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::::: Yes, this is what I think. I can describe it in a different way, but please try not to get offended, or something: your other pieces remind a lot of very usual things: ambient, science fiction, horror soundtracks, something like that, and only “Folly of a Drunk” hardly cannot be confused with something else, it is distinctly recognizable. At the same time, it follows some very traditional melodic structure, only mangled in some totally logical way. Yes, I understand if it is done by messing around, but maybe only because your intuition did not betray you in this case? My first impression was that you've elaborated a stable technique of interpretation of melodic themes in some "microtonal space". Apparently, your words tell me that it was false impression, but it only makes things more interesting :-) (Of course, taking into account that I know next to nothing about the art of musical composition. :-) After I received your very first comment on this page, first thing I did was listening to this piece. — [[User:SAKryukov|SA]], ''Tuesday 2020 December 1, 01:31 UTC''
::::: Yes, this is what I think. I can describe it in a different way, but please try not to get offended, or something: your other pieces remind a lot of very usual things: ambient, science fiction, horror soundtracks, something like that, and only “Folly of a Drunk” hardly cannot be confused with something else, it is distinctly recognizable. At the same time, it follows some very traditional melodic structure, only mangled in some totally logical way. Yes, I understand if it is done by messing around, but maybe only because your intuition did not betray you in this case? My first impression was that you've elaborated a stable technique of interpretation of melodic themes in some "microtonal space". Apparently, your words tell me that it was false impression, but it only makes things more interesting :-) (Of course, taking into account that I know next to nothing about the art of musical composition. :-) After I received your very first comment on this page, first thing I did was listening to this piece. — [[User:SAKryukov|SA]], ''Tuesday 2020 December 1, 01:31 UTC''
:::::: I'm not actually offended by you thinking highly of this song- in fact, I'm actually pleasantly surprised by this.  I have to say that the chord structure of "Folly of a Drunk" required more work- especially trying to make sure that the song changed keys properly around two thirds of the way through- furthermore, I also have to say that the chord structure is a driving element just like the melody is, and, if I recall correctly, I had to write the chords first in a number of cases. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 02:51, 1 December 2020 (UTC)


::::: Besides, the name... I thought that the name of this piece is a kind of allusion to the original name of one Bruegel's painting, "The Folly of the World", and, weirdly, the motive of this piece reminded me of this painting. What? Is it just my fantasy? — [[User:SAKryukov|SA]], ''Tuesday 2020 December 1, 01:40 UTC''
::::: Besides, the name... I thought that the name of this piece is a kind of allusion to the original name of one Bruegel's painting, "The Folly of the World", and, weirdly, the motive of this piece reminded me of this painting. What? Is it just my fantasy? — [[User:SAKryukov|SA]], ''Tuesday 2020 December 1, 01:40 UTC''
:::::: In all honestly, I don't think I ever heard of the particular painting you referenced.  In truth, this song was written to go along with a very specific scene in mind, though I won't share the totality of that scene at this time.  On another note, I have to admit that "Space Tour" is another science-fiction-based song, though I hope there's at least something interesting about it once I get done. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 02:51, 1 December 2020 (UTC)


== Commas ==
== Commas ==