Interval size measure: Difference between revisions

Line 24:

! Origin / Significance

|-

| [[~~Armodue_theory|~~Eka]]

| [[Eka]]

| [[16edo|16]]

| 24

| From Sanskrit ''eka'': one, unit; chromatic unit of Armodue 16ED2 Theory

|-

| [[~~Normal_diesis|~~Normal diesis]]

| [[Normal diesis]]

| [[31edo|31]]

| PRIME

Line 39:

| Proposed by Joseph Sauveur, as 7 heptaméride units ([http://tonalsoft.com/enc/m/meride.aspx source])

|-

| [[~~Holdrian_comma|~~Holdrian comma]]

| [[Holdrian comma]]

| [[53edo|53]]

| PRIME

Line 52:

| [[144edo|144]]

| 24 × 32

| 1/12 of [[~~12edo|~~12ED2]] semitone; Proposed by al-Farabi in 10th century ([http://www.huygens-fokker.org/docs/measures.html source])

| 1/12 of [[12ED2]] semitone; Proposed by al-Farabi in 10th century ([http://www.huygens-fokker.org/docs/measures.html source])

|-

| [[Mem]]

Line 67:

| [[300edo|300]]

| 22 × 3 × 52

| Alexander Wood's definition of the Savart (''[https://books.google.com.au/books?id=NWZ8CgAAQBAJ&lpg=PT50&vq=savart&pg=PT51 The Physics of Music]'', 1944), compatible with [[~~12edo|~~12ED2]] system

| Alexander Wood's definition of the Savart (''[https://books.google.com.au/books?id=NWZ8CgAAQBAJ&lpg=PT50&vq=savart&pg=PT51 The Physics of Music]'', 1944), compatible with [[12ED2]] system

|-

| [[Heptaméride]]/[[Eptaméride]]/[[Savart]]*

Line 117:

| 1200

| 24 × 3 × 52

| 1/100 of [[~~12edo|~~12ED2]] semitone

| 1/100 of [[12ED2]] semitone

|-

| greater muon

Line 172:

| [[1536edo|1536]]

| 29 × 3

| (7th MIDI unit), seventh MIDI-resolution unit, 1/128 (1/(27)) of [[~~12edo|~~12ED2]] semitone

| (7th MIDI unit), seventh MIDI-resolution unit, 1/128 (1/(27)) of [[12ED2]] semitone

|-

| rhoon

Line 197:

| [[2460edo|2460]]

| 22 × 3 × 5 × 41

| Abbreviation of "schismina", ED2 representation of the "Olympian Level" of [[~~Sagittal_notation|~~Sagittal notation ~~system~~]]

| Abbreviation of "schismina", ED2 representation of the "Olympian Level" of [[Sagittal notation]] system

|-

| [[Tina]]

| [[8539edo|8539]]

| PRIME

| Provides good approximations for 41-limit primes except 37 ([http://www.tonalsoft.com/enc/t/tina.aspx source]); named by [[~~Dave_Keenan|~~Keenan]] and [[~~George_Secor|~~Secor]]

| Provides good approximations for 41-limit primes except 37 ([http://www.tonalsoft.com/enc/t/tina.aspx source]); named by [[Dave Keenan]] and [[George Secor]]

|-

| [[Purdal]]

| [[9900edo|9900]]

| 22 × 32 × 52 × 11

| [[Relative cent]] of [[99edo|99ED2]]; Suggested by [[Osmiorisbendi]], advocated by [[Tútim Dennsuul Wafiil]]

|-

| [[~~Türk_sent|~~Türk sent]] / [[~~Turkish_cent|~~Turkish ~~Cent~~]]

| [[Türk sent]] / [[Turkish cent]]

| [[10600edo|10600]]

