17edo: Difference between revisions

Wikispaces>JosephRuhf
**Imported revision 601337020 - Original comment: **
Wikispaces>TallKite
**Imported revision 602051052 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-12-04 12:20:27 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-12-13 06:30:50 UTC</tt>.<br>
: The original revision id was <tt>601337020</tt>.<br>
: The original revision id was <tt>602051052</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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As a no-fives system, it is best used with timbres in which harmonic multiples of 5 are attenuated or absent. Also, the standard major chord (4:5:6) cannot be used since it includes the fifth harmonic.
As a no-fives system, it is best used with timbres in which harmonic multiples of 5 are attenuated or absent. Also, the standard major chord (4:5:6) cannot be used since it includes the fifth harmonic.


Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the famous [[https://en.wikipedia.org/wiki/Mu_chord|mu major chord]] of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for exmaple, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10.
Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the famous [[https://en.wikipedia.org/wiki/Mu_chord|mu major chord]] of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for example, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10.


=Intervals=  
=Intervals=  
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Sub Octave || maj 7th || M7 ||= B || 1129.41, 1355.29 ||= 25/13, 48/25, 64/33 ||  ||
Sub Octave || maj 7th || M7 ||= B || 1129.41, 1355.29 ||= 25/13, 48/25, 64/33 ||  ||
|| 17 || Perfect Octave || octave || P8 ||= C || 1200, 1440 ||= [[2_1|2/1]] ||  ||
|| 17 || Perfect Octave || octave || P8 ||= C || 1200, 1440 ||= [[2_1|2/1]] ||  ||
=Chord Names=
Ups and down notation can be used to name 17edo chords:
0-4-7-10 = C Eb F G = Cm(11) = C minor add eleven (approximates 6:7:8:9)
0-3-6-10 = C D E G = C(9) = C add nine (approximates 1/(6:7:8:9) = 1/1 - 9/8 - 9/7 - 3/2)
0-3-7-10 = C D F G = C4(9) = C four add nine
0-2-7-10 = C Dv F G = C4(v9) = C four add down-nine (approximates 12:13:16:18)
0-3-8-10 = C D F^ G = C.^4(9) = C up-four add nine (approximates 8:9:11:12)
0-4-10 = C Eb G = Cm = C minor
0-5-10 = C Ev G = C~ = C mid
0-6-10 = C E G = C = C major
0-4-9 = C Eb Gv = Cm(v5) = C minor down-five
0-5-9 = C Ev G = C~(v5) = C mid down-five
0-6-11 = C E G^ = C(^5) = C up-five
0-4-10-14 = C Eb G Bb = Cm7 = C minor seven
0-5-10-14 = C Ev G Bb = C7(~3) = C seven mid-three
0-6-10-15 = C E G Bv = C(~7) = C mid seven
0-5-10-15 = C Ev G Bv = C.~7 = C dot mid seven
For a more complete list, see [[xenharmonic/Ups and Downs Notation#Chord%20names%20in%20other%20EDOs|Ups and Downs Notation - Chord names in other EDOs]].


