lt;a class="wiki_link" href="/19edo"&gt;19edo&lt;/a&gt;.&lt;br /&gt;
  &lt;strong&gt;17-EDO&lt;/strong&gt; divides the octave in 17 equal steps, each 70.588 &lt;a class="wiki_link" href="/cent"&gt;cents&lt;/a&gt; in size. It is the seventh &lt;a class="wiki_link" href="/prime%20numbers"&gt;prime&lt;/a&gt; edo, following &lt;a class="wiki_link" href="/13edo"&gt;13edo&lt;/a&gt; and coming before &lt;a class="wiki_link" href="/19edo"&gt;19edo&lt;/a&gt;.&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x17 tone equal temperament-Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;Theory&lt;/h2&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x17 tone equal temperament-Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Theory&lt;/h2&gt;
  An introduction to 17-EDO theory, through the eyes of the &lt;a class="wiki_link" href="/SeventeenTonePianoProject"&gt;SeventeenTonePianoProject&lt;/a&gt;: &lt;a class="wiki_link" href="/SeventeenTheory"&gt;SeventeenTheory&lt;/a&gt;.&lt;br /&gt;
  An introduction to 17-EDO theory, through the eyes of the &lt;a class="wiki_link" href="/SeventeenTonePianoProject"&gt;SeventeenTonePianoProject&lt;/a&gt;: &lt;a class="wiki_link" href="/SeventeenTheory"&gt;SeventeenTheory&lt;/a&gt;.&lt;br /&gt;
Another introduction into 17-EDO theory: &lt;a class="wiki_link_ext" href="http://xenharmony.wikispaces.com/space/showimage/17puzzle.pdf" rel="nofollow"&gt;The 17-tone Puzzle&lt;/a&gt; by George Secor.&lt;br /&gt;
Another introduction into 17-EDO theory: &lt;a class="wiki_link_ext" href="http://xenharmony.wikispaces.com/space/showimage/17puzzle.pdf" rel="nofollow"&gt;The 17-tone Puzzle&lt;/a&gt; by George Secor.&lt;br /&gt;
&lt;a class="wiki_link" href="/17edo%20Solfege"&gt;17edo Solfege&lt;/a&gt;. &lt;a class="wiki_link" href="/17edo%20tetrachords"&gt;17edo tetrachords&lt;/a&gt;. &lt;a class="wiki_link_ext" href="http://microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Proyect 17-Perú&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/17edo%20Solfege"&gt;17edo Solfege&lt;/a&gt;. &lt;a class="wiki_link" href="/17edo%20tetrachords"&gt;17edo tetrachords&lt;/a&gt;. &lt;a class="wiki_link_ext" href="http://microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Proyect 17-Perú&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x17 tone equal temperament-Rank two temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Rank two temperaments&lt;/h2&gt;
17-EDO can plausibly be treated as a 2.3.25.7.11.13 subgroup temperament, for which it is quite accurate (though the 7-limit ratios are generally not as well-represented as those of the other integers).&lt;br /&gt;
17-EDO can plausibly be treated as a 2.3.25.7.11.13 subgroup temperament, for which it is quite accurate (though the 7-limit ratios are generally not as well-represented as those of the other integers).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%2017edo%20rank%20two%20temperaments%20by%20badness"&gt;List of 17edo rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2017c%20rank%20two%20temperaments"&gt;List of edo-distinct 17c rank two temperaments&lt;/a&gt;&lt;br /&gt;




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&lt;/table&gt;
&lt;/table&gt;


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&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%2017edo%20rank%20two%20temperaments%20by%20badness"&gt;List of 17edo rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2017c%20rank%20two%20temperaments"&gt;List of edo-distinct 17c rank two temperaments&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x17 tone equal temperament-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Commas&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x17 tone equal temperament-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Commas&lt;/h2&gt;
  17 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 17 27 39 48 59 63 |, cent values ​​rounded to 5 digits.)&lt;br /&gt;
  17 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 17 27 39 48 59 63 |, cent values ​​rounded to 5 digits.)&lt;br /&gt;


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Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.&lt;br /&gt;
Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="x17 tone equal temperament-Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;Scales&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x17 tone equal temperament-Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Scales&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Otonal%2017"&gt;Otonal 17&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Blues Peruvian 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/17edo%20neutral%20scale"&gt;17edo neutral scale&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Scorp"&gt;Scorp&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOS%20scales%20of%2017edo"&gt;MOS scales of 17edo&lt;/a&gt; (horograms)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Otonal%2017"&gt;Otonal 17&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Blues Peruvian 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/17edo%20neutral%20scale"&gt;17edo neutral scale&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Scorp"&gt;Scorp&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOS%20scales%20of%2017edo"&gt;MOS scales of 17edo&lt;/a&gt; (horograms)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x17 tone equal temperament-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;Compositions&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="x17 tone equal temperament-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Compositions&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/PreludeIn17tet.pdf" rel="nofollow"&gt;Prelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/heptadecatonic_drops.html" rel="nofollow"&gt;Heptadecatonic Drops&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/63.html?