| 23 × 52 × 53

@@ Line 24: / Line 24: @@
 ! Origin / Significance
 |-
-| [[Armodue_theory|Eka]]
+| [[Eka]]
 | [[16edo|16]]
 | 2<sup>4</sup>
 | From Sanskrit ''eka'': one, unit; chromatic unit of Armodue 16ED2 Theory
 |-
-| [[Normal_diesis|Normal diesis]]
+| [[Normal diesis]]
 | [[31edo|31]]
 | PRIME
@@ Line 39: / Line 39: @@
 | Proposed by Joseph Sauveur, as 7 heptaméride units ([http://tonalsoft.com/enc/m/meride.aspx source])
 |-
-| [[Holdrian_comma|Holdrian comma]]
+| [[Holdrian comma]]
 | [[53edo|53]]
 | PRIME
@@ Line 52: / Line 52: @@
 | [[144edo|144]]
 | 2<sup>4</sup> × 3<sup>2</sup>
-| 1/12 of [[12edo|12ED2]] semitone; Proposed by al-Farabi in 10th century ([http://www.huygens-fokker.org/docs/measures.html source])
+| 1/12 of [[12ED2]] semitone; Proposed by al-Farabi in 10th century ([http://www.huygens-fokker.org/docs/measures.html source])
 |-
 | [[Mem]]
@@ Line 67: / Line 67: @@
 | [[300edo|300]]
 | 2<sup>2</sup> × 3 × 5<sup>2</sup>
-| Alexander Wood's definition of the Savart (''[https://books.google.com.au/books?id=NWZ8CgAAQBAJ&lpg=PT50&vq=savart&pg=PT51 The Physics of Music]'', 1944), compatible with [[12edo|12ED2]] system
+| Alexander Wood's definition of the Savart (''[https://books.google.com.au/books?id=NWZ8CgAAQBAJ&lpg=PT50&vq=savart&pg=PT51 The Physics of Music]'', 1944), compatible with [[12ED2]] system
 |-
 | [[Heptaméride]]/[[Eptaméride]]/[[Savart]]*
@@ Line 117: / Line 117: @@
 | 1200
 | 2<sup>4</sup> × 3 × 5<sup>2</sup>
-| 1/100 of [[12edo|12ED2]] semitone
+| 1/100 of [[12ED2]] semitone
 |-
 | greater muon
@@ Line 172: / Line 172: @@
 | [[1536edo|1536]]
 | 2<sup>9</sup> × 3
-| (7th MIDI unit), seventh MIDI-resolution unit, 1/128 (1/(2<sup>7</sup>)) of [[12edo|12ED2]] semitone
+| (7th MIDI unit), seventh MIDI-resolution unit, 1/128 (1/(2<sup>7</sup>)) of [[12ED2]] semitone
 |-
 | rhoon
@@ Line 197: / Line 197: @@
 | [[2460edo|2460]]
 | 2<sup>2</sup> × 3 × 5 × 41
-| Abbreviation of "schismina", ED2 representation of the "Olympian Level" of [[Sagittal_notation|Sagittal notation system]]
+| Abbreviation of "schismina", ED2 representation of the "Olympian Level" of [[Sagittal notation]] system
 |-
 | [[Tina]]
 | [[8539edo|8539]]
 | PRIME
-| Provides good approximations for 41-limit primes except 37 ([http://www.tonalsoft.com/enc/t/tina.aspx source]); named by [[Dave_Keenan|Keenan]] and [[George_Secor|Secor]]
+| Provides good approximations for 41-limit primes except 37 ([http://www.tonalsoft.com/enc/t/tina.aspx source]); named by [[Dave Keenan]] and [[George Secor]]
 |-
 | [[Purdal]]
 | [[9900edo|9900]]
 | 2<sup>2</sup> × 3<sup>2</sup> × 5<sup>2</sup> × 11
-| [[Relative cent]] of [[99edo|99ED2]]; Suggested by [[Osmiorisbendi|Osmiorisbendi]], [[Relative_cent|advocated]] by [[Tútim_Dennsuul_Wafiil|Tútim Dennsuul]]
+| [[Relative cent]] of [[99edo|99ED2]]; Suggested by [[Osmiorisbendi]], advocated by [[Tútim Dennsuul Wafiil]]
 |-
-| [[Türk_sent|Türk sent]] / [[Turkish_cent|Turkish Cent]]
+| [[Türk sent]] / [[Turkish cent]]
 | [[10600edo|10600]]
 | 2<sup>3</sup> × 5<sup>2</sup> × 53