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Kite Guitar translations by Kite Giedraitis: Difference between revisions

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autopatrolled, Sysops
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TallKite (talk | contribs)
autopatrolled, Sysops
3,990 edits
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This lacks the droning open string sound of the original. One solution is to tune the 2nd and 3rd string up one fret.
This lacks the droning open string sound of the original. One solution is to tune the 2nd and 3rd string up one fret.
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The repeated note on string 5 fret 14 is moved to string 3 fret 1. This also makes the switch from the 3rd to the 4th chord easier. Unfortunately this means chord shapes are no longer isomorphic. Another solution is a partial capo on fret 1 on strings 2 and 3, and perhaps 4 as well. This too avoids the 14th fret note. <b>Bolded</b> notes are capo'ed open strings:
The repeated note on string 5 fret 14 is moved to string 3 fret 1. This also makes the switch from the 3rd to the 4th chord easier. Unfortunately this means chord shapes are no longer isomorphic. Another solution is a partial capo on fret 1 on strings 2 and 3, and perhaps 4 as well. This too avoids the 14th fret note. <b>Bolded</b> notes are capo'ed open strings:
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== Barbershop, World Music, Microtonal Music, etc. ==
== Barbershop, World Music, Microtonal Music, etc. ==


=== Let It Be tag (Beatles) ===
My JI arrangement of the last line of the chorus of "Let It Be" as a barbershop tag, translated to 41edo. I tried to give each of the 4 lines a fun easy melody. The 2nd to last chord is an upmajor triad, the "rub" that drives the cadence.
For 6-string and 7-string guitar, in A downmajor. The 7-string would be in high-7 tuning. The guitar duplicates the voices exactly. The P8 of the bass and baritone is the P1 of the lead and tenor.
{| class="wikitable"
|+
! rowspan="2" |Lyrics
! colspan="4" |vocal parts
! colspan="2" |guitar tab
! rowspan="2" |chords
|-
!Bass
!Baritone
!Lead
!Tenor
!7-string
!6-string
|-
|Whisper
|P5
|P8
|vM3
|vm7
|. . 5 7 7 . 4
|18 20 20 . 17 .
|Iv7
|-
|Words
|"
|m9
|v4
|"
|. . 5 . 2 2 4
|18 . 15 15 17 .
|Vvm7(b5)
|-
|Of
|"
|P8
|vM3
|vM6
|. . 5 7 7 9 .
|18 20 20 22 . .
|Iv6
|-
|Wis-
|"
|vM7
|"
|P5
|. . 5 5 7 6 .
|18 18 20 19 . .
|vIII^m (or Vv6no5)
|-
|dom
|"
|"
|M2
|v4
|. . 5 5 4 2 .
|18 18 17 15 . .
|Vv7
|-
|Let
|"
|vm7
|vM3
|P5
|. . 5 3 7 6 .
|. . 5 3 7 6
|Vvm6no5 (or Iv7noR)
|-
|It
|"
|"
|M2
|v4
|. . 5 3 4 2 .
|. . 5 3 4 2
|Vvm7
|-
|Be-
|P4
|vM6
|P1
|vm3
|. 8 8 7 5 . .
|. 8 8 7 5 .
|IVv7
|-
| -e-
|vm3
|vm6
|"
|"
|. 4 6 7 5 . .
|. 4 6 7 5 .
|vbVI^ (or IVvm7noR)
|-
| -e
|P1
|P5
|"
|vM3
|6 . 5 7 7 . .
|6 . 5 7 7 .
|Iv
|}


=== Kusuva Musha (traditional mbira) ===
=== Kusuva Musha (traditional mbira) ===


Kite's arrangement of a traditional mbira dzavadzimu song. Simple 5-limit harmonies, except for the 10/7 in the vB chord. But tricky circular rhythms with lots of 3-against-4. The harmonies are circular too. The key is simultaneously C downmajor down-2 and F downlydian down-4. (As with chords, the "down" before the mode name lowers the 3rd, 6th and 7th, but not the tonic, 2nd, 4th or 5th.) The guitar part is a 3-voice canon, with the 3 voices separated by diatonic 3rds. The highest voice is on the beat, as is the bass.
My arrangement of a traditional mbira dzavadzimu song. Simple 5-limit harmonies, except for the 10/7 in the vB chord. But tricky circular rhythms with lots of 3-against-4. The harmonies are circular too. The key is simultaneously C downmajor down-2 and F downlydian down-4. (As with chords, the "down" before the mode name lowers the 3rd, 6th and 7th, but not the tonic, 2nd, 4th or 5th.) The guitar part is a 3-voice canon, with the 3 voices separated by diatonic 3rds. The highest voice is on the beat, as is the bass.


https://soundcloud.com/mbirakite/kusuva-musha-canon-guitar-version
https://soundcloud.com/mbirakite/kusuva-musha-canon-guitar-version
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=== The Magic Of Belief (Chris Vaisvil, microtonal) ===
=== Stupid F*cking White Man (Decolonize Your Mind Society, microtonal) ===
Coming soon!


https://chrisvaisvil.com/the-magic-of-belief-magic19-of-41-edo/
Opening riff for 7-string in low-7 tuning:
 
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| - - - - 4 - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
| - - 6 - - - - 6 | - - - - - - - - | - - - - - - - - | - - - - - - - - |
| - - - - - - - - | - - - - 5 - - - | - - - - - - - - | - - - - - - - - |
| - - - - - - - - | - - 7 - - - - 7 | - - - - 3 - - - | - - - - - - 7 - |
| - - - - - - - - | - - - - - - - - | - - 5 - - - - 5 | - - 5 - - - - - |
| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - 4 - - - |
| 6 - - - 6 - - - | 6 - - - 6 - - - | 6 - - - 6 - - - | 6 - - - - - - - |
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