==Selected just intervals by error==  
==Selected just intervals by error==  
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&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x17 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;&lt;span style="color: #1300ff;"&gt;17 tone equal temperament&lt;/span&gt;&lt;/h1&gt;
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&lt;!-- ws:end:WikiTextTocRule:43 --&gt;&lt;!-- ws:start:WikiTextTocRule:44: --&gt;&lt;div style="margin-left: 4em;"&gt;&lt;a href="#Instruments---Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:42 --&gt;&lt;!-- ws:start:WikiTextTocRule:43: --&gt;&lt;div style="margin-left: 4em;"&gt;&lt;a href="#Instruments---Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:45 --&gt;&lt;!-- ws:start:WikiTextTocRule:46: --&gt;&lt;div style="margin-left: 4em;"&gt;&lt;a href="#Instruments---Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:45 --&gt;&lt;strong&gt;17-EDO&lt;/strong&gt; divides the octave in 17 equal steps, each 70.588 &lt;a class="wiki_link" href="/cent"&gt;cents&lt;/a&gt; in size. It is the seventh &lt;a class="wiki_link" href="/prime%20numbers"&gt;prime&lt;/a&gt; edo, following &lt;a class="wiki_link" href="/13edo"&gt;13edo&lt;/a&gt; and coming before &lt;a class="wiki_link" href="/19edo"&gt;19edo&lt;/a&gt;.&lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:47 --&gt;&lt;!-- ws:start:WikiTextTocRule:48: --&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:48 --&gt;&lt;strong&gt;17-EDO&lt;/strong&gt; divides the octave in 17 equal steps, each 70.588 &lt;a class="wiki_link" href="/cent"&gt;cents&lt;/a&gt; in size. It is the seventh &lt;a class="wiki_link" href="/prime%20numbers"&gt;prime&lt;/a&gt; edo, following &lt;a class="wiki_link" href="/13edo"&gt;13edo&lt;/a&gt; and coming before &lt;a class="wiki_link" href="/19edo"&gt;19edo&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x17 tone equal temperament-Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Theory&lt;/h2&gt;
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As a no-fives system, it is best used with timbres in which harmonic multiples of 5 are attenuated or absent. Also, the standard major chord (4:5:6) cannot be used since it includes the fifth harmonic.&lt;br /&gt;
As a no-fives system, it is best used with timbres in which harmonic multiples of 5 are attenuated or absent. Also, the standard major chord (4:5:6) cannot be used since it includes the fifth harmonic.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the famous &lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Mu_chord" rel="nofollow"&gt;mu major chord&lt;/a&gt; of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for exmaple, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10.&lt;br /&gt;
Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the famous &lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Mu_chord" rel="nofollow"&gt;mu major chord&lt;/a&gt; of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for example, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="Intervals-Selected just intervals by error"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Selected just intervals by error&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Chord Names"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Chord Names&lt;/h1&gt;
Ups and down notation can be used to name 17edo chords:&lt;br /&gt;
&lt;br /&gt;
0-4-7-10 = C Eb F G = Cm(11) = C minor add eleven (approximates 6:7:8:9)&lt;br /&gt;
0-3-6-10 = C D E G = C(9) = C add nine (approximates 1/(6:7:8:9) = 1/1 - 9/8 - 9/7 - 3/2)&lt;br /&gt;
0-3-7-10 = C D F G = C4(9) = C four add nine&lt;br /&gt;
0-2-7-10 = C Dv F G = C4(v9) = C four add down-nine (approximates 12:13:16:18) &lt;br /&gt;
0-3-8-10 = C D F^ G = C.^4(9) = C up-four add nine (approximates 8:9:11:12)&lt;br /&gt;
&lt;br /&gt;
0-4-10 = C Eb G = Cm = C minor&lt;br /&gt;
0-5-10 = C Ev G = C~ = C mid&lt;br /&gt;
0-6-10 = C E G = C = C major&lt;br /&gt;
&lt;br /&gt;
0-4-9 = C Eb Gv = Cm(v5) = C minor down-five&lt;br /&gt;
0-5-9 = C Ev G = C~(v5) = C mid down-five&lt;br /&gt;
0-6-11 = C E G^ = C(^5) = C up-five&lt;br /&gt;
&lt;br /&gt;
0-4-10-14 = C Eb G Bb = Cm7 = C minor seven&lt;br /&gt;
0-5-10-14 = C Ev G Bb = C7(~3) = C seven mid-three&lt;br /&gt;
0-6-10-15 = C E G Bv = C(~7) = C mid seven&lt;br /&gt;
0-5-10-15 = C Ev G Bv = C.~7 = C dot mid seven&lt;br /&gt;
&lt;br /&gt;
For a more complete list, see &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation#Chord%20names%20in%20other%20EDOs"&gt;Ups and Downs Notation - Chord names in other EDOs&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Chord Names-Selected just intervals by error"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Selected just intervals by error&lt;/h2&gt;
  The following table shows how &lt;a class="wiki_link" href="/Just-24"&gt;some prominent just intervals&lt;/a&gt; are represented in 17edo (ordered by absolute error).&lt;br /&gt;
  The following table shows how &lt;a class="wiki_link" href="/Just-24"&gt;some prominent just intervals&lt;/a&gt; are represented in 17edo (ordered by absolute error).&lt;br /&gt;


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&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc4"&gt;&lt;a name="Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Commas&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc5"&gt;&lt;a name="Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Commas&lt;/h1&gt;
  17 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 17 27 39 48 59 63/1 |, cent values ​​rounded to 5 digits.)&lt;br /&gt;
