Erv Wilson's Linear Notations: Difference between revisions
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Wilson makes an example of a scale that could be made into a linear temperament by presenting his [[Combination product sets|Eikosany]] scale on a keyboard inspired by one for 41 notes. With the layout he chose, D'''\''' and β<big>ł</big> fall onto a homogeneous position from C (two keys down for D\, two keys up for β<big>ł</big>). Another detail shows that the 3, 9, & 3*9 keys are two [[Schisma|schismas]] off from the 5*7*11, 3*5*7*11, and 5*7*9*11 keys. With these two oddities, he suggests that a [[41edo|41EDO]] keyboard would be proper in hosting the Eikosany. | Wilson makes an example of a scale that could be made into a linear temperament by presenting his [[Combination product sets|Eikosany]] scale on a keyboard inspired by one for 41 notes. With the layout he chose, D'''\''' and β<big>ł</big> fall onto a homogeneous position from C (two keys down for D\, two keys up for β<big>ł</big>). Another detail shows that the 3, 9, & 3*9 keys are two [[Schisma|schismas]] off from the 5*7*11, 3*5*7*11, and 5*7*9*11 keys. With these two oddities, he suggests that a [[41edo|41EDO]] keyboard would be proper in hosting the Eikosany. | ||
Wilson says that he's "''emphatically biased towards the positive systems''", where the fifth is greater than Pythagorean. He mentions that unlike systems like [[meantone]], where the fifth is damaged to make the third pure, a positive system would be the first time in Western history where a tuning had pure thirds and pure fifths. If the third was damaged, it would only be to help the [[7/4|harmonic seventh]] and [[11/8|eleventh]] pure, which Wilson calls "''far lesser apostles''". He also brings up that [[wikipedia:Raga|the ragas of India]] could be hosted in these positive systems as well. | Wilson says that he's "''emphatically biased towards the positive systems''", where the fifth is greater than Pythagorean. He mentions that unlike systems like [[meantone]], where the fifth is damaged to make the third pure, a positive system would be the first time in Western history where a tuning had pure thirds and pure fifths. If the third was damaged, it would only be to help turn the [[7/4|harmonic seventh]] and [[11/8|eleventh]] pure, which Wilson calls "''far lesser apostles''". He also brings up that [[wikipedia:Raga|the ragas of India]] could be hosted in these positive systems as well. | ||
On the next page, he gives a section of his thoughts on the original Bosanquet layout, noting things like key shape and the width of intervals. In the current & future papers, he suggests & uses smaller hexagonal keys, saying that it eliminates dead space & suits more scales, like meantone & [[just intonation]]. Along with the Eikosany keyboard, he demonstrates two other keyboards with this variation of the layout, those being the [[wikipedia:Shruti_(music)|22 ''shruitis'' of India]] and a traditional [[Arabic, Turkish, Persian|Arabic]] system of 17 notes.[[File:A Handy Guide For The Notation Of 12-, 22-, 31-, And 41-Tone Systems.png|thumb|366x366px|An example of Wilson's notation system]]On the last two pages of the document, Wilson makes mention of a system of notation he issued in 1965. In these pages, he makes two categories based on how many steps C is from C#, and how many steps B# is from C. If C-C# is one step, its singular, two steps is binary, three steps is ternary, etc etc; if B# is less than C, its negative, neutral if they're the same, positive if B# is greater by one step, 2bly positive if B# is greater by two steps, etc etc. He also gives examples for accidentals up to the quaternary system; by this point, he hasn't made accidentals for a quinary system. | On the next page, he gives a section of his thoughts on the original Bosanquet layout, noting things like key shape and the width of intervals. In the current & future papers, he suggests & uses smaller hexagonal keys, saying that it eliminates dead space & suits more scales, like meantone & [[just intonation]]. Along with the Eikosany keyboard, he demonstrates two other keyboards with this variation of the layout, those being the [[wikipedia:Shruti_(music)|22 ''shruitis'' of India]] and a traditional [[Arabic, Turkish, Persian|Arabic]] system of 17 notes.[[File:A Handy Guide For The Notation Of 12-, 22-, 31-, And 41-Tone Systems.png|thumb|366x366px|An example of Wilson's notation system]]On the last two pages of the document, Wilson makes mention of a system of notation he issued in 1965. In these pages, he makes two categories based on how many steps C is from C#, and how many steps B# is from C. If C-C# is one step, its singular, two steps is binary, three steps is ternary, etc etc; if B# is less than C, its negative, neutral if they're the same, positive if B# is greater by one step, 2bly positive if B# is greater by two steps, etc etc. He also gives examples for accidentals up to the quaternary system; by this point, he hasn't made accidentals for a quinary system. |