Kite Guitar Originals by Kite Giedraitis: Difference between revisions

Line 284:

1st riff 2x

~~</tt>~~

~~== II-V-I riff in A downmajor ==~~

Play with a Bossa Nova feel. When translating IIm7 - V7 - IM7, I don't like to use a Vv7 chord, because it sounds to me more resolved than the IvM7. The I chord doesn't feel like the final chord, and the progression feels incomplete. I much prefer V^7 when resolving to IvM7.

~~<tt>~~

~~II^m7 V^7 IvM7 Iv,^7 Iv7~~

~~| - - 3 - - 3 - - | - 4 - - 4 - 4 - | - - 6 - 6 6 - 6 | - 6 - - 6 - 6 - |~~

~~| - - 1 - - 1 - - | - 5 - - 5 - 5 - | - - 7 - 7 7 - 7 | - 7 - - 7 - 7 - |~~

~~| - - 2 - - 2 - - | - 6 - - 6 - 6 - | - - 5 - 5 5 - 4 | - 4 - - 3 - 3 - |~~

~~| - - - - - - - 5 | - - - 5 - - - - | - - - - - - - - | - - - - - - - - |~~

~~| 3 - - - 3 - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |~~

~~| - - - - - - - - | - - - - - - - - | 6 - - - - - - - | - - - 6 - - - - |~~

</tt>

Line 343:

Line 328:

^D^7 ^Gv7

</tt>

== The Tri-sub song ==

In 12edo, a tritone substitution changes V7-IM7 to bII7-IM7. In 41edo, the bII can be translated to either ^bII or vbII. This song uses both. I used a ^dim,v7 chord instead of the more standard ^dim7 chord because I liked how it led into the following chord. The final ^9 chord uses a very dissonant high-3 voicing which makes an extreme contrast with the very pleasant vM7 chord that it resolves to.

</tt>

IvM7 vVI^m9

| - - 2 - 2 2 - - | - 2 - 2 - 2 2 - | - - 2 - 2 2 - - | - 2 - 2 - 2 2 - | (2x)

| - - 2 - 0 2 - - | - 0 - 2 - 0 2 - | - - 2 - 0 2 - - | - 0 - 2 - 0 2 - |

| - - 0 - 0 0 - - | - 0 - 0 - 0 0 - | - - 0 - 0 0 - - | - 0 - 0 - 0 0 - |

| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

| 1 - - - - - - 1 | - - - - - - - - | - - - - - - - - | - - - - - - - - |

| - - - - - - - - | - - - - - - - - | 2 - - - - - - 2 | - - - - - - - - |

vII^m9 IVv7 IV^dim,v7

| - - 4 - 2 4 - - | - 2 - 4 - 2 4 - | - - 0 - 0 0 - - | - 0 - 0 - - 0 - |

| - - 2 - 2 2 - - | - 2 - 2 - 2 2 - | - - 2 - 2 2 - - | - 0 - 0 - - 0 - |

| - - 3 - 3 3 - - | - 3 - 3 - 3 3 - | - - 3 - 3 3 - - | - 2 - 2 - - 2 - |

| - - - - - - - - | - - - - - - - - | 3 - - - - - - 3 | - - - - - 3 - - |

| 4 - - - - - - 4 | - - - - - - - - | - - - - - - - - | - - - - - - - - |

| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

^bIIv7 vbII^9

| - - 4 - 4 4 - - | - 0 - 4 - 0 4 - |

| - - 0 - 0 0 - - | - 0 - 0 - 0 0 - |

| - - 2 - 2 2 - - | - 1 - 1 - 1 1 - |

| - - - - - - - - | - - - - - - - - |

| 3 - - - - - - 2 | - - - - - - - - |

| - - - - - - - - | - - - - - - - - |

</tt>

Line 366:

Line 382:

Some people simply don't hear the rapid upwards tonic drift until it's pointed out to them. Even after becoming aware of it, it still feels incredibly jarring to go from the ^^V chord to a I chord. The ear insists on hearing the ^^V chord as a V chord and not a vbVI chord, and it insists on the ^^I chord coming next.