&amp;amp;L=1%20" rel="nofollow"&gt;Klangmoraste&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Charles Loli 17edo&lt;/a&gt; music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993) -&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com/" rel="nofollow"&gt;microtonalismo&lt;/a&gt; Heptadecatonic Peruvian&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/PreludeIn17tet.pdf" rel="nofollow"&gt;Prelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/heptadecatonic_drops.html" rel="nofollow"&gt;Heptadecatonic Drops&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/63.html?&amp;amp;L=1%20" rel="nofollow"&gt;Klangmoraste&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Charles Loli 17edo&lt;/a&gt; music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com/" rel="nofollow"&gt;microtonalismo&lt;/a&gt; Heptadecatonic Peruvian&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="x17 tone equal temperament-Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Music&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x17 tone equal temperament-Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Music&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/adagio_for_margo.mp3" rel="nofollow"&gt;Adagio for Margo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.akjmusic.com/" rel="nofollow"&gt;Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-cd2c0c4934993e036385ed158d0617c4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://home.comcast.net/~teamouse/Transformation.mp3" rel="nofollow"&gt;Transformation&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/" rel="nofollow"&gt;Herman Miller&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c31e19054d7ac007c7b9b339babdd228"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17tet/17waltz.mp3" rel="nofollow"&gt;Waltz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-817b931db5b9d03733d0439eb4c5b365"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3" rel="nofollow"&gt;Lostfound&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;excerpt from &lt;span class="ymp-btn-page-play ymp-media-2de29bc81b3c87ba3015583ebe32228c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/~chris/sounds/balladei_exc.mp3" rel="nofollow"&gt;Balladei&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; (in 17, 29 and 12) by &lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/" rel="nofollow"&gt;Christopher Bailey&lt;/a&gt; , CD available &lt;a class="wiki_link_ext" href="http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&amp;amp;s=music&amp;amp;qid=1184598550&amp;amp;sr=1-19" rel="nofollow"&gt;here&lt;/a&gt; .&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-60b300d674b6179dec2e49769bcd92d2"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/17ET.mp3" rel="nofollow"&gt;Two-Part Invention in 17ET&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Aaron Andrew Hunt&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3" rel="nofollow"&gt;Overture to A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3" rel="nofollow"&gt;Fairy Lullaby from A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3" rel="nofollow"&gt;A Calamitous Simultaneity&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones (17edo and 22edo)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3" rel="nofollow"&gt;First Impressions&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3" rel="nofollow" target="_blank"&gt;I Insist&lt;/a&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no1 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; and &lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no2 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; Jon Lyle Smith&lt;/li&gt;&lt;li&gt;A number of compositions from &lt;a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"&gt;seventeen-tone piano project phase I&lt;/a&gt; , &lt;a class="wiki_link" href="/SeventeenTPPPhaseTwo"&gt;seventeen-tone piano project phase II&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseThree"&gt;seventeen-tone piano project phase III&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/search.php?query=subject%3A%2217-edo%22" rel="nofollow"&gt;17edo&lt;/a&gt; - 17edo-tagged compositions on www.archive.org&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839072" rel="nofollow"&gt;sing a blue&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839073" rel="nofollow"&gt;stringfinger it everybean&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839069" rel="nofollow"&gt;cat feet belly&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c1117aea0d7479a1907922962588a201"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=a9N_T6LNDaE" rel="nofollow"&gt;17 Tone Jam&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Marmalade Man&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/results?search_query=17edo&amp;amp;search=tag" rel="nofollow"&gt;youtube videos tagged with 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=784" rel="nofollow" target="_blank"&gt;On the Shores of the Dead Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-58c0d564107bea8b718066b4a846e9a4"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=D39MVFhb0Ho" rel="nofollow"&gt;video of On the Shores of the Dead Sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=466" rel="nofollow" target="_blank"&gt;Only in Disneyland 17 blog&lt;/a&gt; edo guitar solo &lt;span class="ymp-btn-page-play