  17 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 17 27 39 48 59 63/1 |, cent values ​​rounded to 5 digits.)&lt;br /&gt;


Line 942: Line 991:
Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.&lt;br /&gt;
Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.&lt;br /&gt;
&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc5"&gt;&lt;a name="Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Scales&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Scales&lt;/h1&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Otonal%2017"&gt;Otonal 17&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Blues Peruvian 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/17edo%20neutral%20scale"&gt;17edo neutral scale&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Scorp"&gt;Scorp&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Screamapillar"&gt;Screamapillar&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Hydra"&gt;Hydra&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOS%20scales%20of%2017edo"&gt;MOS scales of 17edo&lt;/a&gt; (horograms)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Otonal%2017"&gt;Otonal 17&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Blues Peruvian 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/17edo%20neutral%20scale"&gt;17edo neutral scale&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Scorp"&gt;Scorp&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Screamapillar"&gt;Screamapillar&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Hydra"&gt;Hydra&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOS%20scales%20of%2017edo"&gt;MOS scales of 17edo&lt;/a&gt; (horograms)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%2017edo%20rank%20two%20temperaments%20by%20badness"&gt;List of 17edo rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%2017edo%20rank%20two%20temperaments%20by%20badness"&gt;List of 17edo rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2017c%20rank%20two%20temperaments"&gt;List of edo-distinct 17c rank two temperaments&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2017c%20rank%20two%20temperaments"&gt;List of edo-distinct 17c rank two temperaments&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Music&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Music&lt;/h1&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Music-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Compositions&lt;/h2&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Music-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Compositions&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/PreludeIn17tet.pdf" rel="nofollow"&gt;Prelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/heptadecatonic_drops.html" rel="nofollow"&gt;Heptadecatonic Drops&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/63.html?&amp;amp;L=1%20" rel="nofollow"&gt;Klangmoraste&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Charles Loli 17edo&lt;/a&gt; music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com/" rel="nofollow"&gt;microtonalismo&lt;/a&gt; Heptadecatonic Peruvian&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/PreludeIn17tet.pdf" rel="nofollow"&gt;Prelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/heptadecatonic_drops.html" rel="nofollow"&gt;Heptadecatonic Drops&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/63.html?&amp;amp;L=1%20" rel="nofollow"&gt;Klangmoraste&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Charles Loli 17edo&lt;/a&gt; music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com/" rel="nofollow"&gt;microtonalismo&lt;/a&gt; Heptadecatonic Peruvian&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Music-Sound files"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Sound files&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="Music-Sound files"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Sound files&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/shanidar-cave-17-edo/" rel="nofollow"&gt;Shanidar Cave&lt;/a&gt; is a piece in 17 edo that features an electric 17 edo guitar and what is essentially an electric tanpura which ends up making this a sort of fusion of middle eastern and Indian music in a sense. by&lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Chris%20Vaisvil" target="_blank"&gt; Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/aaron-krister-johnson/puhlops-and-lauguas-big-adventure" rel="nofollow"&gt;Puhlops and Laugua's Big Adventure&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.untwelve.org/board" rel="nofollow"&gt;|Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/aaron-krister-johnson/adagio-for-margo" rel="nofollow"&gt;Adagio for Margo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.untwelve.org/board" rel="nofollow"&gt;Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-cd2c0c4934993e036385ed158d0617c4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://home.comcast.net/~teamouse/Transformation.mp3" rel="nofollow"&gt;Transformation&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/" rel="nofollow"&gt;Herman Miller&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c31e19054d7ac007c7b9b339babdd228"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17tet/17waltz.mp3" rel="nofollow"&gt;Waltz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-817b931db5b9d03733d0439eb4c5b365"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3" rel="nofollow"&gt;Lostfound&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;excerpt from &lt;span class="ymp-btn-page-play ymp-media-2de29bc81b3c87ba3015583ebe32228c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/~chris/sounds/balladei_exc.mp3" rel="nofollow"&gt;Balladei&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; (in 17, 29 and 12) by &lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/" rel="nofollow"&gt;Christopher Bailey&lt;/a&gt; , CD available &lt;a class="wiki_link_ext" href="http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&amp;amp;s=music&amp;amp;qid=1184598550&amp;amp;sr=1-19" rel="nofollow"&gt;here&lt;/a&gt; .