== II-V-I riff in A downmajor ==

Play with a Bossa Nova feel. When translating IIm7 - V7 - IM7, I don't like to use a Vv7 chord, because it sounds to me more resolved than the IvM7. The I chord doesn't feel like the final chord, and the progression feels incomplete. I much prefer V^7 when resolving to IvM7.

<tt>

II^m7 V^7 IvM7 Iv,^7 Iv7

| - - 3 - - 3 - - | - 4 - - 4 - 4 - | - - 6 - 6 6 - 6 | - 6 - - 6 - 6 - |

| - - 1 - - 1 - - | - 5 - - 5 - 5 - | - - 7 - 7 7 - 7 | - 7 - - 7 - 7 - |

| - - 2 - - 2 - - | - 6 - - 6 - 6 - | - - 5 - 5 5 - 4 | - 4 - - 3 - 3 - |

| - - - - - - - 5 | - - - 5 - - - - | - - - - - - - - | - - - - - - - - |

| 3 - - - 3 - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

| - - - - - - - - | - - - - - - - - | 6 - - - - - - - | - - - 6 - - - - |

</tt>

== Latrizo Pump riff ==

The Latrizo comma divides the 5th into three up-2nds. This riff ~~marches~~ up to the 5th and ~~swoops~~ back down. This song can't be translated to 12edo, as this video shows:

The Latrizo comma divides the 5th into three up-2nds. This riff walks up to the 5th and leaps back down. This song can't be translated to 12edo, as this video shows:

https://www.youtube.com/watch?v=~~xsIqxLeMzng~~<nowiki/>~~{{Dead link}}~~

https://www.youtube.com/watch?v=x9K9HTHcRl8<nowiki/>

<tt>

Line 418:

Line 449:

| 2 - - - - - - - | - - - - - - 2 - | - - - - - - - - | - - - - - - - - |

| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

</tt>

== Im7 - V7 riff ==

The Vv7 chord is fingered either xx4321 or x2x431. In other words, when the middle finger is playing the low bass note, the ring finger has to "cover" for it.

<tt>

I^m7 Vv7

5 | - - 5 - - - 5 - | - 5 - 5 - - - 1 | - - 1 - - - 1 - | - 1 - 1 - - - 1 |

5 | - - 5 - - - 5 - | - 5 - 5 - - - 3 | - - 3 - - - 3 - | - 3 - 3 - - - 3 |

3 | - - 3 - - - 3 - | - 3 - 3 - - - 4 | - - 4 - - - 4 - | - 4 - 4 - - - 4 |

4 | - - - - - 4 - - | - - - - - - 4 - | - - - 0 - 4 - - | - - - - 0 - 4 - |

| - - - 4 - - - - | - - - - 4 - - - | 2 - - - - - - - | 2 - - - - - - - |

| 5 - - - - - - - | 5 - - - - - - - | - - - - - - - - | - - - - - - - - |

Vv7 I^m7

| - - 1 - - - 1 - | - 1 - 1 - - - 5 | - - 5 - - - 5 - | - 5 - 5 - - - 5 |

| - - 3 - - - 3 - | - 3 - 3 - - - 5 | - - 5 - - - 5 - | - 5 - 5 - - - 5 |

| - - 4 - - - 4 - | - 4 - 4 - - - 3 | - - 3 - - - 3 - | - 3 - 3 - - - 3 |

| - - - 0 - 4 - - | - - - - 0 - 4 - | - - - - - 4 - - | - - - - - - 4 - |

| 2 - - - - - - - | 2 - - - - - - - | - - - 4 - - - - | - - - - 4 - - - |

| - - - - - - - - | - - - - - - - - | 5 - - - - - - - | 5 - - - - - - - |

</tt>

== Fun riff ==

Another one I wrote early on.

