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:::::::::: For the most part, I myself do indeed work with computers to make the sounds I'm after.  As to potential real instruments I can think of for actually working with 53edo and 159edo, I'm pretty sure that trombones, violins, electronic synthesizers and similarly designed instruments are all capable of dealing in something approximating 53edo with a few technique adjustments, so perhaps you could look into instruments like those.  Yes, you'd need a series of register keys for temporarily adjusting the tuning of individual strings- especially when dealing with 159edo- but still, perhaps there's a solution on this front. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:06, 25 November 2020 (UTC)
:::::::::: For the most part, I myself do indeed work with computers to make the sounds I'm after.  As to potential real instruments I can think of for actually working with 53edo and 159edo, I'm pretty sure that trombones, violins, electronic synthesizers and similarly designed instruments are all capable of dealing in something approximating 53edo with a few technique adjustments, so perhaps you could look into instruments like those.  Yes, you'd need a series of register keys for temporarily adjusting the tuning of individual strings- especially when dealing with 159edo- but still, perhaps there's a solution on this front. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:06, 25 November 2020 (UTC)


:::::::::: Did I mention that there's such a thing as [[The Kite Guitar]], invented by [[Kite Giedraitis|User:TallKite]]? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:39, 25 November 2020 (UTC)
:::::::::: Did I mention that there's such a thing as [[The Kite Guitar]], invented by [[User:TallKite|Kite Giedraitis]]? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:39, 25 November 2020 (UTC)


::::::: Nice reference material on diatonic scales! Interestingly how EDO simplify things: for any 7-element diatonic system rendered as any EDO, it would be enough to describe only one mode, and then say: all other modes are derived by starting from the next element and then cycling through the remaining 6 sequential elements, and then shift by one until you get all 7 modern "natural" diatonic modes. It's remarkable that many musicians don't capture this simple idea from a school where they are taught each natural mode separately.
::::::: Nice reference material on diatonic scales! Interestingly how EDO simplify things: for any 7-element diatonic system rendered as any EDO, it would be enough to describe only one mode, and then say: all other modes are derived by starting from the next element and then cycling through the remaining 6 sequential elements, and then shift by one until you get all 7 modern "natural" diatonic modes. It's remarkable that many musicians don't capture this simple idea from a school where they are taught each natural mode separately.