Kite Guitar translations by Kite Giedraitis: Difference between revisions
added "Love Is A Losing Game" |
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2 - - - | - - 14 - | 14 - - 14 | - - 14 - | 2 - - - | - - 14 - | 14 - - 14 | - - 14 - | ||
- - - 0 | - - - - | 15 - - 12 | - - - - | - - - 0 | - - - - | 15 - - 12 | - - - - | ||
</tt> | </tt> | ||
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^^bVIv ^^bIIIv ^IV^m Vv7 | ^^bVIv ^^bIIIv ^IV^m Vv7 | ||
</tt> | </tt> | ||
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^bVIv ^bIIIv IV^m Vv7 | ^bVIv ^bIIIv IV^m Vv7 | ||
</tt> | </tt> | ||
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F^dim7 G#vdim7 | F^dim7 G#vdim7 | ||
</tt> | </tt><tt> | ||
<tt> | |||
intro: IV^dim7 | intro: IV^dim7 | ||
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IV^dim7 #Vvdim7 | IV^dim7 #Vvdim7 | ||
The IV/2 chord can be thought of as a V11no35 chord. This is an innate-comma chord. The 7th and 11th must make a perfect 5th. The 11th should be plain (8/3). The 9th should too (9/4). It should also be 5/4 above the 7th. Not all of these can be true. This translation uses IVv/2 = V11(v9)no35. The down-9th is a somewhat wolfy 20/9 or 11/5. It's a little awkward to play. It helps to finger the bass note last. Another possibility is ^IVv/v2 = V^9,^11no35 = x3xx110. The wolfy up-11th is 27/10 or 19/7. It causes a pitch shift for the tonic. | No comma pumps, in fact every chord except for the two dim7 chords contains the tonic. The chords are mostly 5-limit. </tt>The IV/2 chord can be thought of as a V11no35 chord. This is an innate-comma chord. The 7th and 11th must make a perfect 5th. The 11th should be plain (8/3). The 9th should too (9/4). It should also be 5/4 above the 7th. Not all of these can be true. This translation uses IVv/2 = V11(v9)no35. The down-9th is a somewhat wolfy 20/9 or 11/5. It's a little awkward to play. It helps to finger the bass note last. Another possibility is ^IVv/v2 = V^9,^11no35 = x3xx110. The wolfy up-11th is 27/10 or 19/7. It causes a pitch shift for the tonic. | ||
in 12edo, the two dim7 chords are equivalent, and can be thought of as a V7b9noR chord. There are several ways translate them to 41edo. For the first chord, I chose to make the root and 3rd match the IV^m7 chord. For the second chord, I chose to keep as many common notes as possible with the previous chord, and to have the 3rd match the 7th of the following chord. | |||
A note-for-note translation to plain C isn't possible because there is no low F on the guitar. So this translation is in ^C downmajor, for a 7-string guitar in low-7 tuning. | A note-for-note translation to plain C isn't possible because there is no low F on the guitar. So this translation is in ^C downmajor, for a 7-string guitar in low-7 tuning.<tt> | ||
<tt> | |||
^F^dim7 . 20 . 17 16 20 . | ^F^dim7 . 20 . 17 16 20 . | ||
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^G#vdim7 . . 19 . 16 14 18 | ^G#vdim7 . . 19 . 16 14 18 | ||
The picking pattern: | The picking pattern:</tt><tt> | ||
<tt> | |||
- - 6 - | - 6 - - | - - - - | - - - - | - - 6 - | - 6 - - | - - - - | - - - - | ||
- - 4 - | - 4 - - | - - 6 - | - 6 - - | - - 4 - | - 4 - - | - - 6 - | - 6 - - | ||
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| | | | ||
Gv7 / Cv7 / | Gv7 / Dvaug / | Gv7 / Cv7 / | Gv7 / Dvaug / | ||
</tt> | </tt> | ||
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FvM7 Bvm7(b5) Esus4 Ev7 | FvM7 Bvm7(b5) Esus4 Ev7 | ||
</tt> | </tt> | ||
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A^m7 Dv6 ^Gv ^GvM7 Bv,^7 | A^m7 Dv6 ^Gv ^GvM7 Bv,^7 | ||
</tt> | </tt> | ||