13edo scales: Difference between revisions
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Note on terminology: I often use "cofourth", "cothird", and "cosecond" for octave complements of a fourth, third or second in place of sixth, seventh and eighth. The terms describe their melodic behavior being similar to octave complements of fourths, thirds, and seconds, and work in both archaeotonic and oneirotonic contexts. | Note on terminology: I often use "cofourth", "cothird", and "cosecond" for octave complements of a fourth, third or second in place of sixth, seventh and eighth. The terms describe their melodic behavior being similar to octave complements of fourths, thirds, and seconds, and work in both archaeotonic and oneirotonic contexts. | ||
Both archaeotonic and oneirotonic modes are partly analogous to diatonic modes, though | Both archaeotonic and oneirotonic modes are partly analogous to diatonic modes, though many of them sound more like combinations of different diatonic modes. | ||
===Archaeotonic=== | ===Archaeotonic=== | ||