11/8: Difference between revisions
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In [[11-limit]] [[just intonation]], '''11/8''' is an '''undecimal [[superfourth]]''' of about 551.3[[cent|¢]]. This interval has [https://en.wikipedia.org/wiki/Major_fourth_and_minor_fifth also been referred to] as the '''major fourth'''. Furthermore, as stacks of this interval form a core axis of Alpharabian tuning (see [[User:Aura/Aura's Ideas on Tonality #11-limit Axis Functionality]]), it can also be somewhat similarly dubbed the '''Alpharabian paramajor fourth''' or even the '''just paramajor fourth'''. | In [[11-limit]] [[just intonation]], '''11/8''' is an '''undecimal [[superfourth]]''' of about 551.3[[cent|¢]]. This interval has [https://en.wikipedia.org/wiki/Major_fourth_and_minor_fifth also been referred to] as the '''major fourth'''. Furthermore, as stacks of this interval form a core axis of [[Alpharabian tuning]] (see also [[User:Aura/Aura's Ideas on Tonality #11-limit Axis Functionality]]), it can also be somewhat similarly dubbed the '''Alpharabian paramajor fourth''' or even the '''just paramajor fourth'''. | ||
This interval is the simplest superfourth in JI, and as it falls about halfway between [[12edo]]'s [[perfect fourth]] and [[tritone]], it is very xenharmonic. As an octave-reduced overtone, it is a basis of consonance in 11-limit JI, alongside the lower odd numbers 9, 7, 5 and 3. It can be found in harmonic series chords such as 4:5:6:7:8:9:10:11:12, sitting somewhere between the much stronger and more familiar consonances of 10 (prime 5) and 12 (prime 3). | This interval is the simplest superfourth in JI, and as it falls about halfway between [[12edo]]'s [[perfect fourth]] and [[tritone]], it is very xenharmonic. As an octave-reduced overtone, it is a basis of consonance in 11-limit JI, alongside the lower odd numbers 9, 7, 5 and 3. It can be found in harmonic series chords such as 4:5:6:7:8:9:10:11:12, sitting somewhere between the much stronger and more familiar consonances of 10 (prime 5) and 12 (prime 3). | ||