User talk:SAKryukov: Difference between revisions

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:::::::::::::: So, you need to play the audio file when you're by yourself? I understand. Still, given your comments, it sounds like I should perhaps clarify things for you. In this sound file, the two CM6 chords are both built on a C7 that has a frequency of roughly 2093.0045224048 Hz. The first CM6 chord has the configuration of roughly 1/1-5/4-3/2-27/16, while the second CM6 chord has the configuration of roughly 1/1-5/4-3/2-5/3. Because a note forming a 5/3 ratio with C occurs very early in the harmonic series of F and does not occur as an interval distance from C in C's own harmonic series, or even the C's own subharmonic series, the 1/1-5/4-3/2-5/3 configuration of the CM6 chord has a strong virtual fundamental effect that implies a Tonic of F even when F itself is not a direct component of the chord, thus destabilizing the 1/1-5/4-3/2-5/3 chord on C in relation to the key of C Major. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 01:11, 7 December 2020 (UTC)

:::::::::::::: I guess that at the end of the day, the core idea of my approach to rational intervals and music is that while small rational intervals between the ''right two notes'' in a scale can establish and or cement a sense of tonality, small rational intervals between the ''wrong two notes'' in a scale can easily disrupt a sense of tonality. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 02:08, 7 December 2020 (UTC)

::::::::::::: By the way, do you really still use MP3?! It is not just obsolete, it is stone age, with ridiculous quality and compression. Top Web standard is .opus, is supported by everything. Probably, MP3 is alive only due to the existence of the devices like car audio — nothing is so conservative as those weird people designing such devices. :-)

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 :::::::::::::: So, you need to play the audio file when you're by yourself?  I understand.  Still, given your comments, it sounds like I should perhaps clarify things for you.  In this sound file, the two CM6 chords are both built on a C7 that has a frequency of roughly 2093.0045224048 Hz.  The first CM6 chord has the configuration of roughly 1/1-5/4-3/2-27/16, while the second CM6 chord has the configuration of roughly 1/1-5/4-3/2-5/3.  Because a note forming a 5/3 ratio with C occurs very early in the harmonic series of F and does not occur as an interval distance from C in C's own harmonic series, or even the C's own subharmonic series, the 1/1-5/4-3/2-5/3 configuration of the CM6 chord has a strong virtual fundamental effect that implies a Tonic of F even when F itself is not a direct component of the chord, thus destabilizing the 1/1-5/4-3/2-5/3 chord on C in relation to the key of C Major. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 01:11, 7 December 2020 (UTC)
+:::::::::::::: I guess that at the end of the day, the core idea of my approach to rational intervals and music is that while small rational intervals between the ''right two notes'' in a scale can establish and or cement a sense of tonality, small rational intervals between the ''wrong two notes'' in a scale can easily disrupt a sense of tonality. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 02:08, 7 December 2020 (UTC)
 ::::::::::::: By the way, do you really still use MP3?! It is not just obsolete, it is stone age, with ridiculous quality and compression. Top Web standard is .opus, is supported by everything. Probably, MP3 is alive only due to the existence of the devices like car audio — nothing is so conservative as those weird people designing such devices. :-)