Kite Guitar: Difference between revisions
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Other voicings are possible; these are just the most convenient ones. The alternate names for the voicings are explained in the next section. The upmajor chord is a particularly dissonant triad. | Other voicings are possible; these are just the most convenient ones. The alternate names for the voicings are explained in the next section. The upmajor chord is a particularly dissonant triad. | ||
{| class="wikitable" | {| class="wikitable" | ||
! | !chord type | ||
!sus4 | !sus4 | ||
!up or | !up or | ||
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!downdim | !downdim | ||
|- | |- | ||
! | !example, with homonym | ||
!C4 = F2 | !C4 = F2 | ||
!C^ | !C^ | ||
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Adding a major 9th (ratio 9/4) to any of the first 4 tetrads sounds good. The up-7 chord is arguably improved by adding a 9th. 9ths are shown in parentheses. The no3, no5 and no7 (i.e. add9) versions of the ^9 and v9 chords are all 9-odd-limit chords. | Adding a major 9th (ratio 9/4) to any of the first 4 tetrads sounds good. The up-7 chord is arguably improved by adding a 9th. 9ths are shown in parentheses. The no3, no5 and no7 (i.e. add9) versions of the ^9 and v9 chords are all 9-odd-limit chords. | ||
{| class="wikitable" | {| class="wikitable" | ||
! | !chord type | ||
!downmajor-7 | !downmajor-7 | ||
!up-7 (up-9) | (downmajor-9) | ||
!up-7 | |||
(up-9) | |||
!down-7 | !down-7 | ||
(down-9) | |||
!upminor-7 | !upminor-7 | ||
(upminor-9) | |||
!downminor-7 | !downminor-7 | ||
!up-halfdim | !up-halfdim | ||
!down-halfdim | !down-halfdim | ||
|- | |- | ||
! | !example, with homonym | ||
!CvM7 (CvM9) | !CvM7 | ||
!C^7 (C^9) | (CvM9) | ||
!Cv7 (Cv9) | !C^7 | ||
!C^m7 = ^Ebv6 (C^m9) | (C^9) | ||
!Cv7 | |||
(Cv9) | |||
!C^m7 = ^Ebv6 | |||
(C^m9 = ^EbvM7/C) | |||
!Cvm7 = vEb^6 | !Cvm7 = vEb^6 | ||
!C^m7(b5) = ^Ebvm6 | !C^m7(b5) = ^Ebvm6 | ||
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Adding a major 9th to any of these chords will make a wolf 4th with the 6th. Adding an 11th to either the ^m6 or the vm6 chord won't increase the odd limit above 9. | Adding a major 9th to any of these chords will make a wolf 4th with the 6th. Adding an 11th to either the ^m6 or the vm6 chord won't increase the odd limit above 9. | ||
{| class="wikitable" | {| class="wikitable" | ||
! | !chord type | ||
!up-6 or | !up-6 or | ||
upmajor-6 | upmajor-6 | ||
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!downminor-6 | !downminor-6 | ||
|- | |- | ||
! | !example, with homonym | ||
!C^6 = ^Avm7 | !C^6 = ^Avm7 | ||
!Cv6 = vA^m7 | !Cv6 = vA^m7 |