&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-60b300d674b6179dec2e49769bcd92d2"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/17ET.mp3" rel="nofollow"&gt;Two-Part Invention in 17ET&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Aaron Andrew Hunt&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3" rel="nofollow"&gt;Overture to A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3" rel="nofollow"&gt;Fairy Lullaby from A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3" rel="nofollow"&gt;A Calamitous Simultaneity&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones (17edo and 22edo)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3" rel="nofollow"&gt;First Impressions&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3" rel="nofollow" target="_blank"&gt;I Insist&lt;/a&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no1 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; and &lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no2 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; Jon Lyle Smith&lt;/li&gt;&lt;li&gt;A number of compositions from &lt;a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"&gt;seventeen-tone piano project phase I&lt;/a&gt; , &lt;a class="wiki_link" href="/SeventeenTPPPhaseTwo"&gt;seventeen-tone piano project phase II&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseThree"&gt;seventeen-tone piano project phase III&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/search.php?query=subject%3A%2217-edo%22" rel="nofollow"&gt;17edo&lt;/a&gt; - 17edo-tagged compositions on www.archive.org&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839072" rel="nofollow"&gt;sing a blue&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839073" rel="nofollow"&gt;stringfinger it everybean&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839069" rel="nofollow"&gt;cat feet belly&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c1117aea0d7479a1907922962588a201"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=a9N_T6LNDaE" rel="nofollow"&gt;17 Tone Jam&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Marmalade Man&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/results?search_query=17edo&amp;amp;search=tag" rel="nofollow"&gt;youtube videos tagged with 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=784" rel="nofollow" target="_blank"&gt;On the Shores of the Dead Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-58c0d564107bea8b718066b4a846e9a4"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=D39MVFhb0Ho" rel="nofollow"&gt;video of On the Shores of the Dead Sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=466" rel="nofollow" target="_blank"&gt;Only in Disneyland 17 blog&lt;/a&gt; edo guitar solo &lt;span class="ymp-btn-page-play ymp-media-ed57956200d2220e2dd400299c6c9d82"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3" rel="nofollow"&gt;play Only in Disneyland&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=460" rel="nofollow" target="_blank"&gt;17 Reasons I Hate the Blues blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b9bb77ee97249899bce1c2e34b7ca029"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3" rel="nofollow"&gt;play 17 Reasons I Hate the Blues&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=422" rel="nofollow" target="_blank"&gt;Klingon Opera Overture blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-1270ddd333612c93cd386aaa93b59aba"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3" rel="nofollow"&gt;play Klingon Opera Overture&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=298" rel="nofollow" target="_blank"&gt;Seventeen Selfless Notes blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-835371d8b0e3022bd14b58e3c0a6175a"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028selfless.mp3" rel="nofollow"&gt;play Seventeen Selfless Notes&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=76" rel="nofollow" target="_blank"&gt;17ET Jazz blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b4292082727ce51de4e72ce8e860e140"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3" rel="nofollow"&gt;play 17et Jazz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by&lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt; Chris Vaisvil&lt;/a&gt; (60 x 60 winner)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=742" rel="nofollow"&gt;17 Pink Tuxedos blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-20284c23c4ce5614c44285891a72b2b9"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3" rel="nofollow"&gt;play 17 Pink Tuxedos&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=706" rel="nofollow"&gt;Devil in the Deep Blue Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-2b49237889b140316b82293bc4e5743c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3" rel="nofollow"&gt;play Devil in the Deep Blue sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=585" rel="nofollow"&gt;Seventeen Years in the Sixties blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-e59982cb3a388488ca0ccb733e7439e7"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3" rel="nofollow"&gt;play