13edo: Difference between revisions
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[[Kentaku's_Approach_to_13EDO|More on William Lynch's 13 EDO octaton approach]] | [[Kentaku's_Approach_to_13EDO|More on William Lynch's 13 EDO octaton approach]] | ||
==Inthar's thoughts on 13edo== | ==Inthar's thoughts on 13edo== | ||
Note on terminology: I often use "cofourth", "cothird", and "cosecond" for octave complements of a fourth, third or second in place of sixth, seventh and eighth. The terms describe their melodic behavior being similar to octave complements of fourths, thirds, and seconds, and work in both archaeotonic and oneirotonic contexts. | |||
Both archaeotonic and oneirotonic modes are partly analogous to diatonic modes, though some of them sound more like combinations of different modes. | Both archaeotonic and oneirotonic modes are partly analogous to diatonic modes, though some of them sound more like combinations of different modes. | ||