Kite Guitar translations by Kite Giedraitis: Difference between revisions

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</tt>
 
  chorus:  E^m7      A^m7      Dv7      ^GvM7
  chorus:  E^m7      A^m7      Dv7      ^GvM7
   
   
Line 463: Line 463:
   
   
           A^m7      Dv6      ^GvM7      Bv,^7       
           A^m7      Dv6      ^GvM7      Bv,^7       
</tt>


</tt>
  chorus:  I^m7      IV^m7      bVIIv7    ^bIIIvM7
  chorus:  I^m7      IV^m7      bVIIv7    ^bIIIvM7
   
   
Line 480: Line 478:
   
   
           IV^m7      bVIIv6    ^bIIIvM7    Vv,^7       
           IV^m7      bVIIv6    ^bIIIvM7    Vv,^7       
</tt>


The ^FvM7(b5) chord can be fingered 4 4 1 3 or 4 . 1 3 5. Alternatively, it could be a vM9v#11 chord 4 4 3 3 2 2.
The ^FvM7(b5) chord can be fingered 4 4 1 3 or 4 . 1 3 5. Alternatively, it could be a vM9v#11 chord 4 4 3 3 2 2.
Line 1,016: Line 1,013:
   |                          |                        |
   |                          |                        |
   |  ^IVv  ^IVv/3    VIv    |  IIv    V^m    Vv    |
   |  ^IVv  ^IVv/3    VIv    |  IIv    V^m    Vv    |
</tt>
</tt>
The score below is written out for the (P8,P4/3) pergen, with an enharmonic of v<sup>3</sup>A1, and vvE equal to ^Eb. But in 41edo, vvE equals ^^Eb. In this translation, the 4th chord is ^Ebv, causing a half-fret downward pitch shift.
The score below is written out for the (P8,P4/3) pergen, with an enharmonic of v<sup>3</sup>A1, and vvE equal to ^Eb. But in 41edo, vvE equals ^^Eb. In this translation, the 4th chord is ^Ebv, causing a half-fret downward pitch shift.