Seventeen Years in the Sixties&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=699" rel="nofollow" target="_blank"&gt;CT Scan blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-6c6c5ec192c22569d28c8dd09467c623"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=ZEEuytYwtbo" rel="nofollow"&gt;play video CT Scan&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=470" rel="nofollow"&gt;Fish and a Grenade blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-d882886a0b66279c7c3aa180aacb7339"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3" rel="nofollow"&gt;play Fish and a Grenade&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; (parental advisory language) by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=550" rel="nofollow" target="_blank"&gt;Seventeen Unsteady Hands blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-0623ec5592a422ce10eddb210d094b60"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=rAKHCqBNhfc" rel="nofollow"&gt;play video of performance of Seventeen Unsteady Hands&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=38" rel="nofollow"&gt;The Pond blog&lt;/a&gt; by Chris Vaisvil and &lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=25sC3_uheyA" rel="nofollow" target="_blank"&gt;video version of The Pond with Japanese Garden &lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=305" rel="nofollow" target="_blank"&gt;Graveyard blog&lt;/a&gt; &lt;/span&gt;&lt;span class="ymp-btn-page-play ymp-media-7a8cb8e49c18c67a2ea8b60d80c25b21"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3" rel="nofollow"&gt;play Graveyard&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-e13a9b281483c4b0a10ba321bb7cc2b4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3" rel="nofollow"&gt;For Brass and Voice Choirs in 17 edo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil &lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1039" rel="nofollow" target="_blank"&gt;more on the composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3" rel="nofollow"&gt;And I Became One With My Per Fungi&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1439" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3" rel="nofollow"&gt;counterintuitive (17 edo guitar solo)&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1427" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Sanchez/No_Love_by_Gregory_Sanchez_1_on_SoundCloud___Hear_the_world_s_sounds.mp3" rel="nofollow"&gt;No Love&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/gregory-sanchez-2/no-love" rel="nofollow"&gt;Gregory Sanchez&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://webzoom.freewebs.com/ralphjarzombek/micro7(17tet).mp3" rel="nofollow"&gt;Micro7&lt;/a&gt; by Ralph Jarzombek&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/20161125_linn_speactral_17.MP3" rel="nofollow"&gt;Flying Into O'Hare&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/shanidar-cave-17-edo/" rel="nofollow"&gt;Shanidar Cave&lt;/a&gt; is a piece in 17 edo that features an electric 17 edo guitar and what is essentially an electric tanpura which ends up making this a sort of fusion of middle eastern and Indian music in a sense. by&lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Chris%20Vaisvil" target="_blank"&gt; Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/aaron-krister-johnson/puhlops-and-lauguas-big-adventure" rel="nofollow"&gt;Puhlops and Laugua's Big Adventure&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.untwelve.org/board" rel="nofollow"&gt;|Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/aaron-krister-johnson/adagio-for-margo" rel="nofollow"&gt;Adagio for Margo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.untwelve.org/board" rel="nofollow"&gt;Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-cd2c0c4934993e036385ed158d0617c4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://home.comcast.net/~teamouse/Transformation.mp3" rel="nofollow"&gt;Transformation&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/" rel="nofollow"&gt;Herman Miller&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c31e19054d7ac007c7b9b339babdd228"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17tet/17waltz.mp3" rel="nofollow"&gt;Waltz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-817b931db5b9d03733d0439eb4c5b365"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3" rel="nofollow"&gt;Lostfound&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;excerpt from &lt;span class="ymp-btn-page-play ymp-media-2de29bc81b3c87ba3015583ebe32228c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/~chris/sounds/balladei_exc.mp3" rel="nofollow"&gt;Balladei&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; (in 17, 29 and 12) by &lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/" rel="nofollow"&gt;Christopher Bailey&lt;/a&gt; , CD available &lt;a class="wiki_link_ext" href="http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&amp;amp;s=music&amp;amp;qid=1184598550&amp;amp;sr=1-19" rel="nofollow"&gt;here&lt;/a&gt; .