<tt>

// Dv7 1---------------\\ 2---------------\\

|| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - || - - - - - - - - ||

(2x) || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - || - - - - - - - - ||

|| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - || - - - - - - - - ||

|| - - 8 - - - - - | - 6 - 8 6 - - - | - - 8 - - - - 8 | - - 6 - 5 - 4 - || - - - - - - - - ||

|| 8 - - - - - 4 8 | - - - - - - 4 - | 8 - - - - - 4 - | - - - - - - - - || - - 7 - 6 - 5 - ||

|| - - - - 6 - - - | - - - - - - - - | - - - - 6 - - - | - - - - - - - - || - - - - - - - - ||

\\ // //

// vC^m6 1---------------\\ 2---------------\\

|| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - || - - - - - - - - ||

(2x) || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - || - - - - - - - - ||

|| - - - - - - - 3 | - - - - - - - - | - - - - - - - 3 | - - - - - - - - || - - - - - - - - ||

|| - - 3 - - - 6 - | - 6 - 3 - - - - | - - 3 - - - 6 - | - - - - - - 1 - || - - - - - - - - ||

|| - - 3 - - - 6 - | - 6 - 3 - - - - | - - 3 - - - 6 - | - - - - - - - - || - - - - - - - - ||

|| 4 - - - - - - - | - - - - 4 - - - | 4 - - - - - - - | ~~- -~~ - - 1 - - - || - - - - 6 - - - ||

|| 4 - - - - - - - | - - - - 4 - - - | 4 - - - - - - - | - - 1 - 2 - 3 - || - - - - 6 - - - ||

|| - - - - 6 - - - | - - - - - - 6 - | - - - - 6 - - - | - 2 - 2 - - - - || - - - - - - - - ||

|| - - - - 6 - - - | - - - - - - 6 - | - - - - 6 - - - | - - - - - - - - || - - - - - - - - ||

\\ // //

</tt>

Line 482:

Line 535:

== Chromatic riff ==

This came out of an exercise -- write chords under a melody that moves up and down chromatically.

This came out of an exercise I made up -- write chords under a melody that moves up and down chromatically.

