User talk:SAKryukov: Difference between revisions

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:::::::::::::::: I'm sure that "Connectivity" will be not understood by most users. Paradoxically, using the word "Paradiatonic" is pretty good for the use in a name/title. I can explain it. I assume people playing on such exotic instruments usually know both "para-" and "diatonic", so they will read the entire word. It's not a problem that the entire word is totally unknown, it can only boost curiosity. Some well-known word like "connectivity" implies very many meanings, and this is what can puzzle people and can be perceived as faceless. (Why did you mention 7/4? You don't have it in your scales on this page. This is one of the intervals I really want to have, in some, well, totally non-diatonic systems.) Anyway, thank you for another idea. I would greatly appreciate some more.

::::::::::::::::: I get it now... I'm glad you like the term "Paradiatonic" though. As to why I mentioned 7/4 and the other paradiatonic intervals... well, they are not diatonic intervals- which is why they were not included on the scales page- but they still have potential for use as borrowed intervals (extra intervals that are not native to your key signature) and for modulation purposes. The 7/4 interval in particular does happen to be in two of the other scales I'm experimenting with- the ~~scales~~ that I'm having a hard time finding names for at the moment. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 23:58, 25 November 2020 (UTC)

::::::::::::::::: I get it now... I'm glad you like the term "Paradiatonic" though. As to why I mentioned 7/4 and the other paradiatonic intervals... well, they are not diatonic intervals- which is why they were not included on the scales page- but they still have potential for use as borrowed intervals (extra intervals that are not native to your key signature) and for modulation purposes. The 7/4 interval in particular does happen to be in two of the other scales I'm experimenting with- the two other sets of proper modes with supermajor and subminor chords that I'm having a hard time finding good names for at the moment. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 23:58, 25 November 2020 (UTC)

:::::::::::::::: For your information, I'm much less of an idea generator and much more of a one who discovers ideas brought by other people. It happened many times when some person could not realize the value of her/his own idea and I was the one to discover it. :-) [[User:SAKryukov|SA]], 23:48, 25 November 2020 (UTC)

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 :::::::::::::::: I'm sure that "Connectivity" will be not understood by most users. Paradoxically, using the word "Paradiatonic" is pretty good for the use in a name/title. I can explain it. I assume people playing on such exotic instruments usually know both "para-" and "diatonic", so they will read the entire word. It's not a problem that the entire word is totally unknown, it can only boost curiosity. Some well-known word like "connectivity" implies very many meanings, and this is what can puzzle people and can be perceived as faceless. (Why did you mention 7/4? You don't have it in your scales on this page. This is one of the intervals I really want to have, in some, well, totally non-diatonic systems.) Anyway, thank you for another idea. I would greatly appreciate some more.
-::::::::::::::::: I get it now...  I'm glad you like the term "Paradiatonic" though.  As to why I mentioned 7/4 and the other paradiatonic intervals... well, they are not diatonic intervals- which is why they were not included on the scales page- but they still have potential for use as borrowed intervals (extra intervals that are not native to your key signature) and for modulation purposes.  The 7/4 interval in particular does happen to be in two of the other scales I'm experimenting with- the scales that I'm having a hard time finding names for at the moment.  --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 23:58, 25 November 2020 (UTC)
+::::::::::::::::: I get it now...  I'm glad you like the term "Paradiatonic" though.  As to why I mentioned 7/4 and the other paradiatonic intervals... well, they are not diatonic intervals- which is why they were not included on the scales page- but they still have potential for use as borrowed intervals (extra intervals that are not native to your key signature) and for modulation purposes.  The 7/4 interval in particular does happen to be in two of the other scales I'm experimenting with- the two other sets of proper modes with supermajor and subminor chords that I'm having a hard time finding good names for at the moment.  --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 23:58, 25 November 2020 (UTC)
 :::::::::::::::: For your information, I'm much less of an idea generator and much more of a one who discovers ideas brought by other people. It happened many times when some person could not realize the value of her/his own idea and I was the one to discover it. :-) [[User:SAKryukov|SA]], 23:48, 25 November 2020 (UTC)