13edo scales: Difference between revisions

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 The chord spelled root-major third-major fourth-minor sixth in archeotonic nomenclature occurs twice in archeotonic and I call it The Beloved Extra Special Chord. The reason it's beloved and extra special is that it can be interpreted both as an 8:10:11:13 and as a 13:16:18:21 (which can be revoiced as 8:9:13:21), thanks to the way 13edo conflates higher-limit JI intervals together.
-Archeotonic offers chord progressions by major seconds, thirds, and fourths. One example is root-major third-two major thirds-root, where the (two major thirds) is a 21/16 minor fourth away from the root.
+Archeotonic offers chord progressions by major seconds, thirds, and fourths. One example is root-major third-two major thirds-root (spelled J major - L major - N# major - J major in J Ryonian), where the (two major thirds) is a 21/16 minor fourth away from the root.
 ===Modal harmony===