Kite Guitar translations by Kite Giedraitis: Difference between revisions
Greensleeves |
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== Greensleeves == | == Greensleeves == | ||
An example of minor-key Renaissance music. The 2nd chord in the first two lines, ^bVIIv, is an optional passing chord. The V7 chord is translated as Vv,^7, because Vv7 sounds inappropriate. The chord is voiced 1-5-7-10, and the interval from the 7th up to the 10th is a mid 4th. Somehow 11/8 sounds less out of place than 10/7! The melody uses the ^4th, to match this chord and also the ^bVIIv chord. The plain 4th is only used | An example of minor-key Renaissance music. The 2nd chord in the first two lines, ^bVIIv, is an optional passing chord. The V7 chord is translated as Vv,^7, because Vv7 sounds inappropriate. The chord is voiced 1-5-7-10, and the interval from the 7th up to the 10th is a mid 4th. Somehow 11/8 sounds less out of place than 10/7! The melody uses the ^4th, to match this chord and also the ^bVIIv chord. The plain 4th is only used as part of the IV^m chord. | ||
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| 5 . . . . . | . . . . . . | 3 . . . . . | . . . . . . | | | 5 . . . . . | . . . . . . | 3 . . . . . | . . . . . . | | ||
| 6 . . . 6 . | 6 . . 4 6 . | 4 . . . 4 . | . . . . | | 6 . . . 6 . | 6 . . 4 6 . | 4 . . . 4 . | . . . . . . | | ||
| . . . . . . | 6 . . . . . | . . . . . . | 4 . . . . . | | | . . . . . . | 6 . . . . . | . . . . . . | 4 . . . . . | | ||
| . . 4 . . . | . . 7 . . . | . . 2 . . . | . . 2 . . . | | | . . 4 . . . | . . 7 . . . | . . 2 . . . | . . 2 . . . | | ||