x2443x -- ^^Ebv

@@ Line 284: / Line 284: @@
 st riff 2x
-</tt>
-== II-V-I riff in A downmajor ==
-Play with a Bossa Nova feel. When translating IIm7 - V7 - IM7, I don't like to use a Vv7 chord, because it sounds to me more resolved than the IvM7. The I chord doesn't feel like the final chord, and the progression feels incomplete. I much prefer V^7 when resolving to IvM7.
-<tt>
-    II^m7         V^7                   IvM7          Iv,^7       Iv7
-  | - - 3 - - 3 - - | - 4 - - 4 - 4 - | - - 6 - 6 6 - 6 | - 6 - - 6 - 6 - |
-  | - - 1 - - 1 - - | - 5 - - 5 - 5 - | - - 7 - 7 7 - 7 | - 7 - - 7 - 7 - |
-  | - - 2 - - 2 - - | - 6 - - 6 - 6 - | - - 5 - 5 5 - 4 | - 4 - - 3 - 3 - |
-  | - - - - - - - 5 | - - - 5 - - - - | - - - - - - - - | - - - - - - - - |
-  | 3 - - - 3 - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
-  | - - - - - - - - | - - - - - - - - | 6 - - - - - - - | - - - 6 - - - - |
 </tt>
@@ Line 343: / Line 328: @@
   ^D^7    ^Gv7
+</tt>
+== The Tri-sub song ==
+In 12edo, a tritone substitution changes V7-IM7 to bII7-IM7. In 41edo, the bII can be translated to either ^bII or vbII. This song uses both. I used a ^dim,v7 chord instead of the more standard ^dim7 chord because I liked how it led into the following chord. The final ^9 chord uses a very dissonant high-3 voicing which makes an extreme contrast with the very pleasant vM7 chord that it resolves to.
+</tt>
+    IvM7                                vVI^m9
+  | - - 2 - 2 2 - - | - 2 - 2 - 2 2 - | - - 2 - 2 2 - - | - 2 - 2 - 2 2 - |  (2x)
+  | - - 2 - 0 2 - - | - 0 - 2 - 0 2 - | - - 2 - 0 2 - - | - 0 - 2 - 0 2 - |
+  | - - 0 - 0 0 - - | - 0 - 0 - 0 0 - | - - 0 - 0 0 - - | - 0 - 0 - 0 0 - |
+  | - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
+  | 1 - - - - - - 1 | - - - - - - - - | - - - - - - - - | - - - - - - - - |
+  | - - - - - - - - | - - - - - - - - | 2 - - - - - - 2 | - - - - - - - - |
+    vII^m9                              IVv7          IV^dim,v7
+  | - - 4 - 2 4 - - | - 2 - 4 - 2 4 - | - - 0 - 0 0 - - | - 0 - 0 - - 0 - |
+  | - - 2 - 2 2 - - | - 2 - 2 - 2 2 - | - - 2 - 2 2 - - | - 0 - 0 - - 0 - |
+  | - - 3 - 3 3 - - | - 3 - 3 - 3 3 - | - - 3 - 3 3 - - | - 2 - 2 - - 2 - |
+  | - - - - - - - - | - - - - - - - - | 3 - - - - - - 3 | - - - - - 3 - - |
+  | 4 - - - - - - 4 | - - - - - - - - | - - - - - - - - | - - - - - - - - |
+  | - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
+    ^bIIv7        vbII^9
+  | - - 4 - 4 4 - - | - 0 - 4 - 0 4 - |
+  | - - 0 - 0 0 - - | - 0 - 0 - 0 0 - |
+  | - - 2 - 2 2 - - | - 1 - 1 - 1 1 - |
+  | - - - - - - - - | - - - - - - - - |
+  | 3 - - - - - - 2 | - - - - - - - - |
+  | - - - - - - - - | - - - - - - - - |
 </tt>
@@ Line 366: / Line 382: @@
 Some people simply don't hear the rapid upwards tonic drift until it's pointed out to them. Even after becoming aware of it, it still feels incredibly jarring to go from the ^^V chord to a I chord. The ear insists on hearing the ^^V chord as a V chord and not a vbVI chord, and it insists on the ^^I chord coming next.
+== II-V-I riff in A downmajor ==
+Play with a Bossa Nova feel. When translating IIm7 - V7 - IM7, I don't like to use a Vv7 chord, because it sounds to me more resolved than the IvM7. The I chord doesn't feel like the final chord, and the progression feels incomplete. I much prefer V^7 when resolving to IvM7.
+<tt>
+    II^m7         V^7                   IvM7          Iv,^7       Iv7
+  | - - 3 - - 3 - - | - 4 - - 4 - 4 - | - - 6 - 6 6 - 6 | - 6 - - 6 - 6 - |
+  | - - 1 - - 1 - - | - 5 - - 5 - 5 - | - - 7 - 7 7 - 7 | - 7 - - 7 - 7 - |
+  | - - 2 - - 2 - - | - 6 - - 6 - 6 - | - - 5 - 5 5 - 4 | - 4 - - 3 - 3 - |
+  | - - - - - - - 5 | - - - 5 - - - - | - - - - - - - - | - - - - - - - - |
+  | 3 - - - 3 - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
+  | - - - - - - - - | - - - - - - - - | 6 - - - - - - - | - - - 6 - - - - |
+</tt>
 == Latrizo Pump riff ==
-The Latrizo comma divides the 5th into three up-2nds. This riff marches up to the 5th and swoops back down. This song can't be translated to 12edo, as this video shows:
+The Latrizo comma divides the 5th into three up-2nds. This riff walks up to the 5th and leaps back down. This song can't be translated to 12edo, as this video shows:
-https://www.youtube.com/watch?v=xsIqxLeMzng<nowiki/>{{Dead link}}
+https://www.youtube.com/watch?v=x9K9HTHcRl8<nowiki/>
 <tt>
@@ Line 418: / Line 449: @@
    | 2 - - - - - - - | - - - - - - 2 - | - - - - - - - - | - - - - - - - - |
    | - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
+</tt>
+== Im7 - V7 riff ==
+The Vv7 chord is fingered either xx4321 or x2x431. In other words, when the middle finger is playing the low bass note, the ring finger has to "cover" for it.
+<tt>
+        I^m7                                Vv7
+| - - 5 - - - 5 - | - 5 - 5 - - - 1 | - - 1 - - - 1 - | - 1 - 1 - - - 1 |
+| - - 5 - - - 5 - | - 5 - 5 - - - 3 | - - 3 - - - 3 - | - 3 - 3 - - - 3 |
+| - - 3 - - - 3 - | - 3 - 3 - - - 4 | - - 4 - - - 4 - | - 4 - 4 - - - 4 |
+   | - - - - - 4 - - | - - - - - - 4 - | - - - 0 - 4 - - | - - - - 0 - 4 - |
+      | - - - 4 - - - - | - - - - 4 - - - | 2 - - - - - - - | 2 - - - - - - - |
+      | 5 - - - - - - - | 5 - - - - - - - | - - - - - - - - | - - - - - - - - |
+        Vv7                                 I^m7
+      | - - 1 - - - 1 - | - 1 - 1 - - - 5 | - - 5 - - - 5 - | - 5 - 5 - - - 5 |
+      | - - 3 - - - 3 - | - 3 - 3 - - - 5 | - - 5 - - - 5 - | - 5 - 5 - - - 5 |
+      | - - 4 - - - 4 - | - 4 - 4 - - - 3 | - - 3 - - - 3 - | - 3 - 3 - - - 3 |
+      | - - - 0 - 4 - - | - - - - 0 - 4 - | - - - - - 4 - - | - - - - - - 4 - |
+      | 2 - - - - - - - | 2 - - - - - - - | - - - 4 - - - - | - - - - 4 - - - |
+      | - - - - - - - - | - - - - - - - - | 5 - - - - - - - | 5 - - - - - - - |
 </tt>
 == Fun riff ==
+Another one I wrote early on.
 <tt>
- // Dv7                                                   1---------------\\  2---------------\\
+       // Dv7                                                   1---------------\\  2---------------\\
- || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
+       || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
-  || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
+ (2x)  || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
- || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
+       || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
- || - - 8 - - - - - | - 6 - 8 6 - - - | - - 8 - - - - 8 | - - 6 - 5 - 4 - ||  - - - - - - - - ||
+       || - - 8 - - - - - | - 6 - 8 6 - - - | - - 8 - - - - 8 | - - 6 - 5 - 4 - ||  - - - - - - - - ||
- || 8 - - - - - 4 8 | - - - - - - 4 - | 8 - - - - - 4 - | - - - - - - - - ||  - - 7 - 6 - 5 - ||
+       || 8 - - - - - 4 8 | - - - - - - 4 - | 8 - - - - - 4 - | - - - - - - - - ||  - - 7 - 6 - 5 - ||
- || - - - - 6 - - - | - - - - - - - - | - - - - 6 - - - | - - - - - - - - ||  - - - - - - - - ||
+       || - - - - 6 - - - | - - - - - - - - | - - - - 6 - - - | - - - - - - - - ||  - - - - - - - - ||
- \\                                                                       //                  //
+       \\                                                                       //                  //
- // vC^m6                                                 1---------------\\  2---------------\\
+       // vC^m6                                                 1---------------\\  2---------------\\
- || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
+       || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
-  || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
+ (2x)  || - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - ||  - - - - - - - - ||
- || - - - - - - - 3 | - - - - - - - - | - - - - - - - 3 | - - - - - - - - ||  - - - - - - - - ||
+       || - - - - - - - 3 | - - - - - - - - | - - - - - - - 3 | - - - - - - - - ||  - - - - - - - - ||
- || - - 3 - - - 6 - | - 6 - 3 - - - - | - - 3 - - - 6 - | - - - - - - 1 - ||  - - - - - - - - ||
+       || - - 3 - - - 6 - | - 6 - 3 - - - - | - - 3 - - - 6 - | - - - - - - - - ||  - - - - - - - - ||
- || 4 - - - - - - - | - - - - 4 - - - | 4 - - - - - - - | - - - - 1 - - - ||  - - - - 6 - - - ||
+       || 4 - - - - - - - | - - - - 4 - - - | 4 - - - - - - - | - - 1 - 2 - 3 - ||  - - - - 6 - - - ||
- || - - - - 6 - - - | - - - - - - 6 - | - - - - 6 - - - | - 2 - 2 - - - - ||  - - - - - - - - ||
+       || - - - - 6 - - - | - - - - - - 6 - | - - - - 6 - - - | - - - - - - - - ||  - - - - - - - - ||
- \\                                                                       //                  //
+       \\                                                                       //                  //
 </tt>
@@ Line 482: / Line 535: @@
 == Chromatic riff ==
-This came out of an exercise -- write chords under a melody that moves up and down chromatically.
+This came out of an exercise I made up -- write chords under a melody that moves up and down chromatically.
 x2443x -- ^^Ebv