User:Aura/Aura's EDO Impressions: Difference between revisions
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8 - The only things I | 8 - The only things I knew for a fact about this EDO going in were from my understanding of 4edo- namely that the same techniques available in 4edo are also viable here, with the added bonus of being able to use the Locrian-style tonic harmony in other ways due to there being more available pitch contrasts. It is true that one has to omit the fifth from most chords for harmony in this EDO to be useful, but I have to say I was pleasantly surprised when I found out not only that the antitonic harmony could now be fortified with what is effectively a supermajor third rather than simply another instance of the tonic, but also that the pitch immediately above the antitonic could serve as a good set-up for the antitonic harmony thanks to also having this same supermajor third above the root in the form of the tonic itself. Suffice to say I now have a new xenharmonic trick up my sleeve. | ||
9 - The only things I know for a fact about this EDO come from my understanding of 3edo, as the same techniques available in 3edo are also viable here. However, I can't say much about the other aspects of this EDO due to lack of other relevant experience on my part. | 9 - The only things I know for a fact about this EDO come from my understanding of 3edo, as the same techniques available in 3edo are also viable here. However, I can't say much about the other aspects of this EDO due to lack of other relevant experience on my part. | ||