ymp-media-ed57956200d2220e2dd400299c6c9d82"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3" rel="nofollow"&gt;play Only in Disneyland&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=460" rel="nofollow" target="_blank"&gt;17 Reasons I Hate the Blues blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b9bb77ee97249899bce1c2e34b7ca029"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3" rel="nofollow"&gt;play 17 Reasons I Hate the Blues&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=422" rel="nofollow" target="_blank"&gt;Klingon Opera Overture blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-1270ddd333612c93cd386aaa93b59aba"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3" rel="nofollow"&gt;play Klingon Opera Overture&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=298" rel="nofollow" target="_blank"&gt;Seventeen Selfless Notes blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-835371d8b0e3022bd14b58e3c0a6175a"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028selfless.mp3" rel="nofollow"&gt;play Seventeen Selfless Notes&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=76" rel="nofollow" target="_blank"&gt;17ET Jazz blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b4292082727ce51de4e72ce8e860e140"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3" rel="nofollow"&gt;play 17et Jazz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil (60 x 60 winner)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=742" rel="nofollow"&gt;17 Pink Tuxedos blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-20284c23c4ce5614c44285891a72b2b9"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3" rel="nofollow"&gt;play 17 Pink Tuxedos&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=706" rel="nofollow"&gt;Devil in the Deep Blue Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-2b49237889b140316b82293bc4e5743c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3" rel="nofollow"&gt;play Devil in the Deep Blue sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=585" rel="nofollow"&gt;Seventeen Years in the Sixties blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-e59982cb3a388488ca0ccb733e7439e7"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3" rel="nofollow"&gt;play Seventeen Years in the Sixties&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=699" rel="nofollow" target="_blank"&gt;CT Scan blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-6c6c5ec192c22569d28c8dd09467c623"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=ZEEuytYwtbo" rel="nofollow"&gt;play video CT Scan&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=470" rel="nofollow"&gt;Fish and a Grenade blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-d882886a0b66279c7c3aa180aacb7339"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3" rel="nofollow"&gt;play Fish and a Grenade&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; (parental advisory language) by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=550" rel="nofollow" target="_blank"&gt;Seventeen Unsteady Hands blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-0623ec5592a422ce10eddb210d094b60"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=rAKHCqBNhfc" rel="nofollow"&gt;play video of performance of Seventeen Unsteady Hands&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=38" rel="nofollow"&gt;The Pond blog&lt;/a&gt; by Chris Vaisvil and &lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=25sC3_uheyA" rel="nofollow" target="_blank"&gt;video version of The Pond with Japanese Garden &lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=305" rel="nofollow" target="_blank"&gt;Graveyard blog&lt;/a&gt; &lt;/span&gt;&lt;span class="ymp-btn-page-play ymp-media-7a8cb8e49c18c67a2ea8b60d80c25b21"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3" rel="nofollow"&gt;play Graveyard&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-e13a9b281483c4b0a10ba321bb7cc2b4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3" rel="nofollow"&gt;For Brass and Voice Choirs in 17 edo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil &lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1039" rel="nofollow" target="_blank"&gt;more on the composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3" rel="nofollow"&gt;And I Became One With My Per Fungi&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1439" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3" rel="nofollow"&gt;counterintuitive (17 edo guitar solo)&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1427" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/adagio_for_margo.mp3" rel="nofollow"&gt;Adagio for Margo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.akjmusic.com/" rel="nofollow"&gt;Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-cd2c0c4934993e036385ed158d0617c4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://home.comcast.net/~teamouse/Transformation.mp3" rel="nofollow"&gt;Transformation&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/" rel="nofollow"&gt;Herman Miller&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c31e19054d7ac007c7b9b339babdd228"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17tet/17waltz.mp3" rel="nofollow"&gt;Waltz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-817b931db5b9d03733d0439eb4c5b365"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3" rel="nofollow"&gt;Lostfound&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;excerpt from &lt;span class="ymp-btn-page-play ymp-media-2de29bc81b3c87ba3015583ebe32228c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/~chris/sounds/balladei_exc.mp3" rel="nofollow"&gt;Balladei&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; (in 17, 29 and 12) by &lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/" rel="nofollow"&gt;Christopher Bailey&lt;/a&gt; , CD available &lt;a class="wiki_link_ext" href="http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&amp;amp;s=music&amp;amp;qid=1184598550&amp;amp;sr=1-19" rel="nofollow"&gt;here&lt;/a&gt; .