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I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...
I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...


Handling chords built from Overtone Scales has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.
Handling chords built from [[Overtone scales|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.


Holger
Holger