&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-60b300d674b6179dec2e49769bcd92d2"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/17ET.mp3" rel="nofollow"&gt;Two-Part Invention in 17ET&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Aaron Andrew Hunt&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3" rel="nofollow"&gt;Overture to A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3" rel="nofollow"&gt;Fairy Lullaby from A Midsummer Night's Dream&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3" rel="nofollow"&gt;A Calamitous Simultaneity&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones (17edo and 22edo)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3" rel="nofollow"&gt;First Impressions&lt;/a&gt;&lt;/em&gt; &lt;/span&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3" rel="nofollow" target="_blank"&gt;I Insist&lt;/a&gt; by Igliashon Jones&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no1 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; and &lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3" rel="nofollow"&gt;Etude no2 for 2 Pianos in 17 Equal Temperament&lt;/a&gt;&lt;/em&gt; Jon Lyle Smith&lt;/li&gt;&lt;li&gt;A number of compositions from &lt;a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"&gt;seventeen-tone piano project phase I&lt;/a&gt; , &lt;a class="wiki_link" href="/SeventeenTPPPhaseTwo"&gt;seventeen-tone piano project phase II&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseThree"&gt;seventeen-tone piano project phase III&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/search.php?query=subject%3A%2217-edo%22" rel="nofollow"&gt;17edo&lt;/a&gt; - 17edo-tagged compositions on www.archive.org&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839072" rel="nofollow"&gt;sing a blue&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839073" rel="nofollow"&gt;stringfinger it everybean&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839069" rel="nofollow"&gt;cat feet belly&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c1117aea0d7479a1907922962588a201"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=a9N_T6LNDaE" rel="nofollow"&gt;17 Tone Jam&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Marmalade Man&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/results?search_query=17edo&amp;amp;search=tag" rel="nofollow"&gt;youtube videos tagged with 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=784" rel="nofollow" target="_blank"&gt;On the Shores of the Dead Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-58c0d564107bea8b718066b4a846e9a4"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=D39MVFhb0Ho" rel="nofollow"&gt;video of On the Shores of the Dead Sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=466" rel="nofollow" target="_blank"&gt;Only in Disneyland 17 blog&lt;/a&gt; edo guitar solo &lt;span class="ymp-btn-page-play ymp-media-ed57956200d2220e2dd400299c6c9d82"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3" rel="nofollow"&gt;play Only in Disneyland&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=460" rel="nofollow" target="_blank"&gt;17 Reasons I Hate the Blues blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b9bb77ee97249899bce1c2e34b7ca029"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3" rel="nofollow"&gt;play 17 Reasons I Hate the Blues&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=422" rel="nofollow" target="_blank"&gt;Klingon Opera Overture blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-1270ddd333612c93cd386aaa93b59aba"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3" rel="nofollow"&gt;play Klingon Opera Overture&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=298" rel="nofollow" target="_blank"&gt;Seventeen Selfless Notes blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-835371d8b0e3022bd14b58e3c0a6175a"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028selfless.mp3" rel="nofollow"&gt;play Seventeen Selfless Notes&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=76" rel="nofollow" target="_blank"&gt;17ET Jazz blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b4292082727ce51de4e72ce8e860e140"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3" rel="nofollow"&gt;play 17et Jazz&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by&lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt; Chris Vaisvil&lt;/a&gt; (60 x 60 winner)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=742" rel="nofollow"&gt;17 Pink Tuxedos blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-20284c23c4ce5614c44285891a72b2b9"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3" rel="nofollow"&gt;play 17 Pink Tuxedos&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=706" rel="nofollow"&gt;Devil in the Deep Blue Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-2b49237889b140316b82293bc4e5743c"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3" rel="nofollow"&gt;play Devil in the Deep Blue sea&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=585" rel="nofollow"&gt;Seventeen Years in the Sixties blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-e59982cb3a388488ca0ccb733e7439e7"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3" rel="nofollow"&gt;play Seventeen Years in the Sixties&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=699" rel="nofollow" target="_blank"&gt;CT Scan blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-6c6c5ec192c22569d28c8dd09467c623"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=ZEEuytYwtbo" rel="nofollow"&gt;play video CT Scan&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=470" rel="nofollow"&gt;Fish and a Grenade blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-d882886a0b66279c7c3aa180aacb7339"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3" rel="nofollow"&gt;play Fish and a Grenade&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; (parental advisory language) by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=550" rel="nofollow" target="_blank"&gt;Seventeen Unsteady Hands blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-0623ec5592a422ce10eddb210d094b60"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=rAKHCqBNhfc" rel="nofollow"&gt;play