&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-60b300d674b6179dec2e49769bcd92d2"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/17ET.mp3" rel="nofollow"&gt;Two-Part Invention in 17ET&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Aaron Andrew Hunt&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3" rel="nofollow"&gt;Overture to A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3" rel="nofollow"&gt;Fairy Lullaby from A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3" rel="nofollow"&gt;A Calamitous Simultaneity&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones (17edo and 22edo)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3" rel="nofollow"&gt;First Impressions&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3" rel="nofollow" target="_blank"&gt;I Insist&lt;/a&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no1 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; and &lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no2 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; Jon Lyle Smith&lt;/li&gt;&lt;li&gt;A number of compositions from &lt;a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"&gt;seventeen-tone piano project phase I&lt;/a&gt; , &lt;a class="wiki_link" href="/SeventeenTPPPhaseTwo"&gt;seventeen-tone piano project phase II&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseThree"&gt;seventeen-tone piano project phase III&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/search.php?query=subject%3A%2217-edo%22" rel="nofollow"&gt;17edo&lt;/a&gt; - 17edo-tagged compositions on www.archive.org&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839072" rel="nofollow"&gt;sing a blue&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839073" rel="nofollow"&gt;stringfinger it everybean&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839069" rel="nofollow"&gt;cat feet belly&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c1117aea0d7479a1907922962588a201"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=a9N_T6LNDaE" rel="nofollow"&gt;17 Tone Jam&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Marmalade Man&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/results?search_query=17edo&amp;amp;search=tag" rel="nofollow"&gt;youtube videos tagged with 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=784" rel="nofollow" target="_blank"&gt;On the Shores of the Dead Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-58c0d564107bea8b718066b4a846e9a4"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=D39MVFhb0Ho" rel="nofollow"&gt;video of On the Shores of the Dead Sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=466" rel="nofollow" target="_blank"&gt;Only in Disneyland 17 blog&lt;/a&gt; edo guitar solo &lt;span class="ymp-btn-page-play ymp-media-ed57956200d2220e2dd400299c6c9d82"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3" rel="nofollow"&gt;play Only in Disneyland&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=460" rel="nofollow" target="_blank"&gt;17 Reasons I Hate the Blues blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b9bb77ee97249899bce1c2e34b7ca029"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3" rel="nofollow"&gt;play 17 Reasons I Hate the Blues&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=422" rel="nofollow" target="_blank"&gt;Klingon Opera Overture blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-1270ddd333612c93cd386aaa93b59aba"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3" rel="nofollow"&gt;play Klingon Opera Overture&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=298" rel="nofollow" target="_blank"&gt;Seventeen Selfless Notes blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-835371d8b0e3022bd14b58e3c0a6175a"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028selfless.mp3" rel="nofollow"&gt;play Seventeen Selfless Notes&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=76" rel="nofollow" target="_blank"&gt;17ET Jazz blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b4292082727ce51de4e72ce8e860e140"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3" rel="nofollow"&gt;play 17et Jazz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil (60 x 60 winner)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=742" rel="nofollow"&gt;17 Pink Tuxedos blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-20284c23c4ce5614c44285891a72b2b9"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3" rel="nofollow"&gt;play 17 Pink Tuxedos&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=706" rel="nofollow"&gt;Devil in the Deep Blue Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-2b49237889b140316b82293bc4e5743c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3" rel="nofollow"&gt;play Devil in the Deep Blue sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=585" rel="nofollow"&gt;Seventeen Years in the Sixties blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-e59982cb3a388488ca0ccb733e7439e7"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3" rel="nofollow"&gt;play Seventeen Years in the Sixties&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=699" rel="nofollow" target="_blank"&gt;CT Scan blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-6c6c5ec192c22569d28c8dd09467c623"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=ZEEuytYwtbo" rel="nofollow"&gt;play