Kite Guitar translations by Kite Giedraitis: Difference between revisions
→I Will (The Beatles): added the G^m7 option |
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E^m7 ^Gv7 ^Cv7 / | A^9 ^Cv7 ^Gv7 / (coda) | E^m7 ^Gv7 ^Cv7 / | A^9 ^Cv7 ^Gv7 / (coda) | ||
</tt> | </tt> | ||
In relative notation: | In relative notation: | ||
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== I Will (The Beatles) == | == I Will (The Beatles) == | ||
This song pumps the [[81/80|Gu (Meantone) comma]] very rapidly. Note the ^4 root movement from vD to G. Alternatively, a D root could be used. | This song pumps the [[81/80|Gu (Meantone) comma]] very rapidly. The Gvm7 chords could instead be G^m7 chords. Note the ^4 root movement from vD to G. Alternatively, a D root could be used. | ||
<tt> | <tt> | ||
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This song switches between relative major and minor so smoothly, it's hard to say what key it's in. Here it's written out as major. | This song switches between relative major and minor so smoothly, it's hard to say what key it's in. Here it's written out as major. | ||
This song has an ascending 81/80 comma pump. While comma pumps are usually handled with pitch shifts, tonic drift works | This song has an ascending 81/80 comma pump. While comma pumps are usually handled with pitch shifts, this is a rare example of a song for which tonic drift works. Tonic drift is easier to accept if it’s ascending, not descending. It only drifts up after the chorus, and this upward drift is arguably a nice touch. The Beatles changed key up a semitone at that point, and this is just a more subtle version of that. | ||
<tt> | <tt> | ||