video of performance of Seventeen Unsteady Hands&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=38" rel="nofollow"&gt;The Pond blog&lt;/a&gt; by Chris Vaisvil and &lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=25sC3_uheyA" rel="nofollow" target="_blank"&gt;video version of The Pond with Japanese Garden &lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=305" rel="nofollow" target="_blank"&gt;Graveyard blog&lt;/a&gt; &lt;/span&gt;&lt;span class="ymp-btn-page-play ymp-media-7a8cb8e49c18c67a2ea8b60d80c25b21"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3" rel="nofollow"&gt;play Graveyard&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-e13a9b281483c4b0a10ba321bb7cc2b4"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3" rel="nofollow"&gt;For Brass and Voice Choirs in 17 edo&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil &lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1039" rel="nofollow" target="_blank"&gt;more on the composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3" rel="nofollow"&gt;And I Became One With My Per Fungi&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1439" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3" rel="nofollow"&gt;counterintuitive (17 edo guitar solo)&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1427" rel="nofollow" target="_blank"&gt;more on composition&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Sanchez/No_Love_by_Gregory_Sanchez_1_on_SoundCloud___Hear_the_world_s_sounds.mp3" rel="nofollow"&gt;No Love&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/gregory-sanchez-2/no-love" rel="nofollow"&gt;Gregory Sanchez&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://webzoom.freewebs.com/ralphjarzombek/micro7(17tet).mp3" rel="nofollow"&gt;Micro7&lt;/a&gt; by Ralph Jarzombek&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/20161125_linn_speactral_17.MP3" rel="nofollow"&gt;Flying Into O'Hare&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc9"&gt;&lt;a name="Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Instruments&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;a name="Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Instruments&lt;/h1&gt;
  &lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc10"&gt;&lt;a name="Instruments---Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
  &lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc11"&gt;&lt;a name="Instruments---Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc11"&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:849:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 249px; width: 706px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg" alt="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" title="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" style="height: 249px; width: 706px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:849 --&gt;&lt;/h4&gt;
&lt;!-- ws:start:WikiTextHeadingRule:26:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc12"&gt;&lt;!-- ws:end:WikiTextHeadingRule:26 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:852:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 249px; width: 706px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg" alt="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" title="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" style="height: 249px; width: 706px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:852 --&gt;&lt;/h4&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:26:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc12"&gt;&lt;a name="Instruments---Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:26 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:28:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc13"&gt;&lt;a name="Instruments---Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:28 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:28:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc13"&gt;&lt;!-- ws:end:WikiTextHeadingRule:28 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:850:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 256px; width: 689px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg" alt="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" title="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" style="height: 256px; width: 689px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:850 --&gt;&lt;/h4&gt;
&lt;!-- ws:start:WikiTextHeadingRule:30:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc14"&gt;&lt;!-- ws:end:WikiTextHeadingRule:30 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:853:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 256px; width: 689px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg" alt="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" title="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" style="height: 256px; width: 689px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:853 --&gt;&lt;/h4&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=436" rel="nofollow" target="_blank"&gt;17 note per octave conversion from a &amp;quot;standard&amp;quot; stratocastor copy&lt;/a&gt; - conversion by Brad Smith&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=436" rel="nofollow" target="_blank"&gt;17 note per octave conversion from a &amp;quot;standard&amp;quot; stratocastor copy&lt;/a&gt; - conversion by Brad Smith&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
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