User talk:CritDeathX: Difference between revisions

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:: Thanks! I did have to rethink the transformation of the harmonic entropy curve upon the successful overlay of different sections- now I'm thinking that what is required is not averaging the sections together but adding them together. If I'm thinking this through correctly, the addition results in the values for more-connected harmonic entropy minima adding up slowly, while the values for other, less-connected intervals basically add up quite fast. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:21, 12 September 2020 (UTC)

::: Yeah, that makes sense. I'd like to mention that comparing the intervals here to how you've described them, it seems that ones that hold more tonal opportunity are ones where the linear tones ~~don~~'t ~~like up with the denominator~~; it explains why 8/5 has a better "effect of fostering a stronger sense of tonality," as you've said, than 5/3, where its linear tones are only powers of 2. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 18:31, 12 September 2020 (UTC)

::: Yeah, that makes sense. I'd like to mention that comparing the intervals here to how you've described them, it seems that ones that hold more tonal opportunity are ones where the linear tones aren't powers of 2; it explains why 8/5 has a better "effect of fostering a stronger sense of tonality," as you've said, than 5/3, where its linear tones are only powers of 2. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 18:31, 12 September 2020 (UTC)

Revision as of 18:31, 12 September 2020 view source CritDeathX (talk \| contribs) autopatrolled 398 edits →Ideas of Consonance ← Older edit		Revision as of 18:33, 12 September 2020 view source CritDeathX (talk \| contribs) autopatrolled 398 edits →Ideas of Consonance Newer edit →
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	:: Thanks! I did have to rethink the transformation of the harmonic entropy curve upon the successful overlay of different sections- now I'm thinking that what is required is not averaging the sections together but adding them together. If I'm thinking this through correctly, the addition results in the values for more-connected harmonic entropy minima adding up slowly, while the values for other, less-connected intervals basically add up quite fast. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 18:21, 12 September 2020 (UTC)		:: Thanks! I did have to rethink the transformation of the harmonic entropy curve upon the successful overlay of different sections- now I'm thinking that what is required is not averaging the sections together but adding them together. If I'm thinking this through correctly, the addition results in the values for more-connected harmonic entropy minima adding up slowly, while the values for other, less-connected intervals basically add up quite fast. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 18:21, 12 September 2020 (UTC)

	::: Yeah, that makes sense. I'd like to mention that comparing the intervals here to how you've described them, it seems that ones that hold more tonal opportunity are ones where the linear tones ~~don~~'t ~~like up with the denominator~~; it explains why 8/5 has a better "effect of fostering a stronger sense of tonality," as you've said, than 5/3, where its linear tones are only powers of 2. --[[User:CritDeathX\|CritDeathX]] ([[User talk:CritDeathX\|talk]]) 18:31, 12 September 2020 (UTC)		::: Yeah, that makes sense. I'd like to mention that comparing the intervals here to how you've described them, it seems that ones that hold more tonal opportunity are ones where the linear tones aren't powers of 2; it explains why 8/5 has a better "effect of fostering a stronger sense of tonality," as you've said, than 5/3, where its linear tones are only powers of 2. --[[User:CritDeathX\|CritDeathX]] ([[User talk:CritDeathX\|talk]]) 18:31, 12 September 2020 (UTC)