video CT Scan&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=470" rel="nofollow"&gt;Fish and a Grenade blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-d882886a0b66279c7c3aa180aacb7339"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3" rel="nofollow"&gt;play Fish and a Grenade&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; (parental advisory language) by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=550" rel="nofollow" target="_blank"&gt;Seventeen Unsteady Hands blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-0623ec5592a422ce10eddb210d094b60"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=rAKHCqBNhfc" rel="nofollow"&gt;play video of performance of Seventeen Unsteady Hands&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=38" rel="nofollow"&gt;The Pond blog&lt;/a&gt; by Chris Vaisvil and &lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=25sC3_uheyA" rel="nofollow" target="_blank"&gt;video version of The Pond with Japanese Garden &lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=305" rel="nofollow" target="_blank"&gt;Graveyard blog&lt;/a&gt; &lt;/span&gt;&lt;span class="ymp-btn-page-play ymp-media-7a8cb8e49c18c67a2ea8b60d80c25b21"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3" rel="nofollow"&gt;play Graveyard&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-e13a9b281483c4b0a10ba321bb7cc2b4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3" rel="nofollow"&gt;For Brass and Voice Choirs in 17 edo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil &lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1039" rel="nofollow" target="_blank"&gt;more on the composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3" rel="nofollow"&gt;And I Became One With My Per Fungi&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1439" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3" rel="nofollow"&gt;counterintuitive (17 edo guitar solo)&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1427" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="x17 tone equal temperament-Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;Instruments&lt;/h2&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="x17 tone equal temperament-Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Instruments&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:17:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc8"&gt;&lt;a name="x17 tone equal temperament-Instruments--Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:17 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
  &lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc7"&gt;&lt;a name="x17 tone equal temperament-Instruments--Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:19:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc9"&gt;&lt;!-- ws:end:WikiTextHeadingRule:19 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:516:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 249px; width: 706px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg" alt="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" title="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" style="height: 249px; width: 706px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:516 --&gt;&lt;/h4&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc8"&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:515:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 249px; width: 706px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg" alt="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" title="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" style="height: 249px; width: 706px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:515 --&gt;&lt;/h4&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:21:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc10"&gt;&lt;a name="x17 tone equal temperament-Instruments--Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:21 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc9"&gt;&lt;a name="x17 tone equal temperament-Instruments--Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:23:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc11"&gt;&lt;!-- ws:end:WikiTextHeadingRule:23 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:517:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 256px; width: 689px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg" alt="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" title="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" style="height: 256px; width: 689px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:517 --&gt;&lt;/h4&gt;
&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc10"&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:516:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 256px; width: 689px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg" alt="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" title="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" style="height: 256px; width: 689px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:516 --&gt;&lt;/h4&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=436" rel="nofollow" target="_blank"&gt;17 note per octave conversion from a &amp;quot;standard&amp;quot; stratocastor copy&lt;/a&gt; - conversion by Brad Smith&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=436" rel="nofollow" target="_blank"&gt;17 note per octave conversion from a &amp;quot;standard&amp;quot; stratocastor copy&lt;/a&gt; - conversion by Brad Smith&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
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