Kite Guitar: Difference between revisions

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* the downminor-7 flat-9 chord = Cvm7,b9 = C vEb G vBb Db = 4 2 3 1 0

* the downminor-7 flat-5 flat-9 chord = Cvm7(b5)b9 = C vEb Gb vBb Db = 4 2 1 1 0

The upminor 9th (15/7) is also possible, but hard to play, ~~Eample~~: the downmajor-7 upflat-9 chord = CvM7,^b9 = C vE G vB ^Db.Note that ^Db is enharmonically equivalent to C#, the augmented 8ve. Thus this chord's homonym is vE^m6/C.

The upminor 9th (15/7) is also possible, but hard to play, Example: the downmajor-7 upflat-9 chord = CvM7,^b9 = C vE G vB ^Db. Note that ^Db is enharmonically equivalent to C#, the augmented 8ve. Thus this chord's homonym is vE^m6/C.

=== Sixth chords ===

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|(difficult)

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At the beginning of this section on chord shapes, chords of prime-limit 11 or 13 were dismissed because "those chords have multiple intervals of high odd-limit." But when innate-comma chords are allowed, this no longer holds true. For example, the mid-5th can be interpreted as either 16/11 or 13/9. Each of the following chords contain this interval, but all the other intervals in the chord is at most odd-limit 5, 7 or 9, depending on the chord. The one exception is the vM7(~5) chord, odd-limit 15.

At the beginning of this section on chord shapes, chords of prime-limit 11 or 13 were dismissed because "those chords have multiple intervals of high odd-limit." But when innate-comma chords are allowed, this no longer holds true. For example, the mid-5th can be interpreted as either 16/11 or 13/9. Each of the following chords contain this interval, but all the other intervals in the chord are at most odd-limit 5, 7 or 9, depending on the chord. The one exception is the vM7(~5) chord, odd-limit 15.

* the downminor mid-5 chord = Cvm(~5) = C vEb vvG = 4 2 2

* the downminor-7 mid-5 chord = Cvm7(~5) = C vEb vvG vBb = 4 2 2 1 or 4 . 2 1 3

@@ Line 475: / Line 475: @@
 * the downminor-7 flat-9 chord = Cvm7,b9 = C vEb G vBb Db = 4 2 3 1 0
 * the downminor-7 flat-5 flat-9 chord = Cvm7(b5)b9 = C vEb Gb vBb Db = 4 2 1 1 0
-The upminor 9th (15/7) is also possible, but hard to play, Eample: the downmajor-7 upflat-9 chord = CvM7,^b9 = C vE G vB ^Db.Note that ^Db is enharmonically equivalent to C#, the augmented 8ve. Thus this chord's homonym is vE^m6/C.
+The upminor 9th (15/7) is also possible, but hard to play, Example: the downmajor-7 upflat-9 chord = CvM7,^b9 = C vE G vB ^Db. Note that ^Db is enharmonically equivalent to C#, the augmented 8ve. Thus this chord's homonym is vE^m6/C.
 === Sixth chords ===
@@ Line 868: / Line 868: @@
 |(difficult)
 |}
-At the beginning of this section on chord shapes, chords of prime-limit 11 or 13 were dismissed because "those chords have multiple intervals of high odd-limit." But when innate-comma chords are allowed, this no longer holds true. For example, the mid-5th can be interpreted as either 16/11 or 13/9. Each of the following chords contain this interval, but all the other intervals in the chord is at most odd-limit 5, 7 or 9, depending on the chord. The one exception is the vM7(~5) chord, odd-limit 15.
+At the beginning of this section on chord shapes, chords of prime-limit 11 or 13 were dismissed because "those chords have multiple intervals of high odd-limit." But when innate-comma chords are allowed, this no longer holds true. For example, the mid-5th can be interpreted as either 16/11 or 13/9. Each of the following chords contain this interval, but all the other intervals in the chord are at most odd-limit 5, 7 or 9, depending on the chord. The one exception is the vM7(~5) chord, odd-limit 15.
 * the downminor mid-5 chord = Cvm(~5) = C vEb vvG = 4 2 2
 * the downminor-7 mid-5 chord = Cvm7(~5) = C vEb vvG vBb = 4 2 2 1 or 4 . 2 1 3